{"id":17846,"date":"1900-07-22T17:52:56","date_gmt":"1900-07-22T22:52:56","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=17846"},"modified":"2026-04-17T11:04:03","modified_gmt":"2026-04-17T16:04:03","slug":"all-top-10s","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/1900\/07\/all-top-10s\/","title":{"rendered":"All the Top 10s"},"content":{"rendered":"<p><span style=\"text-decoration: underline;\">RECENT CHANGES (most recent at the top)<\/span><\/p>\n<ul>\n<li><span style=\"color: #0000FF;\">Added <em>Dekalog, Six<\/em> to 1989\u2019s Top 10 list and removed <em>sex, lies, and videotape<\/em>.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Added <em>Aspen<\/em> to 1991\u2019s Top 10 list and removed <em>The Double Life of Veronique<\/em>.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Added <em>The Rib of the Greater Bay Area<\/em> to 2026\u2019s Top 10 list.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Added Top 10 list for 2026.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Added <em>Pedra e Montanha<\/em> to 2025\u2019s Top 10 list and removed <em>The Love That Remains<\/em>.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Removed <em>Ballast<\/em> from 2008\u2019s &#8220;Intending to See&#8221; list.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Removed <em>Redacted<\/em> from 2007\u2019s &#8220;Intending to See&#8221; list.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Removed <em>The History of Sound<\/em> from 2025\u2019s &#8220;Intending to See&#8221; list.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Removed <em>Out of the Blue<\/em> from 1980\u2019s &#8220;Intending to See&#8221; list.<\/span><\/li>\n<li><span style=\"color: #0000FF;\">Added <em>The Brood<\/em> to 1979\u2019s Top 10 list and removed <em>Bush Mama<\/em>.<\/span><\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Special notes for the below lists<\/span><\/p>\n<ul>\n<li>A rating will be preceded by a tilde (~) if it\u2019s been too long since I last saw that film for me to be sure of precisely how much I cared for it. This applies to everything I last saw before I started logging ratings in October 2009.<\/li>\n<li>If a list has less than ten films then I just haven\u2019t seen enough films I like (i.e. 6.0 and higher) from that year to compose an entire, proper Top 10. They\u2019ll all be filled up eventually. Promise.<\/li>\n<li>A list is replaced with <strong>TK<\/strong> when there are less than five films from that year that I like. (Exception: the Silent Era, since for some years it will take me a <em>long<\/em> time to discover five films I like.)<\/li>\n<li>The \u201c<em>Intending to See<\/em>\u201d lists are precisely that. Films get included here for myriad reasons, all of them subject to personal whims. (<span style=\"color: #FF0000;\">NOTE [January 2026]: These use to align with various completist projects I engaged in, but, because life really is too short, it now only includes films I&#8217;m particularly interested in seeing.<\/span>)<\/li>\n<\/ul>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2026<\/span><\/p>\n<ol>\n<li>The Rib of the Greater Bay Area (Zhou Tao) &#8211; 8.0<\/li>\n<li>My Wife Cries (Angela Schanelec) &#8211; 7.1<\/li>\n<li>Chronovisor (Kevin Walker &#038; Jack Auen) &#8211; 6.8<\/li>\n<li>Queen at Sea (Lance Hammer) &#8211; 6.6<\/li>\n<li>London (Sebastian Brameshuber) &#8211; 6.5<\/li>\n<li>Everything Else Is Noise (Nicol\u00e1s Pereda) &#8211; 6.3<\/li>\n<li>If I Were Alive (Andr\u00e9 Novais Oliveira) &#8211; 6.3<\/li>\n<li>EIGHT BRIDGES (James Benning) &#8211; 6.1<\/li>\n<li>Doggerland (Kim Ekberg) &#8211; 6.1<\/li>\n<li>&#8211;<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2025<\/span><\/p>\n<ol>\n<li>Dry Leaf (Alexandre Koberidze) &#8211; 7.7<\/li>\n<li>Pedra e Montanha (Tetsuya Maruyama) &#8211; 7.3<\/li>\n<li>Nirvanna the Band the Show the Movie (Matt Johnson) &#8211; 7.1<\/li>\n<li>Bugonia (Yorgos Lanthimos) &#8211; 7.0<\/li>\n<li>The Perfect Neighbor (Geeta Gandbhir) &#8211; 6.8<\/li>\n<li>Reflection in a Dead Diamond (H\u00e9l\u00e8ne Cattet &#038; Bruno Forzani) &#8211; 6.7<\/li>\n<li>Yes (Nadav Lapid) &#8211; 6.6<\/li>\n<li>What Does That Nature Say to You (Hong Sang-soo) &#8211; 6.5<\/li>\n<li>Father Mother Sister Brother (Jim Jarmusch) &#8211; 6.5<\/li>\n<li>Final Destination Bloodlines (Zach Lipovsky &#038; Adam B. Stein) &#8211; 6.5<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2024<\/span><\/p>\n<ol>\n<li>Baby Invasion (Harmony Korine) \u2013 8.1<\/li>\n<li>The Periphery of the Base (Zhou Tao) \u2013 7.6<\/li>\n<li>Megalopolis (Francis Ford Coppola) \u2013 7.6<\/li>\n<li>Misericordia (Alain Guiraudie) \u2013 7.4<\/li>\n<li>Afternoons of Solitude\u00a0(Albert Serra) \u2013 7.3<\/li>\n<li>DIRECT ACTION (Ben Russell &#038; Guillaume Cailleau) \u2013 7.2<\/li>\n<li>Here (Robert Zemeckis) \u2013 7.1<\/li>\n<li>Chime (Kiyoshi Kurosawa) \u2013 6.9<\/li>\n<li>The Invisible Zoo (Romuald Karmakar) \u2013 6.8<\/li>\n<li>The Adamant Girl (P.S. Vinothraj) \u2013 6.7<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (3): Riders (Mart\u00edn Rejtman); Soundtrack to a Coup d\u2019Etat (Johan Grimonprez); Suburban Fury (Robinson Devor)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2023<\/span><\/p>\n<ol>\n<li>AGGRO DR1FT (Harmony Korine) \u2013 8.3<\/li>\n<li>The Wonderful Story of Henry Sugar and Three More (Wes Anderson) \u2013 7.1<\/li>\n<li>Our Body (Claire Simon) \u2013 7.0<\/li>\n<li>A Prince (Pierre Creton) \u2013 7.0<\/li>\n<li>Close Your Eyes (V\u00edctor Erice) \u2013 6.9<\/li>\n<li>May December (Todd Haynes) \u2013 6.9<\/li>\n<li>Last Summer&#8230; (Catherine Breillat) \u2013 6.8<\/li>\n<li>The Feeling That the Time for Doing Something Has Passed (Joanna Arnow) \u2013 6.7<\/li>\n<li>About Thirty (Mart\u00edn Shanly) \u2013 6.7<\/li>\n<li>Here (Bas Devos) \u2013 6.6<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2022<\/span><\/p>\n<ol>\n<li>EO (Jerzy Skolimowski) \u2013 7.8<\/li>\n<li>The Plains (David Easteal) \u2013 7.5<\/li>\n<li>Showing Up (Kelly Reichardt) \u2013 7.5<\/li>\n<li>Trenque Lauquen (Laura Citarella) \u2013 7.4<\/li>\n<li>De Humani Corporis Fabrica (V\u00e9r\u00e9na Paravel &amp; Lucien Castaing-Taylor) \u2013 7.4<\/li>\n<li>Apollo 10\u00bd: A Space Age Childhood (Richard Linklater) \u2013 7.3<\/li>\n<li>Coma (Bertrand Bonello) \u2013 7.2<\/li>\n<li>We Had the Day Bonsoir (Narimane Mari) \u2013 7.1<\/li>\n<li>The Natural History of Destruction (Sergei Loznitsa) \u2013 7.1<\/li>\n<li>The Dream and the Radio (Renaud Despr\u00e9s-Larose &amp; Ana Tapia Rousiouk) \u2013 7.0<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2021<\/span><\/p>\n<ol>\n<li>Memoria (Apichatpong Weerasethakul) \u2013 7.9<\/li>\n<li>France (Bruno Dumont) \u2013 7.7<\/li>\n<li>The Tsugua Diaries (Miguel Gomes &amp; Maureen Fazendeiro) \u2013 7.3<\/li>\n<li>Rock Bottom Riser (Fern Silva) \u2013 7.3<\/li>\n<li>First Time \u2014 The Time for All but Sunset [Violet] (Nicolaas Schmidt) \u2013 7.2<\/li>\n<li>Wheel of Fortune and Fantasy (Ry\u00fbsuke Hamaguchi) \u2013 7.2<\/li>\n<li>The Souvenir Part II (Joanna Hogg) \u2013 7.2<\/li>\n<li>What Do We See When We Look at the Sky? (Alexandre Koberidze) &#8211; 7.1<\/li>\n<li>Red Rocket (Sean Baker) \u2013 7.1<\/li>\n<li>Un monde flottant (Jean-Claude Rousseau) \u2013 7.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (1): The Apartment with Two Women (Kim Se-in)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2020<\/span><\/p>\n<ol>\n<li>DAU. Degeneration (Ilya Khrzhanovskiy &amp; Ilya Permyakov) \u2013 7.3<\/li>\n<li>Her Socialist Smile (John Gianvito) \u2013 7.3<\/li>\n<li>Fauna (Nicol\u00e1s Pereda) \u2013 7.2<\/li>\n<li>The Last City (Heinz Emigholz) \u2013 7.1<\/li>\n<li>Days (Tsai Ming-liang) \u2013 7.1<\/li>\n<li>DAU. Three Days (Ilya Khrzhanovskiy &amp; Jekaterina Oertel) \u2013 7.0<\/li>\n<li>Let Them All Talk a.k.a. The Fall of 2019 (Steven Soderbergh) \u2013 6.9<\/li>\n<li>The Salt of Tears (Philippe Garrel) \u2013 6.9<\/li>\n<li>DAU. Brave People (Ilya Khrzhanovskiy &amp; Aleksey Slusarchuk) \u2013 6.9<\/li>\n<li>The Disciple (Chaitanya Tamhane) \u2013 6.8<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2019<\/span><\/p>\n<ol>\n<li>Uncut Gems (Josh &amp; Benny Safdie) \u2013 8.1<\/li>\n<li>Libert\u00e9 (Albert Serra) \u2013 7.7<\/li>\n<li>The Giverny Document (Single Channel) (Ja\u2019Tovia Gary) \u2013 7.3<\/li>\n<li>The Plagiarists (Peter Parlow) \u2013 7.2<\/li>\n<li>I Was at Home, But&#8230; (Angela Schanelec) \u2013 7.0<\/li>\n<li>Fourteen (Dan Sallitt) &#8211; 6.9<\/li>\n<li>About Endlessness (Roy Andersson) \u2013 6.9<\/li>\n<li>Young Ahmed (Jean-Pierre &amp; Luc Dardennes) \u2013 6.9<\/li>\n<li>Just Don\u2019t Think I\u2019ll Scream (Frank Beauvais) &#8211; 6.7<\/li>\n<li>Knives Out (Rian Johnson) \u2013 6.7<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2018<\/span><\/p>\n<ol>\n<li>The House That Jack Built (Lars von Trier) \u2013 8.7<\/li>\n<li>Climax (Gaspar No\u00e9) \u2013 7.7<\/li>\n<li>The Image Book (Jean-Luc Godard) \u2013 7.5<\/li>\n<li>Long Day&#8217;s Journey Into Night (Bi Gan) \u2013 7.3<\/li>\n<li>Burning (Lee Chang-dong) \u2013 7.2<\/li>\n<li>L. COHEN (James Benning) \u2013 7.1<\/li>\n<li>High Life (Claire Denis) \u2013 7.0<\/li>\n<li>Our Time (Carlos Reygadas) \u2013 6.9<\/li>\n<li>Quantification Trilogy (Jeremy Shaw) \u2013 6.9<\/li>\n<li>Dragged Across Concrete (S. Craig Zahler) \u2013 6.9<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2017<\/span><\/p>\n<ol>\n<li>Twin Peaks (David Lynch) \u2013 9.1<\/li>\n<li>Jeannette: The Childhood of Joan of Arc (Bruno Dumont) \u2013 8.0<\/li>\n<li>Mrs. Hyde (Serge Bozon) \u2013 7.7<\/li>\n<li>Call Me by Your Name (Luca Guadagnino) \u2013 7.6<\/li>\n<li>Big Little Lies (Jean-Marc Vall\u00e9e) \u2013 7.4<\/li>\n<li>\u2605 (Johann Lurf) \u2013 7.3<\/li>\n<li>Faces Places (Agn\u00e8s Varda &amp; JR) \u2013 7.2<\/li>\n<li>The Wandering Soap Opera (Ra\u00fal Ruiz &amp; Valeria Sarmiento) \u2013 7.1<\/li>\n<li>Once There Was Brasilia (Adirley Queir\u00f3s) \u2013 7.1<\/li>\n<li>24 Frames (Abbas Kiarostami) \u2013 7.0<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2016<\/span><\/p>\n<ol>\n<li>Nocturama (Bertrand Bonello) \u2013 8.2<\/li>\n<li>Ossuary (Nathaniel Dorsky) \u2013 8.1<\/li>\n<li>Toni Erdmann (Maren Ade) \u2013 7.8<\/li>\n<li>Certain Women (Kelly Reichardt) \u2013 7.4<\/li>\n<li>Elle (Paul Verhoeven) \u2013 7.3<\/li>\n<li>Slack Bay (Bruno Dumont) \u2013 7.2<\/li>\n<li>The Dreamed Path (Angela Schanelec) \u2013 7.1<\/li>\n<li>Yourself and Yours (Hong Sang-soo) \u2013 7.1<\/li>\n<li>The Death of Louis XIV (Albert Serra) \u2013 7.0<\/li>\n<li>Everybody Wants Some!! (Richard Linklater) \u2013 7.0<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2015<\/span><\/p>\n<ol>\n<li>Knight of Cups (Terrence Malick) \u2013 8.6<\/li>\n<li>The Forbidden Room (Guy Maddin) \u2013 8.2<\/li>\n<li>Cemetery of Splendour (Apichatpong Weerasethakul) \u2013 7.6<\/li>\n<li>Blood of My Blood (Marco Bellocchio) \u2013 7.5<\/li>\n<li>Arabian Nights: Volume 2, The Desolate One (Miguel Gomes) \u2013 7.5<\/li>\n<li>The Hateful Eight (Quentin Tarantino) \u2013 7.4<\/li>\n<li>Sixty Six (Lewis Klahr) \u2013 7.3<\/li>\n<li>Entertainment (Rick Alverson) \u2013 7.3<\/li>\n<li>Arabian Nights: Volume 1, The Restless One (Miguel Gomes) \u2013 7.3<\/li>\n<li>The Treasure (Corneliu Porumboiu) \u2013 7.2<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2014<\/span><\/p>\n<ol>\n<li>Goodbye to Language (Jean-Luc Godard) \u2013 8.5<\/li>\n<li>Interstellar (Christopher Nolan) \u2013 8.4<\/li>\n<li>Boyhood (Richard Linklater) \u2013 8.0<\/li>\n<li>Journey to the West (Tsai Ming-liang) \u2013 7.9<\/li>\n<li>Horse Money (Pedro Costa) \u2013 7.7<\/li>\n<li>Phoenix (Christian Petzold) \u2013 7.6<\/li>\n<li>Approaching the Elephant (Amanda Rose Wilder) \u2013 7.5<\/li>\n<li>National Gallery (Frederick Wiseman) \u2013 7.5<\/li>\n<li>Li\u2019l Quinquin (Bruno Dumont) \u2013 7.3<\/li>\n<li>natural history (James Benning) \u2013 7.3<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2013<\/span><\/p>\n<ol>\n<li>The Strange Little Cat (Ramon Z\u00fcrcher) \u2013 8.9<\/li>\n<li>Dusty Stacks of Mom: The Poster Project (Jodie Mack) \u2013 8.6<\/li>\n<li>Computer Chess (Andrew Bujalski) \u2013 8.0<\/li>\n<li>MANAKAMANA (Stephanie Spray &amp; Pacho Velez) \u2013 7.8<\/li>\n<li>Norte, the End of History (Lav Diaz) \u2013 7.8<\/li>\n<li>Stranger by the Lake (Alain Guiraudie) \u2013 7.7<\/li>\n<li>Stray Dogs (Tsai Ming-liang) \u2013 7.6<\/li>\n<li>Bastards (Claire Denis) \u2013 7.5<\/li>\n<li>Nymphomaniac: Volume II (Lars von Trier) \u2013 7.4<\/li>\n<li>Sheep (Gilles Deroo &amp; Marianne Pistone) \u2013 7.1<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2012<\/span><\/p>\n<ol>\n<li>Leviathan (Lucien Castaing-Taylor &amp; V\u00e9r\u00e9na Paravel) \u2013 8.1<\/li>\n<li>Blankets for Indians (Ken Jacobs) \u2013 7.9<\/li>\n<li>Like Someone in Love (Abbas Kiarostami) \u2013 7.9<\/li>\n<li>The Master (Paul Thomas Anderson) \u2013 7.6<\/li>\n<li>Spring Breakers (Harmony Korine) \u2013 7.5<\/li>\n<li>Cosmopolis (David Cronenberg) \u2013 7.4<\/li>\n<li>Frances Ha (Noah Baumbach) \u2013 7.4<\/li>\n<li>Beyond the Hills (Cristian Mungiu) \u2013 7.4<\/li>\n<li>A Month in Thailand (Paul Negoescu) \u2013 7.2<\/li>\n<li>Tchoupitoulas (Bill Ross IV &amp; Turner Ross) \u2013 7.2<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2011<\/span><\/p>\n<ol>\n<li>Margaret (Kenneth Lonergan) \u2013 8.8<\/li>\n<li>House of Tolerance (Bertrand Bonello) \u2013 8.5<\/li>\n<li>Melancholia (Lars von Trier) \u2013 8.3<\/li>\n<li>Once Upon a Time in Anatolia (Nuri Bilge Ceylan) \u2013 7.7<\/li>\n<li>The Future (Miranda July) \u2013 7.6<\/li>\n<li>Crazy Horse (Frederick Wiseman) \u2013 7.6<\/li>\n<li>small roads (James Benning) \u2013 7.5<\/li>\n<li>Moneyball (Bennett Miller) \u2013 7.5<\/li>\n<li>Buenas noches, Espa\u00f1a (Raya Martin) \u2013 7.5<\/li>\n<li>The Pettifogger (Lewis Klahr) \u2013 7.4<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2010<\/span><\/p>\n<ol>\n<li>Certified Copy (Abbas Kiarostami) \u2013 8.2<\/li>\n<li>Cave of Forgotten Dreams (Werner Herzog) \u2013 8.0<\/li>\n<li>Marwencol (Jeff Malmberg) \u2013 7.9<\/li>\n<li>Uncle Boonmee Who Can Recall His Past Lives (Apichatpong Weerasethakul) \u2013 7.8<\/li>\n<li>Meek\u2019s Cutoff (Kelly Reichardt) \u2013 7.7<\/li>\n<li>Tuesday, After Christmas (Radu Muntean) \u2013 7.6<\/li>\n<li>Exit Through the Gift Shop (Banksy) \u2013 7.5<\/li>\n<li>Blue Valentine (Derek Cianfrance) \u2013 7.5<\/li>\n<li>Silent Souls (Aleksei Fedorchenko) \u2013 7.4<\/li>\n<li>The Robber (Benjamin Heisenberg) \u2013 7.3<\/li>\n<\/ol>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2009<\/span><\/p>\n<ol>\n<li>Wild Grass (Alain Resnais) \u2013 8.5<\/li>\n<li>In Comparison (Harun Farocki) ~ 8.2<\/li>\n<li>Dogtooth (Yorgos Lanthimos) \u2013 8.2<\/li>\n<li>Inglourious Basterds (Quentin Tarantino) \u2013 8.0<\/li>\n<li>Police, Adjective (Corneliu Porumboiu) \u2013 7.8<\/li>\n<li>Happy End (Jean-Marie &amp; Arnaud Larrieu) ~ 7.6<\/li>\n<li>Rapt (Lucas Belvaux) \u2013  7.4<\/li>\n<li>Ne Change Rien (Pedro Costa) \u2013 7.3<\/li>\n<li>Fantastic Mr. Fox (Wes Anderson) \u2013 7.2<\/li>\n<li>Disorder (Huang Weikai) \u2013 7.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (1): Sweetgrass (Ilisa Barbash &amp; Lucien Castaing-Taylor)<br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2008<\/span><\/p>\n<ol>\n<li>Synecdoche, New York (Charlie Kaufman) ~ 8.5<\/li>\n<li>Afterschool (Antonio Campos) \u2013 8.3<\/li>\n<li>Melancholia (Lav Diaz) ~ 8.1<\/li>\n<li>Summer Hours (Olivier Assayas) ~ 8.0<\/li>\n<li>A Christmas Tale (Arnaud Desplechin) \u2013 7.8<\/li>\n<li>Vicky Cristina Barcelona (Woody Allen) ~ 7.6<\/li>\n<li>Wendy and Lucy (Kelly Reichardt) ~ 7.6<\/li>\n<li>The Headless Woman (Lucrecia Martel) \u2013 7.3<\/li>\n<li>Julia (Erick Zonca) \u2013 7.3<\/li>\n<li>Night and Day (Hong Sang-soo) \u2013 7.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (3): Che (Steven Soderbergh); Just Anybody (Jacques Doillon); Extraordinary Stories (Mariano Llin\u00e1s)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2007<\/span><\/p>\n<ol>\n<li>In the City of Sylvia (Jos\u00e9 Luis Guer\u00edn) \u2013 8.7<\/li>\n<li>Zodiac (David Fincher) ~ 8.5<\/li>\n<li>RR (James Benning) ~ 8.2<\/li>\n<li>The Romance of Astrea and Celadon (Eric Rohmer) \u2013 8.0<\/li>\n<li>There Will Be Blood (Paul Thomas Anderson) ~ 7.9<\/li>\n<li>Ratatouille (Brad Bird) ~ 7.9<\/li>\n<li>No Country For Old Men (Joel &amp; Ethan Coen) ~ 7.8<\/li>\n<li>I\u2019m Not There (Todd Haynes) ~ 7.5<\/li>\n<li>Flight of the Red Balloon (Hou Hsiao-hsien) ~ 7.2<\/li>\n<li>The Secret of the Grain (Abdellatif Kechiche) \u2013 6.9<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (7): A Girl Cut in Two (Claude Chabrol); Go Go Tales (Abel Ferrara); The Last Mistress (Catherine Breillat); Margot at the Wedding (Noah Baumbach); Import\/Export (Ulrich Seidl); My Blueberry Nights (Wong Kar Wai); Useless (Jia Zhangke)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2006<\/span><\/p>\n<ol>\n<li>INLAND EMPIRE (David Lynch) \u2013 10.0<\/li>\n<li>Syndromes and a Century (Apichatpong Weerasethakul) \u2013 9.6<\/li>\n<li>Day Night Day Night (Julia Loktev) \u2013 8.2<\/li>\n<li>Old Joy (Kelly Reichardt) ~ 8.1<\/li>\n<li>The Prestige (Christopher Nolan) \u2013 8.0<\/li>\n<li>Southland Tales (Richard Kelly) \u2013 7.3<\/li>\n<li>12:08 East of Bucharest (Corneliu Porumboiu) ~ 7.2<\/li>\n<li>Woman on the Beach (Hong Sang-soo) \u2013 7.2<\/li>\n<li>Time (Kim Ki-duk) \u2013 7.2<\/li>\n<li>Still Life (Jia Zhangke) \u2013 7.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (10): Brand Upon the Brain! (Guy Maddin); Climates (Nuri Bilge Ceylan); Gardens in Autumn (Otar Iosseliani); Belle Toujours (Manoel de Oliveira); Our Daily Bread (Nikolaus Geyhalter); Fast Food Nation (Richard Linklater); The Beales of Grey Gardens (Albert &amp; David Maysles); Lady Chatterley (Pascale Ferran); The Paper Will Be Blue (Radu Muntean); Slumming (Michael Glawogger)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2005<\/span><\/p>\n<ol>\n<li>The New World (Terrence Malick) ~ 8.4<\/li>\n<li>Cach\u00e9 [Hidden] (Michael Haneke) ~ 8.0<\/li>\n<li>La Moustache (Emmanuel Carr\u00e8re) \u2013 7.6<\/li>\n<li>Me and You and Everyone We Know (Miranda July) ~ 7.3<\/li>\n<li>Last Days (Gus Van Sant) ~ 7.3<\/li>\n<li>The Child (Jean-Pierre &amp; Luc Dardenne) ~ 7.1<\/li>\n<li>I Am Guilty (Christoph Hochh\u00e4usler) \u2013 6.8<\/li>\n<li>The Wayward Cloud (Tsai Ming-liang) \u2013 6.8<\/li>\n<li>William Eggleston in the Real World (Michael Almereyda) \u2013 6.8<\/li>\n<li>Oxhide (Liu Jiayin) \u2013 6.7<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): Regular Lovers (Philippe Garrel); Workingman\u2019s Death (Michael Glawogger); Land of the Dead (George Romero); Manderlay (Lars von Trier); To Paint or Make Love (Jean-Marie &amp; Arnaud Larrieu); Where the Truth Lies (Atom Egoyan); A Hole in My Heart (Lukas Moodysson); C.R.A.Z.Y. (Jean-Marc Vall\u00e9e); A Perfect Couple (Nobuhiro Suwa)<br \/>\n&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2004<\/span><\/p>\n<ol>\n<li>Tropical Malady (Apichatpong Weerasethakul) \u2013 8.5<\/li>\n<li>13 Lakes (James Benning) ~ 8.4<\/li>\n<li>Before Sunset (Richard Linklater) ~ 8.2<\/li>\n<li>Eternal Sunshine of the Spotless Mind (Michel Gondry) \u2013 8.1<\/li>\n<li>Kings and Queen (Arnaud Desplechin) ~ 7.7<\/li>\n<li>The Aviator (Martin Scorsese) ~ 7.7<\/li>\n<li>Marseille (Angela Schanelec) \u2013 7.4<\/li>\n<li>Ten Skies (James Benning) ~ 7.2<\/li>\n<li>Birth (Jonathan Glazer) \u2013 7.1<\/li>\n<li>Le Pont des Arts (Eug\u00e8ne Green) \u2013 6.6<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (7): Triple Agent (Eric Rohmer); Spartan (David Mamet); 2046 (Wong Kar-wai); Clean (Olivier Assayas); Caf\u00e9 Lumiere (Hou Hsiao-hsien); The 10th District Court: Moments of Trial (Raymond Depardon); Cinevardaphoto (Agn\u00e8s Varda)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2003<\/span><\/p>\n<ol>\n<li>Dogville (Lars von Trier) \u2013 8.3<\/li>\n<li>The Forest for the Trees (Maren Ade) \u2013 7.5<\/li>\n<li>Five: 5 Long Takes Dedicated to Yasujir\u014d Ozu (Abbas Kiarostami) \u2013 7.2<\/li>\n<li>Twentynine Palms (Bruno Dumont) ~ 7.2<\/li>\n<li>Finding Nemo (Andrew Stanton) ~ 7.1<\/li>\n<li>The Triplets of Belleville (Sylvain Chomet) ~ 7.1<\/li>\n<li>The Brown Bunny (Vincent Gallo) ~ 7.0<\/li>\n<li>Spy Kids 3-D: Game Over (Robert Rodriguez) \u2013 6.6<\/li>\n<li>The Living World (Eug\u00e8ne Green) \u2013 6.5<\/li>\n<li>The Company (Robert Altman) \u2013 6.5<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): Come and Go (Jo\u00e3o C\u00e9sar Monteiro); Cowards Bend the Knee (Guy Maddin); Bad Santa (Terry Zwigoff); Raja (Jacques Doillon); Strong Shoulders (Ursula Meier); Memories of Murder (Bong Joon-ho); Bright Future (Kiyoshi Kurosawa); Strayed (Andr\u00e9 Techine); Bright Leaves (Ross McElwee); The Flower of Evil (Claude Chabrol); All the Fine Promises (Jean-Paul Civeyrac); Jesus, You Know (Ulrich Seidl); The Hunted (William Friedkin)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2002<\/span><\/p>\n<ol>\n<li>Adaptation. (Spike Jonze) \u2013 8.7<\/li>\n<li>*Corpus Callosum (Michael Snow) \u2013 8.5<\/li>\n<li>Punch-Drunk Love (Paul Thomas Anderson) \u2013 8.2<\/li>\n<li>25th Hour (Spike Lee) ~ 8.0<\/li>\n<li>Talk To Her (Pedro Almodovar) ~ 7.5<\/li>\n<li>Demonlover (Olivier Assayas) \u2013 7.3<\/li>\n<li>Happy Here and Now (Michael Almereyda) \u2013 7.2<\/li>\n<li>At the First Breath of Wind (Franco Piavoli) \u2013 7.1<\/li>\n<li>Far from Heaven (Todd Haynes) ~ 7.1<\/li>\n<li>Naqoyqatsi (Godfrey Reggio) \u2013 6.9<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Distant (Nuri Bilge Ceylan); An Amazing Couple (Lucas Belvaux); Monday Morning (Otal Iosseliani); The Secret Lives of Dentists (Alan Rudolph); In My Skin (Marina de Van); Auto Focus (Paul Schrader); Ten (Abbas Kiarostami); The Uncertainty Principle (Manoel de Oliveira); Unknown Pleasures (Jia Zhangke); All or Nothing (Mike Leigh);Lilya 4-ever (Lukas Moodysson); Sunshine State (John Sayles); The Truth About Charlie (Jonathan Demme); Man\u2019s Gentle Love (Jean-Paul Civeyrac); Undisputed (Walter Hill)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2001<\/span><\/p>\n<ol>\n<li>Mulholland Dr. (David Lynch) \u2013 8.9<\/li>\n<li>A.I. Artificial Intelligence (Steven Spielberg) \u2013 8.7<\/li>\n<li>Where Does Your Hidden Smile Lie? (Pedro Costa) &#8211; 7.6<\/li>\n<li>The Man Who Wasn\u2019t There (Joel Coen) \u2013 7.4<\/li>\n<li>I\u2019m Going Home (Manoel de Oliveira) \u2013 7.4<\/li>\n<li>Trouble Every Day (Claire Denis) \u2013 7.3<\/li>\n<li>The Royal Tenenbaums (Wes Anderson) ~ 7.0<\/li>\n<li>What Time Is It There? (Tsai Ming-liang) \u2013 6.9<\/li>\n<li>The Piano Teacher (Michael Haneke) ~ 6.9<\/li>\n<li>La Ci\u00e9naga (Lucrecia Martel) \u2013 6.5<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (10): Pulse (Kiyoshi Kurosawa); Waking Life (Richard Linklater); Pistol Opera (Seijun Suzuki); Intimacy (Patrice Ch\u00e9reau); The Lady and the Duke (Eric Rohmer); Time Out (Laurent Cantet); Kandahar (Mohsen Makhmalbaf); Va savoir (Jacques Rivette); Floating Islands (Nanouk Leopold); Be My Star (Valeska Grisebach)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">2000<\/span><\/p>\n<ol>\n<li>The Gleaners &amp; I (Agnes Varda) \u2013 8.5<\/li>\n<li>Code Unknown (Michael Haneke) ~ 8.5<\/li>\n<li>Werckmeister Harmonies (Bela Tarr) \u2013 7.9<\/li>\n<li>You Can Count on Me (Kenneth Lonergan) ~ 7.7<\/li>\n<li>From the Notebook of\u2026 (Robert Beavers) \u2013 7.3<\/li>\n<li>O Brother, Where Art Thou? (Joel Coen) \u2013 7.2<\/li>\n<li>Memento (Christopher Nolan) ~ 7.2<\/li>\n<li>Hollow Man (Paul Verhoeven) \u2013 6.8<\/li>\n<li>Bamboozled (Spike Lee) \u2013 6.6<\/li>\n<li>Hamlet (Michael Almereyda) \u2013 6.4<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (12): State and Main (David Mamet); Songs From the Second Floor (Roy Andersson); The House of Mirth (Terence Davies); The God of Day Had Gone Down Upon Him (Stan Brakhage); The Comedy of Innocence (Ra\u00fal Ruiz); Eureka (Shinji Aoyama); Gohatto (Nagisa Oshima); Krapp\u2019s Last Tape (Atom Egoyan); Sentimental Destinies (Olivier Assayas); In Vanda\u2019s Room (Pedro Costa); Chopper (Andrew Dominic); American Psycho (Mary Harron)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1999<\/span><\/p>\n<ol>\n<li>Beau travail (Claire Denis) \u2013 8.2<\/li>\n<li>The Blair Witch Project (Daniel Myrick &amp; Eduardo Sanchez) ~ 8.2<\/li>\n<li>Being John Malkovich (Spike Jonze) ~ 8.1<\/li>\n<li>The Straight Story (David Lynch) \u2013 8.0<\/li>\n<li>L\u2019Humanit\u00e9 (Bruno Dumont) ~ 8.0<\/li>\n<li>The Wind Will Carry Us (Abbas Kiarostami) ~ 8.0<\/li>\n<li>Eyes Wide Shut (Stanley Kubrick) \u2013 7.9<\/li>\n<li>Magnolia (Paul Thomas Anderson) ~ 7.9<\/li>\n<li>El Valley Centro (James Benning) \u2013 6.8<\/li>\n<li>eXistenz (David Cronenberg) \u2013 6.7<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): The Letter (Manoel de Oliveira); License to Live (Kiyoshi Kurosawa); 8 1\/2 Women (Peter Greenaway); The Nanny (Marco Bellocchio); Topsy-Turvy (Mike Leigh); God\u2019s Wedding (Jo\u00e3o C\u00e9sar Monteiro); Ride With the Devil (Ang Lee); M\/Other (Nobuhiro Suwa); Clouds of May (Nuri Bilge Ceylan)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1998<\/span><\/p>\n<ol>\n<li>The Idiots (Lars von Trier) \u2013 8.6<\/li>\n<li>Buffalo \u201966 (Vincent Gallo) \u2013 8.2<\/li>\n<li>The Thin Red Line (Terrence Malick) ~ 7.9<\/li>\n<li>The Celebration (Thomas Vinterberg) ~ 7.6<\/li>\n<li>The Big Lebowski (Joel Coen) ~ 7.4<\/li>\n<li>Show Me Love (Lukas Moodysson) ~ 7.4<\/li>\n<li>The Last Days of Disco (Whit Stillman) \u2013 7.4<\/li>\n<li>A Hero Never Dies (Johnnie To) \u2013 7.2<\/li>\n<li>The Hole (Tsai Ming-liang) \u2013 7.1<\/li>\n<li>The Power of Kangwon Province (Hong Sang-Soo) \u2013 7.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): Claire Dolan (Lodge Kerrigan); Flowers of Shanghai (Hou Hsiao-hsien); The Book of Life (Hal Hartley); Velvet Goldmine (Todd Haynes); The School of Flesh (Beno\u00eet Jacquot); Dr. Akagi (Shohei Imamura); I Stand Alone (Gaspar Noe); Late August, Early September (Olivier Assayas); A Tale of Autumn (Eric Rohmer); Histoire(s) du cin\u00e9ma (Jean-Luc Godard); Ontic Antics Starring Laurel and Hardy (Ken Jacobs); Following (Christopher Nolan); Megacities (Michael Glawogger); The Newton Boys (Richard Linklater)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1997<\/span><\/p>\n<ol>\n<li>Train of Shadows (Jos\u00e9 Luis Guer\u00edn) ~ 8.0<\/li>\n<li>Happy Together (Wong Kar-wai) ~ 7.9<\/li>\n<li>Little Dieter Needs to Fly (Werner Herzog) ~ 7.8<\/li>\n<li>The Game (David Fincher) \u2013 7.8<\/li>\n<li>Jackie Brown (Quentin Tarantino) \u2013 7.6<\/li>\n<li>Gummo (Harmony Korine) \u2013 7.4<\/li>\n<li>Funny Games (Michael Haneke) \u2013 7.4<\/li>\n<li>Lost Highway (David Lynch) \u2013 7.3<\/li>\n<li>Taste of Cherry (Abbas Kiarostami) \u2013 7.2<\/li>\n<li>The River (Tsai Ming-liang)  \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (11): Eniaios (Gregory Markopoulos); Public Housing (Frederick Wiseman); Voyage to the Beginning of the World (Manoel de Oliveira); Sick: The Life &amp; Death of Bob Flanagan, Supermasochist (Kirby Dick); Same Old Song (Alain Resnais); Career Girls (Mike Leigh); The Eel (Sh\u00f4hei Imamura); The Prince of Homburg (Marco Bellocchio); Gray\u2019s Anatomy (Steven Soderbergh); The Revenge: A Scar That Never Disappears (Kiyoshi Kurosawa); Serpent\u2019s Path (Kiyoshi Kurosawa)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1996<\/span><\/p>\n<ol>\n<li>Irma Vep (Olivier Assayas) \u2013 8.5<\/li>\n<li>Fargo (Joel Coen) \u2013 8.3<\/li>\n<li>A Moment of Innocence (Mohsen Makhmalbaf) \u2013 8.2<\/li>\n<li>Sling Blade (Billy Bob Thornton) ~ 7.7<\/li>\n<li>Citizen Ruth (Alexander Payne) \u2013 7.4<\/li>\n<li>La Promesse (Jean-Pierre &amp; Luc Dardenne) \u2013 7.3<\/li>\n<li>My Sex Life\u2026 or How I Got Into an Argument (Arnaud Desplechin) \u2013 7.2<\/li>\n<li>Breaking the Waves (Lars von Trier) ~ 6.8<\/li>\n<li>Szamanka (Andrzej Zulawski) \u2013 6.7<\/li>\n<li>Hard Eight (Paul Thomas Anderson) ~ 6.6<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (19): Sense and Sensibility (Ang Lee); The Funeral (Abel Ferrara); MURDER and murder (Yvonne Rainer); Paradise Lost: The Child Murders at Robin Hood Hills (Joe Berlinger &amp; Bruce Sinofsky); Flirting With Disaster (David O. Russell); Goodbye South, Goodbye (Hou Hsiao-hsien); Lone Star (John Sayles); Beyond the Clouds (Michelangelo Antonioni); Gabbeh (Mohsen Makhmalbaf); Mahjong (Edward Yang); Secrets and Lies (Mike Leigh); SubUrbia (Richard Linklater); Schizopolis (Richard Linklater); The Delta (Ira Sachs); Kansas City (Robert Altman); The Portrait of a Lady (Jane Campion); Parfait amour! (Catherine Breillat); Ponette (Jacques Doillon); Thieves (Andr\u00e9 T\u00e9chin\u00e9)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1995<\/span><\/p>\n<ol>\n<li>Safe (Todd Haynes) \u2013 8.8<\/li>\n<li>Before Sunrise (Richard Linklater) ~ 7.7<\/li>\n<li>La C\u00e9r\u00e9monie (Claude Chabrol) \u2013 7.4<\/li>\n<li>Toy Story (John Lasseter) ~ 7.3<\/li>\n<li>Le Gar\u00e7u (Maurice Pialat) \u2013 6.7<\/li>\n<li>2 x 50 Years of French Cinema (Jean-Luc Godard &amp; Anne-Marie Mi\u00e9ville) \u2013 6.7<\/li>\n<li>At Sundance (Michael Almereyda &amp; Amy Hobby) \u2013 6.6<\/li>\n<li>Twelve Monkeys (Terry Gilliam) \u2013 6.5<\/li>\n<li>The Corridor (Sharunas Bartas) \u2013 6.5<\/li>\n<li>Marble Ass (\u017delimir \u017dilnik) \u2013 6.5<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Fallen Angels (Wong Kar-wai); God\u2019s Comedy (Jo\u00e3o C\u00e9sar Monteiro); Salaam Cinema (Mohsen Makhmalbaf); Clockers (Spike Lee); Deseret (James Benning); Heat (Michael Mann); Three Lives and Only one Death (Ra\u00fal Ruiz); A Single Girl (Beno\u00eet Jacquot); The Addiction (Abel Ferrara); Good Men, Good Women (Hou Hsiao-hsien); The Convent (Manoel de Oliveira); Flirt (Hal Hartley); The Flower of my Secret (Pedro Almodovar); The Neon Bible (Terence Davies); Strange Days (Kathryn Bigelow)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1994<\/span><\/p>\n<ol>\n<li>Exotica (Atom Egoyan) \u2013 7.9<\/li>\n<li>U.S. Go Home (Claire Denis) \u2013 7.7<\/li>\n<li>Through the Olive Trees (Abbas Kiarostami) ~ 7.6<\/li>\n<li>Pulp Fiction (Quentin Tarantino) ~ 7.5<\/li>\n<li>Chungking Express (Wong Kar-wai) \u2013 7.0<\/li>\n<li>Speed (Jan De Bont) ~ 7.0<\/li>\n<li>Vive L\u2019Amour (Tsai Ming-liang) \u2013 6.5<\/li>\n<li>JLG\/JLG \u2013 Self-Portrait in December (Jean-Luc Godard) \u2013 6.4<\/li>\n<li>Joan the Maid \u2013 The Prisons (Jacques Rivette) \u2013 6.4<\/li>\n<li>I Can\u2019t Sleep (Claire Denis) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): Bitemporal Vision: The Sea (Ken Jacobs); Wild Reeds (Andre T\u00e9chin\u00e9); Satantango (B\u00e9la Tarr); The Hudsucker Proxy (Joel Coen); 71 Fragments of a Chronology of Chance (Michael Haneke); A Confucian Confusion (Edward Yang); Hoop Dreams (Steve James); Clean, Shaven (Lodge Kerrigan); Amateur (Hal Hartley); Spanking the Monkey (David O. Russell); Queen Margot (Patrice Ch\u00e9reau); Mrs. Parker and the Vicious Circle (Alan Rudolph); High School II (Frederick Wiseman)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1993<\/span><\/p>\n<ol>\n<li>Short Cuts (Robert Altman) \u2013 8.2<\/li>\n<li>Groundhog Day (Harold Ramis) ~ 7.2<\/li>\n<li>Naked (Mike Leigh) \u2013 7.1<\/li>\n<li>From the East (Chantal Akerman) \u2013 7.0<\/li>\n<li>The Remains of the Day (James Ivory) \u2013 6.8<\/li>\n<li>Jurassic Park (Steven Spielberg) ~ 6.8<\/li>\n<li>Three Colors: Blue (Krzysztof Kieslowski) \u2013 6.6<\/li>\n<li>Dazed and Confused (Richard Linklater) \u2013 6.4<\/li>\n<li>The Heroic Trio (Johnnie To) ~ 6.4<\/li>\n<li>The Children Play Russian (Jean-Luc Godard) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (17): Calendar (Atom Egoyan); Strange Weather (Peggy Ahwesh and Maggie Strosser); Schindler\u2019s List (Steven Spielberg); King of the Hill (Steven Soderbergh); The Piano (Jane Campion); Dangerous Game (Abel Ferrara); The Tree, the Mayor and the Mediatheque (Eric Rohmer); Moving (Shinji S\u00f4mai); The Young Werther (Jacques Doillon); Diary of a Maniac (Marco Ferreri); It\u2019s All True: Based on an Unfinished Film by Orson Welles (Richard Wilson, Myron Meisel, &amp; Bill Krohn); The Puppetmaster (Hou Hsiao-hsien); Valley of Abraham (Manoel de Oliveira); The War Room (D.A. Pennebaker &amp; Chris Hegedus); Body Snatchers (Abel Ferrara); My Favorite Season (Andr\u00e9 T\u00e9chin\u00e9); The Belovs (Victor Kossakovsky)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1992<\/span><\/p>\n<ol>\n<li>Twin Peaks: Fire Walk With Me (David Lynch) \u2013 7.4<\/li>\n<li>Lessons of Darkness (Werner Herzog) \u2013 7.2<\/li>\n<li>The Player (Robert Altman) ~ 7.2<\/li>\n<li>Un Coeur en Hiver (Claude Sautet) \u2013 7.2<\/li>\n<li>Reservoir Dogs (Quentin Tarantino) ~ 7.0<\/li>\n<li>Cousin Bobby (Jonathan Demme) \u2013 6.8<\/li>\n<li>Rebels of a Neon God (Tsai Ming-liang) \u2013 6.3<\/li>\n<li>Man Bites Dog (R\u00e9my Belvaux &amp; Andr\u00e9 Bonzel &amp; Ben\u00f4t Poelvoorde) ~ 6.3<\/li>\n<li>A League of Their Own (Penny Marshall) ~ 6.2<\/li>\n<li>Batman Returns (Tim Burton) ~ 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (18): Simple Men (Hal Hartley); Tribulation 99: Alien Anomalies Under America (Craig Baldwin); Careful (Guy Maddin); C\u00e9line (Jean-Claude Brisseau); The Quince Tree of the Sun (Victor Erice); Unforgiven (Clint Eastwood); Lorenzo\u2019s Oil (George Miller); Glengarry Glen Ross (James Foley); Bad Lieutenant (Abel Ferrara); Fishing With John (Jim Jarmusch); Lover (Jacques Doillon); A Tale of Winter (Eric Rohmer); Equinox (Alan Rudolph); A Stranger Among Us (Sidney Lumet); Dark at Noon (Ra\u00fal Ruiz); La Sentinelle (Arnaud Desplechin); Videograms of the Revolution (Andrei Ujica &amp; Harun Farocki); North on Evers (James Benning)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1991<\/span><\/p>\n<ol>\n<li>Barton Fink (Joel Coen) \u2013 8.4<\/li>\n<li>A Child&#8217;s Garden and the Serious Sea (Stan Brakhage) \u2013 8.2<\/li>\n<li>Slow Glass (John Smith) \u2013 7.7<\/li>\n<li>Slacker (Richard Linklater) \u2013 7.3<\/li>\n<li>Aspen (Frederick Wiseman) \u2013 7.2<\/li>\n<li>Terminator 2: Judgment Day (James Cameron) ~ 6.9<\/li>\n<li>TO LAVOISIER, Who Died in The Reign of Terror (Michael Snow) \u2013 6.9<\/li>\n<li>And Life Goes On\u2026 (Abbas Kiarostami) \u2013 6.7<\/li>\n<li>Van Gogh (Maurice Pialat) \u2013 6.6<\/li>\n<li>Side\/Walk\/Shuttle (Ernie Gehr) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (11): Ambition (Hal Hartley); Homicide (David Mamet); Night On Earth (Jim Jarmusch); Naked Lunch (David Cronenberg); La Belle Noiseuse (Jacques Rivette); Theory of Achievement (Hal Hartley); La vie des morts (Arnaud Desplechin); Jungle Fever (Spike Lee); The Flesh (Marco Ferreri); The Adjuster (Atom Egoyan); Prospero\u2019s Books (Peter Greenaway)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1990<\/span><\/p>\n<ol>\n<li>Close-Up (Abbas Kiarostami) \u2013 9.2<\/li>\n<li>Goodfellas (Martin Scorsese) ~ 7.3<\/li>\n<li>Nostos: The Return (Franco Piavoli) \u2013 7.1<\/li>\n<li>To Sleep With Anger (Charles Burnett) \u2013 6.9<\/li>\n<li>An Angel at My Table (Jane Campion) \u2013 6.9<\/li>\n<li>Metropolitan (Whit Stillman) \u2013 6.6<\/li>\n<li>Edward Scissorhands (Tim Burton) ~ 6.4<\/li>\n<li>Miami Blues (George Armitage) \u2013 6.3<\/li>\n<li>Gremlins 2: The New Batch (Joe Dante) ~ 6.2<\/li>\n<li>Nouvelle Vague (Jean-Luc Godard) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): Trust (Hal Hartley); Life Is Sweet (Mike Leigh); Le petit criminel (Jacques Doillon); La captive du d\u00e9sert (Raymond Depardon); No, or the Vain Glory of Command (Manoel de Oliveira); Privilege (Yvonne Rainer); A Tale of Springtime (Eric Rohmer); A Woman\u2019s Revenge (Jacques Doillon); Days of Being Wild (Wong Kar Wai)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1989<\/span><\/p>\n<ol>\n<li>Do the Right Thing (Spike Lee) \u2013 8.7<\/li>\n<li>The Cook the Thief His Wife &amp; Her Lover (Peter Greenaway) \u2013 7.9<\/li>\n<li>Sweetie (Jane Campion) \u2013 7.3<\/li>\n<li>Images of the World and the Inscription of War (Harun Farocki) \u2013 7.1<\/li>\n<li>Dekalog, Six (Krzysztof Kieslowski) \u2013 7.1<\/li>\n<li>Casualties of War (Brian De Palma) \u2013 7.0<\/li>\n<li>The Little Mermaid (John Musker &amp; Ron Clements) ~ 6.9<\/li>\n<li>Mystery Train (Jim Jarmusch) \u2013 6.8<\/li>\n<li>Say Anything\u2026 (Cameron Crowe) \u2013 6.4<\/li>\n<li>Homework (Abbas Kiarostami) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): Speaking Parts (Atom Egoyan); Marriage of the Blessed (Mohsen Makhmalbaf); Black Rain (Sh\u00f4hei Imamura); A City of Sadness (Hou Hsiao-hsien); The Gang of Four (Jacques Rivette);The 15 Year Old Girl (Jacques Doillon); Cat Chaser (Abel Ferrara); Near Death (Frederick Wiseman); Torrents of Spring (Jerzy Skolimowski); Winter\u2019s Child (Olivier Assayas); Emergency Kisses (Philippe Garrel); The Abyss (James Cameron); Johanna d\u2019Arc of Mongolia (Ulrike Ottinger); The Firm (Alan Clarke)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1988<\/span><\/p>\n<ol>\n<li>Superstar: The Karen Carpenter Story (Todd Haynes) \u2013 7.8<\/li>\n<li>Women on the Verge of a Nervous Breakdown (Pedro Almod\u00f3var) \u2013 7.8<\/li>\n<li>Who Framed Roger Rabbit (Robert Zemeckis) ~ 7.6<\/li>\n<li>Landscape in the Mist (Theo Angelopoulos) \u2013 7.0<\/li>\n<li>Grave of the Fireflies (Isao Takahata) ~ 7.0<\/li>\n<li>The Vanishing (George Sluizer) ~ 6.9<\/li>\n<li>They Live (John Carpenter) \u2013 6.6<\/li>\n<li>Chocolat (Claire Denis) \u2013 6.4<\/li>\n<li>Beetlejuice (Tim Burton) \u2013 6.4<\/li>\n<li>Dead Ringers (David Cronenberg) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (16): High Hopes (Mike Leigh); Drowning by Numbers (Peter Greenaway); Damnation (B\u00e9la Tarr); The Thin Blue Line (Errol Morris); The Dekalog (Krzysztof Kieslowski); The Moderns (Alan Rudolph); The Last Temptation of Christ (Martin Scorsese); Tanner \u201988 (Robert Altman); 36 fillette (Catherine Breillat); Story of Women (Claude Chabrol); Tetsuo (Shinya Tsukamoto); Medea (Lars Von Trier); Os Canibais (Manoel de Oliveira); Patty Hearst (Paul Schrader); Sound and Fury (Jean-Claude Brisseau); It\u2019s Impossible to Learn to Plow by Reading Books (Richard Linklater)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1987<\/span><\/p>\n<ol>\n<li>Where is the Friend\u2019s Home? (Abbas Kiarostami) \u2013 9.0<\/li>\n<li>Landscape Suicide (James Benning) \u2013 8.4<\/li>\n<li>Broadcast News (James L. Brooks) \u2013 7.9<\/li>\n<li>King Lear (Jean-Luc Godard) \u2013 7.3<\/li>\n<li>The Blind Owl (Ra\u00fal Ruiz) \u2013 7.1<\/li>\n<li>RoboCop (Paul Verhoeven) \u2013 7.1<\/li>\n<li>Raising Arizona (Joel Coen) \u2013 6.9<\/li>\n<li>Four Adventures of Reinette and Mirabelle (Eric Rohmer) \u2013 6.6<\/li>\n<li>Blind (Frederick Wiseman) \u2013 6.4<\/li>\n<li>The Lonely Voice of Man (Alexander Sokurov) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Family Viewing (Atom Egoyan); House of Games (David Mamet); Near Dark (Kathryn Bigelow); The Cry of the Owl (Claude Chabrol); A Taxing Woman (J\u00fbz\u00f4 Itami); China Girl (Abel Ferrara); Opera (Dario Argento); Daughter of the Nile (Hou Hsiao-Hsien); The Belly of an Architect (Peter Greenaway); Boyfriends and Girlfriends (Eric Rohmer); Aria (Robert Altman, Bruce Beresford, Bill Bryden, Jean-Luc Godard, Derek Jarman, Franc Roddam, Nicolas Roeg, Ken Russell, Charles Sturridge, &amp; Julien Temple); Zegen (Sh\u00f4hei Imamura); Rita, Sue and Bob Too (Alan Clarke); Cobra Verde (Werner Herzog); The Untouchables (Brian De Palma)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1986<\/span><\/p>\n<ol>\n<li>Blue Velvet (David Lynch) \u2013 8.5<\/li>\n<li>The Fly (David Cronenberg) \u2013 8.4<\/li>\n<li>Something Wild (Jonathan Demme) \u2013 7.7<\/li>\n<li>The Green Ray (Eric Rohmer) \u2013 7.5<\/li>\n<li>Mauvais sang (Leos Carax) \u2013 7.2<\/li>\n<li>Rise and Fall of a Small Film Company&nbsp;(Jean-Luc Godard) \u2013 7.0<\/li>\n<li>The Rose King (Werner Schroeter) \u2013 6.4<\/li>\n<li>El Amor Brujo (Carlos Saura) \u2013 6.2<\/li>\n<li>Dancing in the Dark (Leon Marr) \u2013 6.1<\/li>\n<li>Aliens (James Cameron) ~ 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (17): Sherman\u2019s March (Ross McElwee); Working Girls (Lizzie Borden); M\u00e9lo (Alain Resnais); Golden Eighties (Chantal Akerman); The Color of Money (Marton Scorsese); Jean de Florette (Claude Berri); Manon of the Spring (Claude Berri); The Sacrifice (Andrei Tarkovsky); Rosa la rose, fille publique (Paul Vecchiali); The Terrorizers (Edward Yang); Crime Story (Abel Ferrera); Matador (Pedro Almodovar); Scene of the Crime (Andre Techine); Peggy Sue Got Married (Francis Ford Coppola); Th\u00e9r\u00e8se (Alain Cavalier); Max My Love (Nagisa \u00d4shima); I Love You (Marco Ferreri)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1985<\/span><\/p>\n<ol>\n<li>Back to the Future (Robert Zemeckis) ~ 7.8<\/li>\n<li>Tampopo (J\u00fbz\u00f4 Itami) \u2013 7.7<\/li>\n<li>After Hours (Martin Scorsese) \u2013 7.2<\/li>\n<li>Pee-Wee\u2019s Big Adventure (Tim Burton) ~ 7.1<\/li>\n<li>Hail Mary (Jean-Luc Godard) \u2013 6.4<\/li>\n<li>Brazil (Terry Gilliam) \u2013 6.4<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (23): The Man Who Envied Women (Yvonne Rainer); Vagabond (Agnes Varda); A Zed and Two Noughts (Peter Greenaway); O. C. and Stiggs (Robert Altman); Come and See (Elem Klimov); The Purple Rose of Cairo (Woody Allen); The Time to Live and the Time to Die (Hou Hsiao-hsien); Lost in America (Albert Brooks); Shoah (Claude Lanzmann); Mishima: A Life in Four Chapters (Paul Schrader); Mala Noche (Gus Van Sant); Louie Bluie (Terry Zwigoff); Family Life (Jacques Doillon); Day of the Dead (George Romero); No End (Krzysztof Kieslowski); Chain Letters (Mark Rappaport); The Satin Slipper (Manoel de Oliveira); Steaming (Joseph Losey); Fool for Love (Robert Altman); Rendez-vous (Andr\u00e9 T\u00e9chin\u00e9); Chicken with Vinegar (Claude Chabrol); Mask (Peter Bogdanovich); Taipei Story (Edward Yang)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1984<\/span><\/p>\n<ol>\n<li>Boy Meets Girl (Leos Carax) \u2013 8.8<\/li>\n<li>Gremlins (Joe Dante) \u2013 8.1<\/li>\n<li>Tortured Dust (Stan Brakhage) \u2013 7.4<\/li>\n<li>Blood Simple. (Joel Coen) \u2013 7.1<\/li>\n<li>Vengeance Is Mine (Michael Roemer) \u2013 6.9<\/li>\n<li>Stranger Than Paradise (Jim Jarmusch) \u2013 6.9<\/li>\n<li>Indiana Jones and the Temple of Doom (Steven Spielberg) ~ 6.9<\/li>\n<li>American Dreams: Lost and Found (James Benning) \u2013 6.4<\/li>\n<li>Love Streams (John Cassavetes) \u2013 6.4<\/li>\n<li>This Is Spinal Tap (Rob Reiner) ~ 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (17): Love Unto Death (Alain Resnais); Almanac of Fall (B\u00e9la Tarr); Choose Me! (Alan Rudolph); Full Moon in Paris (Eric Rohmer); Antonio Gaud\u00ed (Hiroshi Teshigahara); Secret Honor (Robert Altman); Next of Kin (Atom Egoyan); My Summer at Grandpa\u2019s (Hou Hsiao-hsien); Starman (John Carpenter); The Home and the World (Satyajit Ray); The Pirate (Jacques Doillon); Success Is the Best Revenge (Jerzy Skolimowski); Where the Green Ants Dream (Werner Herzog); Love on the Ground (Jacques Rivette); First Graders (Abbas Kiarostami); Manuel on the Island of Wonders (Ra\u00fal Ruiz); In Heaven There Is No Beer? (Les Blank)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1983<\/span><\/p>\n<ol>\n<li>\u00c0 nos amours (Maurice Pialat) \u2013 7.6<\/li>\n<li>Treasure of the Four Crowns (Ferdinando Baldi) \u2013 7.4<\/li>\n<li>Variety (Bette Gordon) \u2013 7.3<\/li>\n<li>A Christmas Story (Bob Clark) ~ 7.0<\/li>\n<li>Sleepaway Camp (Robert Hiltzik) ~ 7.0<\/li>\n<li>The Dead Zone (David Cronenberg) ~ 7.0<\/li>\n<li>Risky Business (Paul Brickman) \u2013 6.8<\/li>\n<li>Pauline at the Beach (Eric Rohmer) \u2013 6.8<\/li>\n<li>Amityville 3-D (Richard Fleischer) \u2013 6.8<\/li>\n<li>Videodrome (David Cronenberg) \u2013 6.5<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (11): Life is a Bed of Roses (Alain Resnais); A Brutal Game (Jean-Claude Brisseau); The Right Stuff (Philip Kauffman); The Ballad of Narayama (Sh\u00f4hei Imamura); Meantime (Mike Leigh); Scarface (Brian De Palma); The Story of Piera (Marco Ferreri); Streamers (Robert Altman); The Wounded Man (Patrice Ch\u00e9reau); Fellow Citizen (Abbas Kiarostami); That Day, on the Beach (Edward Yang)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1982<\/span><\/p>\n<ol>\n<li>So Is This (Michael Snow) \u2013 7.5<\/li>\n<li>Fitzcarraldo (Werner Herzog) ~ 7.2<\/li>\n<li>The King of Comedy (Martin Scorsese) \u2013 7.0<\/li>\n<li>Koyaanisqatsi (Godfrey Reggio) \u2013 7.0<\/li>\n<li>Diner (Berry Levinson) \u2013 6.9<\/li>\n<li>Who Am I This Time? (Jonathan Demme) \u2013 6.6<\/li>\n<li>Poltergeist (Tobe Hooper) ~ 6.5<\/li>\n<li>Diaries (1971-1976) (Ed Pincus) \u2013 6.3<\/li>\n<li>E.T. The Extra-Terrestrial (Steven Spielberg) ~ 6.3<\/li>\n<li>Losing Ground (Kathleen Collins) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): The Arabic Numeral Series (Stan Brakhage); Him and Me (James Benning); The Verdict (Sidney Lumet); Moonlighting (Jerzy Skolimowski); White Dog (Samuel Fuller); Burden of Dreams (Les Blank); Lookin\u2019 to Get Out (Hal Ashby); Tenebre (Dario Argento); Querelle (Rainer Werner Fassbinder); Identification of a Woman (Michelangelo Antonioni); The Trout (Joseph Losey); The Draughtsman\u2019s Contract (Peter Greenaway); 48 Hrs. (Walter Hill); I Are You, You Am Me (Nobuhiko Obayashi)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1981<\/span><\/p>\n<ol>\n<li>Possession (Andrzej Zulawski) \u2013 8.6<\/li>\n<li>Presents (Michael Snow) \u2013 8.0<\/li>\n<li>The Aviator\u2019s Wife (Eric Rohmer) \u2013 6.8<\/li>\n<li>You Are Not I (Sara Driver) \u2013 6.6<\/li>\n<li>Blood Wedding (Carlos Saura) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Too Early, Too Late (Jean-Marie Straub and Dani\u00e8le Huillet); Shoot the Moon (Albert Brooks); Blind Chance (Krzysztof Kieslowski); Prince of the City (Sidney Lumet); Modern Romance (Albert Brooks); The Tree of Knowledge (Nils Malmros); Rich and Famous (George Cukor); Knightriders (George A. Romero); Ms. 45 (Abel Ferrara); Polyester (John Waters); The Woman Next Door (Fran\u00e7ois Truffaut); The Mystery of Oberwald (Michelangelo Antonioni); Mural Murals (Agn\u00e8s Varda); Le Pont du Nord (Jacques Rivette); Documenteur (Agn\u00e8s Varda)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1980<\/span><\/p>\n<ol>\n<li>Raging Bull (Martin Scorsese) ~ 7.0<\/li>\n<li>Airplane! (Jim Abrahams &amp; David and Jerry Zucker) \u2013 6.9<\/li>\n<li>The Shining (Stanley Kubrick) \u2013 6.7<\/li>\n<li>Dressed to Kill (Brian De Palma) \u2013 6.4<\/li>\n<li>The Elephant Man (David Lynch) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): Journeys From Berlin\/1971 (Yvonne Rainer); Mon oncle d\u2019Amerique (Alain Resnais); The Falls (Peter Greenaway); Kagemusha (Akira Kurosawa); Berlin Alexanderplatz (Rainer Werner Fassbinder); American Gigolo (Paul Schrader); Swiss Army Knife with Rats and Pigeons (Robert Breer); Melvin and Howard (Jonathan Demme); The Long Riders (Walter Hill); The Big Red One (Samuel Fuller); A Leap in the Dark (Marco Bellocchio); HealtH (Robert Altman); Garlic Is As Good As Ten Mothers (Les Blank)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1979<\/span><\/p>\n<ol>\n<li>Manhattan (Woody Allen) ~ 7.3<\/li>\n<li>All That Jazz (Bob Fosse) \u2013 7.1<\/li>\n<li>Alien (Ridley Scott) \u2013 6.7<\/li>\n<li>Soft Fiction (Chick Strand) \u2013 6.6<\/li>\n<li>The Marriage of Maria Braun (Rainer Werner Fassbinder) \u2013 6.5<\/li>\n<li>The Man Who Stole the Sun (Kazuhiko Hasegawa) \u2013 6.4<\/li>\n<li>The Third Generation (Rainer Werner Fassbinder) \u2013 6.3<\/li>\n<li>Stalker (Andrei Tarkovsky) \u2013 6.2<\/li>\n<li>The Brood (David Cronenberg) \u2013 6.2<\/li>\n<li>The Song of the Shirt (Sue Clayton &amp; Jonathan Curling) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (20): Being There (Hal Ashby); Ticket of No Return (Ulrike Ottinger); Vengeance is Mine (Shohei Imamura); Wise Blood (John Huston); Love on the Run (Fran\u00e7ois Truffaut); The Hypothesis of the Stolen Painting (Ra\u00fal Ruiz); Mad Max (George Miller); Nocturnal Uproar (Catherine Breillat); Chilly Scenes of Winter (Joan Micklin Silver); The Crying Woman (Jacques Doillon); The Driller Killer (Abel Ferrara); The Perfect Couple (Robert Altman); The Warriors (Walter Hill); Camera Buff (Krzysztof Kieslowski); Nosferatu the Vampyre (Werner Herzog); The Bugs Bunny\/Road-Runner Movie (Chuck Jones &amp; Phil Monroe); The Bronte Sisters (Andr\u00e9 T\u00e9chin\u00e9); The Hussy (Jacques Doillon); Real Life (Albert Brooks); Saint Jack (Peter Bogdanovich)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1978<\/span><\/p>\n<ol>\n<li>Grand Opera: An Historical Romance (James Benning) \u2013 8.7<\/li>\n<li>Killer of Sheep (Charles Burnett) \u2013 8.6<\/li>\n<li>Days of Heaven (Terrence Malick) \u2013 7.7<\/li>\n<li>In a Year With 13 Moons (Rainer Werner Fassbinder) \u2013 7.2<\/li>\n<li>The Driver (Walter Hill) \u2013 7.0<\/li>\n<li>Always for Pleasure (Les Blank) \u2013 6.7<\/li>\n<li>Autumn Sonata (Ingmar Bergman) \u2013 6.4<\/li>\n<li>The Fury (Brian De Palma) \u2013 6.3<\/li>\n<li>Anna\u2019s Meetings (Chantal Akerman) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (18): Vertical Features Remake (Peter Greenaway); Dawn of the Dead (George A. Romero); The Deer Hunter (Michael Cimino); Movie Movie (Stanley Donen); Halloween (John Carpenter); Blue Collar (Paul Schrader); Empire of Passion (Nagisa Oshima); Remember My Name (Alan Rudolph); Despair (Rainer Werner Fassbinder); Invasion of the Body Snatchers (Philip Kaufman); A Wedding (Robert Altman); Violette (Claude Chabrol); The Shout (Jerzy Skolimowski); Dossier 51 (Michel Deville); The Green Room (Fran\u00e7ois Truffaut); Coming Home (Hal Ashby); Bye Bye Monkey (Marco Ferreri); I Wanna Hold Your Hand (Robert Zemeckis)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1977<\/span><\/p>\n<ol>\n<li>Eraserhead (David Lynch) \u2013 9.0<\/li>\n<li>3 Women (Robert Altman) \u2013 8.3<\/li>\n<li>News From Home (Chantal Akerman) ~ 8.2<\/li>\n<li>Twin Peaks (Al Wong) \u2013 7.6<\/li>\n<li>Sorcerer (William Friedkin) \u2013 7.6<\/li>\n<li>Close Encounters of the Third Kind (Steven Spielberg) \u2013 7.5<\/li>\n<li>Suspiria (Dario Argento) \u2013 7.4<\/li>\n<li>House (Nobuhiko Obayashi) \u2013 7.2<\/li>\n<li>Opening Night (John Cassavetes) \u2013 7.0<\/li>\n<li>A Dirty Story (Jean Eustache) \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): Stroszek (Werner Herzog); Martin (George A. Romero); Between the Lines (Joan Micklin Silver); The Stationmaster\u2019s Wife (Rainer Werner Fassbinder); One Sings, the Other Doesn\u2019t (Agn\u00e8s Varda); The Man Who Loved Women (Fran\u00e7ois Truffaut); Handle with Care (Jonathan Demme); Abigail\u2019s Party (Mike Leigh); Canal Zone (Frederick Wiseman)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1976<\/span><\/p>\n<ol>\n<li>The Marquise of O (Eric Rohmer) \u2013 8.1<\/li>\n<li>Network (Sidney Lumet) \u2013 8.1<\/li>\n<li>Heart of Glass (Werner Herzog) ~ 7.8<\/li>\n<li>Cr\u00eda Cuervos\u2026 (Carlos Saura) ~ 7.4<\/li>\n<li>Taxi Driver (Martin Scorsese) \u2013 7.3<\/li>\n<li>We Can\u2019t Go Home Again (Nicholas Ray) \u2013 7.3<\/li>\n<li>Satan&#8217;s Brew (Rainer Werner Fassbinder) \u2013 7.1<\/li>\n<li>Time of Maturity (Sohrab Shahid Saless) \u2013 6.6<\/li>\n<li>Obsession (Brian De Palma) \u2013 6.5<\/li>\n<li>Harlan County U.S.A. (Barbara Kopple) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (18): A Real Young Girl (Catherine Breillat); Assault on Precinct 13 (John Carpenter); Here and Elsewhere (Jean-Luc Godard, Anne-Marie Mi\u00e8ville, &amp; Jean-Pierre Gorin); Kristina Talking Pictures (Yvonne Rainer); All the President\u2019s Men (Alan J. Pakula); Grey Gardens (Albert &amp; David Maysles); The Man Who Fell to Earth (Nicolas Roeg); In the Realm of the Senses (Nagisa Oshima); The Ascent (Larisa Shepitko); Welcome to L.A. (Alan Rudolph); I Only Want You to Love Me (Rainer Werner Fassbinder); Small Change (Fran\u00e7ois Truffaut); The Middleman (Satyajit Ray); Bernice Bobs Her Hair (Joan Micklin Silver); Bound for Glory (Hal Ashby); Private Vices, Public Pleasures (Mikl\u00f3s Jancs\u00f3); Mr. Klein (Joseph Losey); Babatu (Jean Rouch)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1975<\/span><\/p>\n<ol>\n<li>Nashville (Robert Altman) \u2013 9.4<\/li>\n<li>Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (Chantal Anne Akerman) ~ 9.0<\/li>\n<li>Benilde, or the Virgin Mother (Manoel de Oliveira) \u2013 8.2<\/li>\n<li>The Mirror (Andrei Tarkovsky) ~ 7.8<\/li>\n<li>One Flew Over the Cuckoo\u2019s Nest (Milos Forman) ~ 7.6<\/li>\n<li>Shampoo (Hal Ashby) \u2013 7.3<\/li>\n<li>India Song (Marguerite Duras) \u2013 7.1<\/li>\n<li>Num\u00e9ro deux (Jean-Luc Godard) \u2013 6.9<\/li>\n<li>Barry Lyndon (Stanley Kubrick) \u2013 6.7<\/li>\n<li>Jaws (Steven Spielberg) \u2013 6.5<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Rancho Deluxe (Frank Perry); Dog Day Afternoon (Lidney Lumet); Welfare (Frederick Wiseman); Picnic at Hanging Rock (Peter Weir); Je tu il elle (Chantal Akerman); Dirty Hands (Claude Chabrol); Mandingo (Richard Fleischer); Hester Street (Joan Micklin Silver); Pleasure Party (Claude Chabrol); Deep Red (Dario Argento); The Story of Adele H. (Francois Truffaut); French Provincial (Andr\u00e9 T\u00e9chin\u00e9); Fox and His Friends (Rainer Werner Fassbinder); Dersu Uzala (Akira Kurosawa); Night Moves (Arthur Penn)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1974<\/span><\/p>\n<ol>\n<li>Primate (Frederick Wiseman) \u2013 8.8<\/li>\n<li>Celine and Julie Go Boating (Jacques Rivette) \u2013 8.3<\/li>\n<li>\u2018Rameau\u2019s Nephew\u2019 by Diderot (Thanx to Dennis Young) by Wilma Schoen (Michael Snow) \u2013 8.2<\/li>\n<li>The Text of Light (Stan Brakhage) \u2013 7.9<\/li>\n<li>The Texas Chain Saw Massacre (Tobe Hooper) \u2013 7.4<\/li>\n<li>The Sugarland Express (Steven Spielberg) \u2013 7.2<\/li>\n<li>Ali: Fear Eats the Soul (Rainer Werner Fassbinder) \u2013 7.0<\/li>\n<li>Print Generation (J.J. Murphy) \u2013 7.0<\/li>\n<li>The Traveler (Abbas Kiarostami) ~ 6.8<\/li>\n<li>Chinatown (Roman Polanski) \u2013 6.6<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): My Little Loves (Jean Eustache); The Conversation (Francis Ford Coppola); The Godfather, Pt. II (Francis Ford Coppola); Nada (Claude Chabrol); The Parallax View (Alan J. Pakula); Edvard Munch (Peter Watkins); Nuits rouges (Georges Franju); Blood of Dracula (Paul Morrissey); The Phantom of Liberty (Luis Bu\u00f1uel); Cartesius (Roberto Rossellini); The Enigma of Kaspar Hauser (Werner Herzog); Still Life (Sohrab Shahid Saless); Out 1: Spectre (Jacques Rivette); From These Roots (William Greaves); Alice Doesn\u2019t Live Here Anymore (Martin Scorsese)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1973<\/span><\/p>\n<ol>\n<li>Badlands (Terrence Malick) \u2013 8.2<\/li>\n<li>The Mother and the Whore (Jean Eustache) \u2013 7.6<\/li>\n<li>Day For Night (Fran\u00e7ois Truffaut) \u2013 7.4<\/li>\n<li>Don\u2019t Look Now (Nicolas Roeg) ~ 7.3<\/li>\n<li>Flesh for Frankenstein (Paul Morrissey) \u2013 7.3<\/li>\n<li>The Long Goodbye (Robert Altman) \u2013 6.9<\/li>\n<li>Sisters (Brian De Palma) \u2013 6.8<\/li>\n<li>F For Fake (Orson Welles) \u2013 6.7<\/li>\n<li>Experience (Abbas Kiarostami) \u2013 6.2<\/li>\n<li>World on a Wire (Rainer Werner Fassbinder) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (10): The Friends of Eddie Coyle (Peter Yates); Paper Moon (Peter Bogdanovich); The Last Detail (Hal Ashby); Scenes From a Marriage (Ingmar Bergman); The Age of Medici (Roberto Rossellini); The Big Feast (Marco Ferreri); A Doll\u2019s House (Joseph Losey); Distant Thunder (Satyajit Ray); Serpico (Sidney Lumet); Hot Pepper (Les Blank)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1972<\/span><\/p>\n<ol>\n<li>The Inner Scar (Philippe Garrel) \u2013 8.0<\/li>\n<li>Aguirre: The Wrath of God (Werner Herzog) ~ 7.9<\/li>\n<li>The Bitter Tears of Petra Von Kant (Rainer Werner Fassbinder) \u2013 7.8<\/li>\n<li>Solaris (Andrei Tarkovsky) \u2013 7.8<\/li>\n<li>The Heartbreak Kid (Elaine May) \u2013 7.2<\/li>\n<li>Fellini\u2019s Roma (Federico Fellini) \u2013 7.0<\/li>\n<li>Cocksucker Blues (Robert Frank) \u2013 6.9<\/li>\n<li>Last Tango in Paris (Bernardo Bertolucci) \u2013 6.8<\/li>\n<li>Winter Soldier (Winterfilm, Inc.) \u2013 6.4<\/li>\n<li>Nathalie Granger (Marguerite Duras) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (24): Play It As It Lays (Frank Perry); History Lessons (Jean-Marie Straub and Dani\u00e8le Huillet); The Merchant of Four Seasons (Rainer Werner Fassbinder); Fat City (John Huston); The Godfather (Francis Ford Coppola); The Discreet Charm of the Bourgoisie (Luis Bu\u00f1uel); Jack\u2019s Wife (George A. Romero); Cries and Whispers (Ingmar Bergman); Love in the Afternoon (Eric Rohmer); Blaise Pascal (Roberto Rossellini); In the Name of the Father (Marco Bellocchio); Bonaparte and the Revolution (Abel Gance); Avanti! (Billy Wilder); Summer Soldiers (Hiroshi Teshigahara); Reminiscences of a Journey to Lithuania (Jonas Mekas); Heat (Paul Morrissey); Going Home (Adolfas Mekas); The Assassination of Trotsky (Joseph Losey); The Visitors (Elia Kazan); King, Queen, Knave (Jerzy Skolimowski); What\u2019s Up, Doc? (Peter Bogdanovich); A Well Spent Life (Les Blank &amp; Skip Gerson); Spend It All (Les Blank); The Offence (Sidney Lumet)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1971<\/span><\/p>\n<ol>\n<li>Four Nights of a Dreamer (Robert Bresson) \u2013 8.3<\/li>\n<li>S:TREAM:S:S:ECTION:S:ECTION:S:S:ECTIONED (Paul Sharits) \u2013 8.1<\/li>\n<li>The Last Picture Show (Peter Bogdanovich) \u2013 7.9<\/li>\n<li>La R\u00e9gion Centrale (Michael Snow) \u2013 7.6<\/li>\n<li>Willy Wonka &amp; the Chocolate Factory (Mel Stuart) ~ 7.5<\/li>\n<li>Such Good Friends (Otto Preminger) ~ 7.4<\/li>\n<li>Walkabout (Nicolas Roeg) \u2013 7.4<\/li>\n<li>Death in Venice (Luchino Visconti) \u2013 7.0<\/li>\n<li>Quick Billy (Bruce Baillie) \u2013 6.9<\/li>\n<li>A New Leaf (Elaine May) \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): Still (Ernie Gehr); The Last Run (Richard Fleischer); The French Connection (William Friedkin); The Ceremony (Nagisa \u00d4shima); Directed by John Ford (Peter Bogdanovich); Just Before Nightfall (Claude Chabrol); Num\u00e9ro z\u00e9ro (Jean Eustache); Whity (Rainer Werner Fassbinder); The Cat o\u2019 Nine Tails (Dario Argento); The Adversary (Satyajit Ray); Land of Silence and Darkness (Werner Herzog); 10 Rillington Place (Richard Fleischer); Land of Milk and Honey (Pierre \u00c9taix); Klute (Alan Pakula)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1970<\/span><\/p>\n<ol>\n<li>Gimme Shelter (David Maysles, Albert Maysles, &amp; Charlotte Zwerin) \u2013 7.8<\/li>\n<li>Le Cercle Rouge (Jean-Pierre Melville) \u2013 7.7<\/li>\n<li>Zorns Lemma (Hollis Frampton) \u2013 7.7<\/li>\n<li>Donkey Skin (Jacques Demy) ~ 7.6<\/li>\n<li>The Hart of London (Jack Chambers) \u2013 7.5<\/li>\n<li>Even Dwarfs Started Small (Werner Herzog) \u2013 7.3<\/li>\n<li>Hospital (Frederick Wiseman) \u2013 7.2<\/li>\n<li>Claire\u2019s Knee (Eric Rohmer) \u2013 7.0<\/li>\n<li>Le boucher (Claude Chabrol) \u2013 6.9<\/li>\n<li>A Casing Shelved (Michael Snow) \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (16): THX-1138 (George Lucas); The Story of a Man Who Left His Will on Film (Nagisa Oshima); Why Does Herr R. Run Amok? (Rainer Werner Fassbinder); The Wild Child (Fran\u00e7ois Truffaut); Bed and Board (Fran\u00e7ois Truffaut); Dodes\u2019ka-den (Akira Kurosawa); Tristana (Luis Bu\u00f1uel); The Go-Between (Joseph Losey); Zabriskie Point (Michelangelo Antonioni); Street Scenes (Martin Scorsese); Tell Me That You Love Me, Junie Moon (Otto Preminger); We Eat the Fruit of the Trees of Paradise (Vera Chytilov\u00e1); The Breach (Claude Chabrol); The Bird with the Crystal Plumage (Dario Argento); A Swedish Love Story (Roy Andersson); Little Big Man (Arthur Penn)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1969<\/span><\/p>\n<ol>\n<li>Dillinger is Dead (Marco Ferreri) ~ 7.8<\/li>\n<li>L\u2019Amour fou (Jacques Rivette) \u2013 7.3<\/li>\n<li>Z (Costa-Gavras) \u2013 7.1<\/li>\n<li>My Night at Maud\u2019s (Eric Rohmer) \u2013 6.9<\/li>\n<li>A Gentle Woman (Robert Bresson) \u2013 6.8<\/li>\n<li>Santa Claus Has Blue Eyes (Jean Eustache) \u2013 6.8<\/li>\n<li>&lt;\u2014&gt; (Michael Snow) \u2013 6.2<\/li>\n<li>That Cold Day in the Park (Robert Altman) \u2013 6.1<\/li>\n<li>Model Shop (Jacques Demy) \u2013 6.0<\/li>\n<li>Macuna\u00edma (Joaquim Pedro de Andrade) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (18): Katzelmacher (Rainer Werner Fassbinder); Tom, Tom the Piper\u2019s Son (Ken Jacobs); Reason Over Passion (Joyce Wieland); Kes (Ken Loach); Mississippi Mermaid (Fran\u00e7ois Truffaut); Law and Order (Frederick Wiseman); Salesman (Albert &amp; David Maysles); Funeral Parade of Roses (Toshio Matsumoto); Double Suicide (Masahiro Shinoda); The Milky Way (Luis Bu\u00f1uel); Diary of a Shinjuku Thief (Nagisa \u00d4shima); Walden (Jonas Mekas); Trilogy (Frank Perry); Lions Love (Agn\u00e8s Varda); Le gai savoir (Jean-Luc Godard); Duet for Cannibals (Susan Sontag); Bob &amp; Carol &amp; Ted &amp; Alice (Paul Mazursky); The Appointment (Sidney Lumet)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1968<\/span><\/p>\n<ol>\n<li>2001: A Space Odyssey (Stanley Kubrick) \u2013 9.6<\/li>\n<li>Rosemary\u2019s Baby (Roman Polanski) \u2013 8.4<\/li>\n<li>Je t\u2019aime je t\u2019aime (Alain Resnais) \u2013 7.5<\/li>\n<li>Naked Childhood (Maurice Pialat) \u2013 7.3<\/li>\n<li>Innocence Unprotected (Du\u0161an Makavejev) \u2013 7.3<\/li>\n<li>Theorem (Pier Paolo Pasolini) \u2013 6.9<\/li>\n<li>Faces (John Cassavetes) ~ 6.8<\/li>\n<li>Symbiopsychotaxiplasm: Take One (William Greaves) ~ 6.7<\/li>\n<li>Night of the Living Dead (George Romero) \u2013 6.7<\/li>\n<li>The Swimmer (Frank Perry) \u2013 6.6<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): Death By Hanging (Nagisa Oshima); Flesh (Paul Morrissey); Targets (Peter Bogdanovich); Stolen Kisses (Fran\u00e7ois Truffaut); Secret Ceremony (Joseph Losey); Profound Desires of the Gods (Sh\u00f4hei Imamura); Three Resurrected Drunkards (Nagisa Oshima); Signs of Life (Werner Herzog); Sympathy for the Devil (Jean-Luc Godard); The Immortal Story (Orson Welles); Les Biches (Claude Chabrol); Skidoo (Otto Preminger); Bye Bye Braverman (Sidney Lumet)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1967<\/span><\/p>\n<ol>\n<li>Wavelength (Michael Snow) \u2013 9.7<\/li>\n<li>Play Time (Jacques Tati) \u2013 9.5<\/li>\n<li>Titicut Follies (Frederick Wiseman) \u2013 7.7<\/li>\n<li>Bonnie and Clyde (Arthur Penn) \u2013 7.6<\/li>\n<li>Far from Vietnam (Alain Resnais, William Klein, Joris Ivens, Agn\u00e8s Varda, Claude Lelouch, Jean-Luc Godard, &amp; Chris Marker) \u2013 7.2<\/li>\n<li>Tomorrow\u2019s Promise (Edward Owens) \u2013 6.8<\/li>\n<li>2 or 3 Things I Know About Her (Jean-Luc Godard) \u2013 6.6<\/li>\n<li>The Young Girls of Rochefort (Jacques Demy) \u2013 6.6<\/li>\n<li>Weekend (Jean-Luc Godard) \u2013 6.5<\/li>\n<li>The Wife of Seishu Hanaoka (Yasuzo Masumura) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): Monterey Pop (D. A. Pennebaker); Sing a Song of Sex (Nagisa Oshima); Japanese Summer: Double Suicide (Nagisa Oshima); A Man Vanishes (Sh\u014dhei Imamura); Hunting the Lion with Bow and Arrow (Jean Rouch); The Departure (Jerzy Skolimowski); Accident (Joseph Losey); La Musica (Marguerite Duras &amp; Paul Seban); Dont Look Back (D. A. Pennebaker)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1966<\/span><\/p>\n<ol>\n<li>Blowup (Michelangelo Antonioni) ~ 8.4<\/li>\n<li>The Nun (Jacques Rivette) \u2013 8.3<\/li>\n<li>Chelsea Girls (Andy Warhol &amp; Paul Morrissey) \u2013 7.9<\/li>\n<li>The Face of Another (Hiroshi Teshigahara) \u2013 6.8<\/li>\n<li>Daisies (Vera Chytilova) \u2013 6.7<\/li>\n<li>Persona (Ingmar Bergman) ~ 6.7<\/li>\n<li>Seconds (John Frankenheimer) \u2013 6.6<\/li>\n<li>The Bubble (Arch Oboler) \u2013 6.4<\/li>\n<li>Au Hasard Balthazar (Robert Bresson) \u2013 6.2<\/li>\n<li>Who Wants to Kill Jessie? (V\u00e1clav Vorl\u00edcek) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (22): The Good, The Bad and The Ugly (Sergio Leone); 7 Women (John Ford); The Velvet Underground and Nico (Andy Warhol); The Fortune Cookie (Billy Wilder); Violence at Noon (Nagisa Oshima); El Dorado (Howard Hawks); Tokyo Drifter (Seijun Suzuki); The Pornographers (Shohei Imamura); Le deuxi\u00e8me souffle (Jean-Pierre Melville); The Taking of Power by Louis XIV (Roberto Rossellini); The Chase (Arthur Penn); The Stranger Within a Woman (Mikio Naruse); The War Is Over (Alan Resnais); The Creatures (Agn\u00e8s Varda); Modesty Blaise (Joseph Losey); Barrier (Jerzy Skolimowski); You\u2019re a Big Boy Now (Francis Ford Coppola); As Long As You\u2019re Healthy (Pierre \u00c9taix); The Shooting (Monte Hellman); Andrei Rublev (Andrei Tarkovsky); Outer and Inner Space (Andy Warhol); Fahrenheit 451 (Fran\u00e7ois Truffaut)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1965<\/span><\/p>\n<ol>\n<li>Bunny Lake Is Missing (Otto Preminger) ~ 7.7<\/li>\n<li>Yoyo (Pierre \u00c9taix) \u2013 7.7<\/li>\n<li>Quixote (Bruce Baillie) \u2013 6.8<\/li>\n<li>Repulsion (Roman Polanski) ~ 6.7<\/li>\n<li>Alphaville (Jean-Luc Godard) \u2013 6.7<\/li>\n<li>Pierrot le fou (Jean-Luc Godard) \u2013 6.6<\/li>\n<li>Rapture (John Guillermin) \u2013 6.5<\/li>\n<li>The Sound of Music (Robert Wise) ~ 6.4<\/li>\n<li>Man Is Not a Bird (Du\u0161an Makavejev) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (18): Beauty #2 (Andy Warhol); The War Game (Peter Watkins); Vinyl (Andy Warhol); The Spy Who Came in From the Cold (Martin Ritt); Mickey One (Arthur Penn); Story of a Prostitute (Seijun Suzuki); Tokyo Olympiad (Kon Ichikawa); Red Beard (Akira Kurosawa); La Bonheur (Agn\u00e8s Varda); Pleasures of the Flesh (Nagisa Oshima); Chimes at Midnight (Orson Welles); In Harm\u2019s Way (Otto Preminger); My Hustler (Andy Warhol); Ride in the Whirlwind (Monte Hellman); The Brig (Jonas Mekas); Identification Marks: None (Jerzy Skolimowski); The Hill (Sidney Lumet); For a Few Dollars More (Sergio Leone)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1964<\/span><\/p>\n<ol>\n<li>Woman in the Dunes (Hiroshi Teshigahara) \u2013 9.2<\/li>\n<li>The Umbrellas of Cherbourg (Jacques Demy) \u2013 8.0<\/li>\n<li>Gertrud (Carl Th. Dreyer) ~ 6.6<\/li>\n<li>Kiss Me, Stupid (Billy Wilder) \u2013 6.6<\/li>\n<li>A Married Woman (Jean-Luc Godard) \u2013 6.6<\/li>\n<li>The Soft Skin (Fran\u00e7ois Truffaut) \u2013 6.4<\/li>\n<li>Man\u2019s Favorite Sport? (Howard Hawks) \u2013 6.2<\/li>\n<li>Red Desert (Michelangelo Antonioni) \u2013 6.2<\/li>\n<li>Dr. Strangelove, or: How I Learned to Stop Worrying\u2026 (Stanley Kubrick) ~ 6.2<\/li>\n<li>Charulata: The Lonely Wife (Satyajit Ray) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Couch (Andy Warhol); Twice a Man (Gregory J. Markopoulos); The Killers (Don Siegel); The Night of the Iguana (John Huston); Fistful of Dollars (Sergio Leone); The Train (John Frankenheimer); Fail-Safe (Sidney Lumet); Diary of a Chambermaid (Luis Bu\u00f1uel); Intentions of Murder (Shohei Imamura); I Am Cuba (Mikhail Kalatozov); A Hard Day\u2019s Night (Richard Lester); King &amp; Country (Joseph Losey); Nothing But a Man (Michael Roemer); The Ape Woman (Marco Ferreri); I Am Twenty (Marlen Khutsiev)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1963<\/span><\/p>\n<ol>\n<li>High and Low (Akira Kurosawa)  \u2013 8.0<\/li>\n<li>The Birds (Alfred Hitchcock) \u2013 7.0<\/li>\n<li>Bad Company (Jean Eustache) ~ 7.0<\/li>\n<li>Contempt (Jean-Luc Godard) \u2013 6.6<\/li>\n<li>Bay of Angels (Jacques Demy) \u2013 6.5<\/li>\n<li>The Great Escape (John Sturges) \u2013 6.2<\/li>\n<li>Hallelujah the Hills (Adolfas Mekas)&nbsp;\u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): Shock Corridor (Samuel Fuller); The Nutty Professor (Jerry Lewis); America, America (Elia Kazan); Hud (Martin Ritt); The Servant (Joseph Losey); The Big City (Satyajit Ray); These Are the Damned (Joseph Losey); Youth of the Beast (Seijun Suzuki); The Insect Woman (Shohei Imamura); Irma la Dulce (Billy Wilder); Ro.Go.Pa.G. (Jean-Luc Godard, Ugo Gregoretti. With Rosanna Schiaffino, Bruce Balaban, Maria Pia Schiaffino, &amp; Jean-Marc Bory); The Conjugal Bed (Marco Ferreri); The Cardinal (Otto Preminger); It\u2019s a Mad, Mad, Mad, Mad World (Stanley Kramer)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1962<\/span><\/p>\n<ol>\n<li>L\u2019Eclisse (Michelangelo Antonioni) ~ 8.1<\/li>\n<li>The Miracle Worker (Arthur Penn) \u2013 8.0<\/li>\n<li>Advise &amp; Consent (Otto Preminger) ~ 7.8<\/li>\n<li>The Exterminating Angel (Luis Bu\u00f1uel) ~ 7.3<\/li>\n<li>Jules and Jim (Fran\u00e7ois Truffaut) ~ 7.2<\/li>\n<li>Cl\u00e9o From 5 to 7 (Agn\u00e8s Varda) \u2013 7.0<\/li>\n<li>Hatari! (Howard Hawks) \u2013 6.8<\/li>\n<li>Knife in the Water (Roman Polanski) ~ 6.8<\/li>\n<li>Vivre Sa Vie (Jean-Luc Godard) ~ 6.3<\/li>\n<li>Lawrence of Arabia (David Lean) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): Freud (John Huston); The Trial (Orson Welles); Abhijan (Satyajit Ray); Pitfall (Hiroshi Teshigahara); Sanjuro (Akira Kurosawa); Pigs and Battleships (Shohei Imamura); The Man Who Shot Liberty Valance (John Ford); The Elusive Corporal (Jean Renoir); Long Day\u2019s Journey Into Night (Sidney Lumet)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1961<\/span><\/p>\n<ol>\n<li>Il Posto (Ermanno Olmi) \u2013 8.7<\/li>\n<li>L\u00e9on Morin, Priest (Jean-Pierre Melville) \u2013 7.5<\/li>\n<li>Last Year at Marienbad (Alain Resnais) ~ 7.1<\/li>\n<li>Lola (Jacques Demy) ~ 7.0<\/li>\n<li>The Innocents (Jack Clayton) \u2013 6.7<\/li>\n<li>The Exiles (Kent MacKenzie) \u2013 6.3<\/li>\n<li>Too Late Blues (John Cassavetes) \u2013 6.0<\/li>\n<li>Chronicle of a Summer (Edgar Morin &amp; Jean Rouch) ~ 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (11): Viridiana (Luis Bu\u00f1uel); Splendor in the Grass (Elia Kazan); Through a Glass Darkly (Ingmar Bergman); The End of Summer (Yasujir\u014d Ozu); El Cid (Anthony Mann); Vanina Vanini (Roberto Rossellini); Garibaldi (Roberto Rossellini); Underworld U.S.A. (Samuel Fuller); The Ladies Man (Jerry Lewis); The Joy of Living (Ren\u00e9 Cl\u00e9ment); Barabbas (Richard Fleischer)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1960<\/span><\/p>\n<ol>\n<li>Le Trou (Jacques Becker) \u2013 8.2<\/li>\n<li>The Goddess (Satyajit Ray) \u2013 7.8<\/li>\n<li>Psycho (Alfred Hitchcock) \u2013 7.6<\/li>\n<li>La V\u00e9rit\u00e9 (Henri-Georges Clouzot) \u2013 7.5<\/li>\n<li>La Dolce Vita (Federico Fellini) \u2013 7.5<\/li>\n<li>L\u2019Avventura (Michelangelo Antonioni) \u2013 7.1<\/li>\n<li>Les Bonnes femmes (Claude Chabrol) ~ 7.0<\/li>\n<li>The Warped Ones (Koreyoshi Kurahara) \u2013 6.9<\/li>\n<li>The Savage Innocents (Nicholas Ray) \u2013 6.9<\/li>\n<li>Late Autumn (Yasujir\u014d Ozu) \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Peeping Tom (Michael Powell); Cimarron (Anthony Mann); The Apartment (Billy Wilder); The Little Shop of Horrors (Roger Corman); Rocco and His Brothers (Luchino Visconti); The Housemaid (Kim Ki-young); The 1000 Eyes of Dr. Mabuse (Fritz Lang); Classe tous risques (Claude Sautet); The Virgin Spring (Ingmar Bergman); The Bad Sleep Well (Akira Kurosawa); Sergeant Rutledge (John Ford); Two Women (Vittorio De Sica); Cruel Story of Youth (Nagisa Oshima); The Young One (Luis Bu\u00f1uel); Home from the Hill (Vincente Minnelli)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1959<\/span><\/p>\n<ol>\n<li>Some Like it Hot (Billy Wilder) \u2013 8.1<\/li>\n<li>Eyes Without a Face (Georges Franju) \u2013 8.0<\/li>\n<li>Shadows (John Cassavetes) ~ 7.1<\/li>\n<li>Imitation of Life (Douglas Sirk) \u2013 7.0<\/li>\n<li>Hiroshima mon amour (Alain Resnais) \u2013 6.9<\/li>\n<li>North by Northwest (Alfred Hitchcock) \u2013 6.9<\/li>\n<li>Anatomy of a Murder (Otto Preminger) ~ 6.6<\/li>\n<li>The 400 Blows (Fran\u00e7ois Truffaut) ~ 6.4<\/li>\n<li>Ballad of a Soldier (Grigori Chukrai) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (10): Rio Bravo (Howard Hawks); The Cousins (Claude Chabrol); Head Against the Wall (Georges Franju); The Human Condition (Masaki Kobayashi); Testament of Orpheus (Jean Cocteau); Floating Weeds (Yasujir\u014d Ozu); The Horse Soldiers (John Ford); Ride Lonesome (Budd Boetticher); Nazarin (Luis Bu\u00f1uel); Compulsion (Richard Fleischer)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1958<\/span><\/p>\n<ol>\n<li>Vertigo (Alfred Hitchcock) \u2013 8.8<\/li>\n<li>Mon oncle (Jacques Tati) ~ 8.1<\/li>\n<li>Touch of Evil (Orson Welles) \u2013 7.9<\/li>\n<li>Anticipation of the Night (Stan Brakhage) \u2013 6.9<\/li>\n<li>Le Beau Serge (Claude Chabrol) ~ 6.6<\/li>\n<li>Equinox Flower (Yasujir\u014d Ozu) \u2013 6.2<\/li>\n<li>The Fly (Kurt Neumann) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): The Tarnished Angels (Douglas Sirk); Man of the West (Anthony Mann); Gigi (Vincente Minnelli); The Vikings (Richard Fleischer); The Hidden Fortress (Akira Kurosawa); A Night to Remember (Roy Ward Baker); Ivan the Terrible, Part 2 (Sergei Eisenstein); From Hell to Texas (Henry Hathaway); The Last Hurrah (John Ford); Bonjour Tristesse (Otto Preminger); The Philosopher\u2019s Stone (Satyajit Ray); Terror in a Texas Town (Joseph H. Lewis); Some Came Running (Vincente Minnelli)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1957<\/span><\/p>\n<ol>\n<li>12 Angry Men (Sidney Lumet) \u2013 8.3<\/li>\n<li>The Incredible Shrinking Man (Jack Arnold) \u2013 7.3<\/li>\n<li>An Affair to Remember (Leo McCarey) \u2013 6.7<\/li>\n<li>Sweet Smell of Success (Alexander Mackendrick) \u2013 6.6<\/li>\n<li>Pyaasa (Guru Dutt) ~ 6.2<\/li>\n<li>Will Success Spoil Rock Hunter? (Frank Tashlin) \u2013 6.1<\/li>\n<li>Bitter Victory (Nicholas Ray) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (16): The Tall T (Budd (Boetticher); Decision at Sundown (Budd Boetticher); Throne of Blood (Akira Kurosawa); The Bridge on the River Kwai (David Lean); Gunfight at the O.K. Corral (John Sturges); 3:10 to Yuma (Delmer Daves); Il Grido (Michelangelo Antonioni); A Time to Love and a Time to Die (Douglas Sirk); The Lower Depths (Akira Kurosawa); Tokyo Twilight (Yasujir\u014d Ozu); Curse of the Demon (Jacques Tourneur); A Face in the Crowd (Elia Kazan); Men in War (Anthony Mann); Time Without Pity (Joseph Losey); Run of the Arrow (Samuel Fuller); Forty Guns (Samuel Fuller)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1956<\/span><\/p>\n<ol>\n<li>A Man Escaped (Robert Bresson) \u2013 8.1<\/li>\n<li>The Mystery of Picasso (Henri-Georges Clouzot) \u2013 7.8<\/li>\n<li>The Killing (Stanley Kubrick) \u2013 7.5<\/li>\n<li>Bigger Than Life (Nicholas Ray) \u2013 7.1<\/li>\n<li>Written on the Wind (Douglas Sirk) \u2013 7.0<\/li>\n<li>The Man Who Knew Too Much (Alfred Hitchcock) \u2013 6.7<\/li>\n<li>Tea and Sympathy (Vincente Minnelli) \u2013 6.5<\/li>\n<li>Invasion of the Body Snatchers (Don Siegel) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (8): Seven Men From Now (Budd Boetticher); There\u2019s Always Tomorrow (Douglas Sirk); Friendly Persuasion (William Wyler); La Pointe courte (Agn\u00e8s Varda); A Wife\u2019s Heart (Mikio Naruse); While the City Sleeps (Fritz Lang); Hot Blood (Nicholas Ray); The Girl Can\u2019t Help It (Frank Tashlin)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1955<\/span><\/p>\n<ol>\n<li>Diabolique (Henri-Georges Clouzot) \u2013 8.1<\/li>\n<li>Ordet (Carl Dreyer) \u2013 7.6<\/li>\n<li>Kiss Me Deadly (Robert Aldrich) \u2013 7.4<\/li>\n<li>All That Heaven Allows (Douglas Sirk) \u2013 7.3<\/li>\n<li>The Night of the Hunter (Charles Laughton) \u2013 7.1<\/li>\n<li>Picnic (Joshua Logan) \u2013 6.9<\/li>\n<li>Wichita&nbsp;(Jacques Tourneur)&nbsp;\u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): Bob le flambeur (Jean-Pierre Melville); Smiles of a Summer Night (Ingmar Bergman); Les Grandes manoeuvres (Ren\u00e9 Clair); Mister Roberts (John Ford &amp; Mervyn Le Roy); Princess Yang Kwei Fei (Kenji Mizoguchi); Death of a Cyclist (Juan Antonio Bardem); Summertime (David Lean); I Live in Fear (Akira Kurosawa); The Criminal Life of Archibaldo de la Cruz (Luis Bu\u00f1uel); Bad Day at Black Rock (John Sturges); East of Eden (Elia Kazan); Captain Lightfoot (Douglas Sirk); The Girl in the Red Velvet Swing (Richard Fleischer)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1954<\/span><\/p>\n<ol>\n<li>Rear Window (Alfred Hitchcock) \u2013 9.4<\/li>\n<li>Dial M For Murder (Alfred Hitchcock) \u2013 8.1<\/li>\n<li>Johnny Guitar (Nicholas Ray) \u2013 6.9<\/li>\n<li>A Star Is Born (George Cukor) \u2013 6.5<\/li>\n<li>Godzilla (Ishir\u00f4 Honda) \u2013 6.5<\/li>\n<li>Magnificent Obsession (Douglas Sirk) \u2013 6.4<\/li>\n<li>Sansho the Bailiff (Kenji Mizoguchi) \u2013 6.4<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Senso (Luchino Visconti); Beat the Devil (John Huston); The Raid (Hugo Fregonese); Seven Samurai (Akira Kurosawa); Hobson\u2019s Choice (David Lean); Riot in Cell Block 11 (Don Siegel); On the Waterfront (Elia Kazan); Sound of the Mountain (Mikio Naruse); Touchez Pas au Grisbi (Jacques Becker); Late Chrysanthemums (Mikio Naruse); Wuthering Heights (Luis Bu\u00f1uel); Adventures of Robinson Crusoe (Luis Bu\u00f1uel); Crime Wave (Andre de Toth); Carmen Jones (Otto Preminger); 20,000 Leagues Under the Sea (Richard Fleischer)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1953<\/span><\/p>\n<ol>\n<li>The Wages of Fear (Henri-Georges Clouzot) \u2013 8.5<\/li>\n<li>Ugetsu (Kenji Mizoguchi) \u2013 7.8<\/li>\n<li>The 5,000 Fingers of Dr. T. (Roy Rowland) \u2013 6.5<\/li>\n<li>House of Wax (Andr\u00e9 de Toth) \u2013 6.4<\/li>\n<li>Man in the Dark (Lew Landers) \u2013 6.4<\/li>\n<li>The Earrings of Madame de\u2026 (Max Oph\u00fcls) \u2013 6.2<\/li>\n<li>Inferno (Roy Ward Baker) &#8211; 6.2<\/li>\n<li>I Confess (Alred Hitchcock) \u2013 6.2<\/li>\n<li>From Here to Eternity (Fred Zinnemann) \u2013 6.1<\/li>\n<li>Funniest Show on Earth (Mario Mattoli) &#8211; 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): The Band Wagon (Vincente Minnelli); The Naked Spur (Anthony Mann); Stalag 17 (Billy Wilder); Pickup on South Street (Samuel Fuller); Roman Holiday (William Wyler); Indiscretion of an American Wife (Vittorio de Sica); Older Brother, Younger Sister (Mikio Naruse); All I Desire (Douglas Sirk); Wife (Mikio Naruse); \u00c9l (Luis Bu\u00f1uel); The Sun Shines Bright (John Ford); Love Letter (Kinuyo Tanaka); The Lady Without Camelias (Michelangelo Antonioni)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1952<\/span><\/p>\n<ol>\n<li>Umberto D. (Vittorio De Sica) \u2013 7.0<\/li>\n<li>The Lusty Men (Nicholas Ray) \u2013 6.8<\/li>\n<li>The Marrying Kind (George Cukor) \u2013 6.2<\/li>\n<li>On Dangerous Ground (Nicholas Ray) ~ 6.2<\/li>\n<li>Singin&#8217; in the Rain (Stanley Donen &amp; Gene Kelly) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (21): Five Fingers (Joseph L. Mankiewicz); Forbidden Games (Ren\u00e9 Clement); Othello (Orson Welles); High Noon (Fred Zinnemann); The Narrow Margin (Richard Fleischer); The Golden Coach (Jean Renoir); An Outcast of the Islands (Carol Reed); Angel Face (Otto Preminger); The Big Sky (Howard Hawks); Park Row (Samuel Fuller); Le Plaisir (Max Ophuls); Casque D\u2019or (Jacques Becker); Ascent to Heaven (Luis Bu\u00f1uel); Viva Zapata! (Elia Kazan); Lightning (Mikio Naruse); My Son John (Leo McCarey); The Quiet Man (John Ford); Flavor of Green Tea over Rice (Yasujir\u014d Ozu); The Bad and the Beautiful (Vincente Minnelli); Europe \u201851 (Roberto Rossellini); Monkey Business (Howard Hawks)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1951<\/span><\/p>\n<ol>\n<li>The Prowler (Joseph Losey) \u2013 7.4<\/li>\n<li>Circle of Danger (Jacques Tourneur) \u2013 7.3<\/li>\n<li>Ace in the Hole (Billy Wilder) \u2013 7.0<\/li>\n<li>Alice in Wonderland (Clyde Geronimi &amp; Hamilton Luske &amp; Wilfred Jackson) ~ 6.9<\/li>\n<li>Strangers on a Train (Alfred Hitchcock) \u2013 6.5<\/li>\n<li>The African Queen (John Huston) \u2013 6.5<\/li>\n<li>An American in Paris (Vincente Minnelli) \u2013 6.3<\/li>\n<li>Pandora and the Flying Dutchman (Albert Lewin) \u2013 6.1<\/li>\n<li>Repast (Mikio Naruse) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (18): A Streetcar Named Desire (Elia Kazan); The Red Badge of Courage (John Huston); His Kind of Woman (John Farrow); A Place in the Sun (George Stevens); The Man in the White Suit (Alexander Mackendrick); The Steel Helmet (Samuel Fuller); The Idiot (Akira Kurosawa); Miss Oyu (Kenji Mizoguchi); Bellissima (Luchino Visconti); The Browning Version (Anthony Asquith); The Tall Target (Anthony Mann); Dancing Girl (Mikio Naruse); Miracle in Milan (Vittorio De Sica); Edward and Caroline (Jacques Becker); Juliette, or Key of Dreams (Marcel Carn\u00e9); Detective Story (William Wyler); Poison (Sacha Guitry); Fixed Bayonets! (Samuel Fuller)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1950<\/span><\/p>\n<ol>\n<li>In a Lonely Place (Nicholas Ray) \u2013 7.8<\/li>\n<li>Stars in My Crown (Jacques Tourneur) \u2013 7.6<\/li>\n<li>The Quadrille (Jacques Rivette) \u2013 7.2<\/li>\n<li>Born to be Bad (Nicholas Ray) \u2013 6.9<\/li>\n<li>All About Eve (Joseph L. Mankiewicz) \u2013 6.8<\/li>\n<li>Rashomon (Akira Kurosawa) \u2013 6.3<\/li>\n<li>Sunset Blvd. (Billy Wilder) \u2013 6.2<\/li>\n<li>Miquette (Henri-Georges Clouzot) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): The Asphalt Jungle (John Huston); Winchester \u201973 (Anthony Mann); Where the Sidewalk Ends (Otto Preminger); Night and the City (Jules Dassin); Stromboli (Roberto Rossellini); Father of the Bride (Vincente Minnelli); Scandal (Akira Kurosawa); La Ronde (Max Ophuls); The Furies (Anthony Mann); The Baron of Arizona (Samuel Fuller); Los Olvidados (Luis Bu\u00f1uel); Side Street (Anthony Mann); Gone to Earth (Michael Powell &amp; Emeric Pressburger); A Life of Her Own (George Cukor); Wagon Master (John Ford)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1949<\/span><\/p>\n<ol>\n<li>The Fountainhead (King Vidor) \u2013 7.8<\/li>\n<li>They Live by Night (Nicholas Ray) \u2013 7.5<\/li>\n<li>Bitter Rice (Giuseppe De Santis) \u2013 6.8<\/li>\n<li>The Third Man (Carol Reed) ~ 6.8<\/li>\n<li>Beyond the Forest (King Vidor) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (20): White Heat (Raoul Walsh); Adam\u2019s Rib (George Cukor); Gun Crazy (Joseph H. Lewis); The Small Back Room (Michael Powell &amp; Emeric Pressburger); On the Town (Gene Kelly &amp; Stanley Donen); Stray Dog (Akira Kurosawa); The Heiress (Williams Wyler); The Reckless Moment (Max Oph\u00fcls); She Wore a Yellow Ribbon (John Ford); Caught (Max Oph\u00fcls); I Was a Male War Bride (Howard Hawks); Le Silence de la mer (Jean-Pierre Melville); I Shot Jesse James (Samuel Fuller); House of Strangers (Joseph L. Mankiewicz); Rendezvous in July (Jacques Becker); The Passionate Friends (David Lean); The Great Madcap (Luis Bu\u00f1uel); Whirlpool (Otto Preminger); White Shanks (Jean Gr\u00e9millon); The Spider and the Fly (Robert Hamer)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1948<\/span><\/p>\n<ol>\n<li>Bicycle Thieves (Vittorio de Sica) \u2013 7.3<\/li>\n<li>Letter from an Unknown Woman (Max Oph\u00fcls) \u2013 6.8<\/li>\n<li>The Inside Story (Allan Dwan) \u2013 6.5<\/li>\n<li>The Red Shoes (Michael Powell &amp; Emeric Pressburger) \u2013 6.4<\/li>\n<li>Rope (Alfred Hitchcock) ~ 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (19): The Treasure of the Sierra Madre (John Huston); Unfaithfully Yours (Preston Sturges); Red River (Howard Hawks); Moonrise (Frank Borzage); A Foreign Affair (Billy Wilder);  Germany Year Zero (Roberto Rossellini); Macbeth (Orson Welles); Fort Apache (John Ford); A Hen in the Wind (Yasujir\u014d Ozu); Pitfall (Andre De Toth); The Search (Fred Zinnemann); Drunken Angel (Akira Kurosawa); Berlin Express (Jacques Tourneur); The Boy With Green Hair (Joseph Losey); Good Sam (Leo McCarey); 3 Godfathers (John Ford); Sleep, My Love  (Douglas Sirk); The Pirate (Vincente Minnelli); Yellow Sky (William Wellman)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1947<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Daisy Kenyon (Otto Preminger) \u2013 8.0<\/li>\n<li>Out of the Past (Jacques Tourneur) \u2013 7.0<\/li>\n<li>The Lady from Shanghai (Orson Welles) \u2013 6.1<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (11): Gentleman\u2019s Agreement (Elia Kazan); Black Narcissus (Michael Powell &amp; Emeric Pressburger); Monsieur Verdoux (Charlie Chaplin); T-Men (Anthony Mann); Our Wonderful Sunday (Akira Kurosawa); Antoine and Antoinette (Jacques Becker); Boomerang! (Elia Kazan); Record of a Tenement Gentleman (Yasujir\u014d Ozu); The Paradine Case (Alfred Hitchcock); Spring Awakens (Mikio Naruse); Mad Wednesday (Preston Sturges)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1946<\/span><\/p>\n<ol>\n<li>Notorious (Alfred Hitchcock) \u2013 7.6<\/li>\n<li>The Big Sleep (Howard Hawks) \u2013 7.5<\/li>\n<li>My Darling Clementine (John Ford) \u2013 7.3<\/li>\n<li>It\u2019s a Wonderful Life (Frank Capra) \u2013 7.2<\/li>\n<li>Shoeshine (Vittorio de Sica) \u2013 7.1<\/li>\n<li>A Matter of Life and Death (Michael Powell &amp; Emeric Pressburger) \u2013 6.9<\/li>\n<li>Beauty and the Beast (Jean Cocteau) \u2013 6.2<\/li>\n<li>Paisan (Roberto Rossellini) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (9): Stairway to Heaven (Michael Powell &amp; Emeric Pressburger); The Best Years of Our Lives (William Wyler); Duel in the Sun (King Vidor); The Postman Always Rings Twice (Tay Garnett); The Stranger (Orson Welles); No Regrets For Our Youth (Akira Kurosawa); The Diary of a Chambermaid (Jean Renoir); I\u2019ve Always Loved You (Frank Borzage); Desire (Roberto Rossellini &amp; Marcello Pagliero)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1945<\/span><\/p>\n<ol>\n<li>Brief Encounter (David Lean) \u2013 7.9<\/li>\n<li>Children of Paradise (Marcel Carn\u00e9) \u2013 7.8<\/li>\n<li>Scarlet Street (Fritz Lang) \u2013 7.8<\/li>\n<li>Rome, Open City (Roberto Rossellini) \u2013 7.6<\/li>\n<li>Leave Her to Heaven (John M. Stahl) \u2013 7.5<\/li>\n<li>The Clock (Vincente Minnelli) \u2013 7.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): A Tree Grows in Brooklyn (Elia Kazan); Paris Frills (Jacques Becker); Objective, Burma! (Raoul Walsh); And Then There Were None (Ren\u00e9 Clair); Blithe Spirit (David Lean); Fallen Angel (Otto Preminger); The Southerner (Jean Renoir); They Were Expendable (John Ford); The Men Who Tread on the Tiger\u2019s Tail (Akira Kurosawa); Sanshiro Sugata, Part Two (Akira Kurosawa); The Lost Weekend (Billy Wilder); Ziegfeld Follies (Vincente Minnelli); Ivan the Terrible, Part 1 (Sergei Eisenstein)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1944<\/span><\/p>\n<ol>\n<li>Double Indemnity (Billy Wilder) \u2013 9.3<\/li>\n<li>Meet Me in St. Louis (Vincente Minnelli) \u2013 8.5<\/li>\n<li>Days of Glory (Jacques Tourneur) \u2013 7.6<\/li>\n<li>Lifeboat (Alfred Hitchcock) \u2013 6.6<\/li>\n<li>The Woman in the Window (Fritz Lang) \u2013 6.6<\/li>\n<li>Laura (Otto Preminger) ~ 6.4<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): A Canterbury Tale (Michael Powell &amp; Emeric Pressburger); Hail the Conquering Hero (Preston Sturges); Phantom Lady (Robert Siodmak); Ministry of Fear (Fritz Lang); Murder, My Sweet (Edward Dmytryk); The Suspect (Robert Siodmak); Arsenic and Old Lace (Frank Capra); Going My Way (Leo McCarey); The Miracle of Morgan\u2019s Creek (Preston Sturges); The Curse of the Cat People (Gunther von Fritsch &amp; Robert Wise); Gaslight (George Cukor); Dark Waters (Andre de Toth); Summer Storm (Douglas Sirk); This Happy Breed (David Lean)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1943<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Shadow of a Doubt (Alfred Hitchcock) \u2013 7.5<\/li>\n<li>Le Corbeau: The Raven (Henri-Georges Clouzot) \u2013 6.5<\/li>\n<li>Day of Wrath (Carl Theodor Dreyer) \u2013 6.0<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (10): Cabin in the Sky (Vincente Minnelli); Air Force (Howard Hawks); The Ox-Bow Incident (William A. Wellman); A Night to Remember (Richard Wallace); The Life and Death of Colonel Blimp (Michael Powell &amp; Emeric Pressburger); Sanshiro Sugata (Akira Kurosawa); Hangmen Also Die! (Fritz Lang); Holy Matrimony (John M. Stahl); The Gang\u2019s All Here (Busby Berkeley); Someone to Remember (Robert Siodmak)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1942<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>The Magnificent Ambersons (Orson Welles) - 7.8<\/li>\n<li>Saboteur (Alfred Hitchcock) - 6.6<\/li>\n<li>To Be or Not to Be (Ernst Lubitsch) - 6.6<\/li>\n<li>Bambi (David Hand) ~ 6.0<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (8): Casablanca (Michael Curtiz); The Palm Beach Story (Preston Sturges); Gentleman Jim (Raoul Walsh); The Major and the Minor (Billy Wilder); Roxie Hart (William Wellman); There Was a Father (Yasujir\u014d Ozu); I Married a Witch (Ren\u00e9 Clair)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1941<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Citizen Kane (Orson Welles) \u2013 8.0<\/li>\n<li>Suspicion (Alfred Hitchcock) \u2013 7.1<\/li>\n<li>Stormy Waters (Jean Gr\u00e9millon) \u2013 6.5<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (21): The Lady Eve (Preston Sturges); Ball of Fire (Howard Hawks); Sullivan\u2019s Travels (Preston Sturges); The 47 Ronin (Kenji Mizoguchi); They Died With Their Boots On (Raoul Walsh); The Devil and Daniel Webster (William Dieterle); How Green Was My Valley (John Ford); Mr. &amp; Mrs. Smith (Alfred Hitchcock); Sergeant York (Howard Hawks); The Wolf Man (George Waggner); 49th Parallel (Michael Powell); Hellzapoppin\u2019 (H.C. Potter); High Sierra (Raoul Walsh); The Strawberry Blonde (Raoul Walsh); That Uncertain Feeling (Ernst Lubitsch); Man Hunt (Fritz Lang); The Shanghai Gesture (Josef von Sternberg); A Woman\u2019s Face (George Cukor); Tobacco Road (John Ford); Hideko the Bus Conductress (Mikio Naruse); The Brothers and Sisters of the Toda Family (Yasujir\u014d Ozu)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1940<\/span><\/p>\n<ol>\n<li>The Shop Around the Corner (Ernst Lubitsch) \u2013 7.3<\/li>\n<li>The Mortal Storm (Frank Borzage) \u2013 6.9<\/li>\n<li>Rebecca (Alfred Hitchcock) \u2013 6.9<\/li>\n<li>Fantasia (Ben Sharpsteen) ~ 6.7<\/li>\n<li>\u2018\u2018Northwest Passage\u2019\u2019 (Book I <span style=\"word-spacing:-0.2em;\">&#8211; &#8211;<\/span> Rogers&#8217; Rangers) (King Vidor) \u2013 6.6<\/li>\n<li>Pinocchio (Ben Sharpsteen &amp; Hamilton Luske) ~ 6.3<\/li>\n<li>The Great Dictator (Charles Chaplin) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (12): His Girl Friday (Howard Hawks); Foreign Correspondent (Alfred Hitchcock); Christmas in July (Preston Sturges); The Grapes of Wrath (John Ford); The Great McGinty (Preston Sturges); The Long Voyage Home (John Ford); The Philadelphia Story (George Cukor); Remember the Night (Mitchell Leisen); They Drive by Night (Raoul Walsh); The Westerner (William Wyler); Travelling Actors (Mikio Naruse); Trail of the Vigilantes (Allan Dwan)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1939<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>The Wizard of Oz (Victor Fleming) \u2013 8.2<\/li>\n<li>The Rules of the Game (Jean Renoir) \u2013 7.4<\/li>\n<li>Only Angels Have Wings (Howard Hawks) \u2013 6.3<\/li>\n<li>Drums Along the Mohawk (John Ford) \u2013 6.2<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (13): Mr. Smith Goes to Washington (Frank Capra); The Women (George Cukor); The Story of the Last Chrysanthemum (Kenji Mizoguchi); The Spy in Black (Michael Powell); Destry Rides Again (George Marshall); Gone with the Wind (Victor Fleming); Le Jour se l\u00e8ve (Marcel Carn\u00e9); Love Affair (Leo McCarey); The Roaring Twenties (Raoul Walsh); Wuthering Heights (William Wyler); Young Mr. Lincoln (John Ford); Beau Geste (William A. Wellman); When Tomorrow Comes (John M. Stahl)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1938<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Bringing up Baby (Howard Hawks) \u2013 7.4<\/li>\n<li>Too Much Johnson (Orson Welles) \u2013 6.9<\/li>\n<li>The Lady Vanishes (Alfred Hitchcock) ~ 6.8<\/li>\n<li>The Citadel (King Vidor) \u2013 6.5<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (6): Holiday (George Cukor); La B\u00eate humaine (Jean Renoir); Alexander Nevsky (Sergei M. Eisenstein &amp; Dmitriy Vasilev); You Can\u2019t Take It With You (Frank Capra); Three Comrades (Frank Borzage); Submarine Patrol (John Ford)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1937<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Make Way For Tomorrow (Leo McCarey) \u2013 7.8<\/li>\n<li>Stella Dallas (King Vidor) \u2013 7.3<\/li>\n<li>Snow White and the Seven Dwarfs (Ben Sharpsteen) ~ 6.4<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (12): Nothing Sacred (William Wellman); History Is Made at Night (Frank Borzage); Angel (Ernst Lubitsch); The Awful Truth (Leo McCarey); Dead End (William Wyler); The Hurricane (John Ford); A Star Is Born (William A. Wellman); Young and Innocent (Alfred Hitchcock); You Only Live Once (Fritz Lang); Bezhin Meadow (Sergei Eisenstein); Lady Killer (Jean Gr\u00e9millon); Mannequin (Frank Borzage)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1936<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>A Day in the Country (Jean Renoir) \u2013 6.6<\/li>\n<li>Modern Times (Charlie Chaplin) \u2013 6.5<\/li>\n<li>My Man Godfrey (Gregory La Cava) \u2013 6.0<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (14): Dodsworth (William Wyler); Fury (Fritz Lang); The Crime of Monsieur Lange (Jean Renoir); The Devil-Doll (Tod Browning); Mr. Deeds Goes to Town (Frank Capra); Sabotage (Alfred Hitchcock); Secret Agent (Alfred Hitchcock); Show Boat (James Whale); These Three (William Wyler); Come and Get It (Howard Hawks &amp; William Wyler); The Road to Glory (Howard Hawks); The Prisoner of Shark Island (John Ford); The Only Son (Yasujir\u014d Ozu); Morning\u2019s Tree-Lined Street (Mikio Naruse)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1935<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Ruggles of Red Gap (Leo McCarey) \u2013 7.3<\/li>\n<li>The Wedding Night (King Vidor) \u2013 7.2<\/li>\n<li>Bride of Frankenstein (Whale) \u2013 7.0<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (7): The Good Fairy (William Wyler); The Devil Is a Woman (Josef von Sternberg); The Informer (John Ford); An Inn in Tokyo (Yasujir\u014d Ozu); Toni (Jean Renoir); The Girl in the Rumor (Mikio Naruse)Wife! Be Like a Rose (Mikio Naruse)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1934<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>Imitation of Life (John M. Stahl) \u2013 6.9<\/li>\n<li>Our Daily Bread (King Vidor) \u2013 6.4<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (15): The Thin Man (W.S. Van Dyke); It Happened One Night (Frank Capra); The Black Cat (Edgar G. Ulmer); The Scarlet Empress (Josef von Sternberg); Little Man, What Now? (Frank Borzage); Twentieth Century (Howard Hawks); The Man Who Knew Too Much (Alfred Hitchcock); The Merry Widow (Ernst Lubitsch); A Story of Floating Weeds (Yasujir\u014d Ozu); Le Grand jeu (Jacques Feyder); Street Without End (Mikio Naruse); One More River (James Whale); Three Songs of Lenin (Dziga Vertov); Liliom (Fritz Lang); Six of a Kind (Leo McCarey)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1933<\/span><\/p>\n<ol>\n<li>Duck Soup (Leo McCarey) \u2013 7.9<\/li>\n<li>Zero for Conduct (Jean Vigo) \u2013 7.3<\/li>\n<li>The Stranger&#8217;s Return (King Vidor) \u2013 6.5<\/li>\n<li>King Kong (Ernest B. Schoedsack &amp; Merian C. Cooper) \u2013 6.3<\/li>\n<li>The Invisible Man (James Whale) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (12): Counsellor at Law (William Wyler); Man\u2019s Castle (Frank Borzage); Design for Living (Ernst Lubitsch); The Testament of Dr. Mabuse (Fritz Lang); Passing Fancy (Yasujir\u014d Ozu); Every-Night Dreams (Mikio Naruse); Apart From You (Mikio Naruse); Land Without Bread (Luis Bu\u00f1uel); Deserter (Vsevolod Pudovkin); Secrets (Frank Borzage); Only Yesterday (John M. Stahl); Wild Boys of the Road (William A. Wellman)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1932<\/span><\/p>\n<ol>\n<li>Da\u00efnah la m\u00e9tisse (Jean Gr\u00e9millon) \u2013 7.6<\/li>\n<li>Trouble in Paradise (Ernst Lubitsch) \u2013 7.4<\/li>\n<li>Freaks (Tod Browning) \u2013 6.9<\/li>\n<li>Vampyr (Carl Theodor Dreyer) ~ 6.6<\/li>\n<li>Cynara (King Vidor) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): Red Dust (Victor Fleming); I Was Born, But\u2026 (Yasujir\u014d Ozu); Scarface (Howard Hawks); Boudu Saved from Drowning (Jean Renoir); The Old Dark House (James Whale); One Hour With You (Ernst Lubitsch); Tiger Shark (Howard Hawks); No Blood Relation (Mikio Naruse); Queen Kelly (Erich von Stroheim); A Farewell to Arms (Frank Borzage); The Crowd Roars (Howard Hawks); Spring Shower (P\u00e1l Fej\u00f6s); \u00a1Que viva M\u00e9xico! (Grigori Aleksandrov &amp; Sergei M. Eisenstein); If I Had a Million (Ernst Lubitsch, Norman Taurog, Stephen Roberts, Norman Z. McLeod, James Cruze, William A. Seiter, &amp; H. Bruce Humberstone); Air Mail (John Ford)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1931<\/span><\/p>\n<ol>\n<li>M (Fritz Lang) \u2013 7.8<\/li>\n<li>Street Scene (King Vidor) \u2013 7.1<\/li>\n<li>Le Million (Ren\u00e9 Clair) \u2013 6.9<\/li>\n<li>City Lights (Charles Chaplin) \u2013 6.9<\/li>\n<li>Other Men&#8217;s Women (William A. Wellman) \u2013 6.2<\/li>\n<li>Dishonored (Josef von Sternberg) \u2013 6.2<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (16): Girls About Town (George Cukor); Monkey Business (Norman McLeod); The Miracle Woman (Frank Capra); Waterloo Bridge (James Whale); Tokyo Chorus (Yasujir\u014d Ozu); A nous la libert\u00e9 (Ren\u00e9 Clair); Dracula (Tod Browning); La Chienne (Jean Renoir); The Public Enemy (William Wellman); Tabu: A Story of the South Seas (F. W. Murnau); Dr. Jekyll and Mr. Hyde (Rouben Mamoulian); The Smiling Lieutenant (Ernst Lubitsch); An American Tragedy (Josef von Sternberg); Strictly Dishonorable (John M. Stahl); The Criminal Code (Howard Hawks); Seed (John M. Stahl)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1930<\/span><\/p>\n<ol>\n<li>L\u2019Age d\u2019Or (Luis Bu\u00f1uel) \u2013 7.4<\/li>\n<li>Free and Easy (Edward Sedgwick) \u2013 6.9<\/li>\n<li>Morocco (Josef von Sternberg) \u2013 6.8<\/li>\n<li>City Girl (F.W. Murnau) \u2013 6.7<\/li>\n<li>The Blue Angel (Josef von Sternberg) \u2013 6.5<\/li>\n<li>Earth (Aleksandr Dovzhenko) \u2013 6.0<\/li>\n<li>Not So Dumb (King Vidor) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (8): Hell\u2019s Angels (Howard Hughes), Monte Carlo (Ernst Lubitsch), Murder! (Hitchcock); Under the Roofs of Paris (Ren\u00e9 Clair); People on Sunday (Robert Siodmak &amp; Edgar G. Ulmer); The Big Trail (Raoul Walsh); Little Lise (Jean Gr\u00e9millon); Part Time Wife (Leo McCarey)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1929<\/span><\/p>\n<ol>\n<li>Man with a Movie Camera (Dziga Vertov) \u2013 9.1<\/li>\n<li>Lucky Star (Frank Borzage) \u2013 6.5<\/li>\n<li>Hallelujah (King Vidor) \u2013 6.5<\/li>\n<li>The Lighthouse Keepers (Jean Gr\u00e9millon) \u2013 6.4<\/li>\n<li>Blackmail (Alfred Hitchcock) \u2013 6.3<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (25): L\u2019Argent (Marcel L\u2019Herbier); The Iron Mask (Allan Dwan); Pandora\u2019s Box (Georg Wilhelm Pabst); The Godless Girl (Cecil B. DeMille); Diary of a Lost Girl (Georg Wilhelm Pabst); Piccadilly (Ewald Andr\u00e9 Dupont); Woman in the Moon (Fritz Lang); Asphalt (Joe May); The Love Parade (Ernst Lubitsch); Spite Marriage (Edward Sedgwick &amp; Buster Keaton); Escape From Dartmoor (Anthony Asquith); The Wonderful Lies of Nina Petrovna (Hanns Schwarz); Days of Youth (Yasujir\u014d Ozu); Seduction (Gustav Machat\u00fd); Applause (Rouben Mamoulian); A Throw of Dice (Franz Osten); My Grandmother (Kote Miqaberidze); Dans la Nuit (Charles Vanel); The Undying Pearl (Hiroshi Shimizu); Big Business (James W. Horne &amp; Leo McCarey); Arsenal (Aleksandr Dovzhenko); The General Line (Grigori Aleksandrov &amp; Sergei Eisenstein); Cocoanuts (Robert Florey &amp; Joseph Stantley); Thunderbolt (Josef von Sternberg); Broadway Babies (Mervyn LeRoy); The New Gentlemen (Jacques Feyder)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1928<\/span><\/p>\n<ol>\n<li>Steamboat Bill, Jr. (Buster Keaton &amp; Charles Reisner) \u2013 8.7<\/li>\n<li>The Passion of Joan of Arc (Carl Theodor Dreyer) \u2013 6.6<\/li>\n<li>The Fall of the House of Usher (Jean Epstein) \u2013 6.5<\/li>\n<li>The Crowd (King Vidor) \u2013 6.5<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (16): The Mysterious Lady (Fred Niblo); The Circus (Charles Chaplin); Storm Over Asia (Vsevolod Pudovkin); The Last Command (Josef von Sternberg); Spies (Fritz Lang); The Wedding March (Erich von Stroheim); Misdeal (Jean Gr\u00e9millon); Zvenigora (Aleksandr Dovzhenko); Ungarische Rhapsodie (Hanns Schwarz); The Devious Path (Georg Wilhelm Pabst); A Girl in Every Port (Howard Hawks); That Certain Thing (Frank Capra); The House on Trubnaya Square (Boris Barnet); Sadie Thompson (Raoul Walsh); Speedy (Ted Wilde); The Italian Straw Hat (Ren\u00e9 Clair)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1927<\/span><\/p>\n<ol>\n<li>Sunrise (F.W. Murnau) \u2013 7.6<\/li>\n<li>My Best Girl (Sam Taylor) \u2013 7.2<\/li>\n<li>The Lodger: A Story of the London Fog (Alfred Hitchcock) \u2013 6.8<\/li>\n<li>7th Heaven (Frank Borzage) \u2013 6.8<\/li>\n<li>College (James W. Horne) \u2013 6.5<\/li>\n<li>The Unknown (Tod Browning) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): The Kid Brother (Ted Wilde); The Beloved Rogue (Alan Crosland); Napol\u00e9on (Abel Gance); Underworld (Josef von Sternberg); Wings (William A. Wellman); M\u00fcnchen-Berlin Wanderung (Oskar Fischinger); Bed and Sofa (Abram Room); Hindle Wakes (Maurice Elvey); The Student Prince in Old Heidelberg (Ernst Lubitsch); The Love of Jeanne Ney (Georg Wilhelm Pabst); Paid to Love (Howard Hawks); The Girl With The Hatbox (Boris Barnet); The End of St. Petersburg (Vsevolod Pudovkin &amp; Mikhail Doller); Tragedy of the Street (Bruno Rahn)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1926<\/span><\/p>\n<ol>\n<li>By the Law (Lev Kuleshov) \u2013 8.8<\/li>\n<li>The General (Buster Keaton &amp; Clyde Bruckman) \u2013 7.6<\/li>\n<li>The Adventures of Prince Achmed (Lotte Reiniger) \u2013 6.6<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (16): Mother (Vsevolod Pudovkin); The Blackbird (Tod Browning); Mantrap (Victor Fleming); The Strong Man (Frank Capra); For Heaven\u2019s Sake (Sam Taylor); The Great K &amp; A Train Robbery (Lewis Seiler); 3 Bad Men (John Ford); A Sixth Part of the World (Dziga Vertov); The Holy Mountain (Arnold Fanck); Faust (F. W. Murnau); M\u00e9nilmontant (Dimitri Kirsanoff); Old Ironsides (James Cruze); The Scarlet Letter (Victor Sj\u00f6str\u00f6m); Moana (Robert J. Flaherty); Nana (Jean Renoir); The Black Pirate (Albert Parker)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1925<\/span><\/p>\n<ol>\n<li>Tartuffe (F. W. Murnau) \u2013 7.0<\/li>\n<li>Seven Chances (Buster Keaton) \u2013 6.8<\/li>\n<li>The Big Parade (King Vidor) \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (14): The Phantom of the Opera (Rupert Julian); Tumbleweeds (William S. Hart &amp; King Baggot); The Freshman (Sam Taylor &amp; Fred C. Newmeyer); Grass: A Nation\u2019s Battle for Life (Merian C. Cooper &amp; Ernest B. Schoedsack); The Joyless Street (Georg Wilhelm Pabst); Our Heavenly Bodies (Hanns Walter Kornblum); The Merry Widow (Erich von Stroheim); Lady Windermere\u2019s Fan (Ernst Lubitsch); Faces of Children (Jacques Feyder); The Freshman (Fred C. Newmayer &amp; Sam Taylor); Lazybones (Frank Borzage); Sally of the Sawdust (D.W. Griffith); The Salvation Hunters (Josef von Sternberg); The Song of Home (Kenji Mizoguchi)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1924<\/span><\/p>\n<ol>\n<li>Sherlock Jr. (Buster Keaton) \u2013 8.4<\/li>\n<li>Greed (Erich von Stroheim) \u2013 8.4<\/li>\n<li>The Navigator (Buster Keaton &amp; Donald Crisp) \u2013 6.4<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (11): Girl Shy (Fred C. Newmeyer &amp; Sam Taylor); He Who Gets Slapped (Victor Sj\u00f6str\u00f6m); The Last Laugh (F. W. Murnau); The Thief of Bagdad (Raoul Walsh); Finances of the Grand Duke (F. W. Murnau); Michael (Carl Theodor Dreyer); Die Nibelungen (Fritz Lang); Waxworks (Paul Leni); The Hands of Orlac (Robert Wiene); Kinoglaz (Dziga Vertov); The Iron Horse (John Ford)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1923<\/span><\/p>\n<ol>\n<li>Safety Last! (Fred C. Newmeyer &amp; Sam Taylor) \u2013 6.7<\/li>\n<li>Our Hospitality (John G. Blystone &amp; Buster Keaton) \u2013 6.1<\/li>\n<li>Three Ages (Edward F. Clive &amp; Buster Keaton) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (10): The Street (Karl Grune); Why Worry? (Fred C. Newmeyer &amp; Sam Taylor); The Wheel (Abel Gance); The Faithful Heart (Jean Epstein); The Street (Karl Grune); Crime and Punishment (Robert Wiene); The Hunchback of Notre Dame (Wallace Worsley); Souls for Sale (Rupert Hughes); A Woman of Paris: A Drama of Fate (Charles Chaplin); The Norrtull Gang (Per Lindberg)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1922<\/span><\/p>\n<p>TK<\/p>\n<style hidden=\"\">\n<ol>\n<li>\u2013<\/li>\n<\/ol>\n<\/style>\n<p><em>Intending to See<\/em> (10): Doctor Jack (Fred C. Newmeyer &amp; Sam Taylor); Phantom (F. W. Murnau); Dr. Mabuse, the Gambler (Fritz Lang); H\u00e4xan: Witchcraft Through the Ages (Benjamin Christensen); Foolish Wives (Erich von Stroheim); The Toll of the Sea (Chester M. Franklin); Oliver Twist (Frank Lloyd); Burning Soil (F.W. Murnau); Grandma\u2019s Boy (Fred C. Newmeyer); The Girl from Arles (Andr\u00e9 Antoine)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1921<\/span><\/p>\n<ol>\n<li>Backstairs (Leopold Jessner &amp; Paul Leni) \u2013 6.8<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (13): The Wildcat (Ernst Lubitsch); The Phantom Carriage (Victor Sj\u00f6str\u00f6m); The Kid (Charles Chaplin); Never Weaken (Fred C. Newmeyer); Shattered (Lupu Pick); Johan (Mauritz Stiller); Seven Years Bad Luck (Max Linder); Orphans of the Storm (D.W. Griffith); The Ace of Hearts (Wallace Worsley); The Four Horsemen of the Apocalypse (Rex Ignram &amp; Kevin Brownlow); Leaves Out of the Book of Satan (Carl Theodor Dreyer); A Sailor-Made Man (Fred C. Newmeyer); The Haunted Castle (F. W. Murnau)<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">1920<\/span><\/p>\n<ol>\n<li>The Cabinet of Dr. Caligari (Robert Wiene) \u2013 6.1<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (15): The Mark of Zorro (Fred Niblo); Way Down East (D. W. Griffith); Anne Boleyn (Ernst Lubitsch); Sumurun (Ernst Lubitsch); The Parson\u2019s Widow (Carl Theodor Dreyer); Romeo and Juliet in the Snow (Ernst Lubitsch); Outside the Law (Tod Browning); The Swallow and the Titmouse (Andr\u00e9 Antoine); Erotikon (Mauritz Stiller); The Last of the Mohicans (Clarence Brown &amp; Maurice Tourneur); Monastery of Sendomir (Victor Sj\u00f6str\u00f6m); The Penalty (Wallace Worsley); The Golem (Carl Boese &amp; Paul Wegener); Dr. Jekyll and Mr. Hyde (John S. Robertson); Kohlhiesel\u2019s Daughters (Ernst Lubitsch);<\/p>\n<p>&nbsp;<\/p>\n<p><span style=\"text-decoration: underline;\">Pre-1920s<\/span><\/p>\n<ol>\n<li>The Doll (1919, Ernst Lubitsch) \u2013 7.9<\/li>\n<li>Les Vampires (1915, Louis Feuillade) \u2013 7.2<\/li>\n<li>The Dying Swan (1917, Yevgeni Bauer) \u2013 6.3<\/li>\n<li>The Militant Suffragette (1913, Urban Gad) \u2013 6.2<\/li>\n<li>Twilight of a Woman\u2019s Soul (1913, Yevgeni Bauer) \u2013 6.2<\/li>\n<li>The Poor Little Rich Girl (1917, Maurice Tourneur) \u2013 6.0<\/li>\n<\/ol>\n<p><em>Intending to See<\/em> (38): Broken Blossoms (1919, D. W. Griffith); Blind Husbands (1919, Erich von Stroheim); Sir Arne\u2019s Treasure (1919, Maurice Stiller); J\u2019Accuse (1919, Abel Gance); My Lady Margarine (1919, Ernst Lubitsch); When the Clouds Roll By (1919, Douglas Fairbanks); South (1919, Frank Hurley); Victory (1919, Maurice Tourneur); The President (1919, Carl Theodor Dreyer); The Outlaw and His Wife (1918, Victor Sj\u00f6str\u00f6m); You and I (1918, Victor Sj\u00f6str\u00f6m); The Sinking of the Lusitania (1918, Winsor McCay); The Blue Bird (1918, Maurice Tourneur); The Eyes of the Mummy (1918, Ernst Lubitsch); Carmen (1918, Ernst Lubitsch); A Man There Was (1917, Victor Sj\u00f6str\u00f6m); Bucking Broadway (1917, John Ford); For Happiness (1917, Yevgeni Bauer); Blind Justice (1916, Benjamin Christensen); Homunculus (1916, Otto Rippert); Hell\u2019s Hinges (1916, William S. Hart); The Fire (1916, Giovanni Pastrone); Snow White (1916, J. Searle Dawley); Regeneration (1915, Raoul Walsh); The Italian (1915, Reginald Barker); Hypocrites (1915, Loid Weber); Daydreams (1915, Yevgeni Bauer); Der Golem (1915, Henrik Galeen &amp; Paul Wegener); Cabiria (1914, Giovanni Pastrone); The Mysterious X (1914, Benjamin Christensen); The Avenging Conscience (1914, D. W. Griffith); Traffic in Souls (1913, George Loane Tucker); Fantomas (1913, Louis Feuillade); Ingeborg Holm (1913, Victor Sj\u00f6str\u00f6m); The Child of Paris (1913, Leonce Perret); The Student of Prague (1913, Stellan Rye &amp; Paul Wegener); The Invaders (1912, Francis Ford)<\/p>\n<p><!-- \/entry --><\/p>\n","protected":false},"excerpt":{"rendered":"<p>RECENT CHANGES (most recent at the top) Added Dekalog, Six to 1989\u2019s Top 10 list and removed sex, lies, and videotape. Added Aspen to 1991\u2019s Top 10 list and removed The Double Life of Veronique. Added The Rib of the Greater Bay Area to 2026\u2019s Top 10 list. Added Top 10 list for 2026. Added [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17846","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/17846","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=17846"}],"version-history":[{"count":435,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/17846\/revisions"}],"predecessor-version":[{"id":26023,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/17846\/revisions\/26023"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=17846"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=17846"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=17846"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}