{"id":17801,"date":"2019-07-18T10:00:36","date_gmt":"2019-07-18T15:00:36","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=17801"},"modified":"2019-08-26T11:19:37","modified_gmt":"2019-08-26T16:19:37","slug":"tiff-2019-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2019\/07\/tiff-2019-line-up\/","title":{"rendered":"TIFF 2019 Line-Up"},"content":{"rendered":"
Key:<\/span>\nFeatures (40min. and up) are in bold<\/strong>\nShorts are in italics<\/em>\n\u2605 - I have seen this film and feel that it is quite good (6.0 and higher)\n\u2718 - I have seen this film and wish I hadn't (3.9 and lower)\n\u25cf - I have seen this film and am more or less okay with that\n\u25cb - I am seriously considering making an attempt to see this film during the festival\n☀\ufe0e - I made this film\n⌛ - This film is at least 150 minutes long\n👓 - This film is stereoscopic\n🍁 - This film is (perhaps secretly) Canadian\n\u00ae<\/strong><\/span> - This film has a Canadian distributor\n\u00ae<\/strong><\/span> - This film has a US distributor (\u2472<\/strong><\/span> if it is currently scheduled to be theatrically released in 2019)\n📼 - This film is with Netflix, Youtube, or other VOD-centric distributor, so may not receive a theatrical run\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - It'll be screened from a film print\n\nColour coding:<\/span>\nNYFF<\/strong><\/span> - Slate and Main\nSUNDANCE<\/strong><\/span> - American factory\nBERLINALE<\/strong><\/span> - Cinema is dead, but...\nCANNES<\/strong><\/span> - On the crown of kings I write your name\nLOCARNO<\/strong><\/span> - Films dramatiques\nVENICE<\/strong><\/span> - Inversion int\u00e9grale\nNOTABLE<\/strong><\/span> - Movies I am actively looking forward to, for whatever reason\n\n(Colours trump whatever is below them, so e.g. a film that played both Cannes and Locarno will be gold, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple)\n<\/pre>\n
 <\/p>\n
Special Presentations (55; last year: 59)<\/span>
\nA Herdade<\/strong> (Tiago Guedes)<\/span> ⌛
\nAmerican Son<\/strong> (Kenny Leon)
\nBad Education<\/strong> (Cory Finley) \u25cb
\nClifton Hill<\/strong> (Albert Shin) 🍁 \u00ae<\/strong><\/span>
\nComing Home Again<\/strong> (Wayne Wang)
\nDeerskin<\/strong> (Quentin Dupieux)<\/span> \u25cf
\nDirt Music<\/strong> (Gregor Jordan)
\nDolemite Is My Name<\/strong> (Craig Brewer) \u00ae<\/strong><\/span> 📼
\nThe Elder One<\/strong> (Geetu Mohandas)
\nEma<\/strong> (Pablo Larra\u00edn)<\/span> \u25cb
\nEndings, Beginnings<\/strong> (Drake Doremus)
\nFrankie<\/strong> (Ira Sachs)<\/span> \u2472<\/strong><\/span> \u25cf
\nThe Friend<\/strong> (Gabriela Cowperthwaite)
\nGreed<\/strong> (Michael Winterbottom)
\nGuest of Honour<\/strong> (Atom Egoyan)<\/span> 🍁 \u00ae<\/strong><\/span>
\nGuns Akimbo<\/strong> (Jason Lei Howden)
\nHeroic Losers<\/strong> (Sebastian Borensztein)
\nHope Gap<\/strong> (William Nicholson) \u00ae<\/strong><\/span>
\nHow to Build a Girl<\/strong> (Coky Giedroyc)
\nHuman Capital<\/strong> (Marc Meyers)
\nI Am Woman<\/strong> (Unjoo Moon)
\nJojo Rabbit<\/strong> (Taika Waititi) \u2472<\/strong><\/span> \u25cb
\nJudy<\/strong> (Rupert Goold) \u00ae<\/strong><\/span> \u2472<\/strong><\/span>
\nJungleland<\/strong> (Max Winkler)
\nKnives Out<\/strong> (Rian Johnson)<\/span> \u00ae<\/strong><\/span> \u2472<\/strong><\/span> \u25cb
\nLa Belle Epoque<\/strong> (Nicolas Bedos)<\/span>
\nThe Laundromat<\/strong> (Steven Soderbergh)<\/span> \u00ae<\/strong><\/span> 📼 \u25cb
\nThe Lighthouse<\/strong> (Robert Eggers)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u25cf
\nLucy in the Sky<\/strong> (Noah Hawley) \u2472<\/strong><\/span>
\nLyrebird<\/strong> (Dan Friedkin)
\nMarriage Story<\/strong> (Noah Baumbach)<\/span> \u00ae<\/strong><\/span> 📼 \u25cb
\nMilitary Wives<\/strong> (Peter Cattaneo)
\nMosul<\/strong> (Matthew Michael Carnahan)<\/span>
\nMotherless Brooklyn<\/strong> (Edward Norton)<\/span> \u2472<\/strong><\/span> \u25cb
\nNo. 7 Cherry Lane<\/strong> (Yonfan)<\/span>
\nOrdinary Love<\/strong> (Lisa Barros D\u2019Sa & Glenn Leyburn) \u00ae<\/strong><\/span>
\nThe Other Lamb<\/strong> (Malgorzata Szumowska)
\nPain and Glory<\/strong> (Pedro Almod\u00f3var)<\/span> \u2472<\/strong><\/span> \u25cf
\nThe Painted Bird<\/strong> (V\u00e1clav Marhoul)<\/span> ⌛
\nParasite<\/strong> (Bong Joon-ho)<\/span> \u00ae<\/strong><\/span> \u2472<\/strong><\/span> \u2605
\nPelican Blood<\/strong> (Katrin Gebbe)<\/span>
\nThe Personal History of David Copperfield<\/strong> (Armando Iannucci)
\nPortrait of a Lady on Fire<\/strong> (Celine Sciamma)<\/span> \u2472<\/strong><\/span> \u25cf
\nThe Report<\/strong> (Scott Z. Burns)<\/span> \u2472<\/strong><\/span> 📼
\nSaturday Fiction<\/strong> (Lou Ye)<\/span> \u25cb
\nSeberg<\/strong> (Benedict Andrews)<\/span> \u00ae<\/strong><\/span>
\nSibyl<\/strong> (Justine Triet)<\/span> \u2605
\nSynchronic<\/strong> (Aaron Moorhead & Justin Benson)
\nThe Truth<\/strong> (Hirokazu Kore-eda)<\/span> \u00ae<\/strong><\/span> \u25cb
\nThe Two Popes<\/strong> (Fernando Meirelles) \u00ae<\/strong><\/span> 📼
\nUncut Gems<\/strong> (Josh & Benny Safdie)<\/span> \u2472<\/strong><\/span> \u25cb
\nWasp Network<\/strong> (Olivier Assayas)<\/span> \u25cb
\nWaves<\/strong> (Trey Edward Shults) \u00ae<\/strong><\/span>
\nWeathering With You<\/strong> (Makoto Shinkai) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nWhile at War<\/strong> (Alejandro Amen\u00e1bar)
\n <\/p>\n
Contemporary World Cinema (55; last year: 48)<\/span>
\nAdam<\/strong> (Maryam Touzani)<\/span>
\nAnd the Birds Rained Down<\/strong> (Louise Archambault) 🍁
\nAntigone<\/strong> (Sophie Deraspe) 🍁
\nArab Blues<\/strong> (Manele Labidi)<\/span>
\nAtlantics<\/strong> (Mati Diop)<\/span> \u00ae<\/strong><\/span> 📼 \u25cf
\nAtlantis<\/strong> (Valentyn Vasyanovych)<\/span>
\nBacurau<\/strong> (Kleber Mendon\u00e7a Filho & Juliano Dornelles)<\/span> \u00ae<\/strong><\/span> \u2605
\nBalloon<\/strong> (Pema Tseden)<\/span> \u25cb
\nThe Barefoot Emperor<\/strong> (Jessica Woodworth & Peter Brosens)
\nBeanpole<\/strong> (Kantemir Balagov)<\/span> \u2605
\nBeneath the Blue Suburban Skies<\/strong> (Edward Burns)
\nBlow the Man Down<\/strong> (Danielle Krudy & Bridget Savage Cole)
\nThe Body Remembers When the World Broke Open<\/strong> (Elle-M\u00e1ij\u00e1 Tailfeathers & Kathleen Hepburn)<\/span> 🍁
\nBombay Rose<\/strong> (Gitanjali Rao)<\/span>
\nCastle in the Ground<\/strong> (Joey Klein) 🍁
\nChicuarotes<\/strong> (Gael Garc\u00eda Bernal)<\/span>
\nThe Climb<\/strong> (Michael Angelo Covino)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2718
\nCorpus Christi<\/strong> (Jan Komasa)<\/span>
\nThe County<\/strong> (Gr\u00edmur H\u00e1konarson)
\nDogs Don\u2019t Wear Pants<\/strong> (Jukka-Pekka Valkeap\u00e4\u00e4)<\/span> \u25cf
\nThe Father<\/strong> (Petar Valchanov & Kristina Grozeva)
\nFlatland<\/strong> (Jenna Bass)<\/span>
\nA Girl Missing<\/strong> (Koji Fukada)<\/span> \u25cb
\nHala<\/strong> (Minhal Baig)<\/span>
\nHenry Glassie: Field Work<\/strong> (Pat Collins)
\nIncitement<\/strong> (Yaron Zilberman)
\nInstinct<\/strong> (Halina Reijn)<\/span>
\nThe Invisible Life of Eur\u00eddice Gusm\u00e3o<\/strong> (Karim A\u00efnouz)<\/span> \u25cf
\nJallikattu<\/strong> (Lijo Jose Pellissery)
\nKnuckle City<\/strong> (Jahmil X.T. Qubeka)
\nLa Llorona<\/strong> (Jayro Bustamante)<\/span>
\nThe Last Porno Show<\/strong> (Kire Paputts) 🍁
\nLes Mis\u00e9rables<\/strong> (Ladj Ly)<\/span> \u00ae<\/strong><\/span> \u25cf
\nThe Long Walk<\/strong> (Mattie Do)<\/span>
\nMade in Bangladesh<\/strong> (Rubaiyat Hossain)
\nMariam<\/strong> (Sharipa Urazbayeva)<\/span>
\nMaria\u2019s Paradise<\/strong> (Zaida Bergroth)
\nNobadi<\/strong> (Karl Markovics)
\nOur Lady of the Nile<\/strong> (Atiq Rahimi)
\nThe Perfect Candidate<\/strong> (Haifaa Al-Mansour)<\/span>
\nRed Fields<\/strong> (Keren Yedaya)
\nResin<\/strong> (Daniel Joseph Borgman)
\nSo Long, My Son<\/strong> (Wang Xiaoshuai)<\/span> ⌛ \u25cb
\nSpider<\/strong> (Andr\u00e9s Wood)
\nA Sun<\/strong> (Chung Mong-Hong) ⌛
\nSynonyms<\/strong> (Nadav Lapid)<\/span> \u00ae<\/strong><\/span> \u25cb
\nTammy\u2019s Always Dying<\/strong> (Amy Jo Johnson) 🍁
\nTerminal Sud (South Terminal)<\/strong> (Rabah Ameur-Za\u00efmeche)<\/span> \u25cb
\n37 Seconds<\/strong> (Hikari)<\/span>
\nThree Summers<\/strong> (Sandra Kogut) \u25cb
\nVerdict<\/strong> (Raymund Ribay Gutierrez)<\/span>
\nWhite Lie<\/strong> (Calvin Thomas & Yonah Lewis)<\/span> 🍁 \u25cb
\nA White, White Day<\/strong> (Hlynur P\u00e1lmason)<\/span> \u2605
\nThe Wild Goose Lake<\/strong> (Diao Yinan)<\/span> \u00ae<\/strong><\/span> \u25cf
\nYou Will Die at Twenty<\/strong> (Amjad Abu Alala)<\/span><\/p>\n
 <\/p>\n
Discovery (37; last year: 46)<\/span>
\nAfrica<\/strong> (Oren Gerner)
\nThe Antenna<\/strong> (Or\u00e7un Behram)
\nThe Audition<\/strong> (Ina Weisse)
\nAugust<\/strong> (Armando Cap\u00f3)
\nBlack Conflux<\/strong> (Nicole Dorsey) 🍁
\nBring Me Home<\/strong> (Kim Seung-woo)
\nA Bump Along The Way<\/strong> (Shelly Love)
\nCalm With Horses<\/strong> (Nick Rowland)
\nCertified Mail<\/strong> (Hisham Saqr)
\nComets<\/strong> (Tamar Shavgulidze)
\nDisco<\/strong> (Jorunn Myklebust Syversen)
\nEasy Land<\/strong> (Sanja Zivkovic) 🍁
\nEntwined<\/strong> (Minos Nikolakakis)
\nThe Giant<\/strong> (David Raboy)
\nThe Good Intentions<\/strong> (Ana Garc\u00eda Blaya)
\nHearts and Bones<\/strong> (Ben Lawrence)
\nHope<\/strong> (Maria S\u00f8dahl)
\nKuessipan<\/strong> (Myriam Verreault) 🍁
\nLina from Lima<\/strong> (Mar\u00eda Paz Gonz\u00e1lez)
\nThe Lost Okoroshi<\/strong> (Abba Makama) \u25cb
\nLove Me Tender<\/strong> (Klaudia Reynicke)<\/span>
\nMurmur<\/strong> (Heather Young) 🍁
\nMy Life as a Comedian<\/strong> (Rojda Sekers\u00f6z)
\n1982<\/strong> (Oualid Mouaness)
\nNoura\u2019s Dream<\/strong> (Hinde Boujemaa)
\nThe Obituary of Tunde Johnson<\/strong> (Ali LeRoi)
\nPompei<\/strong> (Anna Falgu\u00e8res & John Shank)
\nRaf<\/strong> (Harry Cepka) 🍁
\nThe Rest of Us<\/strong> (Aisling Chin-Yee) 🍁
\nSea Fever<\/strong> (Neasa Hardiman)
\nSimple Women<\/strong> (Chiara Malta)
\nSole<\/strong> (Carlo Sironi)<\/span>
\nSon-Mother<\/strong> (Mahnaz Mohammadi)
\nStories From The Chestnut Woods<\/strong> (Gregor Bo\u017ei\u010d)
\nSweetness in the Belly<\/strong> (Zeresenay Berhane Mehari)
\nTwo of Us<\/strong> (Filippo Meneghetti)
\nZana<\/strong> (Antoneta Kastrati)<\/p>\n
 <\/p>\n
TIFF Docs (25; last year: 28)<\/span>
\nAnd We Go Green<\/strong> (Fisher Stevens & Malcolm Venville)
\nThe Australian Dream<\/strong> (Daniel Gordon)
\nBikram: Yogi, Guru, Predator<\/strong> (Eva Orner)
\nThe Capote Tapes<\/strong> (Ebs Burnough)
\nThe Cave<\/strong> (Feras Fayyad)
\nCitizen K<\/strong> (Alex Gibney)<\/span>
\nCollective<\/strong> (Alexander Nanau)<\/span>
\nCoppers<\/strong> (Alan Zweig) 🍁
\nThe Cordillera of Dreams<\/strong> (Patricio Guzm\u00e1n)<\/span> \u25cb
\nCunningham<\/strong> (Alla Kovgan)<\/span> 👓 \u00ae<\/strong><\/span> \u2472<\/strong><\/span> \u25cb
\nDads<\/strong> (Bryce Dallas Howard)
\nDesert One<\/strong> (Barbara Kopple)
\nI Am Not Alone<\/strong> (Garin Hovannisian)
\nIbrahim: A Fate to Define<\/strong> (Lina Al Abed)
\nThe Kingmaker<\/strong> (Lauren Greenfield)<\/span>
\nLetter to the Editor<\/strong> (Alan Berliner) \u25cb
\nLove Child<\/strong> (Eva Mulvad)
\nMy English Cousin<\/strong> (Karim Sayad)
\nParis Stalingrad<\/strong> (Hind Meddeb)
\nReady for War<\/strong> (Andrew Renzi)
\nRed Penguins<\/strong> (Gabe Polsky)
\nSing Me A Song<\/strong> (Thomas Balm\u00e8s)
\nThere\u2019s Something in the Water<\/strong> (Ellen Page & Ian Daniel) 🍁
\nThis Is Not a Movie<\/strong> (Yung Chang) 🍁
\nWomen Make Film: A New Road Movie Through Cinema<\/strong> (Mark Cousins) ⌛<\/p>\n
 <\/p>\n
Gala Presentations (20; last year: 20)<\/span>
\nAbominable<\/strong> (Jill Culton) \u2472<\/strong><\/span>
\nThe Aeronauts<\/strong> (Tom Harper) \u2472<\/strong><\/span>
\nAmerican Woman<\/strong> (Semi Chellas) 🍁
\nA Beautiful Day in the Neighborhood<\/strong> (Marielle Heller) \u2472<\/strong><\/span>
\nBlackbird<\/strong> (Roger Michell)
\nThe Burnt Orange Heresy<\/strong> (Giuseppe Capotondi)<\/span>
\nClemency<\/strong> (Chinonye Chukwu)<\/span> \u2472<\/strong><\/span> \u25cb
\nFord v Ferrari<\/strong> (James Mangold) \u00ae<\/strong><\/span> \u2472<\/strong><\/span> ⌛
\nThe Goldfinch<\/strong> (John Crowley) \u2472<\/strong><\/span>
\nHarriet<\/strong> (Kasi Lemmons) \u2472<\/strong><\/span>
\nHoney Boy<\/strong> (Alma Har\u2019el)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> 📼
\nHustlers<\/strong> (Lorene Scafaria) \u00ae<\/strong><\/span> \u2472<\/strong><\/span>
\nJoker<\/strong> (Todd Phillips)<\/span> \u00ae<\/strong><\/span> \u2472<\/strong><\/span>
\nJust Mercy<\/strong> (Destin Daniel Cretton) \u00ae<\/strong><\/span>
\nOnce Were Brothers: Robbie Robertson and The Band<\/strong> (Daniel Roher) 🍁 \u00ae<\/strong><\/span> 📼
\nRadioactive<\/strong> (Marjane Satrapi) \u00ae<\/strong><\/span> 📼
\nThe Sky Is Pink<\/strong> (Shonali Bose) \u00ae<\/strong><\/span>
\nThe Song of Names<\/strong> (Fran\u00e7ois Girard) 🍁 \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nTrue History of the Kelly Gang<\/strong> (Justin Kurzel)
\nWestern Stars<\/strong> (Thom Zimny & Bruce Springsteen) \u2472<\/strong><\/span><\/p>\n
 <\/p>\n
Wavelengths (16, including pairings and shorts programmes; last year: 16)<\/span>
\nEndless Night<\/strong> (Eloy Enciso)<\/span> \u25cb
\nThe Fever<\/strong> (Maya Da-Rin)<\/span> \u25cb
\nFire Will Come<\/strong> (Oliver Laxe)<\/span> \u25cf
\nHeimat is a Space in Time<\/strong> (Thomas Heise)<\/span> ⌛ \u25cb
\nKrabi, 2562<\/strong> (Ben Rivers & Anocha Suwichakornpong)<\/span> \u25cf
\nLibert\u00e9<\/strong> (Albert Serra)<\/span> \u2605
\n143 Sahara Street<\/strong> (Hassen Ferhani)<\/span> \u25cf
\nSeven Years in May<\/strong> (Affonso Uch\u00f4a) \u25cb
\n               – followed by My Skin, Luminous<\/strong> (Gabino Rodr\u00edguez & Nicolas Pereda)<\/span> 🍁 \u25cb
\nState Funeral<\/strong> (Sergei Loznitsa)<\/span> \u25cb
\nThose That, at a Distance, Resemble Another<\/strong> (Jessica Sarah Rinland)<\/span> \u25cb
\n               – preceded by Heavy Metal Detox<\/em> (Josef Dabernig) \u25cb
\nUn Film Dramatique<\/strong> (Eric Baudelaire)<\/span> \u25cf
\nVitalina Varela<\/strong> (Pedro Costa)<\/span> \u00ae<\/strong><\/span> \u25cb<\/p>\n
Wavelengths 1: WLS19<\/strong>
\n– Austrian Pavillion<\/em> (Philipp Fleischmann) 35mm<\/strong><\/span> \u25cb
\n– SaF05<\/strong> (Charlotte Prodger) \u25cb
\n– Slow Volumes<\/em> (Mike Gibisser) 35mm<\/strong><\/span> \u25cb
\n– The Bite<\/em> (Pedro Neves Marques) \u25cb<\/p>\n
Wavelengths 2: Sun Rave<\/strong>
\n– 2008<\/em> (Blake Williams) 👓 🍁 ☀\ufe0e
\n– Amusement Ride<\/em> (Tomonari Nishikawa) 16mm<\/strong><\/span> \u25cb
\n– Black Sun<\/em> (Maureen Fazendeiro) \u25cb
\n– A Topography of Memory<\/em> (Burak \u00c7evik)<\/span> \u25cb
\n– Sun Rave<\/em> (Roy Samaha) \u25cb
\n– (tourism studies)<\/em> (Joshua Gen Solondz)<\/span> \u25cb<\/p>\n
Wavelengths 3: Look Around<\/strong>
\n– 2minutes40seconds<\/em> (1975, Han Ok-hee) \u25cb
\n– Hrvoji, Look at You From the Tower<\/em> (Ryan Ferko) 🍁 \u25cb
\n– Circumplector<\/em> (Gast\u00f3n Solnicki) \u25cb
\n– C\u00e9zanne<\/em> (Luke Fowler) 16mm<\/strong><\/span> \u25cb
\n– Second Generation<\/em> (Miryam Charles) 🍁 \u25cb
\n– Transcript<\/em> (Erica Sheu) 35mm<\/strong><\/span> \u25cb
\n– Who is Afraid of Ideology? Part 2<\/em> (Marwa Arsanios) \u25cb<\/p>\n
Wavelengths 4: Lives of Performers<\/strong>
\n– Billy<\/em> (Zachary Epcar) \u25cb
\n– Remembrance: A Portrait Study<\/em> (1967, Edward Owens) \u25cb
\n– Vever (for Barbara)<\/em> (Deborah Stratman)<\/span> \u25cb
\n– Book of Hours<\/em> (Annie MacDonell) 🍁 \u25cb
\n– We Still Have to Close Our Eyes<\/em> (John Torres) \u25cb
\n– This Action Lies<\/em> (James N. Kienitz Wilkins) \u25cb<\/p>\n
 <\/p>\n
Masters (11; last year: 11)<\/span>
\nAbout Endlessness<\/strong> (Roy Andersson)<\/span> \u25cb
\nDevil Between the Legs<\/strong> (Arturo Ripstein) \u25cb
\nA Hidden Life<\/strong> (Terrence Malick)<\/span> ⌛ \u2472<\/strong><\/span> \u25cf
\nI Was at Home, But…<\/strong> (Angela Schanelec)<\/span> \u00ae<\/strong><\/span> \u2605
\nIt Must Be Heaven<\/strong> (Elia Suleiman)<\/span> \u25cf
\nJordan River Anderson, the Messenger<\/strong> (Alanis Obomsawin) 🍁
\nSorry We Missed You<\/strong> (Ken Loach)<\/span> \u25cf
\nTo the Ends of the Earth<\/strong> (Kiyoshi Kurosawa)<\/span> \u25cb
\nThe Traitor<\/strong> (Marco Bellocchio)<\/span> \u00ae<\/strong><\/span> \u2605
\nThe Whistlers<\/strong> (Corneliu Porumboiu)<\/span> \u00ae<\/strong><\/span> \u25cf
\nZombi Child<\/strong> (Bertrand Bonello)<\/span> \u00ae<\/strong><\/span> \u25cf<\/p>\n
 <\/p>\n
Platform (10; last year: 12)<\/span>
\nAnne at 13,000 ft<\/strong> (Kazik Radwanski)<\/span> 🍁 \u25cb
\nMartin Eden<\/strong> (Pietro Marcello)<\/span> \u25cb
\nThe Moneychanger\u2028\u2028<\/strong> (Federico Veiroj)<\/span> \u25cb
\nMy Zoe<\/strong> (Julie Delpy) \u25cb
\nProxima<\/strong> (Alice Winocour)<\/span> \u25cb
\nRocks<\/strong> (Sarah Gavron)
\nThe Sleepwalkers<\/strong> (Paula Hern\u00e1ndez)
\nSound of Metal<\/strong> (Darius Marder)
\nWet Season<\/strong> (Anthony Chen)
\nWorkforce<\/strong> (David Zonana)<\/p>\n
 <\/p>\n
Midnight Madness (10; last year: 10)<\/span>
\nBlood Quantum<\/strong> (Jeff Barnaby) 🍁
\nColor Out of Space<\/strong> (Richard Stanley) \u25cb
\nCrazy World<\/strong> (Isaac Nabwana)
\nFirst Love<\/strong> (Takashi Miike)<\/span> \u2605
\nThe Platform<\/strong> (Galder Gaztelu-Urrutia)
\nSaint Maud<\/strong> (Rose Glass)
\nThe Twentieth Century<\/strong> (Matthew Rankin) 🍁 \u25cf
\nThe Vast of Night<\/strong> (Andrew Patterson) \u25cb
\nThe Vigil<\/strong> (Keith Thomas)<\/p>\n
 <\/p>\n
Primetime (6; last year: 5)<\/span>
\nBlack Bitch<\/strong> [2 episodes] (Rachel Perkins)
\nBriarpatch<\/strong> [2 episodes] (Ana Lily Amirpour & Steven Piet)
\nLimetown<\/strong> [2 episodes] (Rebecca Thomas)
\nMrs. Fletcher<\/strong> [3 episodes] (Nicole Holofcener & Liesl Tommy)
\nSavages<\/strong> [2 episodes] (Rebecca Zlotowski)
\nThe Sleepers<\/strong> [2 episodes] (Ivan Zachari\u00e1\u0161)<\/p>\n
 <\/p>\n
TIFF Cinematheque (5; last year: 4)<\/span>
\nA Dry White Season<\/strong> (1989, Euzhan Palcy) 35mm<\/strong><\/span> \u25cb
\nThe Last of Sheila<\/strong> (1973, Herbert Ross) 35mm<\/strong><\/span> \u25cb
\nThe Last Waltz<\/strong> (1978, Martin Scorsese) 35mm<\/strong><\/span> \u25cb
\nNo<\/strong> (2012, Pablo Larra\u00edn) 35mm<\/strong><\/span> \u2605
\nPickpocket<\/strong> (1959, Robert Bresson) 35mm<\/strong><\/span> \u25cf<\/p>\n
 <\/p>\n
Special Events (5; last year: 4)<\/span>
\nDavid Foster: Off the Record<\/strong> (Barry Avrich) 🍁
\nOne Day in the Life of Noah Piugattuk<\/strong> (Zacharias Kunuk) 🍁
\nSanctuary<\/strong> (\u00c1lvaro Longoria)
\nIII<\/strong> (Kevin Phillips)
\nVarda by Agn\u00e8s<\/strong> (Agn\u00e8s Varda)<\/span> \u25cf<\/p>\n
 <\/p>\n
Short Cuts [Both “Canada” and “International”]<\/span>
\nCheck the festival website for info about films playing in this section.<\/p>\n
 <\/p>\n
Fourteen<\/strong> (Dan Sallitt)<\/span> \u2605
\nJust Don\u2019t Think I\u2019ll Scream<\/strong> (Frank Beauvais)<\/span> \u2605
\nJoan of Arc<\/strong> (Bruno Dumont)<\/span> \u2605
\nLux \u00c6terna<\/strong> (Gaspar No\u00e9)<\/span> \u2605
\nTommaso<\/strong> (Abel Ferrara)<\/span> \u2605
\nLittle Joe<\/strong> (Jessica Hausner)<\/span> \u25cf
\nYears of Construction<\/strong> (Heinz Emigholz)<\/span> \u25cf
\nLiving and Knowing You\u2019re Alive<\/strong> (Alain Cavalier)<\/span> \u25cf
\nFamily Romance, LLC.<\/strong> (Werner Herzog)<\/span> \u25cf
\nGhost Tropic<\/strong> (Bas Devos)<\/span> \u25cf
\nVarda by Agn\u00e8s<\/strong> (Agn\u00e8s Varda)<\/span> \u25cf
\nThe Halt<\/strong> (Lav Diaz)<\/span> \u25cf
\nOn a Magical Night<\/strong> (Christophe Honor\u00e9)<\/span> \u25cf
\nTlamess<\/strong> (Ala Eddine Slim)<\/span> \u25cf
\nFor the Money<\/strong> (Alejo Moguillansky)<\/span> \u25cf
\nBull<\/strong> (Annie Silverstein)<\/span> \u25cf
\nI Lost My Body<\/strong> (J\u00e9r\u00e9my Clapin)<\/span> \u25cf
\nMektoub, My Love: Intermezzo<\/strong> (Abdellatif Kechiche)<\/span> \u25cf
\nSummer in Changsha<\/strong> (Zu Feng)<\/span> \u25cf
\nPort Authority<\/strong> (Danielle Lessovitz)<\/span> \u2718<\/p>\n
The Salt of Tears<\/strong> (Philippe Garrel)<\/span> \u25cb
\nGhost Strata<\/strong> (Ben Rivers)<\/span> \u25cb
\nMalmkrog<\/strong> (Cristi Puiu)<\/span> \u25cb
\nOxhide III<\/strong> (Liu Jiayin)<\/span> \u25cb
\nI\u2019m Thinking of Ending Things<\/strong> (Charlie Kaufman) \u25cb
\nTechnoboss<\/strong> (Jo\u00e3o Nicolau)<\/span> \u25cb
\nNomadland<\/strong> (Chlo\u00e9 Zhao)<\/span> \u25cb
\nAdoration<\/strong> (Fabrice du Welz)<\/span> \u25cb
\nThe Nest<\/strong> (Sean Durkin) \u25cb
\nLittle Women<\/strong> (Greta Gerwig) \u25cb
\nThe Devil All the Time<\/strong> (Antonio Campos) \u25cb
\nAn Easy Girl<\/strong> (Rebecca Zlotowski)<\/span> \u25cb
\nShirley<\/strong> (Josephine Decker) \u25cb
\nOne Second<\/strong> (Zhang Yimou) \u25cb
\nThe Bears\u2019 Famous Invasion<\/strong> (Lorenzo Mattotti) \u25cb<\/p>\n
Kajillionaire<\/strong> (Miranda July)<\/span> \u25cb
\nGemini Man<\/strong> (Ang Lee) \u25cb
\nSiberia<\/strong> (Abel Ferrara) \u25cb
\nSacred Sights<\/strong> (Fern Silva) \u25cb
\nIsadora’s Children<\/strong> (Damien Manivel)<\/span> \u25cb
\nA Voluntary Year<\/strong> (Ulrich K\u00f6hler & Henner Winckler)<\/span> \u25cb
\nCat in the Wall<\/strong> (Mina Mileva & Vesela Kazakova)<\/span> \u25cb
\nUnder the God<\/strong> (Students Workshop B\u00e9la Tarr)<\/span> \u25cb<\/p>\n
Notre Dame<\/strong> (Val\u00e9rie Donzelli)<\/span> \u25cb
\nUn film dramatique<\/strong> (\u00c9ric Baudelaire)<\/span> \u25cb
\nDark Waters<\/strong> (Todd Haynes) \u25cb
\nTo the Ends of the Earth<\/strong> (Kiyoshi Kurosawa)<\/span> \u25cb
\nShanghai Youth<\/strong> (Wang Bing) \u25cb<\/span><\/p>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold Shorts are in italics \u2605 – I have seen this film and feel that it is quite good (6.0 and higher) \u2718 – I have seen this film and wish I hadn’t (3.9 and lower) \u25cf – I have seen this film and am more or less […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-17801","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/17801","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=17801"}],"version-history":[{"count":252,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/17801\/revisions"}],"predecessor-version":[{"id":18287,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/17801\/revisions\/18287"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=17801"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=17801"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=17801"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}