{"id":16433,"date":"2018-07-24T09:00:23","date_gmt":"2018-07-24T14:00:23","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=16433"},"modified":"2022-03-02T11:49:15","modified_gmt":"2022-03-02T16:49:15","slug":"tiff-2018-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2018\/07\/tiff-2018-line-up\/","title":{"rendered":"TIFF 2018 Line-Up"},"content":{"rendered":"
Key:<\/span>\nFeatures (40min. and up) are in bold.<\/strong>\nShorts are in italics.<\/em>\n\u2605 - I have seen this film and recommend it (6.0 and higher)\n\u2718 - I have seen this film and recommend you don't (3.9 and lower).\n\u25cf - I have seen this film. It's okay.\n\u25cb - I am seriously considering making an attempt to see this film.\n⌛ - This film is at least 150 minutes long.\n👓 - This film is at least partially stereoscopic.\n🍁 - This film is (perhaps secretly) Canadian.\n\u00ae<\/strong><\/span> - This film has a Canadian distributor.\n\u00ae<\/strong><\/span> - This film has a US distributor. (Will be \u2471<\/strong><\/span> if it is currently scheduled to be commercially released in 2018.)\n*vod<\/strong>*<\/span> - This film is with Netflix, Youtube, or other VOD-centric distributor, so may not receive a theatrical run.\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - It'll be screened from a film print.\n\nColour coding:<\/span>\nNYFF<\/strong><\/span> - Main Slate only, sans Opening, Closing, and Centerpiece films\nSUNDANCE<\/strong><\/span> - New Sara Colangelo, for instance\nBERLINALE<\/strong><\/span> - Isle of when elephants sit still\nCANNES<\/strong><\/span> - Personae gratae\nLOCARNO<\/strong><\/span> - The extra-humans\nVENICE<\/strong><\/span> - Where stars are born\nNOTABLE<\/strong><\/span> - Films that I'm actively looking forward to, for whatever reason\n\n(Colours trump whatever is below them, so e.g. a film that played both Cannes and Locarno will be gold, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple)\n<\/pre>\n
<\/div>\n
Special Presentations (59; last year: 66)<\/span>
\nAmerican Woman<\/strong> (Jake Scott)
\nAnthropocene: The Human Epoch<\/strong> (Jennifer Baichwal, Nicholas de Pencier, & Edward Burtynsky) 🍁 \u00ae<\/strong><\/span>
\nBaby<\/strong> (Liu Jie)
\nBen is Back<\/strong> (Peter Hedges) \u00ae<\/strong><\/span> \u2471<\/strong><\/span>
\nBoy Erased<\/strong> (Joel Edgerton) \u2471<\/strong><\/span>
\nBurning<\/strong> (Lee Chang-dong)<\/span> \u2471<\/strong><\/span> \u2605
\nCan You Ever Forgive Me?<\/strong> (Marielle Heller)<\/span> \u2471<\/strong><\/span> \u25cb
\nCapernaum<\/strong> (Nadine Labaki)<\/span> \u00ae<\/strong><\/span> \u2471<\/strong><\/span> \u25cf
\nCold War<\/strong> (Pawe\u0142 Pawlikowski)<\/span> \u00ae<\/strong><\/span> \u2471<\/strong><\/span> \u25cf
\nColette<\/strong> (Wash Westmoreland) \u00ae<\/strong><\/span> \u2471<\/strong><\/span>
\nThe Death and Life of John F. Donovan<\/strong> (Xavier Dolan)<\/span> 🍁 \u25cb
\nDogman<\/strong> (Matteo Garrone)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u25cf
\nDriven<\/strong> (Nick Hamm)<\/span> \u00ae<\/strong><\/span>
\nDuelles (Mothers’ Instinct)<\/strong> (Olivier Masset-Depasse)
\nA Faithful Man<\/strong> (Louis Garrel)<\/span> \u25cb
\nThe Fall of the American Empire<\/strong> (Denys Arcand) 🍁
\nThe Front Runner<\/strong> (Jason Reitman) \u2471<\/strong><\/span>
\nGiant Little Ones<\/strong> (Keith Behrman) 🍁 \u00ae<\/strong><\/span>
\nGirls of the Sun<\/strong> (Eva Husson)<\/span> \u25cf
\nGloria Bell<\/strong> (Sebasti\u00e1n Lelio) \u00ae<\/strong><\/span>
\nGreta<\/strong> (Neil Jordan) \u25cb
\nThe Grizzlies<\/strong> (Miranda de Pencier) 🍁 \u00ae<\/strong><\/span>
\nHold the Dark<\/strong> (Jeremy Saulnier)<\/span> \u2471<\/strong><\/span> *vod<\/strong>*<\/span>
\nHotel Mumbai<\/strong> (Anthony Maras)
\nThe Hummingbird Project<\/strong> (Kim Nguyen) 🍁 \u00ae<\/strong><\/span>
\nIf Beale Street Could Talk<\/strong> (Barry Jenkins)<\/span> \u2471<\/strong><\/span> \u25cb
\nKursk<\/strong> (Thomas Vinterberg) \u00ae<\/strong><\/span>
\nLegend of the Demon Cat \u2013 Director\u2019s Cut<\/strong> (Chen Kaige)
\nManto<\/strong> (Nandita Das)<\/span>
\nMaya<\/strong> (Mia Hansen-L\u00f8ve)<\/span> \u25cb
\nMid90s<\/strong> (Jonah Hill) \u2471<\/strong><\/span> \u25cb
\nA Million Little Pieces<\/strong> (Sam Taylor-Johnson)
\nMonsters and Men<\/strong> (Reinaldo Marcus Green)<\/span> \u2471<\/strong><\/span>
\nMOUTHPIECE<\/strong> (Patricia Rozema) 🍁
\nNever Look Away<\/strong> (Florian Henckel von Donnersmarck)<\/span> ⌛ \u00ae<\/strong><\/span>
\nNon-Fiction<\/strong> (Olivier Assayas)<\/span> \u25cb
\nThe Old Man & the Gun<\/strong> (David Lowery)<\/span> \u00ae<\/strong><\/span> \u2471<\/strong><\/span> \u25cb
\nPapi Chulo<\/strong> (John Butler)
\nThe Quietude<\/strong> (Pablo Trapero)<\/span>
\nRed Joan<\/strong> (Sir Trevor Nunn)
\nROMA<\/strong> (Alfonso Cuar\u00f3n)<\/span> \u2471<\/strong><\/span> *vod<\/strong>*<\/span> \u25cb
\nShoplifters<\/strong> (Hirokazu Kore-eda)<\/span> \u00ae<\/strong><\/span> \u2471<\/strong><\/span> \u25cf
\nThe Sisters Brothers<\/strong> (Jacques Audiard)<\/span> \u2471<\/strong><\/span>
\nSkin<\/strong> (Guy Nattiv)
\nSunset<\/strong> (L\u00e1szl\u00f3 Nemes)<\/span> \u00ae<\/strong><\/span> \u25cb
\nTeen Spirit<\/strong> (Max Minghella)
\nTell It To The Bees<\/strong> (Annabel Jankel)
\nThrough Black Spruce<\/strong> (Don McKellar) 🍁
\n22 July<\/strong> (Paul Greengrass)<\/span> \u2471<\/strong><\/span> *vod<\/strong>*<\/span>
\nViper Club<\/strong> (Maryam Keshavarz) \u2471<\/strong><\/span> *vod<\/strong>*<\/span>
\nVision<\/strong> (Naomi Kawase)
\nVita & Virginia<\/strong> (Chanya Button)
\nVox Lux<\/strong> (Brady Corbet)<\/span> \u00ae<\/strong><\/span> \u25cb
\nThe Wedding Guest<\/strong> (Michael Winterbottom)
\nThe Weekend<\/strong> (Stella Meghie)
\nWhere Hands Touch<\/strong> (Amma Asante)
\nWhite Boy Rick<\/strong> (Yann Demange) \u2471<\/strong><\/span>
\nWild Rose<\/strong> (Tom Harper)
\nWildlife<\/strong> (Paul Dano)<\/span> \u2471<\/strong><\/span> \u25cb<\/p>\n
<\/div>\n
Contemporary World Cinema (48; last year: 48)<\/span>
\nThe Accused<\/strong> (Gonzalo Tobal)<\/span>
\nAngel<\/strong> (Koen Mortier)
\nAsako I & II<\/strong> (Ry\u00fbsuke Hamaguchi)<\/span> \u00ae<\/strong><\/span> \u2605
\nBefore the Frost<\/strong> (Michael Noer)
\nBelmonte<\/strong> (Federico Veiroj)<\/span> \u25cb
\nBirds of Passage<\/strong> (Cristina Gallego & Ciro Guerra)<\/span> \u00ae<\/strong><\/span> \u25cf
\nThe Black Book<\/strong> (Valeria Sarmiento) \u25cb
\nBlack 47<\/strong> (Lance Daly)<\/span>
\nBorder<\/strong> (Ali Abbasi)<\/span> \u00ae<\/strong><\/span> \u25cf
\nBulbul Can Sing<\/strong> (Rima Das)
\nCore of the World<\/strong> (Natalia Meshchaninova)
\nThe Dive<\/strong> (Yona Rozenkier)<\/span>
\nDonbass<\/strong> (Sergei Loznitsa)<\/span> \u2605
\nEl Angel<\/strong> (Luis Ortega)<\/span> \u2471<\/strong><\/span>
\nEXT. Night<\/strong> (Ahmad Abdalla)
\nThe Factory<\/strong> (Yury Bykov)
\nFalls Around Her<\/strong> (Darlene Naponse) 🍁
\nThe Fireflies Are Gone<\/strong> (S\u00e9bastien Pilote) 🍁
\nFlorian\u00f3polis Dream<\/strong> (Ana Katz)
\nThe Great Darkened Days<\/strong> (Maxime Giroux) 🍁
\n\u201cI Do Not Care If We Go Down In History As Barbarians\u201d<\/strong> (Radu Jude)<\/span> \u25cb
\nJinpa<\/strong> (Pema Tseden)<\/span> \u25cb
\nKingsway<\/strong> (Bruce Sweeney) 🍁
\nLes Salopes or the Naturally Wanton Pleasure of Skin<\/strong> (Ren\u00e9e Beaulieu) 🍁
\nLet Me Fall<\/strong> (Baldvin Z)
\nLook at Me<\/strong> (Nejib Belkadhi)
\nMinuscule \u2013 Mandibles From Far Away<\/strong> (Thomas Szabo & H\u00e9l\u00e8ne Giraud)
\nThe Most Beautiful Couple<\/strong> (Sven Taddicken)
\nMuseum<\/strong> (Alonso Ruizpalacios)<\/span> \u25cb
\nOne Last Deal<\/strong> (Klaus H\u00e4r\u00f6)
\nThe Other Story<\/strong> (Avi Nesher)
\nQui\u00e9n te Cantar\u00e1<\/strong> (Carlos Vermut)
\nThe Realm<\/strong> (Rodrigo Sorogoyen)
\nRedemption<\/strong> (Joseph Madmony & Boaz Yehonatan Yaakov)
\nRetrospekt<\/strong> (Esther Rots)
\nRoads in February<\/strong> (Katherine Jerkovic)
\nRosie<\/strong> (Paddy Breathnach)
\nSew the Winter to my Skin<\/strong> (Jahmil X.T. Qubeka)
\nSibel<\/strong> (\u00c7agla Zencirci & Guillaume Giovanetti)<\/span>
\nSplinters<\/strong> (Thom Fitzgerald) 🍁
\nStupid Young Heart<\/strong> (Selma Vilhunen)
\nStyx<\/strong> (Wolfgang Fischer)<\/span>
\nThe Sweet Requiem<\/strong> (Ritu Sarin & Tenzing Sonam)
\nThat Time of Year<\/strong> (Paprika Steen)
\nUlysses & Mona<\/strong> (S\u00e9bastien Betbeder)
\nThe Vice of Hope<\/strong> (Edoardo de Angelis)
\nWinter Flies<\/strong> (Olmo Omerzu)
\nWorking Woman<\/strong> (Michal Aviad)<\/p>\n
<\/div>\n
Discovery (46; last year: 45)<\/span>
\naKasha<\/strong> (hajooj kuka)<\/span>
\nANIARA<\/strong> (Pella K\u00e5german & Hugo Lilja) \u25cb
\nBlind Spot<\/strong> (Tuva Novotny)
\nThe Chambermaid<\/strong> (Lila Avil\u00e9s)
\nClara<\/strong> (Akash Sherman) 🍁
\nComplicity<\/strong> (Kei Chikaura)
\nConsequences<\/strong> (Darko \u0160tante)
\nThe Crossing<\/strong> (Bai Xue) \u25cb
\nThe Day I Lost My Shadow<\/strong> (Soudade Kaadan)<\/span>
\nThe Dig<\/strong> (Andy & Ryan Tohill)
\nEdge of the Knife<\/strong> (Gwaai Edenshaw & Helen Haig-Brown) 🍁
\nAn Elephant Sitting Still<\/strong> (Hu Bo)<\/span> ⌛ \u2605
\nEmu Runner<\/strong> (Imogen Thomas)
\nENDZEIT – EVER AFTER<\/strong> (Carolina Hellsg\u00e5rd)
\nThe Extraordinary Journey of Celeste Garc\u00eda<\/strong> (Arturo Infante)
\nFarming<\/strong> (Adewale Akinnuoye-Agbaje)
\nFig Tree<\/strong> (A\u00e4l\u00e4m-W\u00e4rqe Davidian)
\nFirecrackers<\/strong> (Jasmin Mozaffari) 🍁 \u00ae<\/strong><\/span>
\nFloat Like a Butterfly<\/strong> (Carmel Winters)
\nFreaks<\/strong> (Zach Lipovsky & Adam Stein) 🍁
\nGirl<\/strong> (Lukas Dhont)<\/span> \u00ae<\/strong><\/span> *vod<\/strong>*<\/span> \u25cf
\nGwen<\/strong> (William McGregor)
\nHelmet Heads<\/strong> (Neto Villalobos)
\nHer Job<\/strong> (Nikos Lab\u00f4t)
\nIcebox<\/strong> (Daniel Sawka)
\nJirga<\/strong> (Benjamin Gilmour)
\nLight as Feathers<\/strong> (Rosanne Pel)
\nLionheart<\/strong> (Genevieve Nnaji)
\nThe Load<\/strong> (Ognjen Glavonic)<\/span> \u00ae<\/strong><\/span> \u25cf
\nManta Ray<\/strong> (Phuttiphong Aroonpheng)<\/span>
\nThe Mercy of the Jungle<\/strong> (Jo\u00ebl Karekezi)
\nOrange Days<\/strong> (Arash Lahooti)
\nOur Body<\/strong> (Han Ka-ram)
\nParade<\/strong> (Nino Zhvania)
\nPhoenix<\/strong> (Camilla Str\u00f8m Henriksen)
\nRafiki<\/strong> (Wanuri Kahiu)<\/span> \u00ae<\/strong><\/span>
\nSaf<\/strong> (Ali Vatansever)
\nScrewdriver<\/strong> (Bassam Jarbawi)<\/span>
\nSummer Survivors<\/strong> (Marija Kavtaradze)
\nTel Aviv on Fire<\/strong> (Sameh Zoabi)<\/span>
\nThe Third Wife<\/strong> (Ash Mayfair)
\nTito and the Birds<\/strong> (Gustavo Steinberg, Gabriel Bitar, & Andr\u00e9 Catoto)
\nToo Late to Die Young<\/strong> (Dominga Sotomayor)<\/span> \u25cf
\nTouch Me Not<\/strong> (Adina Pintilie)<\/span> \u25cb
\nTwin Flower<\/strong> (Laura Luchetti)
\nWoman at War<\/strong> (Benedikt Erlingsson)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span><\/p>\n
<\/div>\n
TIFF Docs (28; last year: 26)<\/span>
\nAmerican Dharma<\/strong> (Errol Morris)<\/span> \u25cb
\nAngels Are Made Of Light<\/strong> (James Longley)
\nThe Biggest Little Farm<\/strong> (John Chester)
\nCarmine Street Guitars<\/strong> (Ron Mann) 🍁 \u00ae<\/strong><\/span>
\nDivide and Conquer: The Story of Roger Ailes<\/strong> (Alexis Bloom)
\nThe Elephant Queen<\/strong> (Victoria Stone & Mark Deeble)
\nFahrenheit 11\/9<\/strong> (Michael Moore) \u2471<\/strong><\/span> \u25cb
\nFree Solo<\/strong> (E. Chai Vasarhelyi & Jimmy Chin) \u00ae<\/strong><\/span>
\nFreedom Fields<\/strong> (Naziha Arebi)
\nGhost Fleet<\/strong> (Shannon Service & Jeffrey Waldron)
\nGraves Without a Name<\/strong> (Rithy Pahn)<\/span>
\nHeartbound<\/strong> (Janus Metz & Sine Gammelgaard Plambech)
\nMaiden<\/strong> (Alex Holmes)
\nMaria by Callas<\/strong> (Tom Volf) \u2471<\/strong><\/span>
\nMeeting Gorbachev<\/strong> (Werner Herzog & Andr\u00e9 Singer)<\/span> \u25cb
\nMonrovia, Indiana<\/strong> (Frederick Wiseman)<\/span> \u00ae<\/strong><\/span> \u25cb
\nProsecuting Evil: The Extraordinary World of Ben Ferencz<\/strong> (Barry Avrich) 🍁 \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nPutin’s Witnesses<\/strong> (Vitaly Mansky)
\nQuincy<\/strong> (Rashida Jones & Alan Hicks) \u00ae<\/strong><\/span> *vod<\/strong>*<\/span>
\nReason<\/strong> (Anand Patwardhan) ⌛
\nScrewball<\/strong> (Billy Corben)
\nSearching for Ingmar Bergman<\/strong> (Margarethe von Trotta)<\/span> \u00ae<\/strong><\/span>
\nThis Changes Everything<\/strong> (Tom Donahue)
\nThe Truth About Killer Robots<\/strong> (Maxim Pozdorovkin)
\nWalking on Water<\/strong> (Andrey Paounov)<\/span>
\nWhat is Democracy?<\/strong> (Astra Taylor) 🍁
\nWhen Arabs Danced<\/strong> (Jawad Rhalib)
\nWomen Make Film: A New Road Movie Through Cinema<\/strong> (Mark Cousins)<\/span> ⌛<\/p>\n
<\/div>\n
Gala Presentations (20; last year: 20)<\/span>
\nBeautiful Boy<\/strong> (Felix van Groeningen) \u00ae<\/strong><\/span> \u2471<\/strong><\/span>
\nEverybody Knows<\/strong> (Asghar Farhadi)<\/span> \u00ae<\/strong><\/span> \u25cf
\nFirst Man<\/strong> (Damien Chazelle)<\/span> \u2471<\/strong><\/span> \u25cb
\nGreen Book<\/strong> (Peter Farrelly) \u00ae<\/strong><\/span> \u25cb
\nThe Hate U Give<\/strong> (George Tillman, Jr.) \u2471<\/strong><\/span>
\nHidden Man<\/strong> (Jiang Wen)
\nHigh Life<\/strong> (Claire Denis)<\/span> \u25cb
\nHusband Material<\/strong> (Anurag Kashyap) ⌛
\nJeremiah Terminator LeRoy<\/strong> (Justin Kelly) \u25cb
\nThe Kindergarten Teacher<\/strong> (Sara Colangelo)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Land of Steady Habits<\/strong> (Nicole Holofcener)<\/span> \u00ae<\/strong><\/span> *vod<\/strong>*<\/span> \u25cb
\nThe Lie<\/strong> (Veena Sud) 🍁
\nLife Itself<\/strong> (Dan Fogelman) \u00ae<\/strong><\/span> \u2471<\/strong><\/span>
\nOutlaw King<\/strong> (David Mackenzie) \u00ae<\/strong><\/span> *vod<\/strong>*<\/span>
\nA Private War<\/strong> (Matthew Heineman)
\nThe Public<\/strong> (Emilio Estevez)
\nShadow<\/strong> (Zhang Yimou)<\/span>
\nA Star is Born<\/strong> (Bradley Cooper)<\/span> \u2471<\/strong><\/span>
\nWhat They Had<\/strong> (Elizabeth Chomko)<\/span> \u2471<\/strong><\/span>
\nWidows<\/strong> (Steve McQueen)<\/span> \u2471<\/strong><\/span> \u25cb<\/p>\n
<\/div>\n
Wavelengths (16; last year: 16, including shorts programs)<\/span>
\nDead Souls<\/strong> (Wang Bing)<\/span> ⌛ \u00ae<\/strong><\/span> \u25cb
\nErased,___Ascent of the Invisible<\/strong> (Ghassan Halwani)<\/span> \u25cb
\nThe Grand Bizarre<\/strong> (Jodie Mack)<\/span> 16mm<\/strong><\/span> \u2605
\n– preceded by Those Who Desire<\/em> (Elena L\u00f3pez Riera) \u25cb
\nFausto<\/strong> (Andrea Bussmann)<\/span> 🍁
\nIn My Room<\/strong> (Ulrich K\u00f6hler)<\/span> \u00ae<\/strong><\/span> \u2605
\nL. COHEN<\/strong> (James Benning)<\/span> \u25cb
\n– preceded by Arena<\/em> (Bj\u00f6rn K\u00e4mmerer) 70mm<\/strong><\/span> \u25cb
\nLa Flor<\/strong> (Mariano Llin\u00e1s)<\/span> ⌛ \u25cb
\nLong Day\u2019s Journey Into Night<\/strong> (Bi Gan)<\/span> 👓 \u00ae<\/strong><\/span> \u2605
\nRAY & LIZ<\/strong> (Richard Billingham)<\/span> \u25cb
\nThe Stone Speakers<\/strong> (Igor Drlja\u010da) 🍁 \u25cb
\nThe Trial<\/strong> (Sergei Loznitsa)<\/span> \u25cb
\nWhat You Gonna Do When the World’s On Fire?<\/strong> (Roberto Minervini)<\/span> \u25cb<\/p>\n
Wavelengths 1: Earth, Wind & Fire<\/strong> \u25cb
\n– Polly One<\/em> (Kevin Jerome Everson)
\n– Blue<\/em> (Apichatpong Weerasethakul)
\n– Fainting Spells<\/em> (Sky Hopinka)
\n– Prologue to the Tarot: Glenna<\/em> (Brittany Gravely & Ken Linehan) 16mm<\/strong><\/span>
\n– Hoarders Without Boarders<\/em> (Jodie Mack) 16mm<\/strong><\/span>
\n– ante mis ojos<\/em> (Lina Rodriguez)
\n– ALTIPLANO<\/em> (Malena Szlam) 35mm<\/strong><\/span><\/p>\n
Wavelengths 2: Another Brick in the Wall<\/strong> \u25cb
\n– Ada Kaleh<\/em> (Helena Wittmann)
\n– The Glass Note<\/em> (Mary Helena Clark)
\n– mumok kino<\/em> (2017, Philipp Fleischmann) 35mm<\/strong><\/span>
\n– TREES DOWN HERE<\/em> (Ben Rivers) 35mm<\/strong><\/span>
\n– 1986 Summer<\/em> (1986, Toshio Matsumoto)
\n– Words, Planets<\/em> (Laida Lertxundi)
\n– The Invisible Cinema 3<\/em> (2017, Philipp Fleischmann) 16mm<\/strong><\/span>
\n– Walled, Unwalled<\/em> (Lawrence Abu Hamdan)<\/p>\n
Wavelengths 3: Centerfold<\/strong> \u25cb
\n– Girl Pack<\/em> (1981, Lisa Baumgardner)
\n– Please step out of the frame.<\/em> (Karissa Hahn)
\n– The Air of the Earth in Your Lungs<\/em> (Ross Meckfessel) 16mm<\/strong><\/span>
\n– Sira<\/em> (Rolla Tahir)
\n– Slip<\/em> (Celia Perrin Sidarous) 16mm<\/strong><\/span>
\n– Alice<\/em> (1974, Maria Lassnig)
\n– Fallen Arches<\/em> (Simon Liu) 35mm<\/strong><\/span>
\n– I Hope I\u2019m Loud When I\u2019m Dead<\/em> (Beatrice Gibson)<\/p>\n
Wavelengths 4: We’ve Only Just Begun<\/strong> \u25cb
\n– Colophon (for the Arboretum Cycle)<\/em> (Nathaniel Dorsky) 16mm<\/strong><\/span>
\n– A Return<\/em> (James Edmonds) 16mm<\/strong><\/span>
\n– The Labyrinth<\/em> (Laura Huertas Mill\u00e1n)
\n– \u00cele d’Ouessant<\/em> (David Dudouit) 16mm<\/strong><\/span>
\n– Julio Iglesias’s House<\/em> (Natalia Mar\u00edn)
\n– Man in the Well<\/em> (Hu Bo)<\/p>\n
<\/div>\n
Platform (12; last year: 12)<\/span>
\nAngelo<\/strong> (Markus Schleinzer)
\nCities of Last Things<\/strong> (Ho Wi Ding)
\nDestroyer<\/strong> (Karyn Kusama) \u2471<\/strong><\/span> \u25cb
\nDonnybrook<\/strong> (Tim Sutton)
\nThe Good Girls<\/strong> (Alejandra M\u00e1rquez Abella)
\nHer Smell<\/strong> (Alex Ross Perry)<\/span> \u25cb
\nThe Innocent<\/strong> (Simon Jaquemet)
\nJessica Forever<\/strong> (Caroline Poggi & Jonathan Vinel)
\nMademoiselle de Joncqui\u00e8res<\/strong> (Emmanuel Mouret)
\nOut of Blue<\/strong> (Carol Morley)
\nThe River<\/strong> (Emir Baigazin)<\/span> \u25cb
\nRojo<\/strong> (Benjam\u00edn Naishtat)<\/span> \u25cb<\/p>\n
<\/div>\n
Masters (11; last year: 11)<\/span>
\nAsh is Purest White<\/strong> (Jia Zhang-ke)<\/span> \u2605
\nDivine Wind<\/strong> (Merzak Allouache)
\nHotel by the River<\/strong> (Hong Sang-soo)<\/span> \u25cb
\nThe Image Book<\/strong> (Jean-Luc Godard)<\/span> \u2605
\nKilling<\/strong> (Shinya Tsukamoto)<\/span>
\nLoro<\/strong> (Paolo Sorrentino) ⌛
\nOur Time<\/strong> (Carlos Reygadas)<\/span> ⌛ \u25cb
\nPeterloo<\/strong> (Mike Leigh)<\/span> ⌛ \u25cb
\n3 Faces<\/strong> (Jafar Panahi)<\/span> \u25cf
\nTransit<\/strong> (Christian Petzold)<\/span> \u2605
\nThe Wild Pear Tree<\/strong> (Nuri Bilge Ceylan)<\/span> ⌛ \u25cf<\/p>\n
<\/div>\n
Midnight Madness (10; last year: 10)<\/span>
\nAssassination Nation<\/strong> (Sam Levinson)<\/span> \u00ae<\/strong><\/span> \u2471<\/strong><\/span>
\nClimax<\/strong> (Gaspar No\u00e9)<\/span> \u00ae<\/strong><\/span> \u2605
\nDiamantino<\/strong> (Gabriel Abrantes & Daniel Schmidt)<\/span> \u25cf
\nHalloween<\/strong> (David Gordon Green) \u00ae<\/strong><\/span> \u2471<\/strong><\/span>
\nIn Fabric<\/strong> (Peter Strickland)<\/span> \u25cb
\nThe Man Who Feels No Pain<\/strong> (Vasan Bala)
\nNekrotronic<\/strong> (Kiah Roache-Turner)
\nThe Predator<\/strong> (Shane Black) \u2471<\/strong><\/span>
\nThe Standoff at Sparrow Creek<\/strong> (Henry Dunham)
\nThe Wind<\/strong> (Emma Tammi)<\/p>\n
<\/div>\n
Primetime (5; last year: 5)<\/span>
\nAd Vitam<\/strong> [2 episodes] (Thomas Cailley)
\nFolklore: A Mother\u2019s Love & Pob<\/strong> [2 episodes] (Joko Anwar & Pen-ek Ratanaruang]
\nHomecoming<\/strong> [4 episodes] (Sam Esmail)
\nSorry For Your Loss<\/strong> [4 episodes] (James Ponsoldt, Jessica Yu, & Allison Anders)
\nStockholm<\/strong> [4 episodes] (Daniel Syrkin)<\/p>\n
<\/div>\n
TIFF Cinematheque (4; last year: 4)<\/span>
\nAtanarjuat: The Fast Runner<\/strong> (2001, Zacharias Kunuk) \u25cf
\nChocolat<\/strong> (1988, Claire Denis) 35mm<\/strong><\/span> \u2605
\nThe Passion of Joan of Arc<\/strong> (1928, Carl Theodor Dreyer) 35mm<\/strong><\/span> \u2605
\nPersona<\/strong> (1966, Ingmar Bergman) 35mm<\/strong><\/span> \u2605<\/p>\n
<\/div>\n
Special Events (4; last year: 5)<\/span>
\nHow to Train Your Dragon: The Hidden World: A Behind-the-Scenes Look with director Dean DeBlois and producer Brad Lewis<\/strong>
\nJason Reitman Live Read<\/strong> [The Breakfast Club (1985, John Hughes)]
\nThe Joy Luck Club<\/strong> (1993, Wayne Wang)
\nSharkwater Extinction<\/strong> (Rob Stewart) 🍁<\/p>\n
<\/div>\n
Short Cuts [Both “Canada” and “International”]<\/span>
\nCheck the festival website for info about films playing in this section.<\/p>\n
<\/div>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold. Shorts are in italics. \u2605 – I have seen this film and recommend it (6.0 and higher) \u2718 – I have seen this film and recommend you don’t (3.9 and lower). \u25cf – I have seen this film. It’s okay. \u25cb – I am seriously considering making […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16433","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16433","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=16433"}],"version-history":[{"count":194,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16433\/revisions"}],"predecessor-version":[{"id":21603,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16433\/revisions\/21603"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=16433"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=16433"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=16433"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}