{"id":16213,"date":"2018-05-04T15:08:23","date_gmt":"2018-05-04T20:08:23","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=16213"},"modified":"2018-07-30T20:36:27","modified_gmt":"2018-07-31T01:36:27","slug":"cannesnt-stop-wont-stop","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2018\/05\/cannesnt-stop-wont-stop\/","title":{"rendered":"Cannes’nt stop won’t stop"},"content":{"rendered":"

May 8<\/b><\/span><\/span>
\n7:15 PM \u2013 Everybody Knows<\/b> (Asghar Farhadi), Debussy<\/span><\/p>\n

May 9<\/b><\/span><\/span>
\n8:45 AM \u2013 Birds of Passage<\/b> (Cristina Gallego & Ciro Guerra), Theatre Croisette\u2028
\n11:30 AM \u2013 Support the Girls<\/b> (Andrew Bujalski) [March\u00e9], Olympia 7
\n4:00 PM \u2013 Donbass<\/b> (Sergei Loznitsa), Debussy
\n7:00 PM \u2013 Yomeddine<\/b> (A.B. Shawky), Debussy<\/span><\/p>\n

May 10<\/b><\/span><\/span>
\n8:45 AM \u2013 Petra<\/b> (Jaime Rosales), Theatre Croisette
\n11:45 AM \u2013 To the Ends of the World<\/b> (Guillaume Nicloux), Theatre Croisette
\n4:30 PM \u2013 Border<\/b> (Ali Abbasi), Debussy
\n7:00 PM \u2013 Sorry Angel<\/b> (Christophe Honor\u00e9), Debussy<\/span><\/p>\n

May 11<\/b><\/span><\/span>
\n8:30 AM \u2013 Cold War<\/b> (Pawel Pawlikowski), Lumiere
\n1:00 PM \u2013 Ten Years Thailand<\/b> (Aditya Assarat, Wisit Sasanatieng, Chulayarnon Sriphol, & Apichatpong Weerasethakul), Bazin
\n4:30 PM \u2013 The Image Book<\/b> (Jean-Luc Godard), Lumiere
\n7:00 PM \u2013 Ash is Purest White<\/b> (Jia Zhang-ke), Debussy
\n10:30 PM \u2013 Diamantino<\/b> (Gabriel Abrantes & Daniel Schmidt), Miramar<\/span><\/p>\n

May 12<\/b><\/span><\/span>
\n8:30 AM \u2013 +The Image Book<\/b> (Jean-Luc Godard), Lumiere
\n2:45 PM \u2013 The Load<\/b> (Ognjen Glavonic), Theatre Croisette
\n10:00 PM – Girls of the Sun<\/b> (Eva Husson), Bazin<\/span><\/p>\n

May 13<\/b><\/span><\/span>
\n8:45 AM \u2013 Climax<\/b> (Gaspar No\u00e9), Theatre Croisette
\n11:30 AM \u2013 3 Faces<\/b> (Jafar Panahi), Soixanti\u00e8me
\n4:30 PM \u2013 Happy as Lazzaro<\/b> (Alice Rohrwacher), Lumiere
\n9:45 PM \u2013 Girl<\/b> (Lukas Dhont), Soixanti\u00e8me<\/span><\/p>\n

May 14<\/b><\/span><\/span>
\n8:30 AM \u2013 Shoplifters<\/b> (Hirokazu Kore-eda), Lumiere
\n2:15 PM \u2013 Buy Me a Gun<\/b> (Julio Hern\u00e1ndez Cord\u00f3n), Theatre Croisette
\n4:00 PM \u2013 Asako I & II<\/b> (Ry\u016bsuke Hamaguchi), Lumiere
\n7:30 PM \u2013 BlacKkKlansman<\/b> (Spike Lee), Debussy<\/span><\/p>\n

May 15<\/b><\/span><\/span>
\n8:30 AM \u2013 The House That Jack Built<\/b> (Lars von Trier), Lumiere
\n11:30\u00a0AM \u2013\u00a0Long Day’s Journey Into Night<\/b> (Bi Gan), Debussy
\n4:00 PM \u2013\u00a0At War<\/b> (St\u00e9phane Briz\u00e9), Lumiere
\n10:30 PM \u2013 Leave No Trace<\/b> (Debra Granik), Arcades 1<\/span><\/p>\n

May 16<\/b><\/span><\/span>
\n8:30 AM \u2013 Under the Silver Lake<\/b> (David Robert Mitchell), Lumiere
\n11:45 AM \u2013 The Pluto Moment<\/b> (Ming Zhang), Theatre Croisette
\n6:30 PM \u2013 Burning<\/b> (Lee Chang-dong), Debussy
\n10:15 PM \u2013 The Dead and the Others<\/b> (Jo\u00e3o Salaviza & Ren\u00e9e Nader Messora), Debussy<\/span><\/p>\n

May 17<\/b><\/span><\/span>
\n8:30 AM \u2013 Dogman<\/b> (Matteo Garrone), Lumiere
\n11:00 AM \u2013 Sauvage<\/b> (Camille Vidal-Naquet), Miramar
\n4:30 PM \u2013 In My Room<\/b> (Ulrich K\u00f6hler), Debussy
\n7:15 PM \u2013 Capernaum<\/b> (Nadine Labaki), Debussy<\/span><\/p>\n

May 18<\/b><\/span><\/span>
\n8:30 AM \u2013 Knife + Heart<\/b> (Yann Gonzalez), Lumiere
\n11:00 AM \u2013 Ayka<\/b> (Sergei Dvortsevoy), Bu\u00f1uel
\n8:00 PM \u2013 The Wild Pear Tree<\/b> (Nuri Bilge Ceylan), Debussy<\/span><\/p>\n

May 19<\/b><\/span><\/span>
\n8:30 AM \u2013 Summer<\/b> (Kirill Serebrennikov), Soixanti\u00e8me<\/span><\/p>\n

<\/p>\n

\n<\/div>\n

<\/br><\/p>\n

Regrettable Misses<\/span><\/span>
\nAshore<\/b> (Leonor Teles)
\nColo<\/b> (Teresa Villaverde)
\nDead Souls<\/b> (Wang Bing)
\nMandy<\/b> (Panos Cosmatos)
\nThunder Road<\/b> (Jim Cumming)
\nA Violent Desire for Joy<\/b> (Cl\u00e9ment Schneider)
\nWildlife<\/b> (Paul Dano)<\/p>\n","protected":false},"excerpt":{"rendered":"

May 8 7:15 PM \u2013 Everybody Knows (Asghar Farhadi), Debussy May 9 8:45 AM \u2013 Birds of Passage (Cristina Gallego & Ciro Guerra), Theatre Croisette\u2028 11:30 AM \u2013 Support the Girls (Andrew Bujalski) [March\u00e9], Olympia 7 4:00 PM \u2013 Donbass (Sergei Loznitsa), Debussy 7:00 PM \u2013 Yomeddine (A.B. Shawky), Debussy May 10 8:45 AM \u2013 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-16213","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16213","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=16213"}],"version-history":[{"count":67,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16213\/revisions"}],"predecessor-version":[{"id":16618,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/16213\/revisions\/16618"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=16213"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=16213"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=16213"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}