{"id":15676,"date":"2017-09-17T22:00:52","date_gmt":"2017-09-18T03:00:52","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=15676"},"modified":"2017-10-04T18:58:01","modified_gmt":"2017-10-04T23:58:01","slug":"tiff17-hierarchy","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2017\/09\/tiff17-hierarchy\/","title":{"rendered":"TIFF17 Hierarchy"},"content":{"rendered":"

Key<\/span>
\n– Saw at TIFF Proper (between Sept. 7-17)<\/span>
\n– Saw at Cannes or Locarno<\/strong>
\n– Saw at a TIFF pre-festival press screening<\/em>
\n– Saw a screener of some kind
\n
\n<\/br><\/p>\n

<\/div>\n

Tier 0 [A\/A+]<\/span>
\n–<\/p>\n

Tier 1 [A-]<\/span>
\nJeannette: The Childhood of Joan of Arc (Bruno Dumont)<\/strong><\/span> \u2013 8.0<\/p>\n

Tier 2 [B+]<\/span>
\nCall Me by Your Name (Luca Guadagnino)<\/em> \u2013 7.6
\nFaces Places (Agn\u00e8s Varda & JR)<\/strong><\/span> \u2013 7.2
\nI Love You, Daddy (Louis C.K.)<\/span> \u2013 7.0<\/p>\n

Tier 3 [B]<\/span>
\nCaniba (Lucien Castaing-Taylor & Verena Paravel)<\/span> \u2013 6.9
\nBPM (Beats Per Minute) (Robin Campillo)<\/strong> \u2013 6.9
\nFirst Reformed (Paul Schrader)<\/span> \u2013 6.6
\nThe Nothing Factory (Pedro Pinho)<\/strong> \u2013 6.5
\n3\/4 (Ilian Metev)<\/strong> \u2013 6.3
\nThe Florida Project (Sean Baker)<\/strong> \u2013 6.3
\nThe Rider (Chlo\u00e9 Zhao)<\/strong><\/span> \u2013 6.2<\/p>\n

Tier 4 [B-]<\/span>
\nThe Day After (Hong Sang-soo)<\/strong> \u2013 6.1
\nThe Guardians (Xavier Beauvois)<\/span> \u2013 6.1
\nWestern (Valeska Grisebach)<\/strong> \u2013 6.1
\nA Skin So Soft (Denis C\u00f4t\u00e9)<\/strong> \u2013 6.1
\nThe Killing of a Sacred Deer (Yorgos Lanthimos)<\/strong> \u2013 6.0
\nF\u00e9licit\u00e9 (Alain Gomis)<\/span> \u2013 6.0
\nBrawl in Cell Block 99 (S. Craig Zahler)<\/span> \u2013 5.9
\nZama (Lucrecia Martel) \u2013 5.8
\nDownsizing (Alexander Payne)<\/span> \u2013 5.8
\nEx Libris \u2013 The New York Public Library (Frederick Wiseman)<\/span> \u2013 5.7
\nI Am Not a Witch (Rungano Nyoniand)<\/strong> \u2013 5.7
\nHappy End (Michael Haneke)<\/strong> \u2013 5.6
\nMolly\u2019s Game (Aaron Sorkin)<\/span> \u2013 5.5
\nGood Luck (Ben Russell)<\/strong> \u2013 5.4
\nLady Bird (Greta Gerwig)<\/span> \u2013 5.4
\nThe Seen and Unseen (Kamila Andini)<\/span> \u2013 5.4
\nRedoubtable (Michel Hazanavicius)<\/strong> \u2013 5.4<\/p>\n

Tier 5 [C+]<\/span>
\nManhunt (John Woo)<\/span> \u2013 5.3
\nLe Fort des fous (Narimane Mari)<\/strong> \u2013 5.2
\nMakala (Emmanuel Gras)<\/strong> \u2013 5.2
\nMrs. Fang (Wang Bing)<\/strong> \u2013 5.1
\nBodied (Joseph Kahn)<\/span> \u2013 4.7
\nDragonfly Eyes (Xu Bing)<\/strong> \u2013 4.7
\nA Ciambra (Jonas Carpignano)<\/strong> \u2013 4.7
\nFoxtrot (Samuel Maoz)<\/span> \u2013 4.7
\nRadiance (Naomi Kawase)<\/strong> \u2013 4.6
\nBeyond the One (Anna Marziano)<\/span> \u2013 4.6<\/p>\n

Tier 6 [C]<\/span>
\nLet the Corpses Tan (H\u00e9l\u00e8ne Cattet & Bruno Forzani)<\/strong> \u2013 4.5
\nThe Square (Ruben \u00d6stlund)<\/strong> \u2013 4.4
\nThe Shape of Water (Guillermo del Toro)<\/span> \u2013 4.3
\nOccidental (Ne\u00efl Beloufa) \u2013 4.3
\nThree Billboards in Ebbing, Missouri (Martin McDonagh)<\/span> \u2013 4.2
\nLean On Pete (Andrew Haigh)<\/span> \u2013 4.1
\nOn Body and Soul (Ildik\u00f3 Enyedi)<\/span> \u2013 4.0
\nDark River (Clio Barnard)<\/span> \u2013 3.9
\nCocote (Nelson Carlo de los Santos Arias)<\/strong> \u2013 3.8<\/p>\n

Tier 7 [C-]<\/span>
\nThelma (Joachim Trier)<\/em> \u2013 3.6
\nLoveless (Andrey Zvyagintsev)<\/strong> \u2013 3.4
\nmother! (Darren Aronofsky)<\/span> \u2013 3.3
\nIn the Fade (Fatih Akin)<\/strong> \u2013 3.1<\/p>\n

Tier 8 [D+ and lower]<\/span>
\n–<\/p>\n

\n
\n<\/br>\n<\/div>\n

Shorts [more or less ranked]<\/span>
\n  – Rose Gold (Sara Cwynar)<\/span>
\n  – Onward Lossless Follows (Michael Robinson)<\/span>
\n  – Strangely Ordinary This Devotion (Dani Leventhal & Sheilah Wilson)<\/span>
\n  – Turtles Are Always Home (Rawane Nassif)<\/span>
\n  – Florence (1970, Erkki Kurenniemi)<\/span>
\n  – Scaffold (Kazik Radwanski)<\/strong>
\n  – Pixillation (1976, Anne Charlotte Robertson)<\/span>
\n  – Yeti (Wojciech B\u0105kowski)<\/span>
\n  – Dislocation Blues (Sky Hopinka)
\n  – Fantasy Sentences (Dane Komljen)<\/strong><\/span>
\n  – Palmerston Blvd. (Dan Browne)<\/span>
\n  – Flores (Jorge J\u00e1come)<\/span>
\n  – Wasteland No.1 \u2013 Ardent, Verdant (Jodie Mack)<\/span>
\n  – The Watchmen (Fern Silva)<\/span>
\n  – From Source to Poem (Rosa Barba)<\/span>
\n  – Division Movement to Vungtau (Benjamin Crotty & Bertrand Dezoteux)<\/span>
\n  – Brown And Clear (Kevin Jerome Everson)<\/span>
\n  – Mr. Yellow Sweatshirt (Pacho Velez & Yoni Brook)<\/span>
\n  – Aliens (Luis L\u00f3pez Carrasco)<\/strong><\/span>
\n  – below-above (Andr\u00e9 Lehmann)<\/span>
\n  – Configuration in Black and White (Helga Fanderl)<\/span>
\n  – some cities (Francesco Gagliardi)<\/span>
\n  – (100ft) (Minjung Kim)<\/span>
\n  – Ticino (Friedl vom Gr\u00f6ller)<\/span>
\n  – La Libertad (Laura Huertas Mill\u00e1n)<\/span>
\n  – Fluid Frontiers (Ephraim Asili)<\/span>
\n  – Heart of a Mountain (Parastoo Anoushahpour, Ryan Ferko, Faraz Anoushahpour)<\/span>
\n  – Fire (Lucy Parker)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Key – Saw at TIFF Proper (between Sept. 7-17) – Saw at Cannes or Locarno – Saw at a TIFF pre-festival press screening – Saw a screener of some kind Tier 0 [A\/A+] – Tier 1 [A-] Jeannette: The Childhood of Joan of Arc (Bruno Dumont) \u2013 8.0 Tier 2 [B+] Call Me by Your […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15676","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15676","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=15676"}],"version-history":[{"count":25,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15676\/revisions"}],"predecessor-version":[{"id":15825,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15676\/revisions\/15825"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=15676"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=15676"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=15676"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}