{"id":15549,"date":"2017-08-26T09:48:20","date_gmt":"2017-08-26T14:48:20","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=15549"},"modified":"2017-10-04T18:58:17","modified_gmt":"2017-10-04T23:58:17","slug":"tiff-2017-a-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2017\/08\/tiff-2017-a-schedule\/","title":{"rendered":"TIFF 2017: A Schedule"},"content":{"rendered":"<p><span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> is for Public<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 7<\/span><\/strong><br \/>\n10:30AM &#8211; <strong>Ex Libris &#8211; The New York Public Library<\/strong> (Frederick Wiseman) &#8211; A Wiseman once said.<br \/>\n<strike>2:30PM &#8211; <strong>The Carter Effect<\/strong> (Sean Menard) &#8211; First 30 minutes, because why not.<\/strike> [W\/O]<br \/>\n<strike>3:15PM &#8211; <strong>Racer and the Jailbird<\/strong> (Micha\u00ebl R. Roskam) &#8211; SchoenEXarcholpoulos.<\/strike> [W\/O]<br \/>\n8:00PM &#8211; <strong>MDFF Presents: All the Cities of the North<\/strong> (2016, Dane Komljen) &#8211; Extratiffular activity.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 8<\/span><\/strong><br \/>\n9:00AM &#8211; +<strong>The Rider<\/strong> (Chloe Zhao) &#8211; Literally slept (a bit) on this in Cannes.<br \/>\n<strike>11:45AM &#8211; <strong>The Future Ahead<\/strong> (Constanza Novick) &#8211; Produced by Lisandro Alonso.<\/strike> [W\/O]<br \/>\n1:15PM &#8211; <strong>Bodied<\/strong> (Joseph Kahn) &#8211; Still need to get around to <em>Detention<\/em>.<br \/>\n4:30PM &#8211; <strong>The Guardians<\/strong> (Xavier Beauvois) &#8211; Of guards and men.<br \/>\n7:30PM &#8211; <strong>Wavelengths 1: Appetite for Destruction<\/strong> <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span><br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Onward Lossless Follows<\/em> (Michael Robinson)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>some cities<\/em> (Francesco Gagliardi)<br \/>\n&emsp; &emsp;&emsp;&emsp; + <em>The Watchmen<\/em> (Fern Silva)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Wasteland No.1 &#8211; Ardent, Verdant<\/em> (Jodie Mack)<br \/>\n&emsp; &emsp;&emsp;&emsp; + <em>Fantasy Sentences<\/em> (Dane Komljen)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <strike><em>Dislocation Blues<\/em> (Sky Hopinka)<\/strike> [Left to intro my film.]<br \/>\n9:00PM &#8211; <strong>PROTOTYPE<\/strong> (Blake Williams) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Nathan and Gaga don&#8217;t know what they&#8217;re missing.<br \/>\n&emsp; &emsp; &emsp; &#8211; preceded by <em>Florence<\/em> (1970, Erkki Kurenniemi)<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 9<\/span><\/strong><br \/>\n9:15AM &#8211; <strong>Lady Bird<\/strong> (Greta Gerwig) &#8211; I keep my NYFF sharp.<br \/>\n11:30AM &#8211; <strong>Beyond the One<\/strong> (Anna Marziano)  &#8211; <em>Orizzonti orizzonti!<\/em> was promising enough.<br \/>\n&emsp; &emsp; &emsp; &#8211; preceded by +<em>Strangely Ordinary This Devotion<\/em> (Dani Leventhal &#038; Sheilah Wilson)<br \/>\n1:30PM &#8211; <strong>Molly&#8217;s Game<\/strong> (Aaron Sorkin) &#8211; Lingering <em>Moneyball<\/em> goodwill.<br \/>\n6:00PM &#8211; <strong>Wavelengths 2: Fluid Frontiers<\/strong> <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span><br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Pixillation<\/em> (1976, Anne Charlotte Robertson)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Ticino<\/em> (Friedl vom Gr\u00f6ller)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Brown And Clear<\/em> (Kevin Jerome Everson)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Turtles Are Always Home<\/em> (Rawane Nassif)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Configuration in Black and White<\/em> (Helga Fanderl)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Fire<\/em> (Lucy Parker)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>From Source to Poem<\/em> (Rosa Barba)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Fluid Frontiers<\/em> (Ephraim Asili)<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 10<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>mother!<\/strong> (Darren Aronofsky) &#8211; Love mothers.<br \/>\n1:00PM &#8211; <strong>Lean On Pete<\/strong> (Andrew Haigh) &#8211; when I&#8217;m not strong.<br \/>\n7:15PM &#8211; <strong>Wavelengths 3: Figures in the Landscape<\/strong> <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span><br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Mr. Yellow Sweatshirt<\/em> (Pacho Velez &#038; Yoni Brook)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Yeti<\/em> (Wojciech B\u0105kowski)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>(100ft)<\/em> (Minjung Kim)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Heart of a Mountain<\/em> (Parastoo Anoushahpour, Ryan Ferko, Faraz Anoushahpour)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Rose Gold<\/em> (Sara Cwynar)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Division Movement to Vungtau<\/em> (Benjamin Crotty &#038; Bertrand Dezoteux)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Flores<\/em> (Jorge J\u00e1come)<br \/>\n9:30PM &#8211; <strong>Caniba<\/strong> (Lucien Castaing-Taylor &#038; Verena Paravel) \u2013 In the realm of the senses.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 11<\/span><\/strong><br \/>\n1-3PM &#8211; Teaching<br \/>\n4:00PM &#8211; <strong>Wavelengths 4: As Above, So Below<\/strong> <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span><br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>La Libertad<\/em> (Laura Huertas Mill\u00e1n)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>Palmerston Blvd.<\/em> (Dan Browne)<br \/>\n&emsp; &emsp;&emsp;&emsp; &#8211; <em>below-above<\/em> (Andr\u00e9 Lehmann)<br \/>\n&emsp; &emsp;&emsp;&emsp; + <em>Aliens<\/em> (Luis L\u00f3pez Carrasco)<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 12<\/span><\/strong><br \/>\n10:30AM &#8211; <strong>Foxtrot<\/strong> (Samuel Maoz) &#8211; Venice raves; <em>Lebanon<\/em> was terrible.<br \/>\n1-3PM &#8211; Teaching [screening <em>Dial M for Murder<\/em>]<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 13<\/span><\/strong><br \/>\n<strike>9:00AM &#8211; <strong>Suburbicon<\/strong> (George Clooney) &#8211; Coens.<\/strike> [W\/O]<br \/>\n11:15AM &#8211; <strong>The Shape of Water<\/strong> (Guillermo del Toro) &#8211; &#x1f4a7;<br \/>\n<strike>2:00PM &#8211; <strong>Mademoiselle Paradis<\/strong> (Barbara Albert) &#8211; First Albert.<\/strike> [W\/O]<br \/>\n9:30PM &#8211; <strong>Brawl in Cell Block 99<\/strong> (S. Craig Zahler) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Tone: bomahawk.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 14<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>Downsizing<\/strong> (Alexander Payne) &#8211; Payne sci-fi.<br \/>\n1:30PM &#8211; <strong>I Love You, Daddy<\/strong> (Louis C.K.) &#8211; <em>Horace and Pete<\/em>, y&#8217;all.<br \/>\n5:45PM &#8211; <strong>PROTOTYPE<\/strong> (Blake Williams) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; For the last time.<br \/>\n&emsp; &emsp; &emsp; &#8211; preceded by <em>Florence<\/em> (Erkki Kurenniemi)<br \/>\n8:15PM &#8211; <strong>Occidental<\/strong> (Ne\u00efl Beloufa) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Hamy melon.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 15<\/span><\/strong><br \/>\n9:30AM &#8211; <strong>Dark River<\/strong> (Clio Barnard) &#8211; Miss Clio.<br \/>\n11:45AM &#8211; <strong>Manhunt<\/strong> (John Woo) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Woo who?<br \/>\n2:45PM &#8211; <strong>F\u00e9licit\u00e9<\/strong> (Alain Gomis) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; NYFF.<br \/>\n6:00PM &#8211; +<strong>Jeannette: The Childhood of Joan of Arc<\/strong> (Bruno Dumont) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Spider Walk with Me.<br \/>\n9:00PM &#8211; <strong>First Reformed<\/strong> (Paul Schrader) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; <em>Dog Eat Dog<\/em> was something.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 16<\/span><\/strong><br \/>\n11:30AM &#8211; <strong>The Seen and Unseen<\/strong> (Kamila Andini) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Reportedly (somehow) both singular and Joe-esque.<br \/>\n6:15PM &#8211; <strong>Struggling<\/strong> (1932, Shi Dongshan) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Aren&#8217;t we all.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 17<\/span><\/strong><br \/>\n3:00PM &#8211; <strong>Three Billboards Outside Ebbing, Missouri<\/strong> (Martin McDonagh) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; First McDonagh.<br \/>\n6:15PM &#8211; <strong>On Body and Soul<\/strong> (Ildik\u00f3 Enyedi) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; Goldener B\u00e4r.<br \/>\n9:15PM &#8211; +<strong>Faces Places<\/strong> (Agn\u00e9s Varda &#038; JR) <span style=\"color: #FF9900;\"><strong>\u24c5<\/strong><\/span> &#8211; &#x1f400;<br \/>\n<br \/>\n<\/br><\/p>\n<div>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Films I have already seen:<\/span><br \/>\n<strong>Jeannette: The Childhood of Joan of Arc<\/strong> (Bruno Dumont) \u2013 8.2<br \/>\n<strong>Call Me by Your Name<\/strong> (Luca Guadagnino) \u2013 7.6<br \/>\n<strong>Faces Places<\/strong> (Agn\u00e8s Varda &#038; JR) \u2013 7.2<br \/>\n<strong>BPM (Beats Per Minute)<\/strong> (Robin Campillo) \u2013 6.9<br \/>\n<strong>The Nothing Factory<\/strong> (Pedro Pinho) \u2013 6.5<br \/>\n<strong>3\/4<\/strong> (Ilian Metev) \u2013 6.3<br \/>\n<strong>The Florida Project<\/strong> (Sean Baker) \u2013 6.3<br \/>\n<strong>The Rider<\/strong> (Chlo\u00e9 Zhao) \u2013 6.2<br \/>\n<strong>The Day After<\/strong> (Hong Sang-soo) \u2013 6.1<br \/>\n<strong>Western<\/strong> (Valeska Grisebach) \u2013 6.1<br \/>\n<strong>A Skin So Soft<\/strong> (Denis C\u00f4t\u00e9) \u2013 6.1<br \/>\n<strong>The Killing of a Sacred Deer<\/strong> (Yorgos Lanthimos) \u2013 6.0<br \/>\n<strong>Zama<\/strong> (Lucrecia Martel) \u2013 5.8<br \/>\n<strong>I Am Not a Witch<\/strong> (Rungano Nyoniand) \u2013 5.7<br \/>\n<strong>Happy End<\/strong> (Michael Haneke) \u2013 5.6<br \/>\n<strong>Good Luck<\/strong> (Ben Russell) \u2013 5.4<br \/>\n<strong>Redoubtable<\/strong> (Michel Hazanavicius) \u2013 5.4<br \/>\n<strong>Le Fort des fous<\/strong> (Narimane Mari) \u2013 5.2<br \/>\n<strong>Makala<\/strong> (Emmanuel Gras) \u2013 5.2<br \/>\n<strong>Mrs. Fang<\/strong> (Wang Bing) \u2013 5.1<br \/>\n<strong>Dragonfly Eyes<\/strong> (Xu Bing) \u2013 4.7<br \/>\n<strong>A Ciambra<\/strong> (Jonas Carpignano) \u2013 4.7<br \/>\n<strong>Radiance<\/strong> (Naomi Kawase) \u2013 4.6<br \/>\n<strong>Let the Corpses Tan<\/strong> (H\u00e9l\u00e8ne Cattet &#038; Bruno Forzani) \u2013 4.5<br \/>\n<strong>The Square<\/strong> (Ruben \u00d6stlund) \u2013 4.4<br \/>\n<strong>Cocote<\/strong> (Nelson Carlo de los Santos Arias) \u2013 3.8<br \/>\n<strong>Thelma<\/strong> (Joachim Trier) &#8211; 3.6<br \/>\n<strong>Loveless<\/strong> (Andrey Zvyagintsev) \u2013 3.4<br \/>\n<strong>In the Fade<\/strong> (Fatih Akin) \u2013 3.1<\/p>\n<p><strong>Occidental<\/strong> (Ne\u00efl Beloufa) \u2013 TK<br \/>\n<strong>The Other Side of Hope<\/strong> (Aki Kaurism\u00e4ki) \u2013 TK<\/p>\n","protected":false},"excerpt":{"rendered":"<p>\u24c5 is for Public September 7 10:30AM &#8211; Ex Libris &#8211; The New York Public Library (Frederick Wiseman) &#8211; A Wiseman once said. 2:30PM &#8211; The Carter Effect (Sean Menard) &#8211; First 30 minutes, because why not. [W\/O] 3:15PM &#8211; Racer and the Jailbird (Micha\u00ebl R. Roskam) &#8211; SchoenEXarcholpoulos. [W\/O] 8:00PM &#8211; MDFF Presents: All [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15549","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15549","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=15549"}],"version-history":[{"count":107,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15549\/revisions"}],"predecessor-version":[{"id":15826,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15549\/revisions\/15826"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=15549"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=15549"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=15549"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}