{"id":15307,"date":"2017-07-25T09:50:21","date_gmt":"2017-07-25T14:50:21","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=15307"},"modified":"2017-10-04T18:58:29","modified_gmt":"2017-10-04T23:58:29","slug":"tiff-2017-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2017\/07\/tiff-2017-line-up\/","title":{"rendered":"TIFF 2017 Line-Up"},"content":{"rendered":"
Key:<\/span>\r\nFeatures (40min. and up) are in bold.<\/strong>\r\nShorts are in italics.<\/em>\r\n\u2605 - I have seen this film and recommend it (6.0 and higher)\r\n\u2718 - I have seen this film and recommend you don't (3.9 and lower).\r\n\u25cf - I have seen this film. It's okay.\r\n\u2600\ufe0e - I made this film.\r\n\u25cb - I am seriously considering making an attempt to see this film.\r\n\u231b\ufe0f - This film is over 150 minutes long.\r\n👓 - This film will be presented with a three-dimensional picture.\r\n🍁 - This film is significantly Canadian.\r\n\u00ae<\/strong><\/span> - This film has a Canadian distributor.\r\n\u00ae<\/strong><\/span> - This film has a US distributor. (Will be \u2470<\/strong><\/span> if it is currently scheduled to be commercially released in 2017.)\r\n*N<\/strong>*<\/span> - This film is with Netflix (or other VOD-only platform), so may not receive a theatrical run.\r\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - It'll be screened from a film print.\r\n\r\nColour coding:<\/span>\r\nNYFF<\/strong><\/span> - Main Selection only, sans Opening, Closing, and Centerpiece films\r\nSUNDANCE<\/strong><\/span> - \"Your Name\" here\r\nBERLINALE<\/strong><\/span> - 🌊 🌛 🚶\r\nCANNES<\/strong><\/span> - New and selected\r\nLOCARNO<\/strong><\/span> - Films of the present\r\nVENICE<\/strong><\/span> - Zama llama ding dong\r\nNOTABLES<\/strong><\/span> - Films that got good notices from another major festival (e.g. Rotterdam, BAFICI, SxSW, Tribeca, etc.), or that pique my curiosity for whatever reason.\r\n\r\n(Colours trump whatever is below them, so e.g. a film that played both Cannes and Locarno will be gold, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple)\r\n\r\n(RIP Vanguard [last year: 13], City to City [last year: 8], and Wavelengths Installations [last year: 4])\r\n<\/pre>\n
\n
\n<\/br>\n<\/div>\n
Special Presentations (66; last year: 69)<\/span>
\nBattle of the Sexes<\/strong> (Valerie Faris & Jonathan Dayton) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nBPM (Beats Per Minute)<\/strong> (Robin Campillo)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u2605
\nThe Brawler<\/strong> (Anurag Kashyap)
\nThe Breadwinner<\/strong> (Nora Twomey) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nCall Me By Your Name<\/strong> (Luca Guadagnino)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u2605
\nCatch the Wind<\/strong> (Ga\u00ebl Morel)
\nThe Captain<\/strong> (Robert Schwentke)
\nThe Children Act<\/strong> (Richard Eyre)
\nThe Conformist<\/strong> (Cai Shangjun)
\nThe Cured<\/strong> (David Freyne)
\nThe Current War<\/strong> (Alfonso Gomez-Rejon) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nDisobedience<\/strong> (Sebasti\u00e1n Lelio)
\nDownsizing<\/strong> (Alexander Payne)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nThe Escape<\/strong> (Dominic Savage)
\nEye on Juliet<\/strong> (Kim Nguyen) 🍁 \u00ae<\/strong><\/span>
\nA Fantastic Woman<\/strong> (Sebasti\u00e1n Lelio)<\/span> \u00ae<\/strong><\/span> \u25cb
\nFirst They Killed My Father<\/strong> (Angelina Jolie) *N<\/strong>*<\/span>
\nThe Florida Project<\/strong> (Sean Baker)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u2605
\nFoxtrot<\/strong> (Samuel Maoz)<\/span>
\nThe Guardians<\/strong> (Xavier Beauvois) \u25cb
\nHostiles<\/strong> (Scott Cooper)
\nThe Hungry<\/strong> (Bornila Chatterjee)
\nI Love You, Daddy<\/strong> (Louis C.K.)<\/span> \u25cb
\nI, Tonya<\/strong> (Craig Gillespie) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nIn the Fade<\/strong> (Fatih Akin)<\/span> \u00ae<\/strong><\/span> \u2718
\nJourney’s End<\/strong> (Saul Dibb)
\nThe Killing of a Sacred Deer<\/strong> (Yorgos Lanthimos)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u2605
\nKodachrome<\/strong> (Mark Raso)
\nLady Bird<\/strong> (Greta Gerwig)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nLean On Pete<\/strong> (Andrew Haigh)<\/span> \u00ae<\/strong><\/span> \u25cb
\nLoving Pablo<\/strong> (Fernando Le\u00f3n de Aranoa)<\/span>
\nMaking of Michael Jackson’s Thriller<\/strong> (Jerry Kramer)<\/span>
\n     - followed by Michael Jackson’s Thriller 3D<\/em> (John Landis)<\/span> 👓 \u25cb
\nManhunt<\/strong> (John Woo)<\/span> \u25cb
\nMark Felt – The Man Who Brought Down the White House<\/strong> (Peter Landesman) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nMarrowbone<\/strong> (Sergio G. S\u00e1nchez)
\nMolly’s Game<\/strong> (Aaron Sorkin) \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nmother!<\/strong> (Darren Aronofsky)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nThe Motive<\/strong> (Manuel Mart\u00edn Cuenca)
\nNovitiate<\/strong> (Maggie Betts)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nNumber One<\/strong> (Tonie Marshall)
\nOmerta<\/strong> (Hansal Mehta)
\nOn Chesil Beach<\/strong> (Dominic Cooke)
\nOutside In<\/strong> (Lynn Shelton)
\nPapillon<\/strong> (Michael Noer)
\nPlonger<\/strong> (M\u00e9lanie Laurent)<\/span> \u25cb
\nThe Price of Success<\/strong> (Teddy Lussi-Modeste)
\nProfessor Marston & the Wonder Women<\/strong> (Angela Robinson) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nRacer and the Jailbird<\/strong> (Micha\u00ebl R. Roskam)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nRadiance<\/strong> (Naomi Kawase)<\/span> \u25cf
\nRedoubtable<\/strong> (Michel Hazanavicius)<\/span> \u00ae<\/strong><\/span> \u25cf
\nThe Rider<\/strong> (Chlo\u00e9 Zhao)<\/span> \u00ae<\/strong><\/span> \u2605
\nRoman J. Israel, Esq.<\/strong> (Dan Gilroy) \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nA Season in France<\/strong> (Mahamat-Saleh Haroun)
\nThe Shape of Water<\/strong> (Guillermo del Toro)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nSheikh Jackson<\/strong> (Amr Salama)
\nThe Square<\/strong> (Ruben \u00d6stlund)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cf
\nSubmergence<\/strong> (Wim Wenders) \u00ae<\/strong><\/span>
\nSuburbicon<\/strong> (George Clooney)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nThelma<\/strong> (Joachim Trier)<\/span> \u00ae<\/strong><\/span> \u2718
\nThree Billboards Outside Ebbing, Missouri<\/strong> (Martin McDonagh)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nThree Peaks<\/strong> (Jan Zabeil)<\/span>
\nUnicorn Store<\/strong> (Brie Larson)
\nVictoria and Abdul<\/strong> (Stephen Frears)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nWho We Are Now<\/strong> (Matthew Newton)
\nYou Disappear<\/strong> (Peter Sch\u00f8nau Fog)
\nYouth<\/strong> (Feng Xiaogang) \u25cb<\/p>\n
\n
\n<\/br>\n<\/div>\n
Contemporary World Cinema (48; last year: 35)<\/span>
\nA Ciambra<\/strong> (Jonas Carpignano)<\/span> \u00ae<\/strong><\/span> \u25cf
\nA Sort of Family<\/strong> (Diego Lerman)
\nAlanis<\/strong> (Anah\u00ed Berneri)
\nAna, mon amour<\/strong> (C\u0103lin Peter Netzer)<\/span>
\nAngels Wear White<\/strong> (Vivian Qu)<\/span> \u25cb
\nApril\u2019s Daughter<\/strong> (Michel Franco)<\/span>
\nArrhythmia<\/strong> (Boris Khlebnikov)
\nBeyond Words<\/strong> (Urszula Antoniak)
\nThe Big Bad Fox & Other Tales<\/strong> (Benjamin Renner & Patrick Imbert) \u00ae<\/strong><\/span>
\nBirds Without Names<\/strong> (Kazuya Shiraishi)
\nBlack Kite<\/strong> (Tarique Qayumi) 🍁
\nBreath<\/strong> (Simon Baker, Australia)
\nDark is the Night<\/strong> (Adolfo Alix Jr.)
\nDirections<\/strong> (Stephan Komandarev)<\/span>
\nDisappearance<\/strong> (Boudewijn Koole)
\nDon’t Talk to Irene<\/strong> (Pat Mills) 🍁
\nEuthanizer<\/strong> (Teemu Nikki)
\nF\u00e9licit\u00e9<\/strong> (Alain Gomis)<\/span> \u00ae<\/strong><\/span> \u25cb
\nGood Favour<\/strong> (Rebecca Daly)
\nHannah<\/strong> (Andrea Pallaoro)<\/span>
\nThe Insult<\/strong> (Ziad Doueiri)<\/span>
\nInsyriated<\/strong> (Philippe Van Leeuw)<\/span>
\nThe Journey<\/strong> (Mohamed Jabarah Al-daradji)
\nLes Affam\u00e9s<\/strong> (Robin Aubert) 🍁
\nLife and nothing more<\/strong> (Antonio M\u00e9ndez Esparza)
\nThe Little Girl Who Was Too Fond of Matches<\/strong> (Simon Lavoie) 🍁 \u25cb
\nThe Lodgers<\/strong> (Brian O\u2019Malley)
\nLonging<\/strong> (Savi Gabizon)<\/span>
\nLooking for Oum Kulthum<\/strong> (Shirin Neshat)<\/span>
\nMarlina the Murderer in Four Acts<\/strong> (Mouly Surya)<\/span>
\nMeditation Park<\/strong> (Mina Shum) 🍁
\nMiami<\/strong> (Zaida Bergroth)
\nMotorrad<\/strong> (Vicente Amorim)
\nNina<\/strong> (Juraj Lehotsk\u00fd)
\nThe Number<\/strong> (Khalo Matabane)
\nOn Body and Soul<\/strong> (Ildik\u00f3 Enyedi)<\/span> \u25cb
\nPorcupine Lake<\/strong> (Ingrid Veninger) 🍁
\nPublic Schooled<\/strong> (Kyle Rideout) 🍁
\nPyewacket<\/strong> (Adam MacDonald) 🍁
\nThe Royal Hibiscus Hotel<\/strong> (Ishaya Bako)
\nSamui Song<\/strong> (Pen-ek Ratanaruang)<\/span>
\nSergio & Sergei<\/strong> (Ernesto Daranas Serrano)
\nThe Summit<\/strong> (Santiago Mitre)<\/span> \u25cb
\nTulipani, Love, Honour and a Bicycle<\/strong> (Mike van Diem)
\nUnder the Tree<\/strong> (Hafsteinn Gunnar Sigur\u00f0sson)<\/span>
\nVeronica<\/strong> (Paco Plaza)
\nWajib<\/strong> (Annemarie Jacir)<\/span>
\nWestern<\/strong> (Valeska Grisebach)<\/span> \u00ae<\/strong><\/span> \u2605<\/p>\n
\n
\n<\/br>\n<\/div>\n
Discovery (45; last year: 35)<\/span>
\nAll You Can Eat Buddha<\/strong> (Ian Lagarde) 🍁
\nApostasy<\/strong> (Daniel Kokotajlo)
\nAva<\/strong> (Sadaf Foroughi) 🍁
\nBlack Cop<\/strong> (Cory Bowles) 🍁
\nThe Butterfly Tree<\/strong> (Priscilla Cameron)
\nCardinals<\/strong> (Grayson Moore & Aidan Shipley) 🍁
\nDisappearance<\/strong> (Ali Asgari)<\/span>
\nA Fish Out Of Water<\/strong> (Lai Kuo-An)
\nFive Fingers For Marseilles<\/strong> (Michael Matthews)
\nThe Future Ahead<\/strong> (Constanza Novick)
\nThe Garden<\/strong> (Sonja Maria Kr\u00f6ner)
\nThe Great Buddha+<\/strong> (Huang Hsin-Yao)
\nGutland<\/strong> (Govinda Van Maele)
\nHigh Fantasy<\/strong> (Jenna Bass)
\nHuman Traces<\/strong> (Nic Gorman)
\nI Am Not a Witch<\/strong> (Rungano Nyoni)<\/span> \u25cf
\nI Kill Giants<\/strong> (Anders Walter)
\nIndian Horse<\/strong> (Stephen Campanelli) 🍁
\nKilling Jesus<\/strong> (Laura Mora)
\nKissing Candice<\/strong> (Aoife McArdle)
\nThe Lady From Holland<\/strong> (Marleen Jonkman)
\nLuk’Luk’I<\/strong> (Wayne Wapeemukwa) 🍁
\nMary Goes Round<\/strong> (Molly McGlynn) 🍁
\nMiracle<\/strong> (Egle Vertelyte)
\nMontana<\/strong> (Limor Shmila)
\nNever Steady, Never Still<\/strong> (Kathleen Hepburn) 🍁
\n1%<\/strong> (Stephen McCallum)
\nOblivion Verses<\/strong> (Alireza Khatami)<\/span>
\nOh Lucy!<\/strong> (Atsuko Hirayanagi)<\/span>
\nThe Poet and the Boy<\/strong> (Kim Yang-hee)
\nPrincesita<\/strong> (Marialy Rivas) \u25cb
\nRavens<\/strong> (Jens Assur)
\nScaffolding<\/strong> (Matan Yair)<\/span>
\nShuttle Life<\/strong> (Tan Seng Kiat) \u25cb
\nSimulation<\/strong> (Abed Abest)<\/span>
\nSoldiers. Story from Ferentari<\/strong> (Ivana Mladenovic)
\nSuleiman Mountain<\/strong> (Elizaveta Stishova)
\nThe Swan<\/strong> (\u00c1sa Helga Hj\u00f6rleifsd\u00f3ttir)
\n3\/4<\/strong> (Ilian Metev)<\/span> \u2605
\nTigre<\/strong> (Silvina Schnicer & Ulises Porra Guardiola) \u25cb
\nValley of Shadows<\/strong> (Jonas Matzow Gulbrandsen)
\nVillage Rockstars<\/strong> (Rima Das)
\nWaru<\/strong> (Briar Grace-Smith, Ainsley Gardiner, Renae Maihi, Casey Kaa, Awanui Simich-Pene, Chelsea Cohen, Katie Wolfe, & Paula Jones)
\nWinter Brothers<\/strong> (Hlynur P\u00e1lmason)<\/span> \u25cb
\nA Worthy Companion<\/strong> (Carlos Sanchez & Jason Sanchez) 🍁<\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Docs (26; last year: 37)<\/span>
\nAzmaish: A Journey through the Subcontinent<\/strong> (Sabiha Sumar)
\nBoom For Real: The Late Teenage Years of Jean-Michel Basquiat<\/strong> (Sara Driver)<\/span> \u25cb
\nThe Carter Effect<\/strong> (Sean Menard) 🍁
\nThe China Hustle<\/strong> (Jed Rothstein)
\nCocaine Prison<\/strong> (Violeta Ayala)
\nEric Clapton: Life in 12 Bars<\/strong> (Lili Fini Zanuck) \u00ae<\/strong><\/span>
\nEx Libris: The New York Public Library<\/strong> (Frederick Wiseman)<\/span> \u2470<\/strong><\/span> \u231b\ufe0f \u25cb
\nThe Final Year<\/strong> (Greg Barker)
\nThe Gospel According to Andr\u00e9<\/strong> (Kate Novack)
\nGrace Jones: Bloodlight and Bami<\/strong> (Sophie Fiennes)<\/span> \u25cb
\nJim & Andy: the Great Beyond – the story of Jim Carrey & Andy Kaufman featuring a very special, contractually obligated mention of Tony Clifton<\/strong> (Chris Smith)
\nJane<\/strong> (Brett Morgen)
\nThe Judge<\/strong> (Erika Cohn)
\nThe Legend of the Ugly King<\/strong> (H\u00fcseyin Tabak) \u25cb
\nLiving Proof<\/strong> (Matt Embry) 🍁
\nLots of Kids, a Monkey and a Castle<\/strong> (Gustavo Salmer\u00f3n)
\nLove Means Zero<\/strong> (Jason Kohn)
\nMakala<\/strong> (Emmanuel Gras)<\/span> \u25cf
\nOne of Us<\/strong> (Heidi Ewing & Rachel Grady)
\nThe Other Side of Everything<\/strong> (Mila Turajlic)
\nSammy Davis, Jr.: I’ve Gotta Be Me<\/strong> (Sam Pollard)
\nScotty and the Secret History of Hollywood<\/strong> (Matt Tyrnauer)
\nSighted Eyes\/Feeling Heart<\/strong> (Tracy Heather Strain)
\nSilas<\/strong> (Anjali Nayar & Hawa Essuman) 🍁
\nSuper Size Me 2: Holy Chicken!<\/strong> (Morgan Spurlock)
\nThere is a House Here<\/strong> (Alan Zweig) 🍁<\/p>\n
\n
\n<\/br>\n<\/div>\n
Gala Presentations (20; last year: 20)<\/span>
\nBorg\/McEnroe<\/strong> (Janus Metz) \u00ae<\/strong><\/span>
\nBreathe<\/strong> (Andy Serkis) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nC’est la vie!<\/strong> (Olivier Nakache & Eric Toledano)
\nChappaquiddick<\/strong> (John Curran)
\nDarkest Hour<\/strong> (Joe Wright) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\n55 Steps<\/strong> (Bille August)
\nFilm Stars Don’t Die in Liverpool<\/strong> (Paul McGuigan) \u00ae<\/strong><\/span>
\nHochelaga, Terre des \u00c2mes<\/strong> (Fran\u00e7ois Girard) 🍁
\nKings<\/strong> (Deniz Gamze Erg\u00fcven) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nThe Leisure Seeker<\/strong> (Paolo Virz\u00ec)<\/span> \u00ae<\/strong><\/span>
\nLong Time Running<\/strong> (Jennifer Baichwal & Nicholas de Pencier) 🍁 \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nMary Shelley<\/strong> (Haifaa Al Mansour) \u00ae<\/strong><\/span>
\nThe Mountain Between Us<\/strong> (Hany Abu-Assad) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nMudbound<\/strong> (Dee Rees)<\/span> *N<\/strong>*<\/span> \u25cb
\nMy Days of Mercy<\/strong> (Tali Shalom-Ezer)
\nStronger<\/strong> (David Gordon Green) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nThree Christs<\/strong> (Jon Avnet)
\nThe Upside<\/strong> (Neil Burger) \u00ae<\/strong><\/span>
\nThe Wife<\/strong> (Bj\u00f6rn Runge)
\nWoman Walks Ahead<\/strong> (Susanna White) \u00ae<\/strong><\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
Wavelengths (16; last year: 22, including shorts programs and installations)<\/span>
\nBeyond the One<\/strong> (Anna Marziano)<\/span> \u25cb
\n     - preceded by Strangely Ordinary This Devotion<\/em> (Dani Leventhal & Sheilah Wilson) \u2605
\nCaniba<\/strong> (V\u00e9r\u00e9na Paravel & Lucien Castaing-Taylor)<\/span> \u25cb
\nCocote<\/strong> (Nelson Carlo de los Santos Arias)<\/span> \u2718
\nDragonfly Eyes<\/strong> (Xu Bing)<\/span> \u25cf
\nGood Luck<\/strong> (Ben Russell)<\/span> \u25cf
\nJeannette: The Childhood of Joan of Arc<\/strong> (Bruno Dumont)<\/span> \u2605
\nLe fort des fous<\/strong> (Narimane Mari)<\/span> \u25cf
\nMrs. Fang<\/strong> (Wang Bing)<\/span> \u25cf
\nOccidental<\/strong> (Ne\u00efl Beloufa)<\/span> \u25cb
\nThe Nothing Factory<\/strong> (Pedro Pinho)<\/span> \u231b\ufe0f \u2605
\nPROTOTYPE<\/strong> (Blake Williams)<\/span> 🍁 👓 \u2600\ufe0e
\n     - preceded by Florence<\/em> (1970, Erkki Kurenniemi) \u25cb
\nA Skin So Soft<\/strong> (Denis C\u00f4t\u00e9)<\/span> 🍁 \u2605
\n     - preceded by Scaffold<\/em> (Kazik Radwanski)<\/span> 🍁 \u2605<\/p>\n
Wavelengths 1: Appetite for Destruction<\/strong>
\n     - Onward Lossless Follows<\/em> (Michael Robinson) \u25cb
\n     - some cities<\/em> (Francesco Gagliardi) 🍁 16mm<\/strong><\/span> \u25cb
\n     - The Watchmen<\/em> (Fern Silva) 35mm<\/strong><\/span> \u25cf
\n     - Wasteland No.1 – Ardent, Verdant<\/em> (Jodie Mack)<\/span> 16mm<\/strong><\/span> \u25cb
\n     - Fantasy Sentences<\/em> (Dane Komljen)<\/span> \u2605
\n     - Dislocation Blues<\/em> (Sky Hopinka) \u25cb<\/p>\n
Wavelengths 2: Fluid Frontiers<\/strong>
\n     - Pixillation<\/em> (1976, Anne Charlotte Robertson) \u25cb
\n     - Ticino<\/em> (Friedl vom Gr\u00f6ller) 16mm<\/strong><\/span> \u25cb
\n     - Brown And Clear<\/em> (Kevin Jerome Everson) \u25cb
\n     - Turtles Are Always Home<\/em> (Rawane Nassif) 🍁 \u25cb
\n     - Configuration in Black and White<\/em> (Helga Fanderl) 16mm<\/strong><\/span> \u25cb
\n     - Fire<\/em> (Lucy Parker) 16mm<\/strong><\/span> \u25cb
\n     - From Source to Poem<\/em> (Rosa Barba) 35mm<\/strong><\/span> \u25cb
\n     - Fluid Frontiers<\/em> (Ephraim Asili) \u25cb<\/p>\n
Wavelengths 3: Figures in the Landscape<\/strong>
\n     - Mr. Yellow Sweatshirt<\/em> (Pacho Velez & Yoni Brook) \u25cb
\n     - Yeti<\/em> (Wojciech B\u0105kowski) \u25cb
\n     - (100ft)<\/em> (Minjung Kim) 16mm<\/strong><\/span> \u25cb
\n     - Heart of a Mountain<\/em> (Parastoo Anoushahpour, Ryan Ferko, Faraz Anoushahpour) 🍁 \u25cb
\n     - Rose Gold<\/em> (Sara Cwynar) \u25cb
\n     - Division Movement to Vungtau<\/em> (Benjamin Crotty & Bertrand Dezoteux) \u25cb
\n     - Flores<\/em> (Jorge J\u00e1come) \u25cb<\/p>\n
Wavelengths 4:  As Above, So Below<\/strong>
\n     - La Libertad<\/em> (Laura Huertas Mill\u00e1n) \u25cb
\n     - Palmerston Blvd.<\/em> (Dan Browne) 🍁 \u25cb
\n     - below-above<\/em> (Andr\u00e9 Lehmann) 16mm<\/strong><\/span> \u25cb
\n     - Aliens<\/em> (Luis L\u00f3pez Carrasco)<\/span> \u25cf<\/p>\n
\n
\n<\/br>\n<\/div>\n
Platform (12; last year: 12)<\/span>
\nBeast<\/strong> (Michael Pearce)
\nBrad’s Status<\/strong> (Mike White) \u00ae<\/strong><\/span> \u2470<\/strong><\/span>
\nCustody<\/strong> (Xavier Legrand)<\/span>
\nDark River<\/strong> (Clio Barnard)<\/span> \u25cb
\nThe Death of Stalin<\/strong> (Armando Iannucci) \u00ae<\/strong><\/span>
\nEuphoria<\/strong> (Lisa Langseth) \u25cb
\nIf You Saw His Heart<\/strong> (Joan Chemla)
\nMademoiselle Paradis<\/strong> (Barbara Albert)
\nRazzia<\/strong> (Nabil Ayouch)
\nThe Seen and Unseen<\/strong> (Kamila Andini)
\nSweet Country<\/strong> (Warwick Thornton)<\/span>
\nWhat Will People Say<\/strong> (Iram Haq)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Masters (11; last year: 24)<\/span>
\nThe Day After<\/strong> (Hong Sangsoo)<\/span> \u2605
\nFaces Places<\/strong> (Agn\u00e8s Varda & JR)<\/span> \u00ae<\/strong><\/span> \u2605
\nFirst Reformed<\/strong> (Paul Schrader)<\/span> \u25cb
\nHappy End<\/strong> (Michael Haneke)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cf
\nThe House by the Sea<\/strong> (Robert Gu\u00e9diguian)<\/span>
\nLoveless<\/strong> (Andrey Zvyagintsev)<\/span> \u00ae<\/strong><\/span> \u2718
\nThe Other Side of Hope<\/strong> (Aki Kaurism\u00e4ki)<\/span> \u00ae<\/strong><\/span> \u25cb
\nOur People Will Be Healed<\/strong> (Alanis Obomsawin) 🍁
\nRainbow – A Private Affair<\/strong> (Paolo & Vittorio Taviani)
\nThe Third Murder<\/strong> (Hirokazu Kore-eda)<\/span> \u25cb
\nZama<\/strong> (Lucrecia Martel)<\/span> \u25cf<\/p>\n
\n
\n<\/br>\n<\/div>\n
Midnight Madness (10; last year: 10)<\/span>
\nBodied<\/strong> (Joseph Kahn) \u25cb
\nBrawl in Cell Block 99<\/strong> (S. Craig Zahler)<\/span> \u00ae<\/strong><\/span> \u25cb
\nThe Crescent<\/strong> (Seth A. Smith) 🍁
\nThe Disaster Artist<\/strong> (James Franco)<\/span> \u00ae<\/strong><\/span> \u2470<\/strong><\/span> \u25cb
\nDownrange<\/strong> (Ry\u00fbhei Kitamura)
\nLet the Corpses Tan<\/strong> (H\u00e9l\u00e8ne Cattet & Bruno Forzani)<\/span> \u25cf
\nMom and Dad<\/strong> (Brian Taylor)
\n  – preceded by Great Choice<\/em> (Robin Comisar)
\nRevenge<\/strong> (Coralie Fargeat)
\nThe Ritual<\/strong> (David Bruckner)
\nVampire Clay<\/strong> (S\u00f4ichi Umezawa)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Primetime (5; last year: 5)<\/span>
\nAlias Grace<\/strong> [2 episodes] (Mary Harron) 🍁
\nDark Germany<\/strong> [2 episodes] (Baran bo Odar)
\nThe Deuce<\/strong> [2 episodes] (Michelle MacLaren & Ernest Dickerson)
\nThe Girlfriend Experience Season 2<\/strong> [4 episodes] (Amy Seimetz & Lodge Kerrigan)
\nUnder Pressure<\/strong> [2 episodes] (Andrucha Waddington & Mini Kerti)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Special Events (5; last year: N\/A)<\/span>
\nGaga: Five Foot Two<\/strong> (Chris Moukarbel) *N<\/strong>*<\/span>
\nOn My Way Out: The Secret Life of Nani and Popi<\/strong> (Brandon Gross & Skyler Gross) 🍁
\nPahuna: The Little Visitors<\/strong> (Paakhi A. Tyrewala)
\nStruggling<\/strong> (1932, Shi Dongshan) \u25cb
\nWolf Guy<\/strong> (1975, Kazuhiko Yamaguchi)<\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Cinematheque (4; last year: 11)<\/span>
\nI\u2019ve Heard the Mermaids Singing<\/strong> (1987, Patricia Rozema) 🍁
\nPicture of Light<\/strong> (1994, Peter Mettler) 🍁 \u25cf
\nRude<\/strong> (1995, Clement Virgo) 🍁
\nNorth of Superior<\/em> (1971, Graeme Ferguson) 🍁 70mm<\/strong><\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Kids (0; last year: 4)<\/span>
\n[The Big Bad Fox & Other Tales<\/strong> (Benjamin Renner & Patrick Imbert)] (part of Contemporary World Cinema)
\n[The Breadwinner<\/strong> (Nora Twomey)] (part of Special Presentations)
\n[I Kill Giants<\/strong> (Anders Walter)] (part of Discovery)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Short Cuts [Both “Canada” and “International”]<\/span>
\nGo to the festival website if you want to know what’s playing in this section.<\/p>\n
\n
\n<\/br>\n<\/div>\n","protected":false},"excerpt":{"rendered":"
Key: Features (40min. and up) are in bold. Shorts are in italics. \u2605 – I have seen this film and recommend it (6.0 and higher) \u2718 – I have seen this film and recommend you don’t (3.9 and lower). \u25cf – I have seen this film. It’s okay. \u2600\ufe0e – I made this film. \u25cb […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15307","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15307","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=15307"}],"version-history":[{"count":105,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15307\/revisions"}],"predecessor-version":[{"id":15313,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15307\/revisions\/15313"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=15307"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=15307"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=15307"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}