{"id":15240,"date":"2017-07-24T17:54:17","date_gmt":"2017-07-24T22:54:17","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=15240"},"modified":"2018-03-06T14:15:14","modified_gmt":"2018-03-06T19:15:14","slug":"a-locarno-festival-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2017\/07\/a-locarno-festival-schedule\/","title":{"rendered":"A Locarno Festival schedule"},"content":{"rendered":"

August 2<\/b><\/span><\/span>
\n9:00 PM \u2013 Nick Carter, Master Detective<\/b> (1939, Jacques Tourneur), GranRex \/ 35mm<\/span><\/span>
\n11:00 PM \u2013\u00a0Doctors Don’t Tell<\/b> (1941, Jacques Tourneur), GranRex \/ 35mm<\/span><\/p>\n

August 3<\/b><\/span><\/span>
\n2:00 PM \u2013 A Skin So Soft<\/b> (Denis C\u00f4t\u00e9), Teatro Kursaal [Press]
\n5:00 PM \u2013 PROTOTYPE<\/b> (Blake Williams), PalaCinema 2 \/ 3D<\/span>
\n     - preceded by Scaffold<\/em> (Kazik Radwanski)
\n9:30 PM \u2013 Cocote<\/b> (Nelson Carlo de Los Santos Arias), Teatro Kursaal
\n11:30 PM – Let the Corpses Tan<\/b> (H\u00e9l\u00e8ne Cattet & Bruno Forzani), PalaCinema 1 [Press]<\/p>\n

August 4<\/b><\/span><\/span>
\n9:00 AM \u2013 The Flame and the Arrow<\/b> (1950, Jacques Tourneur), GranRex \/ 35mm<\/span>
\n11:00\u00a0AM \u2013 Phantom Raiders<\/b> (1940, Jacques Tourneur), GranRex \/ 16mm<\/span>
\n2:30 PM – All for a Rose<\/em> (Marco Bellocchio), PalaCinema 1
\n4:00 PM \u2013 Milla<\/b> (Valerie Massadian), Teatro Kursaal [Press]
\n9:00 PM \u2013 Berlin Express<\/b> (1948, Jacques Tourneur), GranRex \/ 35mm<\/span><\/strike> [Fell asleep]
\n11:00 PM \u2013 Days of Glory<\/b> (1944, Jacques Tourneur), GranRex \/ 35mm<\/span><\/p>\n

August 5<\/b><\/span><\/span>
\n9:00 AM \u2013 Lucky<\/b> (John Carroll Lynch), FEVI
\n2:00 PM \u2013 Madame Hyde<\/b> (Serge Bozon), Teatro Kursaal [Press]
\n6:00 PM \u2013 3\/4<\/b> (Ilian Metev), Teatro Kursaal [Press]
\n7:45 PM \u2013 Way of a Gaucho<\/b>\u00a0(1952, Jacques Tourneur), GranRex \/ 35mm<\/span>
\n9:30 PM \u2013 Once There Was Brasilia<\/b> (Adirley Queir\u00f3s), Teatro Kursaal<\/p>\n

August 6<\/b><\/span><\/span>
\n11:00 AM \u2013 Cat People<\/b> (1942, Jacques Tourneur), GranRex \/ 35mm<\/span>
\n2:00 PM \u2013 Meteors<\/b> (G\u00fcrcan Keltek), L’altra Sala
\n4:30\u00a0PM \u2013 The First Lap<\/b> (Kim Dae-hwan), Teatro Kursaal [Press]
\n6:30 PM \u2013 Circle of Danger<\/b> (1951, Jacques Tourneur), GranRex \/ 35mm<\/span>
\n9:00 PM \u2013 Wichita<\/b>\u00a0(1955, Jacques Tourneur), GranRex \/ 35mm<\/span>
\n11:00 PM \u2013 Damned Summer<\/b> (Pedro Cabeleira), PalaCinema 2<\/p>\n

August 7<\/b><\/span><\/span>
\n9:00 AM \u2013 The Rise and Fall of a Small Film Company<\/b>\u00a0(1986, Jean-Luc Godard), PalaCinema 1
\n11:30 AM – Fantasy Sentences<\/em> (Dane Komljen), L’altra Sala
\n       - followed by Panoptic<\/b> (Rana Eid)<\/strike> [Walked out]
\n3:30 PM \u2013 Le Fort des fous<\/b> (Narimane Mari), Teatro Kursaal [Press]
\n7:00 PM – Great Day in the Morning<\/b> (1956, Jacques Tourneur), GranRex \/ 35mm<\/span>
\n9:30 PM – Aliens<\/em> (Luis L\u00f3pez Carrasco), Teatro Kursaal
\n       - followed by Surbiles<\/b> (Giovanni Columbu)<\/strike> [Walked out]<\/p>\n

August 8<\/b><\/span><\/span>
\n8:30 AM \u2013 Good Luck<\/b>\u00a0(Ben Russell), Teatro Kursaal [Press]
\n1:30\u00a0PM \u2013 Mrs. Fang<\/b> (Wang Bing), Teatro Kursaal [Press]
\n4:00 PM \u2013 Poison<\/b> (1991, Todd Haynes), GranRex \/ 35mm<\/span>
\n7:00 PM \u2013 Nightfall<\/b>\u00a0(1956, Jacques Tourneur), GranRex \/ 35mm<\/span><\/p>\n

August 9<\/b><\/span><\/span>
\n10:00 AM \u2013 Distant Constellation<\/b> (Shevaun Mizrahi) [Digital Library]
\n2:00 PM \u2013 The Wandering Soap Opera<\/b> (1990, Ra\u00fal Ruiz & Valeria Sarmiento), Teatro Kursaal [Press]
\n4:00 PM – The Lonely Voice of Man<\/b> (1987, Alexander Sokurov), GranRex
\n6:30 PM \u2013 The Mount of Ants<\/b> (Riccardo Palladino), PalaCinema 1
\n9:30 PM \u2013 Ouroboros<\/b> (Basma Alsharif), Teatro Kursaal
\n11:00 PM \u2013 The Leopard Man<\/b> (1943, Jacques Tourneur), GranRex \/ 35mm<\/span><\/p>\n

August 10<\/b><\/span><\/span>
\n9:00 AM \u2013 Dragonfly Eyes<\/b> (Xu Bing), Teatro Kursaal [Press]
\n11:00 PM – Sweating the Small Stuff<\/b> (Ninomiya Ryutaro), La Sala
\n7:00 PM – Farewell<\/b> (Astrid Johanna Ofner), PalaCinema 1
\n9:00 PM \u2013 Arri\u00e8re-saison<\/em> + Si loin, si proche<\/em> (Jean-Claude Rousseau), PalaVideo
\n11:30 PM \u2013 I Walked with a Zombie<\/b>\u00a0(1943, Jacques Tourneur), Piazza Grande \/ 35mm<\/span><\/strike> [Rained out :(…]<\/p>\n

August 11<\/b><\/span><\/span>
\n11:30 AM \u2013 Filmus<\/b> (Cl\u00e9ment Safra), L’altra Sala
\n       - preceded by Hello, Horse!<\/em> (Laila Pakalni\u0146a)
\n4:00 PM \u2013\u00a0Hallelujah the Hills<\/b>\u00a0(1963, Adolfas Mekas), GranRex \/ 35mm<\/span>
\n7:00 PM – Canyon Passage<\/b> (1946, Jacques Tourneur), GranRex \/ 16mm<\/span>
\n9:00 PM \u2013\u00a0Stars in My Crown<\/b> (1950, Jacques Tourneur), GranRex \/ 35mm<\/span><\/p>\n

\n
\n<\/br>\n<\/div>\n

Sadly could not squeeze in<\/span><\/span>
\nAppointment in Honduras<\/b> (1953, Jacques Tourneur) \/ 35mm<\/span>
\nEarth and Ashes<\/b> (2004, Atiq Rahimi) \/ 35mm<\/span>
\nEl pisito<\/b> (1959, Marco Ferreri & Isidoro M. Ferry) \/ 35mm<\/span>
\nFrom the Cloud to the Resistance<\/b> (1978, Jean-Marie Straub & Dani\u00e8le Huillet)
\nFrontier Rangers<\/b> (1959, Jacques Tourneur), GranRex \/ 16mm<\/span><\/span>
\nGood Manners<\/b> (Juliana Rojas & Marco Dutra)
\nPlus Ultra<\/em> (Helena Gir\u00f3n & Samuel M. Delgado)
\nVelvet Goldmine<\/b> (1998, Todd Haynes) \/ 35mm<\/span><\/p>\n

\n
\n<\/br>\n<\/div>\n

No subtitles<\/span><\/span>
\nLes Filles de la concierge<\/b> (1934, Jacques Tourneur) \/ 35mm<\/span>
\nPour \u00eatre aim\u00e9<\/b> (1933, Jacques Tourneur) \/ 35mm<\/span>
\n36 Fillette<\/b> (1988, Catherine Breillat) \/ 35mm<\/span>
\nToto<\/b> (1933, Jacques Tourneur) \/ 35mm<\/span>
\nTout \u00e7a ne vaut pas l’amour<\/b> (1931, Jacques Tourneur) \/ 35mm<\/span>
\nTres tristes tigres<\/b> (1968, Ra\u00fal Ruiz)<\/p>\n

\n
\n<\/br>\n<\/div>\n

Already seen it (New films only)<\/span><\/span>
\nDid You Wonder Who Fired the Gun?<\/b> (Travis Wilkerson)
\nFrost<\/b> (Sharunas Bartas)
\nGood Time<\/b> (Ben Safdie & Joshua Safdie)
\nPerson to Person<\/b> (Dustin Guy Defa)
\nStrong Island<\/b> (Yance Ford)
\nWonderstruck<\/b> (Todd Haynes)<\/p>\n","protected":false},"excerpt":{"rendered":"

August 2 9:00 PM \u2013 Nick Carter, Master Detective (1939, Jacques Tourneur), GranRex \/ 35mm 11:00 PM \u2013\u00a0Doctors Don’t Tell (1941, Jacques Tourneur), GranRex \/ 35mm August 3 2:00 PM \u2013 A Skin So Soft (Denis C\u00f4t\u00e9), Teatro Kursaal [Press] 5:00 PM \u2013 PROTOTYPE (Blake Williams), PalaCinema 2 \/ 3D      - preceded by Scaffold […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-15240","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15240","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=15240"}],"version-history":[{"count":110,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15240\/revisions"}],"predecessor-version":[{"id":16128,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/15240\/revisions\/16128"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=15240"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=15240"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=15240"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}