{"id":14982,"date":"2017-05-13T01:15:01","date_gmt":"2017-05-13T06:15:01","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=14982"},"modified":"2018-02-14T18:59:57","modified_gmt":"2018-02-14T23:59:57","slug":"cannes2017-a-tentative-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2017\/05\/cannes2017-a-tentative-schedule\/","title":{"rendered":"The Cannes-dy man Cannes"},"content":{"rendered":"

May 17<\/b><\/span><\/span>
\n10:00 AM \u2013 Isma\u00ebl’s Ghosts<\/b> (Arnaud Desplechin), Debussy
\n7:30 PM \u2013 Loveless<\/b> (Andrey Zvyagintsev), Debussy<\/span><\/p>\n

May 18<\/b><\/span><\/span>
\n8:30 AM \u2013 Wonderstruck<\/b> (Todd Haynes), Lumiere
\n11:00 AM \u2013 Western<\/b> (Valeska Grisebach), Debussy
\n7:30 PM \u2013 Let the Sun Shine In<\/b> (Claire Denis), Theatre Croisette<\/span><\/p>\n

May 19<\/b><\/span><\/span>
\n8:45 AM \u2013 Lover for a Day<\/b> (Philippe Garrel), Theatre Croisette
\n11:00 AM \u2013 Faces Places<\/b> (Agn\u00e8s Varda & JR), Bazin
\n2:45 PM \u2013 Barbara<\/b> (Mathieu Amalric), Bazin
\n7:00 PM \u2013 The Square<\/b> (Ruben \u00d6stlund), Debussy<\/span><\/p>\n

May 20<\/b><\/span><\/span>
\n8:30 AM \u2013 BPM (Beats Per Minute)<\/b> (Robin Campillo), Lumiere
\n11:30 AM \u2013 Jupiter\u2019s Moon<\/b> (Korn\u00e9l Mundrucz\u00f3), Soixanti\u00e8me
\n2:45 PM \u2013 Alive in France<\/b> (Abel Ferrara), Theatre Croisette
\n10:00 PM \u2013 Redoubtable<\/b> (Michel Hazanavicius), Bazin<\/span><\/p>\n

May 21<\/b><\/span><\/span>
\n8:45 AM \u2013 Jeannette: The Childhood of Joan of Arc<\/b> (Bruno Dumont), Theatre Croisette
\n11:00 AM \u2013 Claire\u2019s Camera<\/b> (Hong Sang-soo), Bu\u00f1uel
\n12:45 PM \u2013 Napalm<\/b> (Claude Lanzmann), Bu\u00f1uel
\n4:30 PM \u2013 Before We Vanish<\/b> (Kiyoshi Kurosawa), Debussy
\n10:30 PM \u2013 Happy End<\/b> (Michael Haneke), Bazin<\/span><\/p>\n

May 22<\/b><\/span><\/span>
\n8:30 AM \u2013 The Killing of a Sacred Deer<\/b> (Yorgos Lanthimos), Lumiere
\n11:45 AM \u2013 The Florida Project<\/b> (Sean Baker), Theatre Croisette
\n4:30 PM \u2013 The Day After<\/b> (Hong Sang-soo), Lumiere
\n7:45 PM \u2013 Golden Years<\/b> (Andr\u00e9 T\u00e9chin\u00e9), Debussy
\n10:30 PM \u2013 The Rider<\/b> (Chlo\u00e9 Zhao), Arcades 1<\/span><\/p>\n

May 23<\/b><\/span><\/span>
\n8:30 AM \u2013 Radiance<\/b> (Naomi Kawase), Lumiere
\n11:00 AM \u2013 24 Frames<\/b> (Abbas Kiarostami), Lumiere
\n4:00 PM \u2013 Frost<\/b> (Sharunas Bartas), Theatre Croisette
\n7:30 PM \u2013 Rodin<\/b> (Jacques Doillon), Debussy<\/span><\/p>\n

May 24<\/b><\/span><\/span>
\n8:30 AM \u2013 The Beguiled<\/b> (Sofia Coppola), Lumiere
\n11:00 AM \u2013 Closeness<\/b> (Kantemir Balagov), Debussy
\n2:00\u00a0PM \u2013\u00a0I Am Not a Witch<\/b> (Rungano Nyoni), Palais E
\n7:00 PM \u2013 A Gentle Creature<\/b> (Sergei Loznitsa), Debussy<\/span><\/p>\n

May 25<\/b><\/span><\/span>
\n8:30 AM \u2013 Good Time<\/b> (Josh & Benny Safdie), Lumiere
\n10:30 AM \u2013 Twin Peaks<\/b> [Episodes 1 & 2]<\/em> (David Lynch), Soixanti\u00e8me
\n2:15 PM \u2013 The Nothing Factory<\/b>\u00a0(Pedro Pinho), Theatre Croisette
\n7:45 PM \u2013 12 Days<\/b> (Raymond Depardon), Soixanti\u00e8me
\n10:15 PM \u2013 Double Lover<\/b> (Fran\u00e7ois Ozon), Bazin<\/p>\n

May 26<\/b><\/span><\/span>
\n8:30 AM \u2013 In the Fade<\/b> (Fatih Akin), Lumiere
\n11:00 AM \u2013 Makala<\/b> (Emmanuel Gras), Miramar
\n2:00 PM \u2013 Gabriel and the Mountain<\/b> (Fellipe Gamarano Barbosa), Miramar
\n7:30 PM \u2013 You Were Never Really Here<\/b> (Lynne Ramsay), Debussy<\/span><\/p>\n

May 27<\/b><\/span><\/span>
\n8:30 AM \u2013 Based On a True Story<\/b> (Roman Polanski), Lumiere
\n12:00 PM \u2013 +The Florida Project<\/b> (Sean Baker), Theatre Croisette
\n3:00 PM \u2013 A Ciambra<\/b> (Jonas Carpignano), Theatre Croisette
\n8:45 PM \u2013 +Let the Sun Shine In<\/b> (Claire Denis), Theatre Croisette<\/span><\/p>\n

May 28<\/b><\/span><\/span>
\n2:15 PM \u2013 Okja<\/b> (Bong Joon-ho), Debussy
\n4:30 PM \u2013 The Meyerowitz Stories (New and Selected)<\/b> (Noah Baumbach), Bazin<\/span><\/p>\n

<\/p>\n

\n<\/div>\n

<\/br><\/p>\n

Regrettable Misses<\/span><\/span>
\nBlade of the Immortal<\/b> (Takashi Miike)
\nHow to Talk to Girls at Parties<\/b> (John Cameron Mitchell)
\nA Man of Integrity<\/b> (Mohammad Rasoulof)<\/p>\n","protected":false},"excerpt":{"rendered":"

May 17 10:00 AM \u2013 Isma\u00ebl’s Ghosts (Arnaud Desplechin), Debussy 7:30 PM \u2013 Loveless (Andrey Zvyagintsev), Debussy May 18 8:30 AM \u2013 Wonderstruck (Todd Haynes), Lumiere 11:00 AM \u2013 Western (Valeska Grisebach), Debussy 7:30 PM \u2013 Let the Sun Shine In (Claire Denis), Theatre Croisette May 19 8:45 AM \u2013 Lover for a Day (Philippe […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14982","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14982","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=14982"}],"version-history":[{"count":77,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14982\/revisions"}],"predecessor-version":[{"id":16084,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14982\/revisions\/16084"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=14982"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=14982"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=14982"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}