{"id":1456,"date":"2008-10-10T19:09:29","date_gmt":"2008-10-11T00:09:29","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=1456"},"modified":"2011-04-26T10:53:28","modified_gmt":"2011-04-26T15:53:28","slug":"2007-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2008\/10\/2007-film-log\/","title":{"rendered":"2007 Film Log"},"content":{"rendered":"

January<\/span><\/p>\n

Casino Royale (Campbell, 2006)<\/p>\n

Children of Men (Cuaron, 2006)<\/p>\n

Pan\u2019s Labyrinth (Del Toro, 2006)<\/p>\n

Wild At Heart (Lynch, 1990)<\/p>\n

12:08 East of Bucharest (Porumboiu, 2006)<\/p>\n

The Holy Mountain (Jodorowsky, 1973)<\/p>\n

El Topo (Jodorowsky, 1970)<\/p>\n

Inside Man (Lee, 2006)<\/p>\n

Back to the Future (Zemeckis, 1985)<\/p>\n

Kiss Kiss, Bang Bang (Sugg, 2005)<\/p>\n

A Scanner Darkly (Linklater, 2006)<\/p>\n

Benny\u2019s Video (Haneke, 1992)<\/p>\n

Face\/Off (Woo, 1997)<\/p>\n

Twister (de Bont, 1996)<\/p>\n

The Birdcage (Nichold, 1996)<\/p>\n

The Devil Wears Prada (Frankel, 2006)<\/p>\n

Pretty as a Picture (Keeler, 1997)<\/p>\n

Bubba Ho-Tep (Coscarelli, 2002)<\/p>\n

Play Time (Tati, 1967)<\/p>\n

Mean Streets (Scorsese, 1973)<\/p>\n

True Lies (Cameron, 1994)<\/p>\n

The Host (Bong, 2006)<\/p>\n

The New World (Malick, 2005)<\/p>\n

Delicatessen (Jeunet & Caro, 1991)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nFebruary<\/span><\/p>\n

Stalker (Tarkovsky, 1979)<\/p>\n

Harry Potter and the Goblet of Fire (Newell, 2005)<\/p>\n

Children of Men (Cuaron, 2006)<\/p>\n

Taxi Driver (Scorsese, 1976)<\/p>\n

Punch-Drunk Love (Anderson, 2002)<\/p>\n

Ghostbusters (Reitman, 1984)<\/p>\n

Jesus Christ Superstar (Jewison, 1973)<\/p>\n

The Shining (Kubrick, 1980)<\/p>\n

Mrs. Doubtfire (Columbus, 1993)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nMarch<\/span><\/p>\n

Zodiac (Fincher, 2007)<\/p>\n

INLAND EMPIRE (Lynch, 2006)<\/p>\n

300 (Snyder, 2007)<\/p>\n

Blue Velvet (Lynch, 1986)<\/p>\n

Paris Je T\u2019aime (Omnibus, 2006)<\/p>\n

Stomp the Yard (White, 2007)<\/p>\n

Fargo (Coens, 1996)<\/p>\n

Twin Peaks Pilot (Lynch, 1990)<\/p>\n

Sunset Blvd. (Wilder, 1949)<\/p>\n

The Silence of the Lambs (Demme, 1991)<\/p>\n

Shortbus (Mitchell, 2006)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nApril<\/span><\/p>\n

Planet Terror (Rodriquez, 2007)<\/p>\n

Death Proof (Tarantino, 2007)<\/p>\n

The Thin Red Line (Malick, 1998)<\/p>\n

Nashville (Altman, 1975)<\/p>\n

25th Hour (Lee, 2002)<\/p>\n

Poltergeist (Hooper, 1982)<\/p>\n

Mulholland Dr. (Lynch, 2001)<\/p>\n

The Sound of Music (Wise 1965)<\/p>\n

Bedknobs and Broomsticks (Stevenson, 1971)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nMay<\/span><\/p>\n

Hot Fuzz (Wright, 2007)<\/p>\n

Once (Carney, 2006)<\/p>\n

The Shawshank Redemption (Darabont, 1994)<\/p>\n

Romeo + Juliet (Luhrmann, 1996)<\/p>\n

Me and You and Everyone We Know (July, 2005)<\/p>\n

Blissfully Yours (Weerasethakul, 2002)<\/p>\n

Y Tu Mama Tambien (Cuaron, 2001)<\/p>\n

The Big Lebowski (Coens, 1998)<\/p>\n

Cache (Haneke, 2005)<\/p>\n

The Holy Mountain (Jodorowsky, 1973)<\/p>\n

Magnolia (Anderson, 1999)<\/p>\n

The Sandlot (Evans, 1993)<\/p>\n

La Haine (Kassovitz, 1995)<\/p>\n

Pi (Aronofsky, 1998)<\/p>\n

The Fountain (Aronofsky, 2006)<\/p>\n

L\u2019Eclisse (Antonioni, 1962)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nJune<\/span><\/p>\n

Knocked Up (Apatow, 2007)<\/p>\n

Ocean\u2019s 13 (Soderbergh, 2007)<\/p>\n

Pirates of the Caribbean: At World\u2019s End (Verbinski, 2007)<\/p>\n

1408 (H\u00e5fstr\u00f6m, 2007)<\/p>\n

The Fountain (Aronofsky, 2006)<\/p>\n

M. Hulot\u2019s Holiday (Tati, 1953)<\/p>\n

Mysterious Object at Noon (Weerasethakul, 2000)<\/p>\n

Stalker (Tarkovsky, 1979)<\/p>\n

Ghost Rider (Johnson, 2007)<\/p>\n

Sunshine (Boyle, 2007)<\/p>\n

SiCKO (Moore, 2007)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nJuly<\/span><\/p>\n

Live Free or Die Hard (Wiseman, 2007)<\/p>\n

Ratatouille (Bird, 2007)<\/p>\n

Harry Potter and the Order of the Phoenix (Yates, 2007)<\/p>\n

Hairspray (Shankman, 2007)<\/p>\n

Sunshine (Boyle, 2007)<\/p>\n

SiCKO (Moore, 2007)<\/p>\n

Dreamgirls (Condon, 2006)<\/p>\n

Children of Men (Cuaron, 2006)<\/p>\n

Muriel\u2019s Wedding (Hogan, 1994)<\/p>\n

9 Songs (Winterbottom, 2004)<\/p>\n

Because I Said So (Lehmann, 2007)<\/p>\n

Glory Road (Gartner, 2006)<\/p>\n

For Your Consideration (Guest, 2006)<\/p>\n

Minority Report (Spielberg, 2002)<\/p>\n

Little Miss Sunshine (Dayton, 2006)<\/p>\n

A Prairie Home Companion (Altman, 2006)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nAugust<\/span><\/p>\n

Back to the Future (Zemeckis, 1985)<\/p>\n

Superbad (Mottola, 2007)<\/p>\n

Hairspray (Shankman, 2007)<\/p>\n

Clue (Lynn, 1985)<\/p>\n

INLAND EMPIRE (Lynch, 2006)<\/p>\n

The Fifth Element (Besson, 1995)<\/p>\n

Drop Dead Gorgeous (Jann, 1999)<\/p>\n

Talk To Her (Almodovar, 2002)<\/p>\n

American Beauty (Mendes, 1999)<\/p>\n

How To Deal (Kilner, 2003)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nSeptember<\/span><\/p>\n

Syndromes and a Century (Weerasethakul, 2006)<\/p>\n

Eastern Promises (Cronenberg, 2007)<\/p>\n

Across The Universe (Taymore, 2007)<\/p>\n

4 Months, 3 Weeks, and 2 Days (Puiu, 2007)<\/p>\n

The Diving Bell and The Butterfly (Schnabel, 2007)<\/p>\n

The Man From London (Tarr, 2007)<\/p>\n

Sunshine (Boyle, 2007)<\/p>\n

The Fly (Cronenberg, 1986)<\/p>\n

L\u2019Eclisse (Antonioni, 1962)<\/p>\n

Maria Candelaria (Fernandez, 1944)<\/p>\n

Amorres Perros (Innaritu, 2000)<\/p>\n

2001: A Space Odyssey (Kubrick, 1968)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nOctober<\/span><\/p>\n

The Darjeeling Limited (Anderson, 2007)<\/p>\n

I\u2019m Not There (Haynes, 2007)<\/p>\n

No Country For Old Men (Coens, 2007)<\/p>\n

Flight of the Red Balloon (Hou, 2007)<\/p>\n

Things We Lost in the Fire (Bier, 2007)<\/p>\n

Into The Wild (Penn, 2007)<\/p>\n

The Assassination of Jesse James by the Coward Robert Ford (Dominik, 2007)<\/p>\n

Goodfellas (Scorsese, 1990)<\/p>\n

Death Proof (Tarantino, 2007)<\/p>\n

You Can Count On Me (Lonergan, 2000)<\/p>\n

Hard Eight (Anderson, 1996)<\/p>\n

Bad Education (Almodovar, 2004)<\/p>\n

24 Hour Party People (Winterbottom, 2002)<\/p>\n

Mon Oncle (Tati, 1958)<\/p>\n

Vidas Secas (dos Santos, 1963)<\/p>\n

A Bout De Souffle (Godard, 1960)<\/p>\n

2001: A Space Odyssey (Kubrick, 1968)<\/p>\n

Eyes Wide Shut (Kubrick, 1999)<\/p>\n

Sleepaway Camp (Hiltzik, 1983)<\/p>\n

The Blair Witch Project (Myrick, 1999)<\/p>\n

How Tasty Was My Little Frenchman (dos Santos, 1971)<\/p>\n

Dead Ringers (Cronenberg, 1988)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nNovember<\/span><\/p>\n

Juno (Reitman, 2007)<\/p>\n

Southland Tales (Kelly, 2006)<\/p>\n

No Country For Old Men (Coens, 2007)<\/p>\n

The Mist (Darabont, 2007)<\/p>\n

Enchanted (Lima, 2007)<\/p>\n

I\u2019m Not There (Haynes, 2007)<\/p>\n

Bye Bye Brazil (Diegues, 1979)<\/p>\n

Strange Brew (Moranis, Thomas, 1983)<\/p>\n

Memories of Underdevelopment (Alea, 1968)<\/p>\n

Hairspray (Shankman, 2007)<\/p>\n

Honey For Oshun (Solas, 2001)<\/p>\n

The Fountain (Aronofsky, 2006)
\n<\/p>\n

\n<\/div>\n

<\/br>
\nDecember<\/span><\/p>\n

The Golden Compass (Weitz, 2007)<\/p>\n

Atonement (Wright, 2007)<\/p>\n

Enchanted (Lima, 2007)<\/p>\n

The Mist (Darabont, 2007)<\/p>\n

There Will Be Blood (Anderson, 2007)<\/p>\n

Sweeney Todd (Burton, 2007)<\/p>\n

Million Dollar Baby (Eastwood, 2004)<\/p>\n

Punch-Drunk Love (Anderson, 2002)<\/p>\n

Twin Peaks: Fire Walk With Me (Lynch, 1992)<\/p>\n

Werckmeister Harmonies (Tarr, 2000)<\/p>\n

Play Time (Tati, 1967)<\/p>\n

About Schmidt (Payne, 2002)<\/p>\n

Mulholland Dr. (Lynch, 2001)<\/p>\n

Mon Oncle (Tati, 1958)<\/p>\n

Stardust (Vaughn, 2007)<\/p>\n

A Christmas Story (Clark, 1983)<\/p>\n","protected":false},"excerpt":{"rendered":"

January Casino Royale (Campbell, 2006) Children of Men (Cuaron, 2006) Pan\u2019s Labyrinth (Del Toro, 2006) Wild At Heart (Lynch, 1990) 12:08 East of Bucharest (Porumboiu, 2006) The Holy Mountain (Jodorowsky, 1973) El Topo (Jodorowsky, 1970) Inside Man (Lee, 2006) Back to the Future (Zemeckis, 1985) Kiss Kiss, Bang Bang (Sugg, 2005) A Scanner Darkly (Linklater, […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-1456","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/1456","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=1456"}],"version-history":[{"count":13,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/1456\/revisions"}],"predecessor-version":[{"id":3480,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/1456\/revisions\/3480"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=1456"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=1456"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=1456"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}