{"id":14370,"date":"2016-10-07T14:05:08","date_gmt":"2016-10-07T19:05:08","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=14370"},"modified":"2016-10-18T09:26:57","modified_gmt":"2016-10-18T14:26:57","slug":"nyc-nyff-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2016\/10\/nyc-nyff-schedule\/","title":{"rendered":"NYC \/ NYFF schedule"},"content":{"rendered":"

October 12<\/span>\u00a0
\n8:15PM – Epilogue<\/strong> (Marlen Khutsiev), MoMA, 35mm<\/p>\n

October 13<\/span>\u00a0
\n11:30AM-3:30PM – Gallery-ing
\n      – “Rashid Johnson: Fly Away,” Hauser & Wirth
\n      – “Meleko Mokgosi: Democratic Intuition, Lerato,” Jack Shainman Gallery
\n      – “Lars Fisk: MR. SOFTEE,” Marlborough Gallery
\n      – “Kyle Staver,” Kent Fine Art
\n      – “Tomoo Gokita: Out of Sight,” Mary Boone Gallery
\n      – “Alfred Leslie: The Toast is Burning,” Bruce Silverstein
\n      – “Sara VanDerBeek: Pieced Quilts, Wrapped Forms,” Metro Pictures Gallery
\n      – “Matthew Barney: Facility of Decline,” Gladstone Gallery
\n      – “Donald Moffett: Any Fallow Field,” Marianne Boesky Gallery
\n      – “Ryan Gander: I see straight through you,” Lisson Gallery
\n      – “Caitlin Keogh: Loose Ankles,” Bortolami Gallery
\n      – “Jonas Wood: Portraits,” Anton Kern Gallery
\n      – “Hans-Peter Feldmann,” 303 Gallery
\n      – “Thomas Sch\u00fctte: Frauen,” Skarstedt Gallery
\n      – “Coming to Power: 25 Years of Sexually X-Plicit Art by Women,” Maccarone <\/p>\n

October 14<\/span>\u00a0
\n2PM – The Marrying Kind<\/strong> (George Cukor), Metrograph, 35mm
\n6:00PM – Everything Else<\/strong> (Natalia Almada), Walter Reade, DP
\n11:59PM – Billy Lynn’s Long Halftime Walk<\/strong> (Ang Lee), AMC Loews Lincoln Square 13, 3-D\/4K\/120fps<\/p>\n

October 15<\/span>\u00a0
\nAM – “Agnes Martin” exhibit, Guggenheim
\n3:30PM – Jacques Rivette Shorts<\/strong>, Francesca Beale
\n      – Aux quatre coins<\/em> (Jacques Rivette)
\n      – Le quadrille<\/em> (Jacques Rivette)
\n      – Le divertissement<\/em> (Jacques Rivette)
\n6PM – The Lost City of Z<\/strong> (James Gray), Alice Tully Hall, 35mm<\/p>\n

October 16<\/span>\u00a0
\nAM – “Lillian Schwartz: Pioneer of Computer Art” show, Magenta Plains
\n2PM – The Inside Story<\/strong> (Allan Dwan), Metrograph, 35mm
\n5:30PM – July Rain<\/strong> (Marlen Khutsiev), MoMA, 35mm<\/p>\n

October 17<\/span>\u00a0
\n12:10PM – Imponderable<\/strong> (Tony Oursler), MoMA, “5-D”
\n3PM – Ken Jacobs studio visiting<\/p>\n","protected":false},"excerpt":{"rendered":"

October 12\u00a0 8:15PM – Epilogue (Marlen Khutsiev), MoMA, 35mm October 13\u00a0 11:30AM-3:30PM – Gallery-ing       – “Rashid Johnson: Fly Away,” Hauser & Wirth       – “Meleko Mokgosi: Democratic Intuition, Lerato,” Jack Shainman Gallery       – “Lars Fisk: MR. SOFTEE,” Marlborough Gallery       – “Kyle Staver,” Kent Fine […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14370","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14370","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=14370"}],"version-history":[{"count":29,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14370\/revisions"}],"predecessor-version":[{"id":14425,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14370\/revisions\/14425"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=14370"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=14370"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=14370"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}