{"id":14122,"date":"2016-09-14T11:02:38","date_gmt":"2016-09-14T16:02:38","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=14122"},"modified":"2016-09-19T10:47:11","modified_gmt":"2016-09-19T15:47:11","slug":"tiff16-hierarchy","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2016\/09\/tiff16-hierarchy\/","title":{"rendered":"TIFF16 Hierarchy"},"content":{"rendered":"

Key<\/span>
\n– Saw at TIFF Proper (between Sept. 8-18)<\/span>
\n– Saw at Cannes, Berlinale, or Sundance<\/strong>
\n– Saw at a TIFF pre-festival press screening<\/em>
\n– Saw a screener of some kind
\n
\n<\/br><\/p>\n

<\/div>\n

Tier 0 [A\/A+]<\/span>
\n–<\/p>\n

Tier 1 [A-]<\/span>
\nToni Erdmann (Maren Ade)<\/strong> \u2013 8.4
\nNocturama (Bertrand Bonello)<\/span> \u2013 8.2<\/p>\n

Tier 2 [B+]<\/span>
\nCertain Women (Kelly Reichardt)<\/strong> \u2013 7.4
\nElle (Paul Verhoeven)<\/strong> \u2013 7.3
\nThe Dreamed Path (Angela Schanelec) \u2013 7.1
\nYourself and Yours (Hong Sang-soo)<\/span> – 7.1
\nPaterson (Jim Jarmusch)<\/strong> \u2013 7.1
\nThe Death of Louis XIV (Albert Serra)<\/strong> \u2013 7.0<\/p>\n

Tier 3 [B]<\/span>
\nA Quiet Passion (Terence Davies)<\/strong> \u2013 6.9
\nThe Human Surge (Eduardo Williams)<\/span> \u2013 6.9
\nPersonal Shopper (Olivier Assayas)<\/strong><\/em> \u2013 6.6
\nLa La Land (Damien Chazelle)<\/span> – 6.6
\nAquarius (Kleber Mendon\u00e7a Filho)<\/strong> \u2013 6.5
\nManchester by the Sea (Kenneth Lonergan)<\/strong><\/span> \u2013 6.5
\nSafari (Ulrich Seidl)<\/span> – 6.5
\nK\u00e9kszak\u00e1ll\u00fa (Gast\u00f3n Solnicki)<\/span> – 6.4
\nMister Universo (Tizza Covi & Rainer Frimmel)<\/span> – 6.4
\nThe Salesman (Asghar Farhadi)<\/strong> \u2013 6.4
\nSalt and Fire (Werner Herzog)<\/span> – 6.2<\/p>\n

Tier 4 [B-]<\/span>
\nHermia & Helena (Mat\u00edas Pi\u00f1eiro) \u2013 6.1
\nThings to Come (Mia Hansen-L\u00f8ve)<\/strong> \u2013 6.0
\nArrival (Denis Villeneuve)<\/span> – 6.0
\n(re)ASSIGNMENT (Walter Hill)<\/span> – 6.0
\nJustin Timberlake + The Tennessee Kids (Jonathan Demme)<\/span> – 6.0
\nChristine (Antonio Campos)<\/strong> \u2013 6.0
\nMimosas (Oliver Laxe)<\/strong> \u2013 5.9
\nThe Rehearsal (Alison Maclean)<\/span> – 5.9
\nA Decent Woman (Lukas Valenta Rinner)<\/span> – 5.8
\nWerewolf (Ashley McKenzie) – 5.8
\nFire at Sea (Gianfranco Rosi)<\/strong> \u2013 5.8
\nI Had Nowhere to Go (Douglas Gordon)<\/span> – 5.8
\nRaw (Julia Ducournau)<\/span> – 5.7
\nThe Unknown Girl (Jean-Pierre & Luc Dardenne)<\/strong> \u2013 5.7
\nDog Eat Dog (Paul Schrader)<\/strong> \u2013 5.7
\nHarmonium (K\u00f4ji Fukada)<\/strong> \u2013 5.6
\nDaguerrotype (Kiyoshi Kurosawa)<\/span> – 5.5
\nI, Daniel Blake (Ken Loach)<\/strong> \u2013 5.5
\nMy Entire High School Sinking Into the Sea (Dash Shaw)<\/span> – 5.5
\nAusterlitz (Sergei Loznitsa) – 5.4<\/p>\n

Tier 5 [C+]<\/span>
\nSearchers (Zacharias Kunuk)<\/span> – 5.3
\nSweet Dreams (Marco Bellocchio)<\/strong> \u2013 5.3
\nThe Beautiful Days of Aranjuez (Wim Wenders)<\/span> – 5.2
\nThe Ornithologist (Jo\u00e3o Pedro Rodrigues)<\/span> – 5.1
\nJackie (Pable Larra\u00edn)<\/span> – 5.1
\nGraduation (Christian Mungiu)<\/strong> \u2013 5.1
\nNocturnal Animals (Tom Ford)<\/span> – 5.0
\nThe Untamed (Amat Escalante)<\/span> – 5.0
\nSieranevada (Cristi Puiu)<\/strong> \u2013 4.9
\nMoonlight (Barry Jenkins)<\/em> – 4.9
\nBy the Time it Gets Dark (Anocha Suwichakornpong) \u2013 4.9
\nTa\u2019ang (Wang Bing)<\/strong> \u2013 4.8
\nAbacus: Small Enough to Jail (Steve James)<\/span> – 4.8
\nThe Handmaiden (Park Chan-wook)<\/strong> \u2013 4.8
\nMy Life as a Courgette (Claude Barras)<\/span> – 4.7
\nFree Fire (Ben Wheatley)<\/span> – 4.6
\nThe B-Side: Elsa Dorfman\u2019s Portrait Photography (Errol Morris)<\/span> – 4.6<\/p>\n

Tier 6 [C]<\/span>
\nEmber (Zeki Demirkubuz)<\/span> – 4.5
\nNeruda (Pablo Larra\u00edn)<\/span> – 4.4
\nUna (Benedict Andrews)<\/span> – 4.3
\nVoyage of Time: The IMAX Experience (Terrence Malick)<\/span> – 4.2
\nThe Dreamed Ones (Ruth Beckermann)<\/strong> \u2013 4.1
\nAmerican Honey (Andrea Arnold)<\/strong> \u2013 4.1
\nThe Woman Who Left (Lav Diaz) \u2013 4.1
\nLoving (Jeff Nichols)<\/strong> \u2013 3.9<\/p>\n

Tier 7 [C-]<\/span>
\nColossal (Nacho Vigalondo)<\/span> – 3.5
\nMa\u2019 Rosa (Brillante Mendoza)<\/strong> \u2013 3.4
\nVoyage of Time: Life\u2019s Journey (Terrence Malick)<\/span> – 3.3
\nThe Bad Batch (Ana Lily Amirpour)<\/span> – 3.2<\/p>\n

Tier 8 [D+]<\/span>
\nIt\u2019s Only the End of the World (Xavier Dolan)<\/strong> \u2013 2.9
\nMessage from the King (Fabrice du Welz)<\/span> – 2.3<\/p>\n

Tier 9 [D]<\/span>
\n–<\/p>\n

Tier 10 [D-]<\/span>
\nKatie Says Goodbye (Wayne Roberts)<\/span> – 1.0<\/p>\n

\n
\n<\/br>\n<\/div>\n

Shorts [more or less ranked]<\/span>
\n  – AS WITHOUT SO WITHIN (Manuela De Laborde)<\/span>
\n  – Burning mountains that spew flame (Helena Gir\u00f3n & Samuel M. Delgado)<\/span>
\n  – Incantati (Dani\u00e8le Huillet & Jean-Marie Straub)<\/span>
\n  – Ears, Nose and Throat (Kevin Jerome Everson)<\/span>
\n  – I\u2019ll Remember You as You Were, Not as What You\u2019ll Become (Sky Hopinka)<\/span>
\n  – The Hedonists (Jia Zhang-ke)
\n  – Venus Delta (Antoinette Zwirchmayr)<\/span>
\n  – Flowers of the Sky (Janie Geiser)<\/span>
\n  – Silueta Sangrienta (Ana Mendieta)<\/span>
\n  – Untitled (Bj\u00f6rn K\u00e4mmerer)<\/span>
\n  – Cilaos (Camilo Restrepo)<\/span>
\n  – Anima, Silueta de Cohetes (Firework Piece) (Ana Mendieta)<\/span>
\n  – Indefinite Pitch (James N. Kienitz Wilkins)<\/span>
\n  – A Brief History of Princess X (Gabriel Abrantes)
\n  – 350 MYA (Terra Long)<\/span>
\n  – Ten Mornings Ten Evenings and One Horizon (Tomonari Nishikawa)<\/span>
\n  – Foyer (Isma\u00efl Bahri)<\/span>
\n  – 025 Sunset Red (Laida Lertxundi)<\/span>
\n  – Luna e Santur (Joshua Gen Solondz)<\/span>
\n  – Ayhan and me (belit sa\u011f)<\/span>
\n  – Nightlife (Cyprien Gaillard)<\/span>
\n  – Dark Adaptation (Chris Gehman)<\/span>
\n  – Children of Lir (Katherin McInnis)<\/span>
\n  – The Watershow Extravaganza (Sophie Michael)<\/span>
\n  – Strange Vision of Seeing Things (Ryan Ferko)<\/span>
\n  – What\u2019s New (Nina K\u00f6nnemann)<\/span>
\n  – An Aviation Field (Joana Pimenta)<\/span>
\n  – H\u00e1 Terra! (Ana Vaz)<\/span>
\n  – Untitled, 1925 (Madi Piller)<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"

Key – Saw at TIFF Proper (between Sept. 8-18) – Saw at Cannes, Berlinale, or Sundance – Saw at a TIFF pre-festival press screening – Saw a screener of some kind Tier 0 [A\/A+] – Tier 1 [A-] Toni Erdmann (Maren Ade) \u2013 8.4 Nocturama (Bertrand Bonello) \u2013 8.2 Tier 2 [B+] Certain Women (Kelly […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-14122","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14122","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=14122"}],"version-history":[{"count":53,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14122\/revisions"}],"predecessor-version":[{"id":14336,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/14122\/revisions\/14336"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=14122"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=14122"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=14122"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}