{"id":13951,"date":"2016-08-09T14:37:32","date_gmt":"2016-08-09T19:37:32","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=13951"},"modified":"2016-09-19T23:48:12","modified_gmt":"2016-09-20T04:48:12","slug":"tiff-2016-ma","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2016\/08\/tiff-2016-ma\/","title":{"rendered":"TIFF 2016: Ma’ Schedule"},"content":{"rendered":"

\u24c5<\/strong><\/span> is for Public
\n\u24b8<\/strong><\/span> is for Combined
\n\u24bb<\/strong><\/span> is for Free<\/p>\n

September 8<\/span><\/strong>
\n9:00AM + Manchester by the Sea<\/strong> (Kenneth Lonergan) – I can’t beat my disinterest in Hirokazu Kore-eda.
\n1:45PM – A Decent Woman<\/strong> (Lukas Valenta Rinner) – Love when a woman is decent.
\n5:00PM + Nocturama<\/strong> (Bertrand Bonello) \u24b8<\/strong><\/span> – Hoping that it’ll be the same, only new.
\n11:59PM – Free Fire<\/strong> (Ben Wheatley) \u24c5<\/strong><\/span> – The best things in life are free.<\/p>\n

September 9<\/span><\/strong>
\n9:00AM – Nocturnal Animals<\/strong> (Tom Ford) – Venice buzz.
\n12:15PM – Voyage of Time: Life’s Journey<\/strong> (Terrence Malick) – Lifetime pass after Knight of Cups<\/em>.
\n3:30PM – Nightlife<\/em> (Cyprien Gaillard) \u24bb<\/strong><\/span> – 3D avant-garde.
\n7:00PM – Wavelengths 1: The Fire Within<\/strong> \u24b8<\/strong><\/span>
\n      – Silueta Sangrienta<\/em> (Ana Mendieta)
\n      + H\u00e1 Terra!<\/em> (Ana Vaz)
\n      – Venus Delta<\/em> (Antoinette Zwirchmayr)
\n      – 025 Sunset Red <\/em>(Laida Lertxundi)
\n      – Untitled, 1925<\/em> (Madi Piller)
\n      – Children of Lir<\/em> (Katherin McInnis)
\n      – Burning mountains that spew flame<\/em> (Helena Gir\u00f3n & Samuel M. Delgado)
\n      – Anima, Silueta de Cohetes (Firework Piece)<\/em> (Ana Mendieta)<\/p>\n

September 10<\/span><\/strong>
\n9:15AM – The Rehearsal<\/strong> (Alison Maclean) \u24c5<\/strong><\/span> – NYFF.
\n1:15PM – Talent Lab Master Class #9: Bertrand Bonello<\/strong> – I’m moderating this. You should come.<\/strike> You’re not allowed.
\n4:15PM + Irma Vep<\/strong> (1996, Olivier Assayas) \u24bb<\/strong><\/span> – One of the GOATs, only seen it on crappy DVD editions.
\n7:30PM – Wavelengths 2: Incantati<\/strong> \u24b8<\/strong><\/span>
\n      – Incantati<\/em> (Dani\u00e8le Huillet & Jean-Marie Straub)
\n      – Cilaos<\/em> (Camilo Restrepo)
\n      – An Aviation Field<\/em> (Joana Pimenta)
\n      – Strange Vision of Seeing Things<\/em> (Ryan Ferko)
\n      – Ears, Nose and Throat<\/em> (Kevin Jerome Everson)
\n      – Ten Mornings Ten Evenings and One Horizon<\/em> (Tomonari Nishikawa)
\n      – Luna e Santur<\/em> (Joshua Gen Solondz)
\n10:45PM – Voyage of Time: The IMAX Experience<\/strong> (Terrence Malick) \u24c5<\/strong><\/span> – 70mm.<\/strike> “Dear child…”<\/p>\n

September 11<\/span><\/strong>
\n9:15AM – Una<\/strong> (Benedict Andrews) – My name is
\n11:30AM – Daughters of the Dust<\/strong> (1991, Julie Dash) \u24bb<\/strong><\/span> – Dash.
\n3:15PM – (re)ASSIGNMENT<\/strong> (Walter Hill) – Hill, dream Weaver.
\n6:00PM – Wavelengths 3: Post-performance<\/strong> \u24b8<\/strong><\/span>
\n      – Untitled<\/em> (Bj\u00f6rn K\u00e4mmerer)
\n      – What’s New<\/em> (Nina K\u00f6nnemann)
\n      – Foyer<\/em> (Isma\u00efl Bahri)
\n      – 350 MYA<\/em> (Terra Long)
\n      – I’ll Remember You as You Were, Not as What You’ll Become<\/em> (Sky Hopinka)
\n      – Dark Adaptation<\/em> (Chris Gehman)
\n      – The Watershow Extravaganza<\/em> (Sophie Michael)
\n9:45PM + The Human Surge<\/strong> (Eduardo Williams) \u24b8<\/strong><\/span> – Teddy. (It’s good.)<\/p>\n

September 12<\/span><\/strong>
\n9:30PM – Daguerrotype<\/strong> (Kiyoshi Kurosawa) \u24c5<\/strong><\/span> – Creepy<\/em> was robbed.
\n12:00PM – La La Land<\/strong> (Damien Chazelle) – Whiplash<\/em> is a good movie.
\n3:00PM – Jackie<\/strong> (Pablo Larra\u00edn) – No<\/em>.
\n6:30PM – Wavelengths 4: Indefinite<\/strong> \u24b8<\/strong><\/span>
\n      – Flowers of the Sky<\/em> (Janie Geiser)
\n      – Ayhan and me<\/em> (belit sa\u011f)
\n      – AS WITHOUT SO WITHIN<\/em> (Manuela De Laborde)
\n      + Indefinite Pitch<\/em> (James N. Kienitz Wilkins)
\n9:30PM – Neruda<\/strong> (Pablo Larra\u00edn) \u24c5<\/strong><\/span> – Just…No<\/em>.<\/p>\n

September 13<\/span><\/strong>
\n9:15AM – Searchers<\/strong> (Zacharias Kunuk) – Hopefully better than the fast runner.
\n11:15AM – Katie Says Goodbye<\/strong> (Wayne Roberts) – Feels like I’m going to lose my mind.
\n6:30PM – I Had Nowhere to Go<\/strong> (Douglas Gordon) \u24c5<\/strong><\/span> – Mekas.
\n9:30PM – Yourself and Yours<\/strong> (Hong Sang-soo) \u24c5<\/strong><\/span> – Hong.<\/p>\n

September 14<\/span><\/strong>
\nSchool Day. All of it.<\/p>\n

September 15<\/span><\/strong>
\n9:00AM – The Untamed<\/strong> (Amat Escalante) – Well that escalanted quickly.
\n11:30AM – Message from the King<\/strong> (Fabrice du Welz) – All\u00e9luia<\/em>.
\n2:00PM – The B-Side: Elsa Dorfman\u2019s Portrait Photography<\/strong> (Errol Morris) – Morris.
\n5:45PM – Arrival<\/strong> (Denis Villeneuve) – I taught a sci-fi course this summer.
\n9:30PM – Salt and Fire<\/strong> (Werner Herzog) \u24c5<\/strong><\/span> – Shannon + Herzog.<\/p>\n

September 16<\/span><\/strong>
\n9:00AM – The Bad Batch<\/strong> (Ana Lily Amirpour) – Did someone say Southland Tales<\/em>? (A Girl Walks Home…<\/em> is bad btw)
\n2:30PM – K\u00e9kszak\u00e1ll\u00fa<\/strong> (Gast\u00f3n Solnicki) – Some people I know liked Papirosen<\/em> considerably more than I did.
\n5:20PM – Sully<\/strong> (Clint Eastwood) – I was either gonna see it now or never.
\n8:15PM – My Entire High School Sinking Into the Sea<\/strong> (Dash Shaw) \u24c5<\/strong><\/span> – NYFF.<\/p>\n

September 17<\/span><\/strong>
\n9:45AM – Ember<\/strong> (Zeki Demirkubuz) \u24c5<\/strong><\/span> – First Demirkubuz.
\n12:30PM – Raw<\/strong> (Julia Ducournau) \u24c5<\/strong><\/span> – Big Cannes omission, I’m told.
\n3:30PM – Mister Universo<\/strong> (Tizza Covi & Rainer Frimmel) \u24c5<\/strong><\/span> – People seem to like it.
\n6:00PM – Justin Timberlake + The Tennessee Kids<\/strong> (Jonathan Demme) \u24c5<\/strong><\/span> – Demme god.
\n8:00PM – Colossal<\/strong> (Nacho Vigalondo) \u24c5<\/strong><\/span> – Youth, hopefully.<\/p>\n

September 18<\/span><\/strong>
\n9:00AM – The Beautiful Days of Aranjuez<\/strong> (Wim Wenders) \u24c5<\/strong><\/span> – 3D disaster picture.
\n12:30PM – My Life as a Courgette<\/strong> (Claude Barras) \u24c5<\/strong><\/span> – Sciamma, Quinzaine, 66 minutes.
\n3:45PM – Safari<\/strong> (Ulrich Seidl) \u24c5<\/strong><\/span> – Feature length Unsere Afrikareise<\/em> or gtfo.
\n6:00PM – Abacus: Small Enough to Jail<\/strong> (Steve James) \u24c5<\/strong><\/span> – J-J-J-James.
\n9:15PM – The Ornithologist<\/strong> (Jo\u00e3o Pedro Rodrigues) \u24c5<\/strong><\/span> – O Birdman.
\n
\n<\/br><\/p>\n

\n<\/div>\n

Films that would be priorities for me if I hadn’t already seen them:<\/span>
\nToni Erdmann<\/strong> (Maren Ade) \u2013 8.4
\nNocturama<\/strong> (Bertrand Bonello) \u2013 7.5
\nCertain Women<\/strong> (Kelly Reichardt) \u2013 7.4
\nElle<\/strong> (Paul Verhoeven) \u2013 7.3
\nThe Dreamed Path<\/strong> (Angela Schanelec) \u2013 7.1
\nPaterson<\/strong> (Jim Jarmusch) \u2013 7.1
\nThe Death of Louis XIV<\/strong> (Albert Serra) \u2013 7.0
\nManchester by the Sea<\/strong> (Kenneth Lonergan) \u2013 7.0
\nA Quiet Passion<\/strong> (Terence Davies) \u2013 6.9
\nThe Human Surge<\/strong> (Eduardo Williams) \u2013 6.9
\nPersonal Shopper<\/strong> (Olivier Assayas) \u2013 6.6
\nAquarius<\/strong> (Kleber Mendon\u00e7a Filho) \u2013 6.5
\nThe Salesman<\/strong> (Asghar Farhadi) \u2013 6.4
\nHermia & Helena<\/strong> (Mat\u00edas Pi\u00f1eiro) – 6.1
\nChristine<\/strong> (Antonio Campos) \u2013 6.0
\nThings to Come<\/strong> (Mia Hansen-L\u00f8ve) \u2013 6.0
\nMimosas<\/strong> (Oliver Laxe) \u2013 5.9
\nWerewolf<\/strong> (Ashley McKenzie) \u2013 5.8
\nFire at Sea<\/strong> (Gianfranco Rosi) \u2013 5.8
\nThe Unknown Girl<\/strong> (Jean-Pierre & Luc Dardenne) \u2013 5.7
\nDog Eat Dog<\/strong> (Paul Schrader) \u2013 5.7
\nHarmonium<\/strong> (K\u00f4ji Fukada) \u2013 5.6
\nI, Daniel Blake<\/strong> (Ken Loach) \u2013 5.5
\nAusterlitz<\/strong> (Sergei Loznitsa) – 5.4
\nSweet Dreams<\/strong> (Marco Bellocchio) \u2013 5.3
\nGraduation<\/strong> (Christian Mungiu) \u2013 5.1
\nSieranevada<\/strong> (Cristi Puiu) \u2013 4.9
\nMoonlight<\/strong> (Barry Jenkins) – 4.9
\nBy the Time it Gets Dark<\/strong> (Anocha Suwichakornpong) – 4.9
\nTa\u2019ang<\/strong> (Wang Bing) \u2013 4.8
\nThe Handmaiden<\/strong> (Park Chan-wook) \u2013 4.8
\nThe Dreamed Ones<\/strong> (Ruth Beckermann) \u2013 4.1
\nAmerican Honey<\/strong> (Andrea Arnold) \u2013 4.1
\nThe Woman Who Left<\/strong> (Lav Diaz) – 4.1
\nLoving<\/strong> (Jeff Nichols) \u2013 3.9
\nMa\u2019 Rosa<\/strong> (Brillante Mendoza) \u2013 3.4
\nIt\u2019s Only the End of the World<\/strong> (Xavier Dolan) \u2013 2.9<\/p>\n

Regrettable Omissions:<\/span>
\nThe Birth of a Nation<\/strong> (Nate Parker) – Opens in October.
\nCatfight<\/strong> (Onur Tukel) – Love cats.
\nInto the Inferno<\/strong> (Werner Herzog & Clive Oppenheimer) – Netflix October 28.<\/p>\n","protected":false},"excerpt":{"rendered":"

\u24c5 is for Public \u24b8 is for Combined \u24bb is for Free September 8 9:00AM + Manchester by the Sea (Kenneth Lonergan) – I can’t beat my disinterest in Hirokazu Kore-eda. 1:45PM – A Decent Woman (Lukas Valenta Rinner) – Love when a woman is decent. 5:00PM + Nocturama (Bertrand Bonello) \u24b8 – Hoping that […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13951","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/13951","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=13951"}],"version-history":[{"count":125,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/13951\/revisions"}],"predecessor-version":[{"id":14340,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/13951\/revisions\/14340"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=13951"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=13951"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=13951"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}