{"id":13385,"date":"2016-05-07T04:38:37","date_gmt":"2016-05-07T09:38:37","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=13385"},"modified":"2016-05-23T05:02:22","modified_gmt":"2016-05-23T10:02:22","slug":"cannes-2016-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2016\/05\/cannes-2016-schedule\/","title":{"rendered":"A #Cannes2016 schedule"},"content":{"rendered":"

May 11<\/b><\/span><\/span>
\n10:00 AM \u2013 Caf\u00e9 Society<\/b> (Woody Allen), Debussy
\n7:00 PM \u2013 Sieranevada<\/b> (Cristi Puiu), Debussy<\/span><\/p>\n

May 12<\/b><\/span><\/span>
\n8:30 AM \u2013 Staying Vertical<\/b> (Alain Guiraudie), Lumiere
\n2:30 PM \u2013 In Bed with Victoria<\/b> (Justine Triet), Miramar
\n7:00 PM \u2013 Sweet Dreams<\/b> (Marco Bellocchio), Theatre Croisette<\/p>\n

May 13<\/b><\/span><\/span>
\n8:30 AM \u2013 Slack Bay<\/b> (Bruno Dumont), Lumiere
\n1:00\u00a0PM \u2013 Exile<\/b> (Rithy Panh), Bazin
\n3:15 PM \u2013 Momotaro, Sacred Sailors<\/b> (1945, Mitsuyo Seo), Bu\u00f1uel
\n7:00 PM \u2013 Toni Erdmann<\/b> (Maren Ade), Debussy<\/span><\/p>\n

May 14<\/b><\/span><\/span>
\n8:30 AM \u2013 The Handmaiden<\/b> (Park Chan-wook), Lumiere
\n11:30 AM \u2013 The Transfiguration<\/b> (Michael O\u2019Shea), Debussy
\n2:15 PM \u2013 Happy Times Will Come Soon<\/b> (Alessandro Comodin), Miramar
\n7:00 PM \u2013 American Honey<\/b> (Andrea Arnold), Debussy
\n10:15 PM \u2013 Harmonium<\/b> (K\u00f4ji Fukada), Debussy<\/span><\/p>\n

May 15<\/b><\/span><\/span>
\n8:30 AM \u2013 From the Land of the Moon<\/b> (Nicole Garcia), Lumiere
\n11:15 AM \u2013 Dogs<\/b> (Bogdan Mirica), Debussy
\n2:00 PM \u2013 Beyond the Mountains and Hills<\/b> (Eran Kolirin), Debussy<\/span>
\n7:00 PM \u2013 Paterson<\/b> (Jim Jarmusch), Debussy<\/p>\n

May 16<\/b><\/span><\/span>
\n8:30 AM \u2013 Loving<\/b> (Jeff Nichols), Lumiere
\n11:30 AM \u2013 Mimosas<\/b> (Oliver Laxe), Miramar
\n2:20 PM \u2013 Wolf and Sheep<\/b> (Shahrbanoo Sadat), Theatre Croisette
\n7:00 PM \u2013 Personal Shopper<\/b> (Olivier Assayas), Debussy<\/span><\/p>\n

May 17<\/b><\/span><\/span>
\n8:30 AM \u2013 Julieta<\/b> (Pedro Almod\u00f3var), Lumiere
\n1:00 PM \u2013 Aquarius<\/b> (Kleber Mendon\u00e7a Filho), Bu\u00f1uel
\n7:00 PM \u2013 Ma\u2019 Rosa<\/b> (Brillante Mendoza), Debussy
\n10:30 PM \u2013 The Park<\/b> (Damien Manivel), Arcades 2<\/span><\/p>\n

May 18<\/b><\/span><\/span>
\n8:30 AM \u2013 The Unknown Girl<\/b> (Jean-Pierre & Luc Dardenne), Lumiere
\n1:00 PM \u2013 Le Cancre<\/b> (Paul Vecchiali), Bazin
\n4:45\u00a0PM \u2013\u00a0The Red Turtle<\/b> (Mich\u00e4el Dudok de Wit), Debussy
\n9:30 PM \u2013 It\u2019s Only the End of the World<\/b> (Xavier Dolan), Bazin<\/p>\n

May 19<\/b><\/span><\/span>
\n8:30 AM \u2013 Graduation<\/b> (Christian Mungiu), Lumiere
\n1:00 PM \u2013\u00a0The Death of Louis XIV<\/b>\u00a0(Albert Serra),\u00a0Bazin
\n6:00 PM \u2013 Risk<\/b>\u00a0(Laura Poitras),Theatre Croisette
\n10:00 PM \u2013 The Neon Demon<\/b> (Nicolas Winding Refn), Bazin<\/p>\n

May 20<\/b><\/span><\/span>
\n8:45 AM \u2013 Dog Eat Dog<\/b> (Paul Schrader), Theatre Croisette
\n11:00 AM \u2013 Diamond Island<\/b> (Davy Chou), Miramar
\n4:30 PM \u2013\u00a0The Long Night of Francisco Sanctis<\/b> (Francisco M\u00e1rquez & Andrea Testa), Debussy
\n7:00 PM \u2013 The Salesman<\/b> (Asghar Farhadi), Debussy<\/p>\n

May 21<\/b><\/span><\/span>
\n8:30 AM \u2013 Elle<\/b> (Paul Verhoeven), Lumiere
\n11:45 AM \u2013 The Last Face<\/b> (Sean Penn), Soixanti\u00e8me
\n7:00 PM \u2013 The Happiest Day in the Life of Olli M\u00e4ki<\/b> (Juho Kuosmanen), Debussy<\/p>\n

May 22<\/b><\/span><\/span>
\n11:15 AM \u2013 I, Daniel Blake<\/b> (Ken Loach), Debussy<\/p>\n

\n
\n<\/br>\n<\/div>\n

Regrettable omissions<\/span><\/span>
\nNeruda<\/b> (Pablo Larra\u00edn)
\nWrong Elements<\/b> (Jonathan Littell)
\nEndless Poetry<\/b> (Alejandro Jodorowsky)
\nRaw<\/b> (Julia Ducournau )
\nAfter the Storm<\/b> (Hirokazu Kore-eda)
\nHell or High Water<\/b> (David Mackenzie)
\nFrom the Diary of a Wedding Photographer<\/b> (Nadav Lapid)<\/p>\n

\n
\n<\/br>\n<\/div>\n

I’ll see it soon enough<\/span><\/span>
\nThe BFG<\/b> (Steven Spielberg)
\nThe Nice Guys<\/b> (Shane Black)
\nMoney Monster<\/b> (Jodie Foster)
\nThe Wailing<\/b> (Na Hong-jin)<\/p>\n","protected":false},"excerpt":{"rendered":"

May 11 10:00 AM \u2013 Caf\u00e9 Society (Woody Allen), Debussy 7:00 PM \u2013 Sieranevada (Cristi Puiu), Debussy May 12 8:30 AM \u2013 Staying Vertical (Alain Guiraudie), Lumiere 2:30 PM \u2013 In Bed with Victoria (Justine Triet), Miramar 7:00 PM \u2013 Sweet Dreams (Marco Bellocchio), Theatre Croisette May 13 8:30 AM \u2013 Slack Bay (Bruno Dumont), […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-13385","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/13385","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=13385"}],"version-history":[{"count":80,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/13385\/revisions"}],"predecessor-version":[{"id":13626,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/13385\/revisions\/13626"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=13385"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=13385"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=13385"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}