{"id":12358,"date":"2015-09-23T13:34:02","date_gmt":"2015-09-23T18:34:02","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=12358"},"modified":"2015-10-05T18:06:19","modified_gmt":"2015-10-05T23:06:19","slug":"nyff53-projections-nyc-rep-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2015\/09\/nyff53-projections-nyc-rep-schedule\/","title":{"rendered":"NYFF53 \/ Projections \/ (maybe) NYC Rep schedule"},"content":{"rendered":"

September 28<\/span>\u00a0<\/p>\n

2:45PM – Luminous Intimacy: The Late Quartet<\/strong>
\n  – Summer<\/em> (Nathaniel Dorsky, 2013, 16mm, 23m)
\n  – February<\/em> (Nathaniel Dorsky, 2014, 16mm, 17m)
\n  – Avraham<\/em> (Nathaniel Dorsky, 2014, 16mm, 20m)
\n  – December<\/em> (Nathaniel Dorsky, 2014, 16mm, 15m)<\/p>\n

5PM – Luminous Intimacy: Contemplations<\/strong>
\n  – Love\u2019s Refrain<\/em> (Nathaniel Dorsky, 2000-01, 16mm, 23m)
\n  – Intimations<\/em> (Nathaniel Dorsky, 2015, 16mm, 18m)
\n  – Prelude<\/em> (Nathaniel Dorsky, 2015, 16mm, 20m)<\/p>\n

7PM – Luminous Intimacy: Early Sounds\/Middle Silence<\/strong>
\n  + Ingreen<\/em> (Nathaniel Dorsky, 1964, 16mm, 12m)
\n  + A Fall Trip Home<\/em> (Nathaniel Dorsky, 1964, 16mm, 11m)
\n  + Summerwind<\/em> (Nathaniel Dorsky, 1965, 16mm, 14m)
\n  – Kodachrome Dailies from the Time of Song and Solitude (Reel 1)<\/strong> (Nathaniel Dorsky, 2005-06, 16mm, 40m)<\/p>\n\n

\n<\/br>
\nSeptember 29<\/span>\u00a0<\/p>\n

2:15PM + Bring Me the Head of Tim Horton<\/em> (Guy Maddin, Evan Johnson, & Galen Johnson, Canada, 2015, Digital, 31m)<\/p>\n

3PM – Luminous Intimacy: Hours and More for Jerome<\/strong>
\n  – Two Personal Gifts aka Fool\u2019s Spring<\/em> (Jerome Hiler & Nathaniel Dorsky, 1966-67, 16mm, 7m)
\n  – Hours for Jerome Part 1 <\/em> (Nathaniel Dorsky, 1966-82, 16mm, 21m)
\n  – Hours for Jerome Part 2<\/em> (Nathaniel Dorsky, 1966-82, 16mm, 24m)<\/p>\n

5PM – Luminous Intimacy: Passing Glances<\/strong>
\n  + In the Stone House<\/em> (Jerome Hiler, 1967-70\/2012, 16mm, 35m)
\n  – New Shores<\/em> (Jerome Hiler, 1970-90\/2012, 16mm, 35m)<\/p>\n

7PM – Luminous Intimacy: Inhabited Places<\/strong>
\n  – Marginalia<\/em> (Jerome Hiler, 2015, 16mm, 23m)
\n  – Gladly Given<\/em> (Jerome Hiler, 1997, 16mm, 10m)
\n  + Words of Mercury<\/em> (Jerome Hiler, 2011, 16mm, 25m)<\/p>\n\n

\n<\/br>
\nSeptember 30<\/span>\u00a0<\/p>\n

10:30AM – The Walk<\/strong> (Robert Zemeckis, 2015, 3D-DCP, 124m)<\/p>\n

3PM – Luminous Intimacy: Excavations<\/strong>
\n  – Pneuma<\/em> (Nathaniel Dorsky, 1977-83, 16mm, 28m)
\n  – 17 Reasons Why<\/em> (Nathaniel Dorsky, 1985-87, 16mm, 19m)
\n  – Alaya<\/em> (Nathaniel Dorsky, 1976-87, 16mm, 28m)<\/p>\n

5PM – Luminous Intimacy: Three Cinematic Songs<\/strong>
\n  – Triste<\/em> (Nathaniel Dorsky, 1974-96, 16mm, 19m)
\n  – Variations<\/em> (Nathaniel Dorsky, 1992-98, 16mm, 24m)
\n  – Arbor Vitae<\/em> (Nathaniel Dorsky, 1999-2000, 16mm, 28m)<\/p>\n

7PM – Luminous Intimacy: Three Devotional Songs<\/strong>
\n  + Song and Solitude<\/em> (Nathaniel Dorsky, 2005-06, 16mm, 21m)
\n  – Threnody<\/em> (Nathaniel Dorsky, 2004, 16mm, 25m)
\n  – The Visitation<\/em> (Nathaniel Dorsky, 2002, 16mm, 18m)<\/p>\n

9PM – +Blow Out<\/strong> (Brian De Palma, USA, 1981, DCP, 107m)<\/p>\n

\n<\/div>\n

\n<\/br>
\nOctober 1<\/span>\u00a0<\/p>\n

3PM – Luminous Intimacy: The Quartet<\/strong>
\n  – Sarabande<\/em> (Nathaniel Dorsky, 2008, 16mm, 15m)<\/strike> [got to theatre late]
\n  + Compline<\/em> (Nathaniel Dorsky, 2009, 16mm, 19m)
\n  + Aubade<\/em> (Nathaniel Dorsky, 2010, 16mm, 12m)
\n  – Winter<\/em> (Nathaniel Dorsky, 2007, 16mm, 22m)<\/p>\n

5PM – Luminous Intimacy: New Beginnings<\/strong>
\n  + The Return<\/em> (Nathaniel Dorsky, 2011, 16mm, 27m)
\n  + Pastourelle<\/em> (Nathaniel Dorsky, 2010, 16mm, 16m)
\n  + August and After<\/em> (Nathaniel Dorsky, 2012, 16mm, 19m)<\/p>\n

7PM – Luminous Intimacy: Worlds Emerging<\/strong>
\n  + April<\/em> (Nathaniel Dorsky, 2012, 16mm, 26m)
\n  + Song<\/em> (Nathaniel Dorsky, 2013, 16mm, 19m)
\n  + Spring<\/em> (Nathaniel Dorsky, 2013, 16mm, 23m)<\/p>\n\n

\n<\/br>
\nOctober 2<\/span>\u00a0<\/p>\n

2PM – Projections Program 1<\/strong>
\n  + Neither God nor Santa Mar\u00eda\u2028<\/em> (Samuel M. Delgado & Helena Gir\u00f3n, USA, 2014, 16mm, 8m)
\n  + Something Horizontal<\/em> (Blake Williams, USA\/Canada, 2015, HDCAM, 10m\u2028)
\n  + Analysis of Emotions and Vexations<\/em> (\u2028\u2028Wojciech Bakowski, Poland, 2015, Digital, 13m\u2028)
\n  + Traces\/Legacy\u2028<\/em> (Scott Stark, USA, 2015, 35mm, 9m)
\n  + \u2028Entangled<\/em> (Riccardo Giacconi, Colombia\/Italy, 2014, Digital, 37m)<\/p>\n

4:15PM – Projections Program 2<\/strong>
\n  + Prima Materia<\/em> (\u2028Charlotte Pryce, USA, 2015, 16mm, 3m)
\n  – \u2028Intersection<\/em> (\u2028Vincent Grenier, USA, 2015, DCP, 7m)
\n  – \u2028Port Noir<\/em> (\u2028Laura Kraning, USA, 2014, Digital, 11m)
\n  – \u2028Centre of the Cyclone<\/em> (\u2028Heather Trawick, USA\/Canada, 2015, 16mm, 18m\u2028)
\n  – The Devastated Land\u2028<\/em> (Emmanuel Lefrant, France, 2015, 35mm, 12m\u2028)
\n  – Cathode Garden\u2028<\/em> (Janie Geiser, USA, 2015, DCP, 8m)
\n  – \u2028Something Between Us\u2028<\/em> (Jodie Mack, USA, 2015, 16mm, 10m)
\n  – \u2028brouillard \u2013 passage 15\u2028<\/em> (Alexandre Larose, Canada, 2014, 35mm, 10m)<\/p>\n

6:30PM – Projections Program 3<\/strong>
\n  + \u2028A Distant Episode<\/em> (\u2028Ben Rivers, UK\/Morocco, 2015, Digital, 18m\u2028)
\n  – \u2028In Girum Imus Nocte<\/em> (\u2028Giorgio Andreotta Cal\u00f2, Italy, 2015, Digital, 13m)
\n  – \u2028\u2028Half Human, Half Vapor<\/em> (\u2028Mike Stoltz, USA, 2015, 16mm, 11m)
\n  + \u2028\u2028Occidente<\/em> (\u2028Ana Vaz, France\/Portugal, 2014, 16mm\/Digital, 15m)
\n  + \u2028\u2028YOLO\u2028<\/em> (Ben Russell, USA\/South Africa, 2015, DCP, 7m)
\n  – \u2028\u2028Ah humanity!<\/em> (\u2028Ernst Karel, Verena Paravel, & Lucien Castaing-Taylor, Japan\/France\/USA, 2015, DCP, 22m)<\/p>\n

9PM – Projections Program 1<\/strong>
\n  + Neither God nor Santa Mar\u00eda\u2028<\/em> (Samuel M. Delgado & Helena Gir\u00f3n, USA, 2014, 16mm, 8m)
\n  + Something Horizontal<\/em> (Blake Williams, USA\/Canada, 2015, HDCAM, 10m\u2028)
\n  + Analysis of Emotions and Vexations<\/em> (\u2028\u2028Wojciech Bakowski, Poland, 2015, Digital, 13m\u2028)
\n  + Traces\/Legacy\u2028<\/em> (Scott Stark, USA, 2015, 35mm, 9m)
\n  + \u2028Entangled<\/em> (Riccardo Giacconi, Colombia\/Italy, 2014, Digital, 37m)<\/p>\n\n

\n<\/br>
\nOctober 3<\/span>\u00a0<\/p>\n

12PM – Projections Program B<\/strong>
\n  + Terrestrial<\/em> (Calum Michel Walter, USA, 2015, Digital, 11m\u2028)<\/strike> [file kept glitching out]
\n  – \u2028\u2028Night Without Distance\u2028<\/em> (Lois Pati\u00f1o, Portugal\/Spain, 2015, Digital, 23m)<\/p>\n

1PM – Projections Program 4<\/strong>
\n  – \u2028\u2028Hard as Opal\u2028<\/em> (Jared Buckhiester & Dani Leventhal, USA, 2015, Digital, 29m\u2028)
\n  – \u2028\u2028Confessions\u2028<\/em> (Curt McDowell, USA, 1971, 16mm, 11m)
\n  – \u2028\u2028\u2028Non-Stop Beautiful Ladies\u2028<\/em> (Alee Peoples, USA, 2015, 16mm, 9m)
\n  – \u2028\u2028\u2028Mars Garden\u2028<\/em> (Lewis Klahr, USA, 2014, DCP, 5m)
\n  + \u2028\u2028\u2028The Exquisite Corpus\u2028<\/em> (Peter Tscherkassky, Austria, 2015, 35mm, 19m)<\/p>\n

3:30PM – Projections Program 5<\/strong>
\n  – \u2028\u2028\u2028Lost Note\u2028<\/em> (Saul Levine, USA, 1969\/2015, 16mm, 10m)
\n  – \u2028\u2028\u2028Soft Fiction<\/strong> (\u2028Chick Strand, USA, 1979, 16mm, 54m\u2028)<\/p>\n

5:30PM – Projections Program 6<\/strong>
\n  – \u2028\u2028\u2028\u2028Live to Live\u2028<\/em> (\u2028Laida Lertxundi, USA\/Spain, 2015, 16mm, 10m)
\n  – Minotaur<\/strong> (\u2028Nicolas Pereda, Mexico\/Canada, 2015, DCP, 53m)<\/p>\n

7:15PM – Projections Program 7<\/strong>
\n  – Hello\u2028<\/em> (Simon Fujiwara, Germany, 2015, Digital, 10m)
\n  + \u2028F for Fibonacci\u2028<\/em> (Beatrice Gibson, UK, 2014, DCP, 16m)
\n  – \u2028Black Code<\/em> (\u2028Louis Henderson, France, 2015, DCP, 21m\u2028)
\n  – Lessons of War\u2028<\/em> (Peggy Ahwesh, USA, 2014, Digital, 6m\u2028)
\n  – Scales in the Spectrum of Space\u2028<\/em> (Fern Silva, USA, 2015, DCP, 7m)
\n  + \u2028Many Thousands Gone<\/em> (\u2028Ephraim Asili, USA\/Brazil, 2015, Digital, 9m)<\/strike> [left after the Silva]<\/p>\n\n

\n<\/br>
\nOctober 4<\/span><\/p>\n

12PM – Microbe and Gasoline<\/strong> (Michel Gondry, 2015, France, DCP, 103m)<\/p>\n

2:15PM – Projections Program C<\/strong>
\n  – \u2028OM Rider\u2028<\/em> (Takeshi Murata, USA, 2014, Digital, 12m)
\n  – Rabbit Season, Duck Season\u2028<\/em> (Michael Bell-Smith, USA, 2014, Digital, 5m\u2028)
\n  – All My Love All My Love\u2028<\/em> (Hannah Black, UK, 2013-15, Digital, 7m\u2028)
\n  – Velvet Peel 1\u2028<\/em> (Victoria Fu, 2015, USA, Digital, 13m)<\/p>\n

3PM – Don\u2019t Blink: Robert Frank<\/strong> (Laura Israel, 2015, USA\/Canada, DCP, 82m)<\/p>\n

6PM – Projections Program 10<\/strong>
\n  + Bunte Kuh<\/em> (Ryan Ferko, Faraz Anoushahpour & Parastoo Anoushahpour, Canada, 2015, DCP, 6m)
\n  – The Everyday Ritual of Solitude Hatching Monkeys<\/em> (Basim Magdy, Egypt, 2014, Digital, 13m)
\n  + Santa Teresa & Other Stories<\/strong> (Nelson Carlo de Los Santos Arias, Dominican Republic\/Mexico\/USA, 2015, DCP, 65m)<\/strike> [left after the Magby]<\/p>\n

7PM – Projections Program 9<\/strong>
\n  – Radio at Night<\/em> (\u2028James Richards, Germany\/UK, 2015, Digital, 8m\u2028)
\n  – All That Is Solid<\/em> (\u2028Louis Henderson, France\/UK\/Ghana, 2014, DCP, 15m\u2028)
\n  – Mad Ladders<\/em> (\u2028Michael Robinson, USA, 2015, Digital, 9m)
\n  – \u2028Erysichthon<\/em> (\u2028Jon Rafman, Canada, 2015, Digital, 8m\u2028)
\n  – Slow Zoom Long Pause<\/em> (\u2028Sara Magenheimer, USA, 2015, Digital, 13m\u2028)
\n  – Hyperlinks or It Didn\u2019t Happen\u2028<\/em> (C\u00e9cile B. Evans, UK, 2014, Digital, 22m)<\/p>\n\n

\n<\/br><\/p>\n","protected":false},"excerpt":{"rendered":"

September 28\u00a0 2:45PM – Luminous Intimacy: The Late Quartet   – Summer (Nathaniel Dorsky, 2013, 16mm, 23m)   – February (Nathaniel Dorsky, 2014, 16mm, 17m)   – Avraham (Nathaniel Dorsky, 2014, 16mm, 20m)   – December (Nathaniel Dorsky, 2014, 16mm, 15m) 5PM – Luminous Intimacy: Contemplations   – Love\u2019s Refrain (Nathaniel Dorsky, 2000-01, 16mm, 23m) […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12358","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/12358","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=12358"}],"version-history":[{"count":37,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/12358\/revisions"}],"predecessor-version":[{"id":12639,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/12358\/revisions\/12639"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=12358"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=12358"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=12358"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}