{"id":12302,"date":"2015-08-24T12:48:53","date_gmt":"2015-08-24T17:48:53","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=12302"},"modified":"2015-09-20T23:13:54","modified_gmt":"2015-09-21T04:13:54","slug":"tiff-2015-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2015\/08\/tiff-2015-schedule\/","title":{"rendered":"Shit Year: My TIFF 2015 Schedule"},"content":{"rendered":"<p><strong><span style=\"text-decoration: underline;\">September 10<\/span><\/strong><br \/>\n9:45AM &#8211; <strong>Hitchcock\/Truffaut<\/strong> (Kent Jones) &#8211; <span style=\"color: #ce00c7;\">4.6<\/span><br \/>\n<strike>11:30AM &#8211; <strong>Ixcanul<\/strong> (Jayro Bustamante)<\/strike> &#8211; <span style=\"color: #CC0000;\">W\/O<\/span><br \/>\n12:30PM &#8211; <strong>+One Floor Below<\/strong> (Radu Muntean) &#8211; <span style=\"color: #ce00c7;\">6.5<\/span> [same]<br \/>\n2:45PM &#8211; <strong>In Jackson Heights<\/strong> (Frederick Wiseman) &#8211; <span style=\"color: #ce00c7;\">6.3<\/span><br \/>\n6:30PM &#8211; <strong>The Pearl Button<\/strong> (Patricio Guzm\u00e1n) &#8211; <span style=\"color: #ce00c7;\">5.7<\/span><br \/>\n8:30PM &#8211; <strong><em>Fallen Objects<\/em> opening reception<\/strong><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 11<\/span><\/strong><br \/>\n8:45AM &#8211; <em>The Chickening<\/em> (Davy Force &amp; Nick DenBoer) + <strong>Green Room<\/strong> (Jeremy Saulnier) &#8211; <span style=\"color: #ce00c7;\">5.4<\/span><br \/>\n11:00AM &#8211; <strong>The Martian<\/strong> (Ridley Scott) &#8211; <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\n4:45PM &#8211; <strong>Office<\/strong> (Johnnie To) &#8211; <span style=\"color: #ce00c7;\">6.9<\/span><br \/>\n7:00PM &#8211; <strong>Wavelengths 1: Fire in the Brain<\/strong><br \/>\n&emsp; + <em>3D Movie<\/em> (1975, Paul Sharits)<br \/>\n&emsp; &#8211; <em>Fugue<\/em> (Kerstin Schr\u00f6dinger)<br \/>\n&emsp; &#8211; <em>Prima Materia<\/em> (Charlotte Pryce)<br \/>\n&emsp; &#8211; <em>The Fire in My Brain That Separates Us<\/em> (Benjamin Ram\u00edrez P\u00e9rez)<br \/>\n&emsp; + <em>Something Horizontal<\/em> (Blake Williams)<br \/>\n&emsp; &#8211; <em>The Exquisite Corpus<\/em> (Peter Tscherkassky)<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 12<\/span><\/strong><br \/>\n8:45AM &#8211; <strong>11 Minutes<\/strong> (Jerzy Skolimowski) &#8211; <span style=\"color: #ce00c7;\">3.5<\/span><br \/>\n11:30AM &#8211; <strong>Evolution<\/strong> (Lucile Had\u017eihalilovic) &#8211; <span style=\"color: #ce00c7;\">4.8<\/span><br \/>\n2:00PM &#8211; <strong>Apichatpong Weerasethakul in conversation with Dennis Lim<\/strong><br \/>\n4:45PM &#8211; <strong>Bang Gang (A Modern Love Story)<\/strong> (Eva Husson) &#8211; <span style=\"color: #ce00c7;\">4.6<\/span><br \/>\n7:45PM &#8211; <strong>Wavelengths 2: YOLO<\/strong><br \/>\n&emsp; &#8211; <em>A Distant Episode<\/em> (Ben Rivers)<br \/>\n&emsp; &#8211; <em>An Old Dog\u2019s Diary<\/em> (Shai Heredia &#038; Shumona Goel)<br \/>\n&emsp; &#8211; <em>The Reminder<\/em> (Behrouz Rae)<br \/>\n&emsp; &#8211; <em>Solo for Rich Man<\/em> (Beatrice Gibson)<br \/>\n&emsp; &#8211; <em>YOLO<\/em> (Ben Russell)<br \/>\n&emsp; &#8211; <em>Analysis of Emotions and Vexations<\/em> (Wojciech B\u0105kowski)<br \/>\n&emsp; + <em>Bunte Kuh<\/em> (Ryan Ferko, Parastoo Anoushahpour, &#038; Faraz Anoushahpour)<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 13<\/span><\/strong><br \/>\n10:00AM &#8211; <strong>Anomalisa<\/strong> (Charlie Kaufman) &#8211; <span style=\"color: #ce00c7;\">7.2<\/span><br \/>\n12:00PM &#8211; <strong>Sunset Song<\/strong> (Terence Davies) &#8211; <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n3:00PM &#8211; <strong>Maggie&#8217;s Plan<\/strong> (Rebecca Miller) &#8211; <span style=\"color: #ce00c7;\">5.4<\/span><br \/>\n5:00PM &#8211; <strong>From Afar (Desde All\u00e1)<\/strong> (Lorenzo Vigas) &#8211; <span style=\"color: #ce00c7;\">4.5<\/span><br \/>\n7:30PM &#8211; <strong>Wavelengths 3: Light Space Modulator<\/strong><br \/>\n&emsp; &#8211; <em>Navigator<\/em> (Bj\u00f6rn K\u00e4mmerer)<br \/>\n&emsp; &#8211; <em>Th\u00e9odolitique<\/em> (David K. Ross)<br \/>\n&emsp; &#8211; <em>Office Space Modulation<\/em> (Terrarea [aka Janis Demkiw, Emily Hogg, &#038; Olia Mishchenko])<br \/>\n&emsp; &#8211; <em>Palms<\/em> (Mary Helena Clark)<br \/>\n&emsp; &#8211; <em>Occidente<\/em> (Ana Vaz)<br \/>\n&emsp; &#8211; <em>Terrestrial<\/em> (Calum Walter)<br \/>\n&emsp; &#8211; <em>Tarlaba\u015f\u0131<\/em> (Cynthia Madansky)<br \/>\n9:45PM &#8211; <em>Faux D\u00e9part (False Start)<\/em> (Yto Barrada) + <strong>Sector IX B<\/strong> (Mathieu Kleyebe Abonnenc) &#8211; <span style=\"color: #ce00c7;\">5.7<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 14<\/span><\/strong><br \/>\n11:30AM &#8211; <strong>High-Rise<\/strong> (Ben Wheatley) &#8211; <span style=\"color: #ce00c7;\">5.9<\/span><br \/>\n1:45PM &#8211; <strong>Bleak Street<\/strong> (Arturo Ripstein) &#8211; <span style=\"color: #ce00c7;\">6.2<\/span><br \/>\n4:15PM &#8211; <strong>Incident Light<\/strong> (Ariel Rotter) &#8211; <span style=\"color: #ce00c7;\">4.1<\/span><br \/>\n7:15PM &#8211; <strong>Wavelengths 4: Psychic Driving<\/strong><br \/>\n&emsp; + <em>Actua 1<\/em> (1968, Philippe Garrel)<br \/>\n&emsp; &#8211; <em>Time for Outrage!<\/em> (Friedl vom Gr\u00f6ller)<br \/>\n&emsp; &#8211; <em>Untitled<\/em> (Behrouz Rae)<br \/>\n&emsp; &#8211; <em>Many Thousands Gone<\/em> (Ephraim Asili)<br \/>\n&emsp; &#8211; <em>Neither God nor Santa Maria<\/em> (Samuel M. Delgado &#038; Helena Gir\u00f3n)<br \/>\n&emsp; &#8211; <em>Psychic Driving<\/em> (William E. Jones)<br \/>\n&emsp; &#8211; <em>UNcirCling<\/em> (John Creson &#038; Adam Rosen)<br \/>\n&emsp; &#8211; <em>Engram of Returning<\/em> (Da\u00efchi Sa\u00efto)<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 15<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>The Apostate<\/strong> (Federico Veiroj) &#8211; <span style=\"color: #ce00c7;\">6.0<\/span><br \/>\n11:15AM &#8211; <strong>+Office<\/strong> (Johnnie To) &#8211; <span style=\"color: #ce00c7;\">6.7<\/span> [down from 6.9]<br \/>\n<strike>2:00PM &#8211; <strong>Parisienne<\/strong> (Danielle Arbid)<\/strike> &#8211; <span style=\"color: #CC0000;\">W\/O<\/span><br \/>\n3:45PM &#8211; <em>Bring Me the Head of Tim Horton<\/em> (Guy Maddin, Evan Johnson, &#038; Galen Johnson)<br \/>\n7:00PM &#8211; <strong>Blood of My Blood<\/strong> (Marco Bellocchio) &#8211; <span style=\"color: #ce00c7;\">7.5<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 16<\/span><\/strong><br \/>\n11:30AM &#8211; <strong>Demolition<\/strong> (Jean-Marc Vall\u00e9e) &#8211; <span style=\"color: #ce00c7;\">6.3<\/span><br \/>\n2:15PM &#8211; <strong>Hong Kong Trilogy: Preschooled Preoccupied Preposterous<\/strong> (Christopher Doyle) &#8211; <span style=\"color: #ce00c7;\">5.1<\/span><br \/>\n4:45PM &#8211; <strong>The Event<\/strong> (Sergei Loznitsa) &#8211; <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\n10:15PM &#8211; <strong>Francofonia<\/strong> (Alexander Sokurov) &#8211; <span style=\"color: #ce00c7;\">4.6<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 17<\/span><\/strong><br \/>\n4:45PM &#8211; <strong>Afternoon<\/strong> (Tsai Ming-liang) &#8211; <span style=\"color: #ce00c7;\">6.2<\/span><br \/>\n<strike>9:30PM &#8211; <strong>Frenzy<\/strong> (Emin Alper)<\/strike> &#8211; <span style=\"color: #CC0000;\">W\/O<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 18<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>Campo Grande<\/strong> (Sandra Kogut) &#8211; <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\n<strike>3:15PM &#8211; <strong>Sky<\/strong> (Fabienne Berthau)<\/strike> &#8211; <span style=\"color: #CC0000;\">W\/O<\/span><br \/>\n6:00PM &#8211; <strong>The Sky Trembles and the Earth is Afraid and the Two Eyes Are Not Brothers<\/strong> (Ben Rivers) &#8211; <span style=\"color: #ce00c7;\">6.1<\/span><br \/>\n8:15PM &#8211; <strong>The Club<\/strong> (Pablo Larra\u00edn) &#8211; <span style=\"color: #ce00c7;\">4.5<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 19<\/span><\/strong><br \/>\n9:45AM &#8211; <strong>Story of Judas<\/strong> (Rabah Ameur-Za\u00efmeche) &#8211; <span style=\"color: #ce00c7;\">5.9<\/span><br \/>\n12:00PM &#8211; <strong>Our Brand is Crisis<\/strong> (David Gordon Green) &#8211; <span style=\"color: #ce00c7;\">4.0<\/span><br \/>\n3:00PM &#8211; <strong>Yakuza Apocalypse<\/strong> (Takashi Miike) &#8211; <span style=\"color: #ce00c7;\">5.6<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 20<\/span><\/strong><br \/>\n10:00AM &#8211; <strong>+The Treasure<\/strong> (Corneliu Porumboiu) &#8211; <span style=\"color: #ce00c7;\">7.2<\/span> [same]<br \/>\n12:30PM &#8211; <strong>The Wait<\/strong> (Piero Messina) &#8211; <span style=\"color: #ce00c7;\">5.2<\/span><br \/>\n2:45PM &#8211; <strong>Les Cowboys<\/strong> (Thomas Bidegain) &#8211; <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n6:00PM &#8211; <strong>Where to Invade Next<\/strong> (Michael Moore) &#8211; <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\n10:00PM &#8211; <strong>Neon Bull<\/strong> (Gabriel Mascaro) &#8211; <span style=\"color: #ce00c7;\">6.4<\/span><br \/>\n<br \/>\n<\/br><\/p>\n<div>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Films that would be priorities for me if I hadn&#8217;t already seen them:<\/span><br \/>\n<strong>The Forbidden Room<\/strong> (Guy Maddin &amp; Evan Johnson) \u2013 8.2<br \/>\n<strong>Cemetery of Splendour<\/strong> (Apichatpong Weerasethakul) \u2013 7.6<br \/>\n<strong>Arabian Nights: Volume 2, The Desolate One<\/strong> (Miguel Gomes) \u2013 7.5<br \/>\n<strong>Arabian Nights: Volume 1, The Restless One<\/strong> (Miguel Gomes) \u2013 7.3<br \/>\n<strong>The Treasure<\/strong> (Corneliu Porumboiu) \u2013 7.2<br \/>\n<strong>Arabian Nights: Volume 3, The Enchanted One<\/strong> (Miguel Gomes) \u2013 6.9<br \/>\n<strong>Right Now, Wrong Then<\/strong> (Hong Sang-soo) \u2013 6.6<br \/>\n<strong>Love<\/strong> (Gaspar No\u00e9) \u2013 6.6<br \/>\n<strong>James White<\/strong> (Josh Mond) \u2013 6.5<br \/>\n<strong>One Floor Below<\/strong> (Radu Muntean) \u2013 6.5<br \/>\n<strong>Lost and Beautiful<\/strong> (Pietro Marcello) \u2013 6.5<br \/>\n<strong>The Assassin<\/strong> (Hou Hsiao-hsien) \u2013 6.4<br \/>\n<strong>Disorder<\/strong> (Alice Winocour) \u2013 6.4<br \/>\n<strong>The Other Side<\/strong> (Roberto Minervini) \u2013 6.3<br \/>\n<strong>In the Shadow of Women<\/strong> (Philippe Garrel) \u2013 6.2<br \/>\n<strong>Louder than Bombs<\/strong> (Joachim Trier) \u2013 6.1<br \/>\n<strong>88:88<\/strong> (Isiah Medina) \u2013 6.0<br \/>\n<strong>Invention<\/strong> (Mark Lewis) \u2013 5.9<br \/>\n<strong>Son of Saul<\/strong> (L\u00e1szl\u00f3 Nemes) \u2013 5.8<br \/>\n<strong>The Lobster<\/strong> (Yorgos Lanthimos) \u2013 5.7<br \/>\n<strong>The Witch<\/strong> (Robert Eggers) \u2013 5.7<br \/>\n<strong>Mountains May Depart<\/strong> (Jia Zhangke) \u2013 5.6<br \/>\n<strong>45 Years<\/strong> (Andrew Haigh) \u2013 5.6<br \/>\n<strong>How Heavy This Hammer<\/strong> (Kazik Radwanski) &#8211; 5.6<br \/>\n<strong>Chevalier<\/strong> (Athina Rachel Tsangari) \u2013 5.5<br \/>\n<strong>Sleeping Giant<\/strong> (Andrew Cividino) \u2013 5.4<br \/>\n<strong>No Home Movie<\/strong> (Chantal Akerman) \u2013 5.3<br \/>\n<strong>Mustang<\/strong> (Deniz Gamze Erg\u00fcven) \u2013 5.0<br \/>\n<strong>My Mother<\/strong> (Nanni Moretti) \u2013 5.0<br \/>\n<strong>Taxi<\/strong> (Jafar Panahi) \u2013 4.9<br \/>\n<strong>Dheepan<\/strong> (Jacques Audiard) \u2013 4.9<br \/>\n<strong>Santa Teresa &amp; Other Stories<\/strong> (Nelson De Los Santos Arias) \u2013 4.7<br \/>\n<strong>Our Little Sister<\/strong> (Hirokazu Kore-eda) \u2013 4.6<br \/>\n<strong>Sicario<\/strong> (Denis Villeneuve) \u2013 4.5<br \/>\n<strong>Heart of a Dog<\/strong> (Laurie Anderson) &#8211; 4.5<br \/>\n<strong>Youth<\/strong> (Paolo Sorrentino) \u2013 4.4<br \/>\n<strong>Journey to the Shore<\/strong> (Kiyoshi Kurosawa) \u2013 4.3<br \/>\n<strong>Embrace of the Serpent<\/strong> (Ciro Guerra) \u2013 3.9<br \/>\n<strong>Brooklyn<\/strong> (John Crowley) \u2013 3.8<\/p>\n","protected":false},"excerpt":{"rendered":"<p>September 10 9:45AM &#8211; Hitchcock\/Truffaut (Kent Jones) &#8211; 4.6 11:30AM &#8211; Ixcanul (Jayro Bustamante) &#8211; W\/O 12:30PM &#8211; +One Floor Below (Radu Muntean) &#8211; 6.5 [same] 2:45PM &#8211; In Jackson Heights (Frederick Wiseman) &#8211; 6.3 6:30PM &#8211; The Pearl Button (Patricio Guzm\u00e1n) &#8211; 5.7 8:30PM &#8211; Fallen Objects opening reception September 11 8:45AM &#8211; The [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-12302","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/12302","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=12302"}],"version-history":[{"count":104,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/12302\/revisions"}],"predecessor-version":[{"id":12559,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/12302\/revisions\/12559"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=12302"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=12302"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=12302"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}