{"id":1202,"date":"2009-09-20T14:57:22","date_gmt":"2009-09-20T19:57:22","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=1202"},"modified":"2011-04-23T00:04:07","modified_gmt":"2011-04-23T05:04:07","slug":"tiff-wrap-up-pt-1-preferences","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2009\/09\/tiff-wrap-up-pt-1-preferences\/","title":{"rendered":"Memories of TIFF09, Pt. 1: preferences"},"content":{"rendered":"<p><span style=\"text-decoration:   underline;\"><span style=\"font-style: normal;\"><span style=\"font-style: normal;\"><strong>Loved<\/strong><\/span><\/span><\/span><span style=\"font-style: normal;\"> <\/span><\/p>\n<ul>\n<li>Les Herbes folles (Resnais)<\/li>\n<li>In Comparison (Farocki)<\/li>\n<li>To Die Like a Man (Rodrigues)<\/li>\n<li>Hadewijch (Dumont)<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><span style=\"font-style: normal;\"><span style=\"font-style: normal;\"><strong>Very Good<\/strong><\/span><\/span><\/span><\/p>\n<ul>\n<li>Dogtooth (Lanthimos)<\/li>\n<li>Les Derniers jours du monde (Larrieu)<\/li>\n<li>The White Ribbon (Haneke)<\/li>\n<li>Soul Kitchen (Akin)<\/li>\n<li>Face (Tsai)<\/li>\n<li>Irene (Cavalier)<\/li>\n<li>Lourdes (Hausner)<\/li>\n<li>White Material (Denis)<\/li>\n<li>Let Each One Go Where He May (Russell)<\/li>\n<li>I Am Love (Guadagnino)<\/li>\n<li>Police, Adjective (Porumboiu)<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><span style=\"font-style: normal;\"><span style=\"font-style: normal;\"><strong>Decent<\/strong><\/span><\/span><\/span><\/p>\n<ul>\n<li>I Killed My Mother (Dolan)<\/li>\n<li>Crab Trap (Navia)<\/li>\n<li>Independencia (Martin)<\/li>\n<li>Le Pere de mes enfants (Hansen-Love)<\/li>\n<li>Petropolis (Mettler)<\/li>\n<li>Ajami (Shani &amp; Copti)<\/li>\n<li>The Happiest Girl in the World (Jude)<\/li>\n<li>The Wind Journeys (Guerra)<\/li>\n<li>Women Without Men (Neshat)<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><span style=\"font-style: normal;\"><span style=\"font-style: normal;\"><strong>Problems<\/strong><\/span><\/span><\/span><\/p>\n<ul>\n<li>Carcasses (Cote)<\/li>\n<li>Karaoke (Fui)<\/li>\n<li>All Fall Down (Hoffman)<\/li>\n<li>Spring Fever (Lou)<\/li>\n<li>Vision (Von Trotta)<\/li>\n<li>Lebanon (Maoz)<\/li>\n<\/ul>\n<p><span style=\"text-decoration: underline;\"><span style=\"font-style: normal;\"><span style=\"font-style: normal;\"><strong>Bad<\/strong><\/span><\/span><\/span><\/p>\n<ul>\n<li>I Am Not Your Friend (Palfi)<\/li>\n<li>Trash Humpers (Korine)<\/li>\n<li>Moloch Tropical (Peck)<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"<p>Loved Les Herbes folles (Resnais) In Comparison (Farocki) To Die Like a Man (Rodrigues) Hadewijch (Dumont) Very Good Dogtooth (Lanthimos) Les Derniers jours du monde (Larrieu) The White Ribbon (Haneke) Soul Kitchen (Akin) Face (Tsai) Irene (Cavalier) Lourdes (Hausner) White Material (Denis) Let Each One Go Where He May (Russell) I Am Love (Guadagnino) Police, [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center 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