{"id":11855,"date":"2015-07-27T21:34:49","date_gmt":"2015-07-28T02:34:49","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=11855"},"modified":"2015-09-08T16:52:18","modified_gmt":"2015-09-08T21:52:18","slug":"tiff-2015-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2015\/07\/tiff-2015-line-up\/","title":{"rendered":"TIFF 2015 Line-Up"},"content":{"rendered":"<pre><span style=\"text-decoration: underline;\">Key:<\/span>\r\n<strong>Features (40min. and up) are in bold.<\/strong>\r\n<em>Shorts are in italics.<\/em>\r\n\u2605 - I have seen this film and recommend it (6.0 and higher)\r\n\u2716 - I have seen this film and recommend you don't (3.9 and lower).\r\n\u25cf - I have seen this film. It's aight.\r\n\u25cb - I am seriously considering making an attempt to see this film.\r\n\u2600\ufe0e - I made this film.<\/style>\r\n&#x1f525; - This film can go to hell.\r\n&#x1f4fa; - This film is a TV show.\r\n\u231b\ufe0f - This film is over 150 minutes long.\r\n&#x1f341; - This film is predominantly Canadian in my opinion.\r\n<span style=\"color: #268fa5;\"><strong>FS<\/strong><\/span> - This film is available for me to watch on Festival Scope.\r\n<span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> - This film has a Canadian distributor.\r\n<span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> - This film has a US distributor.\r\n<span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span>, <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span>, <span style=\"color: #9b9630;\"><strong>70mm<\/strong><\/span> - It'll be screened from a film print.\r\n<img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> - Triple D.\r\n\r\n<span style=\"text-decoration: underline;\">Colour coding:<\/span>\r\n<span style=\"color: #9900ff;\"><strong>NYFF<\/strong><\/span> - Main Selection only, sans Opening, Closing, and Centerpiece films, i.e. biopics.\r\n<span style=\"color: #3d85c6;\"><strong>SUNDANCE<\/strong><\/span> - Gather up the fragments that remain, that nothing be lost.\r\n<span style=\"color: #CC0000;\"><strong>BERLINALE<\/strong><\/span> - Sordid Realism.\r\n<span style=\"color: #bf9000;\"><strong>CANNES<\/strong><\/span> - Festival of Splendour.\r\n<span style=\"color: #18d2d2;\"><strong>LOCARNO<\/strong><\/span> - Akermania.\r\n<span style=\"color: #52D017;\"><strong>VENICE<\/strong><\/span> - Something Orizzonti.\r\n<span style=\"color: #0000ff;\"><strong>NOTABLES<\/strong><\/span> - Films by filmmakers whose new work I actively anticipate, perhaps ill-advisedly. Also, films with good notices from the other major festivals (Rotterdam, BAFICI, SxSW, Tribeca, etc.).\r\n\r\n(Colours trump each other hierarchically, so e.g. a film that played both Berlin and Cannes will be red, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple.)\r\n<\/pre>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Contemporary World Cinema (60; last year: 58)<\/span><br \/>\n<span style=\"color: #bf9000;\"><strong>An<\/strong> (Naomi Kawase)<\/span><br \/>\n<strong>The Apostate<\/strong> (Federico Veiroj) \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>As I Open My Eyes<\/strong> (Leyla Bouzid)<\/span><br \/>\n<strong>Baba Joon<\/strong> (Yuval Delshad)<br \/>\n<strong>Box<\/strong> (Florin \u0218erban)<br \/>\n<strong>Campo Grande<\/strong> (Sandra Kogut)<br \/>\n<span style=\"color: #18d2d2;\"><strong>Chevalier<\/strong> (Athina Rachel Tsangari)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #52D017;\"><strong>A Copy of My Mind<\/strong> (Joko Anwar)<\/span><br \/>\n<strong>Cuckold<\/strong> (Charlie Vundla)<br \/>\n<span style=\"color: #bf9000;\"><strong>Embrace of the Serpent<\/strong> (Ciro Guerra)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2716<br \/>\n<span style=\"color: #52D017;\"><strong>The Endless River<\/strong> (Oliver Hermanus)<\/span><br \/>\n<strong>The Fear<\/strong> (La Peur) Damien Odoul)<br \/>\n<span style=\"color: #52D017;\"><strong>Frenzy<\/strong> (Emin Alper)<\/span> \u25cb<br \/>\n<strong>Girls Lost<\/strong> (Alexandra-Therese Keining)<br \/>\n<strong>Granny&#8217;s Dancing on the Table<\/strong> (Hanna Sk\u00f6ld)<br \/>\n<strong>A Heavy Heart<\/strong> ((Herbert) Thomas Stuber)<br \/>\n<span style=\"color: #0000ff;\"><strong>How Heavy This Hammer<\/strong> (Kazik Radwanski)<\/span> &#x1f341; \u25cf<br \/>\n<span style=\"color: #3d85c6;\"><strong>Homesick<\/strong> (Anne Sewitsky)<\/span><br \/>\n<strong>Hong Kong Trilogy: Preschooled Preoccupied Preposterous<\/strong> (Christopher Doyle) \u25cb<br \/>\n<strong>Honor Thy Father<\/strong> (Erik Matti)<br \/>\n<span style=\"color: #18d2d2;\"><strong>I Promise You Anarchy<\/strong> (Julio Hern\u00e1ndez Cord\u00f3n)<\/span><br \/>\n<strong>In the Room<\/strong> (Eric Khoo)<br \/>\n<strong>Invisible<\/strong> (Lawrence Fajardo)<br \/>\n<strong>Incident Light<\/strong> (Ariel Rotter) \u25cb<br \/>\n<span style=\"color: #3d85c6;\"><strong>Ivy<\/strong> (Tolga Kara\u00e7elik)<\/span> <span style=\"color: #268fa5;\"><strong>FS<\/strong><\/span><br \/>\n<span style=\"color: #18d2d2;\"><strong>Jack<\/strong> (Elisabeth Scharang)<\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>Journey to the Shore<\/strong> (Kiyoshi Kurosawa)<\/span> \u25cf<br \/>\n<strong>The Kind Words<\/strong> (Shemi Zarhin)<br \/>\n<span style=\"color: #CC0000;\"><strong>Koza<\/strong> (Ivan Ostrochovsk\u00fd)<\/span> <span style=\"color: #268fa5;\"><strong>FS<\/strong><\/span><br \/>\n<span style=\"color: #bf9000;\"><strong>Lamb<\/strong> (Yared Zeleke)<\/span> \u25cb<br \/>\n<strong>Last Cab to Darwin<\/strong> (Jeremy Sims)<br \/>\n<strong>Let Them Come<\/strong> (Salem Brahimi)<br \/>\n<strong>Magallanes<\/strong> (Salvador del Solar)<br \/>\n<strong>Mekko<\/strong> (Sterlin Harjo)<br \/>\n<strong>A Month of Sundays<\/strong> (Matthew Saville)<br \/>\n<span style=\"color: #bf9000;\"><strong>Much Loved<\/strong> (Nabil Ayouch)<\/span> \u25cb<br \/>\n<strong>Murmur of the Hearts<\/strong> (Sylvia Chang)<br \/>\n<span style=\"color: #18d2d2;\"><strong>My Internship in Canada<\/strong> (Philippe Falardeau)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>One Breath<\/strong> (Christian Z\u00fcbert)<br \/>\n<span style=\"color: #bf9000;\"><strong>One Floor Below<\/strong> (Radu Muntean)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #18d2d2;\"><strong>Our Loved Ones<\/strong> (Anne \u00c9mond)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341; \u25cb<br \/>\n<strong>Parisienne<\/strong> (Danielle Arbid) \u25cb<br \/>\n<strong>Paths of the Soul<\/strong> (Zhang Yang)<br \/>\n<span style=\"color: #18d2d2;\"><strong>The People vs. Fritz Bauer<\/strong> (Lars Kraume)<\/span><br \/>\n<strong>Price of Love<\/strong> (Hermon Hailay)<br \/>\n<span style=\"color: #bf9000;\"><strong>Rams<\/strong> (Gr\u00edmur H\u00e1konarson)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<span style=\"color: #18d2d2;\"><strong>Schneider vs. Bax<\/strong> (Alex van Warmerdam)<\/span> \u25cb<br \/>\n<strong>Song of Songs<\/strong> (Eva Neymann)<br \/>\n<strong>Sparrows<\/strong> (R\u00fanar R\u00fanarsson)<br \/>\n<strong>Starve Your Dog<\/strong> (Hicham Lasri)<br \/>\n<strong>The Steps<\/strong> (Andrew Currie) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #CC0000;\"><strong>Story of Judas<\/strong> (Rabah Ameur-Za\u00efmeche)<\/span> \u25cb<br \/>\n<strong>Stranger<\/strong> (Yermek Tursunov)<br \/>\n<strong>Thank You for Bombing<\/strong> (Barbara Eder)<br \/>\n<span style=\"color: #9900ff;\"><strong>The Treasure<\/strong> (Corneliu Porumboiu)<\/span> \u2605<br \/>\n<strong>3000 Nights<\/strong> (Mai Masri)<br \/>\n<strong>Truman<\/strong> (Cesc Gay)<br \/>\n<strong>25 April<\/strong> (Leanne Pooley)<br \/>\n<span style=\"color: #18d2d2;\"><strong>The Waiting Room<\/strong> (Igor Drljaca)<\/span> &#x1f341;<br \/>\n<strong>The Whispering Star<\/strong> (Sion Sono) \u25cb<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Special Presentations (56; last year: 71)<\/span><br \/>\n<strong>About Ray<\/strong> (Gaby Dellal) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Angry Indian Goddesses<\/strong> (Pan Nalin)<br \/>\n<span style=\"color: #52D017;\"><strong>Anomalisa<\/strong> (Charlie Kaufman &#038; Duke Johnson)<\/span> \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>Beasts of No Nation<\/strong> (Cary Fukunaga)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Being Charlie<\/strong> (Rob Reiner)<br \/>\n<span style=\"color: #52D017;\"><strong>Black Mass<\/strong> (Scott Cooper)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Born to be Blue<\/strong> (Robert Budreau) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<span style=\"color: #CC0000;\"><strong>Body<\/strong> (Ma\u0142gorzata Szumowska)<\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>Brooklyn<\/strong> (John Crowley)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2716<br \/>\n<span style=\"color: #CC0000;\"><strong>The Club<\/strong> (Pablo Larra\u00edn)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<strong>Colonia<\/strong> (Florian Gallenberger)<br \/>\n<span style=\"color: #52D017;\"><strong>The Danish Girl<\/strong> (Tom Hooper)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>The Daughter<\/strong> (Simon Stone) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Desierto<\/strong> (Jon\u00e1s Cuar\u00f3n) \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>Dheepan<\/strong> (Jacques Audiard)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #52D017;\"><strong>Equals<\/strong> (Drake Doremus)<\/span><br \/>\n<strong>Families<\/strong> (Jean-Paul Rappeneau) \u25cb<br \/>\n<strong>The Family Fang<\/strong> (Jason Bateman)<br \/>\n<span style=\"color: #CC0000;\"><strong>45 Years<\/strong> (Andrew Haigh)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<strong>Guilty<\/strong> (Meghna Gulzar)<br \/>\n<strong>I Saw the Light<\/strong> (Marc Abraham) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #3d85c6;\"><strong>I Smile Back<\/strong> (Adam Salky)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>The Idol<\/strong> (Hany Abu-Assad)<br \/>\n<strong>Into the Forest<\/strong> (Patricia Rozema) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>The Lady in the Van<\/strong> (Nicholas Hytner) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Len and Company<\/strong> (Tim Godsall)<br \/>\n<span style=\"color: #9900ff;\"><strong>The Lobster<\/strong> (Yorgos Lanthimos)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<strong>London Fields<\/strong> (Matthew Cullen) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #bf9000;\"><strong>Louder than Bombs<\/strong> (Joachim Trier)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<strong>ma ma<\/strong> (Julio Medem) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>Maggie\u2019s Plan<\/strong> (Rebecca Miller)<\/span> \u25cb<br \/>\n<strong>The Meddler<\/strong> (Lorene Scafaria) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>Mountains May Depart<\/strong> (Jia Zhangke)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #52D017;\"><strong>Mr. Six<\/strong> (Guan Hu)<\/span><br \/>\n<span style=\"color: #bf9000;\"><strong>Mustang<\/strong> (Deniz Gamze Erg\u00fcven)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #9900ff;\"><strong>My Mother<\/strong> (Nanni Moretti)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #0000ff;\"><strong>Office<\/strong> (Johnnie To)<\/span> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> \u25cb<br \/>\n<strong>Our Brand Is Crisis<\/strong> (David Gordon Green) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<strong>Parched<\/strong> (Leena Yadav)<br \/>\n<strong>Room<\/strong> (Lenny Abrahamson) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #bf9000;\"><strong>Sicario<\/strong> (Denis Villeneuve)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341; \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>Son of Saul<\/strong> (L\u00e1szl\u00f3 Nemes)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #52D017;\"><strong>Spotlight<\/strong> (Tom McCarthy)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #18d2d2;\"><strong>Summertime<\/strong> (Catherine Corsini)<\/span><br \/>\n<span style=\"color: #0000ff;\"><strong>Sunset Song<\/strong> (Terence Davies)<\/span> \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>A Tale of Love and Darkness<\/strong> (Natalie Portman)<\/span><br \/>\n<strong>A Tale of Three Cities<\/strong> (Mabel Cheung)<br \/>\n<strong>Trumbo<\/strong> (Jay Roach) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Truth<\/strong> (James Vanderbilt) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Un plus une<\/strong> (Claude Lelouch)<br \/>\n<span style=\"color: #CC0000;\"><strong>Victoria<\/strong> (Sebastian Schipper)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<strong>Ville-Marie<\/strong> (Guy \u00c9doin) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>The Wave<\/strong> (Roar Uthaug) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>Where to Invade Next<\/strong> (Michael Moore)<\/span> \u25cb<br \/>\n<span style=\"color: #3d85c6;\"><strong>The Witch<\/strong> (Robert Eggers)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>Youth<\/strong> (Paolo Sorrentino)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">TIFF Docs (<strike>31<\/strike> 30; last year: 21)<\/span><br \/>\n<strong>Al Purdy Was Here<\/strong> (Brian D. Johnson) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strike><strong>Amazing Grace<\/strong> (Sydney Pollack)<\/strike><br \/>\n<strong>Being AP<\/strong> (Anthony Wonke)<br \/>\n<strong>Bolshoi Babylon<\/strong> (Nick Read) <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #3d85c6;\"><strong>Dark Horse<\/strong> (Louise Osmond)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #52D017;\"><strong>A Flickering Truth<\/strong> (Pietra Brettkelly)<\/span><br \/>\n<strong>Guantanamo\u2019s Child: Omar Khadr<\/strong> (Patrick Reed &#038; Michelle Shephard) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>He Named Me Malala<\/strong> (Davis Guggenheim) <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #52D017;\"><strong>Heart of a Dog<\/strong> (Laurie Anderson)<\/span> \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>Hitchcock\/Truffaut<\/strong> (Kent Jones)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Horizon<\/strong> (Bergur Bernburg &#038; Fridrik Thor Fridriksson)<br \/>\n<span style=\"color: #52D017;\"><strong>In Jackson Heights<\/strong> (Frederick Wiseman)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u231b\ufe0f \u25cb<br \/>\n<strong>It All Started At The End<\/strong> (Luis Ospina) \u231b\ufe0f \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>Janis: Little Girl Blue<\/strong> (Amy Berg)<\/span><br \/>\n<strong>Je Suis Charlie<\/strong> (Emmanuel &#038; Daniel Leconte)<br \/>\n<strong>A Journey of a Thousand Miles: Peacekeepers<\/strong> (Geeta Gandbhir &#038; Sharmeen Obaid-Chinoy)<br \/>\n<strong>Miss Sharon Jones!<\/strong> (Barbara Kopple)<br \/>\n<strong>The Music of Strangers: Yo-Yo Ma and the Silk Road Ensemble<\/strong> (Morgan Neville)<br \/>\n<strong>Nasser<\/strong> (Jihan El-Tahri)<br \/>\n<strong>Ninth Floor<\/strong> (Mina Shum) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Our Last Tango<\/strong> (German Kral)<br \/>\n<strong>P.S. Jerusalem<\/strong> (Danae Elon) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>The Reflektor Tapes<\/strong> (Kahlil Joseph) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Return of the Atom<\/strong> (Mika Taanila &#038; Jussi Eerola)<br \/>\n<strong>Sherpa<\/strong> (Jennifer Peedom) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>This Changes Everything<\/strong> (Avi Lewis) <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Thru You Princess<\/strong> (Ido Haar)<br \/>\n<strong>Welcome to F.L.<\/strong> (Genevi\u00e8ve Dulude-De Celles) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<span style=\"color: #52D017;\"><strong>Winter on Fire: Ukraine&#8217;s Fight for Freedom<\/strong> (Evgeny Afineevsky)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Women He\u2019s Undressed<\/strong> (Gillian Armstrong)<br \/>\n<strong>A Young Patriot<\/strong> (Du Haibin) <span style=\"color: #268fa5;\"><strong>FS<\/strong><\/span><\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Discovery (30; last year: 39)<\/span><br \/>\n<strong>The Ardennes<\/strong> (Robin Pront)<br \/>\n<strong>Beast<\/strong> (Tom &#038; Sam McKeith)<br \/>\n<strong>Black<\/strong> (Adil El Arbi &#038; Bilall Fallah)<br \/>\n<strong>Born to Dance<\/strong> (Tammy Davis)<br \/>\n<strong>Closet Monster<\/strong> (Stephen Dunn) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<span style=\"color: #bf9000;\"><strong>D\u00e9grad\u00e9<\/strong> (Arab &#038; Tarzan Nasser)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Downriver<\/strong> (Grant Scicluna)<br \/>\n<strong>Eva Nov\u00e1<\/strong> (Marko \u0160kop)<br \/>\n<strong>Fire Song<\/strong> (Adam Garnet Jones) &#x1f341;<br \/>\n<strong>Five Nights in Maine<\/strong> (Maris Curran)<br \/>\n<span style=\"color: #52D017;\"><strong>From Afar<\/strong> (Lorenzo Vigas)<\/span> \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>The Here After<\/strong> (Magnus von Horn)<\/span> \u25cb<br \/>\n<span style=\"color: #CC0000;\"><strong>Ixcanul<\/strong> (Jayro Bustamante)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<span style=\"color: #3d85c6;\"><strong>James White<\/strong> (Josh Mond)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #18d2d2;\"><strong>Keeper<\/strong> (Guillaume Senez)<\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>Les Cowboys<\/strong> (Thomas Bidegain)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<strong>Meghmallar<\/strong> (Zahidur Rahim Anjan)<br \/>\n<span style=\"color: #52D017;\"><strong>Mountain<\/strong> (Yaelle Kayam)<\/span><br \/>\n<strong>My Name is Emily<\/strong> (Simon Fitzmaurice)<br \/>\n<strong>The Paradise Suite<\/strong> (Joost van Ginkel)<br \/>\n<strong>A Patch of Fog<\/strong> (Michael Lennox)<br \/>\n<strong>The Rainbow Kid<\/strong> (Kire Paputts) &#x1f341;<br \/>\n<strong>River<\/strong> (Jamie M. Dagg) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Semana Santa<\/strong> (Alejandra M\u00e1rquez Abella)<br \/>\n<span style=\"color: #bf9000;\"><strong>Sleeping Giant<\/strong> (Andrew Cividino)<\/span> &#x1f341; \u25cf<br \/>\n<strong>Spear<\/strong> (Stephen Page)<br \/>\n<strong>Very Big Shot<\/strong> (Mir-Jean Bou Chaaya)<br \/>\n<span style=\"color: #52D017;\"><strong>The Wait<\/strong> (Piero Messina)<\/span> \u25cb<br \/>\n<strong>We Monsters<\/strong> (Sebastian Ko)<br \/>\n<strong>Wedding Doll<\/strong> (Nitzan Gilady))<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Wavelengths (26; last year: 24, including shorts programs and installations)<\/span><br \/>\n<span style=\"color: #52D017;\"><strong>Afternoon<\/strong> (Tsai Ming-liang)<\/span> \u25cb<br \/>\n<span style=\"color: #9900ff;\"><strong>Arabian Nights: Volume 1, The Restless One<\/strong> (Miguel Gomes)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #9900ff;\"><strong>Arabian Nights: Volume 2, The Desolate One<\/strong> (Miguel Gomes)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #9900ff;\"><strong>Arabian Nights: Volume 3, The Enchanted One<\/strong> (Miguel Gomes)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #18d2d2;\"><strong>88:88<\/strong> (Isiah Medina)<\/span> &#x1f341; \u2605<br \/>\n&emsp; &#8211; preceded by <em>May We Sleep Soundly<\/em> (Denis C\u00f4t\u00e9) &#x1f341; \u25cb<br \/>\n<strong>Eva Doesn\u2019t Sleep<\/strong> (Pablo Ag\u00fcero) \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>The Event<\/strong> (Sergei Loznitsa)<\/span> \u25cb<br \/>\n<span style=\"color: #9900ff;\"><strong>The Forbidden Room<\/strong> (Guy Maddin &#038; Evan Johnson)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341; \u2605<br \/>\n<span style=\"color: #0000ff;\"><strong>Invention<\/strong> (Mark Lewis)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341; \u25cf<br \/>\n<span style=\"color: #18d2d2;\"><strong>Lost and Beautiful<\/strong> (Pietro Marcello)<\/span> \u2605<br \/>\n<span style=\"color: #0000ff;\"><strong>Minotaur<\/strong> (Nicol\u00e1s Pereda)<\/span> \u25cb<br \/>\n&emsp; &#8211; preceded by <em>Night Without Distance<\/em> (Lois Pati\u00f1o) \u25cb<br \/>\n<span style=\"color: #9900ff;\"><strong>No Home Movie<\/strong> (Chantal Akerman)<\/span> \u25cf<br \/>\n<span style=\"color: #bf9000;\"><strong>The Other Side<\/strong> (Roberto Minervini)<\/span> \u2605<br \/>\n<strong>Santa Teresa &#038; Other Stories<\/strong> (Nelson De Los Santos Arias) \u25cf<br \/>\n&emsp; &#8211; preceded by <em>Paradox of Praxis 5<\/em> (Francis Al\u00ffs) \u25cb<br \/>\n<strong>Sector IX B<\/strong> (Mathieu Kleyebe Abonnenc) \u25cb<br \/>\n&emsp; &#8211; preceded by <em>False Start<\/em> (Yto Barrada) \u25cb<br \/>\n<span style=\"color: #18d2d2;\"><strong>The Sky Trembles and the Earth Is Afraid and the Two Eyes Are Not Brothers<\/strong> (Ben Rivers)<\/span> <span style=\"color: #268fa5;\"><strong>FS<\/strong><\/span> <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u25cb<\/p>\n<p><strong>Wavelengths 1: Fire in the Brain<\/strong><br \/>\n&emsp; &#8211; <em>3D Movie<\/em> (1975, Paul Sharits) <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span> \u2605<br \/>\n&emsp; &#8211; <em>Fugue<\/em> (Kerstin Schr\u00f6dinger) &#x1f341; <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span> \u25cb<br \/>\n&emsp; &#8211; <em>Prima Materia<\/em> (Charlotte Pryce) <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span> \u25cb<br \/>\n&emsp; &#8211; <em>The Fire in My Brain That Separates Us<\/em> (Benjamin Ram\u00edrez P\u00e9rez) \u25cb<br \/>\n&emsp; &#8211; <em>Something Horizontal<\/em> (Blake Williams) <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> \u2600\ufe0e<br \/>\n&emsp; &#8211; <em>The Exquisite Corpus<\/em> (Peter Tscherkassky) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u25cb<\/p>\n<p><strong>Wavelengths 2: YOLO<\/strong><br \/>\n&emsp; &#8211; <em>A Distant Episode<\/em> (Ben Rivers) <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span> \u25cb<br \/>\n&emsp; &#8211; <em>An Old Dog\u2019s Diary<\/em> (Shai Heredia &#038; Shumona Goel) \u25cb<br \/>\n&emsp; &#8211; <em>The Reminder<\/em> (Behrouz Rae) \u25cb<br \/>\n&emsp; &#8211; <em>Solo for Rich Man<\/em> (Beatrice Gibson) \u25cb<br \/>\n&emsp; &#8211; <em>YOLO<\/em> (Ben Russell) \u25cb<br \/>\n&emsp; &#8211; <em>Analysis of Emotions and Vexations<\/em> (Wojciech B\u0105kowski) \u25cb<br \/>\n&emsp; &#8211; <em>Bunte Kuh<\/em> (Ryan Ferko, Parastoo Anoushahpour, &#038; Faraz Anoushahpour) &#x1f341; \u2605<\/p>\n<p><strong>Wavelengths 3: Light Space Modulator<\/strong><br \/>\n&emsp; &#8211; <em>Navigator<\/em> (Bj\u00f6rn K\u00e4mmerer) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u25cb<br \/>\n&emsp; &#8211; <em>Th\u00e9odolitique<\/em> (David K. Ross) &#x1f341; \u25cb<br \/>\n&emsp; &#8211; <em>Office Space Modulation<\/em> (Terrarea [aka Janis Demkiw, Emily Hogg, &#038; Olia Mishchenko]) &#x1f341; \u25cb<br \/>\n&emsp; &#8211; <em>Palms<\/em> (Mary Helena Clark) \u25cb<br \/>\n&emsp; &#8211; <em>Occidente<\/em> (Ana Vaz) \u25cb<br \/>\n&emsp; &#8211; <em>Terrestrial<\/em> (Calum Walter) \u25cb<br \/>\n&emsp; &#8211; <em>Tarlaba\u015f\u0131<\/em> (Cynthia Madansky) \u25cb<\/p>\n<p><strong>Wavelengths 4: Psychic Driving<\/strong><br \/>\n&emsp; &#8211; <em>Actua 1<\/em> (1968, Philippe Garrel) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u2605<br \/>\n&emsp; &#8211; <em>Time for Outrage!<\/em> (Friedl vom Gr\u00f6ller) <span style=\"color: #9b9630;\"><strong>16mm<\/strong><\/span> \u25cb<br \/>\n&emsp; &#8211; <em>Untitled<\/em> (Behrouz Rae) \u25cb<br \/>\n&emsp; &#8211; <em>Many Thousands Gone<\/em> (Ephraim Asili) \u25cb<br \/>\n&emsp; &#8211; <em>Neither God nor Santa Maria<\/em> (Samuel M. Delgado &#038; Helena Gir\u00f3n) \u25cb<br \/>\n&emsp; &#8211; <em>Psychic Driving<\/em> (William E. Jones) \u25cb<br \/>\n&emsp; &#8211; <em>UNcirCling<\/em> (John Creson &#038; Adam Rosen) &#x1f341; \u25cb<br \/>\n&emsp; &#8211; <em>Engram of Returning<\/em> (Da\u00efchi Sa\u00efto) &#x1f341; <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u25cb<\/p>\n<p><iframe loading=\"lazy\" src=\"https:\/\/www.google.com\/maps\/d\/embed?mid=zJ6yovCa03y4.ksvXfGOBOnPE\" width=\"600\" height=\"320\"><\/iframe><\/p>\n<p><strong>Wavelengths Installations<\/strong> [Formerly &#8220;Future Projections&#8221;]<br \/>\n&emsp; &#8211; <em>Bring Me the Head of Tim Horton<\/em> (Guy Maddin, Evan Johnson, &#038; Galen Johnson) &#x1f341; &#8211; TIFF Bell Lightbox, September 10 to 20<br \/>\n&emsp; &#8211; <em>Fallen Objects<\/em> (Shambhavi Kaul) &#8211; Scrap Metal Gallery, September 10 to 20<br \/>\n&emsp; &#8211; <em>Fireworks (Archives)<\/em> (Apichatpong Weerasethakul) &#8211; AGO, September 10 to 27<br \/>\n&emsp; &#8211; <em>The Forbidden Room &#8211; A Living Poster<\/em> (Galen Johnson) &#x1f341; &#8211; TIFF Bell Lightbox, September 10 to 20<br \/>\n&emsp; &#8211; <em>La Giubba<\/em> (Tony Romano &#038; Corin Sworn) &#x1f341; &#8211; Clint Roenisch Gallery, September 10 to 20<br \/>\n&emsp; &#8211; <em>Stories are Meaning-Making Machines<\/em> (Annie MacDonell &#038; Ma\u00efder Fortun\u00e9) &#x1f341; &#8211; TIFF Bell Lightbox, live performance<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Gala Presentations (20; last year: 20)<\/span><br \/>\n<strong>Beeba Boys<\/strong> (Deepa Mehta) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Demolition<\/strong> (Jean-Marc Vall\u00e9e) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341; \u25cb<br \/>\n<span style=\"color: #bf9000;\"><strong>Disorder<\/strong> (Alice Winocour)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<strong>The Dressmaker<\/strong> (Jocelyn Moorhouse)<br \/>\n<strong>Eye in the Sky<\/strong> (Gavin Hood) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Forsaken<\/strong> (Jon Cassar) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Freeheld<\/strong> (Peter Sollett) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Hyena Road<\/strong> (Paul Gross) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Legend<\/strong> (Brian Helgeland) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #52D017;\"><strong>Lolo<\/strong> (Julie Delpy)<\/span><br \/>\n<strong>Man Down<\/strong> (Dito Montiel)<br \/>\n<strong>The Man Who Knew Infinity<\/strong> (Matthew Brown)<br \/>\n<span style=\"color: #0000ff;\"><strong>The Martian<\/strong> (Ridley Scott)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> \u25cb<br \/>\n<strong>Miss You Already<\/strong> (Catherine Hardwicke) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #3d85c6;\"><strong>Mississippi Grind<\/strong> (Ryan Fleck)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<strong>Mr. Right<\/strong> (Paco Cabezas) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>The Program<\/strong> (Stephen Frears)<br \/>\n<span style=\"color: #52D017;\"><strong>Remember<\/strong> (Atom Egoyan)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341; \u25cb<br \/>\n<strong>Septembers of Shiraz<\/strong> (Wayne Blair)<br \/>\n<strong>Stonewall<\/strong> (Roland Emmerich) <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Vanguard (15; last year: 12)<\/span><br \/>\n<strong>Collective Invention<\/strong> (Kwon Oh-kwang)<br \/>\n<strong>Demon<\/strong> (Marcin Wrona)<br \/>\n<span style=\"color: #18d2d2;\"><strong>Der Nachtmahr<\/strong> (AKIZ)<\/span><br \/>\n<strong>Endorphine<\/strong> (Andr\u00e9 Turpin) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<span style=\"color: #0000ff;\"><strong>Evolution<\/strong> (Lucile Had\u017eihalilovi\u0107)<\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<strong>February<\/strong> (Osgood Perkins)<br \/>\n<span style=\"color: #3d85c6;\"><strong>Hellions<\/strong> (Bruce McDonald)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> &#x1f341;<br \/>\n<strong>Lace Crater<\/strong> (Harrison Atkins)<br \/>\n<span style=\"color: #bf9000;\"><strong>Love<\/strong> (Gaspar No\u00e9)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> \u2605<br \/>\n<strong>Men &#038; Chicken<\/strong> (Anders Thomas Jensen)<br \/>\n<strong>The Missing Girl<\/strong> (A.D. Calvo)<br \/>\n<strong>My Big Night<\/strong> (\u00c1lex de la Iglesia)<br \/>\n<strong>No Men Beyond This Point<\/strong> (Mark Sawers) &#x1f341;<br \/>\n<strong>Veteran<\/strong> (Ryoo Seung-wan)<br \/>\n<strong>Zoom<\/strong> (Pedro Morelli) &#x1f341;<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Masters (13; last year: 14)<\/span><br \/>\n<span style=\"color: #9900ff;\"><strong>The Assassin<\/strong> (Hou Hsiao-hsien)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #52D017;\"><strong>Bleak Street<\/strong> (Arturo Ripstein)<\/span> \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>Blood of My Blood<\/strong> (Marco Bellocchio)<\/span> \u25cb<br \/>\n<span style=\"color: #9900ff;\"><strong>Cemetery of Splendour<\/strong> (Apichatpong Weerasethakul)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #52D017;\"><strong>11 Minutes<\/strong> (Jerzy Skolimowski)<\/span> \u25cb<br \/>\n<span style=\"color: #CC0000;\"><strong>Every Thing Will Be Fine<\/strong> (Wim Wenders)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/><br \/>\n<span style=\"color: #52D017;\"><strong>Francofonia<\/strong> (Alexander Sokurov)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<span style=\"color: #9900ff;\"><strong>In the Shadow of Women<\/strong> (Philippe Garrel)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u2605<br \/>\n<span style=\"color: #bf9000;\"><strong>Our Little Sister<\/strong> (Hirokazu Kore-eda)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<br \/>\n<span style=\"color: #CC0000;\"><strong>The Pearl Button<\/strong> (Patricio Guzm\u00e1n)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>Rabin, The Last Day<\/strong> (Amos Gita\u00ef)<\/span> \u231b\ufe0f \u25cb<br \/>\n<span style=\"color: #9900ff;\"><strong>Right Now, Wrong Then<\/strong> (Hong Sang-soo)<\/span> \u2605<br \/>\n<span style=\"color: #CC0000;\"><strong>Taxi<\/strong> (Jafar Panahi)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span> \u25cf<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Platform (12; last year: N\/A)<\/span><br \/>\n<strong>Bang Gang (A Modern Love Story)<\/strong> (Eva Husson) \u25cb<br \/>\n<span style=\"color: #52D017;\"><strong>The Clan<\/strong> (Pablo Trapero)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>French Blood<\/strong> (Diast\u00e8me)<br \/>\n<strong>Full Contact<\/strong> (David Verbeek)<br \/>\n<span style=\"color: #0000ff;\"><strong>High-Rise<\/strong> (Ben Wheatley)<\/span> \u25cb<br \/>\n<strong>Hurt<\/strong> (Alan Zweig) &#x1f341;<br \/>\n<strong>Land of Mine<\/strong> (Martin Zandvliet)<br \/>\n<span style=\"color: #52D017;\"><strong>Looking for Grace<\/strong> (Sue Brooks)<\/span><br \/>\n<span style=\"color: #52D017;\"><strong>Neon Bull<\/strong> (Gabriel Mascaro)<\/span> \u25cb<br \/>\n<strong>The Promised Land<\/strong> (He Ping)<br \/>\n<strong>Sky<\/strong> (Fabienne Berthaud) \u25cb<br \/>\n<strong>The White Knights<\/strong> (Joachim Lafosse) \u25cb<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Midnight Madness (10; last year: 10)<\/span><br \/>\n<strong>Baskin<\/strong> (Can Evrenol)<br \/>\n<strong>The Devil\u2019s Candy<\/strong> (Sean Byrne)<br \/>\n<strong>The Final Girls<\/strong> (Todd Strauss-Schulson) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>The Girl in the Photographs<\/strong> (Nick Simon)<br \/>\n<span style=\"color: #bf9000;\"><strong>Green Room<\/strong> (Jeremy Saulnier)<\/span> <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> \u25cb<br \/>\n&emsp; &#8211; preceded by <em>The Chickening<\/em> (Davy Force &#038; Nick denBoer) &#x1f341;<br \/>\n<strong>Hardcore<\/strong> (Ilya Naishuller)<br \/>\n<strong>The Mind&#8217;s Eye<\/strong> (Joe Begos)<br \/>\n<strong>Southbound<\/strong> (Roxanne Benjamin, David Bruckner, Patrick Horvath, &#038; Radio Silence)<br \/>\n<strong>SPL 2: A Time for Consequences<\/strong> (Soi Cheang) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<span style=\"color: #bf9000;\"><strong>Yakuza Apocalypse<\/strong> (Takashi Miike)<\/span> \u25cb<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">TIFF Cinematheque (9; last year: 8)<\/span><br \/>\n<strong>Adieu Philippine<\/strong> (1962, Jacques Rozier) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u25cf<br \/>\n<strong>Harlan County, U.S.A.<\/strong> (1976, Barbara Kopple) \u25cb<br \/>\n<strong>Heat<\/strong> (1995, Michael Mann) \u25cb<br \/>\n<strong>The Mask<\/strong> (1961, Julian Roffman) <img loading=\"lazy\" decoding=\"async\" src=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg\" alt=\"images\" width=\"20\" height=\"10\" class=\"alignnone size-full wp-image-12137\" srcset=\"http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images.jpg 320w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-300x148.jpg 300w, http:\/\/blakewilliams.net\/blog\/wp-content\/uploads\/2015\/07\/images-150x74.jpg 150w\" sizes=\"auto, (max-width: 20px) 100vw, 20px\" \/> &#x1f341; \u25cb<br \/>\n<strong>The Memory of Justice<\/strong> (1976, Marcel Oph\u00fcls) \u231b\ufe0f \u25cb<br \/>\n<strong>River of Grass<\/strong> (1994, Kelly Reichardt) \u25cf<br \/>\n<strong>Rocco and His Brothers<\/strong> (1960, Luchino Visconti) \u231b\ufe0f \u25cb<br \/>\n<strong>The Round-Up<\/strong> (1966, Mikl\u00f3s Jancs\u00f3) \u25cf<br \/>\n<strong>Titicut Follies<\/strong> (1967, Frederick Wiseman) <span style=\"color: #9b9630;\"><strong>35mm<\/strong><\/span> \u2605<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">City to City: London (8; last year: 8)<\/span><br \/>\n<strong>Couple in a Hole<\/strong> (Tom Geens)<br \/>\n<strong>The Hard Stop<\/strong> (George Amponsah)<br \/>\n<strong>Kill Your Friends<\/strong> (Owen Harris) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Kilo Two Bravo<\/strong> (Paul Katis) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span> <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>London Road<\/strong> (Rufus Norris) <span style=\"color: #ff0000;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>Northern Soul<\/strong> (Elaine Constantine) <span style=\"color: #0000ff;\"><strong>\u00ae<\/strong><\/span><br \/>\n<strong>The Ones Below<\/strong> (David Farr)<br \/>\n<strong>Urban Hymn<\/strong> (Michael Caton-Jones)<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Primetime (6; last year: N\/A)<\/span><br \/>\n<strong>Casual<\/strong> (Zander Lehmann &#038; Jason Reitman) &#x1f341; &#x1f4fa;<br \/>\n<strong>CROMO<\/strong> (Luc\u00eda &#038; Nicol\u00e1s Puenzo) &#x1f4fa;<br \/>\n<strong>Heroes Reborn<\/strong> (Tim Kring) &#x1f4fa;<br \/>\n<strong>Keith Richards: Under the Influence<\/strong> (Morgan Neville)<br \/>\n<strong>The Returned<\/strong> (Fabrice Gobert) &#x1f4fa;<br \/>\n<strong>Trapped<\/strong> (Baltasar Korm\u00e1kur) &#x1f4fa;<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">TIFF Kids (4; last year: 4)<\/span><br \/>\n<strong>The Boy and the Beast<\/strong> (Mamoru Hosoda) \u25cb<br \/>\n<span style=\"color: #CC0000;\"><strong>My Skinny Sister<\/strong> (Sanna Lenken)<\/span><br \/>\n<strong>Phantom Boy<\/strong> (Alain Gagnol &#038; Jean-Loup Felicioli)<br \/>\n<strong>The Iron Giant: Signature Edition<\/strong> (1999, Brad Bird) \u2605<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">In Conversation With&#8230; [Formerly known as &#8220;Mavericks&#8221;] (4; last year: 9)<\/span><br \/>\n<strong>In Conversation With\u2026 Julianne Moore<\/strong><br \/>\n<strong>In Conversation With\u2026 Salma Hayek<\/strong><br \/>\n<strong>In Conversation With\u2026 Sarah Silverman<\/strong><br \/>\n<strong>In Conversation With\u2026 Matthew Weiner<\/strong><\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Short Cuts [Both &#8220;Canada&#8221; and &#8220;International&#8221;]<\/span><br \/>\nGo to the festival website if you want to know what&#8217;s playing in this section.<\/p>\n<div>\n<br \/>\n<\/br>\n<\/div>\n","protected":false},"excerpt":{"rendered":"<p>Key: Features (40min. and up) are in bold. Shorts are in italics. \u2605 &#8211; I have seen this film and recommend it (6.0 and higher) \u2716 &#8211; I have seen this film and recommend you don&#8217;t (3.9 and lower). \u25cf &#8211; I have seen this film. It&#8217;s aight. \u25cb &#8211; I am seriously considering making [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11855","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11855","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=11855"}],"version-history":[{"count":261,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11855\/revisions"}],"predecessor-version":[{"id":12441,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11855\/revisions\/12441"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=11855"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=11855"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=11855"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}