{"id":11167,"date":"2014-12-31T12:02:28","date_gmt":"2014-12-31T17:02:28","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=11167"},"modified":"2023-03-12T15:53:09","modified_gmt":"2023-03-12T20:53:09","slug":"top-10-of-2014","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2014\/12\/top-10-of-2014\/","title":{"rendered":"Top 10 of 2014"},"content":{"rendered":"

*Click on the ‘Lists & Logs’ tab to see lists from previous years.<\/strong><\/p>\n

This list will be updated each time I see a film which had its world premiere in 2014 that is better than at least one of the films already on the list.<\/p>\n

    \n
  1. Goodbye to Language (Jean-Luc Godard)<\/li>\n
  2. Interstellar (Christopher Nolan)<\/li>\n
  3. Boyhood (Richard Linklater)<\/li>\n
  4. Journey to the West (Tsai Ming-liang)<\/li>\n
  5. Horse Money (Pedro Costa)<\/li>\n
  6. Phoenix (Christian Petzold)<\/li>\n
  7. Approaching the Elephant (Amanda Rose Wilder)<\/li>\n
  8. National Gallery (Frederick Wiseman)<\/li>\n
  9. Li\u2019l Quinquin (Bruno Dumont)<\/li>\n
  10. natural history (James Benning)<\/li>\n<\/ol>\n

     <\/p>\n

    Polls Top 10<\/span><\/strong> (eligible titles appear\/will appear here<\/a>)<\/p>\n

      \n
    1. Goodbye to Language (2014, Jean-Luc Godard)<\/li>\n
    2. The Strange Little Cat (2013, Ramon Z\u00fcrcher)<\/li>\n
    3. Boyhood (2014, Richard Linklater)<\/li>\n
    4. MANAKAMANA (2013, Stephanie Spray & Pacho Velez)<\/li>\n
    5. Norte, the End of History (2013, Lav Diaz)<\/li>\n
    6. Stranger by the Lake (2013, Alain Guiraudie)<\/li>\n
    7. Stray Dogs (2013, Tsai Ming-liang)<\/li>\n
    8. National Gallery (2014, Frederick Wiseman)<\/li>\n
    9. Nymphomaniac: Volume II (2013, Lars von Trier)<\/li>\n
    10. Gone Girl (2014, David Fincher)<\/li>\n<\/ol>\n

       <\/p>\n

      My Top 10 Discoveries During 2014<\/span><\/strong> (only first-time viewings of films made before 2000 are eligible)<\/p>\n

        \n
      1. The Marquise of O (1976, Eric Rohmer)<\/li>\n
      2. The Magnificent Ambersons (1942, Orson Welles)<\/li>\n
      3. Sorcerer (1977, William Friedkin)<\/li>\n
      4. Je t’aime je t’aime (1968, Alain Resnais)<\/li>\n
      5. The Big Sleep (1946, Howard Hawks)<\/li>\n
      6. King Lear (1987, Jean-Luc Godard)<\/li>\n
      7. My Darling Clementine (1946, John Ford)<\/li>\n
      8. The Clock (1945, Vincente Minnelli)<\/li>\n
      9. Far from Vietnam (1967, Alain Resnais, William Klein, Joris Ivens, Agn\u00e8s Varda, Claude Lelouch, Jean-Luc Godard, & Chris Marker)<\/li>\n
      10. The Bride of Frankenstein (1935, James Whale)<\/li>\n<\/ol>\n

         <\/p>\n

        Other 2014 films I’ve seen<\/span><\/strong><\/p>\n

          \n
        • A Midsummer’s Fantasia (Jang Kun-jae) – 7.2<\/li>\n
        • Amour fou (Jessica Hausner) – 7.1<\/li>\n
        • Not My Type (Lucas Belvaux) – 7.1<\/li>\n
        • Welcome to New York (Abel Ferrara) – 7.0<\/li>\n
        • Gone Girl (David Fincher) – 7.0<\/li>\n
        • Hill of Freedom (Hong Sang-soo) – 6.9<\/li>\n
        • Lucy (Luc Besson) – 6.8<\/li>\n
        • A Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson) – 6.8<\/li>\n
        • Two Days, One Night (Jean-Pierre & Luc Dardenne) – 6.8<\/li>\n
        • Maps to the Stars (David Cronenberg) – 6.7<\/li>\n
        • Bird People (Pascale Ferran) \u2013 6.7<\/li>\n
        • Jauja (Lisandro Alonso) \u2013 6.6<\/li>\n
        • Heaven Knows What (Joshua & Benny Safdie) – 6.6<\/li>\n
        • Beloved Sisters (Dominik Graf) – 6.6<\/li>\n
        • Eden (Mia Hansen-L\u00f8ve) – 6.6<\/li>\n
        • The Mend (John Magary) \u2013 6.5<\/li>\n
        • Rules of the Game (Claudine Bories & Patrice Chagnard) \u2013 6.5<\/li>\n
        • The Kindergarten Teacher (Nadav Lapid) \u2013 6.5<\/li>\n
        • Saint Laurent (Bertrand Bonello) \u2013 6.4<\/li>\n
        • Gabriel (Lou Howe) \u2013 6.4<\/li>\n
        • Appropriate Behavior (Desiree Akhavan) \u2013 6.4<\/li>\n
        • Winter Sleep (Nuri Bilge Ceylan) \u2013 6.4<\/li>\n
        • Edge of Tomorrow (Doug Liman) \u2013 6.4<\/li>\n
        • Court (Chaitanya Tamhane) – 6.3<\/li>\n
        • Tu dors Nicole (St\u00e9phane Lafleur) – 6.3<\/li>\n
        • The Grand Budapest Hotel (Wes Anderson) – 6.3<\/li>\n
        • Hypnosis Display (Paul Clipson) – 6.3<\/li>\n
        • About 12 (Mart\u00edn Shanly) – 6.3<\/li>\n
        • Obvious Child (Gillian Robespierre) – 6.3<\/li>\n
        • Noah (Darren Aronofsky) – 6.3<\/li>\n
        • F\u00e9lix & Meira (Maxime Giroux) – 6.3<\/li>\n
        • Inherent Vice (Paul Thomas Anderson) – 6.2<\/li>\n
        • Clouds of Sils Maria (Olivier Assayas) \u2013 6.2<\/li>\n
        • The Wonders (Alice Rohrwacher) \u2013 6.2<\/li>\n
        • Love is Strange (Ira Sachs) \u2013 6.2<\/li>\n
        • Life of Riley (Alain Resnais) – 6.2<\/li>\n
        • This Afternoon (Stephen Cone) – 6.2<\/li>\n
        • In the Name of My Daughter (Andr\u00e9 T\u00e9chin\u00e9) – 6.2<\/li>\n
        • Alleluia (Fabrice Du Welz) \u2013 6.1<\/li>\n
        • La Sapienza (Eug\u00e8ne Green) \u2013 6.1<\/li>\n
        • Silvered Water, Syria Self-Portrait (Ossama Mohammed) – 6.1<\/li>\n
        • Tales of the Grim Sleeper (Nick Broomfield) – 6.1<\/li>\n
        • Eat Your Bones (Jean-Charles Hue) \u2013 6.1<\/li>\n
        • Force Majeure (Ruben \u00d6stlund) \u2013 6.0<\/li>\n
        • Gett, the Trial of Viviane Amsalem (Ronit Elkabetz & Shlomi Elkabetz) \u2013 6.0<\/li>\n
        • Actress (Robert Greene) – 6.0<\/li>\n
        • What We Do in the Shadows (Jemaine Clement & Taika Waititi) – 6.0<\/li>\n
        • CITIZENFOUR (Laura Poitras) – 6.0<\/li>\n
        • Timbuktu (Abderrahmane Sissako) \u2013 6.0<\/li>\n
        • Happy Christmas (Joe Swanberg) – 6.0<\/li>\n
        • Ma\u00efdan (Sergei Loznitsa) \u2013 5.9<\/li>\n
        • It Follows (David Robert Mitchell) \u2013 5.9<\/li>\n
        • Whiplash (Damien Chazelle) \u2013 5.9<\/li>\n
        • Ellie Lumme (Ignatiy Vishnevetsky) \u2013 5.9<\/li>\n
        • The Lies of the Victors (Christoph Hochh\u00e4usler) \u2013 5.9<\/li>\n
        • See No Evil (Jos de Putter) – 5.9<\/li>\n
        • The Possibilities Are Endless (James Hall & Edward Lovelace) – 5.9<\/li>\n
        • Episode of the Sea (Lonnie van Brummelen, Siebren de Haan, & the inhabitants of Urk) – 5.8<\/li>\n
        • Ned Rifle (Hal Hartley)\u2028 – 5.8<\/li>\n
        • Christmas, Again (Charles Poekel) \u2013 5.8<\/li>\n
        • Listen Up Philip (Alex Ross Perry) – 5.8<\/li>\n
        • The Iron Ministry (J.P. Sniadecki) – 5.8<\/li>\n
        • When Marnie Was There (Hiromasa Yonebayashi) – 5.8<\/li>\n
        • The Homesman (Tommy Lee Jones) – 5.8<\/li>\n
        • Ming of Harlem: Twenty One Storeys in the Air (Phillip Warnell) – 5.8<\/li>\n
        • Rich Hill (Andrew Droz Palermo & Tracy Droz Tragos) – 5.8<\/li>\n
        • August Winds (Gabriel Mascaro) – 5.7<\/li>\n
        • The Overnighters (Jesse Moss) – 5.7<\/li>\n
        • Manglehorn (David Gordon Green) – 5.7<\/li>\n
        • Hit 2 Pass (Kurt Walker) – 5.6<\/li>\n
        • I Am the People (Anna Roussillon) – 5.6<\/li>\n
        • Something, Anything (Paul Harrill) – 5.6<\/li>\n
        • A Most Violent Year (J.C. Chandor) – 5.6<\/li>\n
        • Joy of Man’s Desiring (Denis C\u00f4t\u00e9) – 5.6<\/li>\n
        • The Mystery of Life (Stephen Cone) \u2013 5.6<\/li>\n
        • The Vanquishing of the Witch Baba Yaga (Jessica Oreck) \u2013 5.6<\/li>\n
        • Happy Valley (Amir Bar-Lev) – 5.6<\/li>\n
        • Mr. Turner (Mike Leigh) \u2013 5.5<\/li>\n
        • Detroit Transect: Spine (Marc Downie & Paul Kaiser) \u2013 5.5<\/li>\n
        • While We\u2019re Young (Noah Baumbach) \u2013 5.5<\/li>\n
        • L for Leisure (Lev Kalman & Whitney Horn) \u2013 5.5<\/li>\n
        • Mar (Dominga Sotomayor) \u2013 5.5<\/li>\n
        • Sand Dollars (Laura Amelia Guzm\u00e1n & Israel C\u00e1rdenas) \u2013 5.5<\/li>\n
        • Don\u2019t Go Breaking My Heart 2 (Johnnie To) \u2013 5.5<\/li>\n
        • Angels of Revolution (Aleksei Fedorchenko) \u2013 5.5<\/li>\n
        • (Be)Longing (Jo\u00e3o Pedro Pl\u00e1cido) \u2013 5.5<\/li>\n
        • Queen and Country (John Boorman) \u2013 5.5<\/li>\n
        • She’s Funny That Way (Peter Bogdanovich) – 5.4<\/li>\n
        • The Lego Movie (Phil Lord & Christopher Miller) \u2013 5.4<\/li>\n
        • Spartacus & Cassandra (Ioanis Nuguet) \u2013 5.4<\/li>\n
        • Wild (Jean- Marc Vall\u00e9e) \u2013 5.4<\/li>\n
        • Art and Craft (Jennifer Grausman & Sam Cullman) – 5.4<\/li>\n
        • Kumiko, the Treasure Hunter (David Zellner) – 5.4<\/li>\n
        • The Tribe (Myroslav Slaboshpytskiy) \u2013 5.4<\/li>\n
        • Guardians of the Galaxy (James Gunn) – 5.4<\/li>\n
        • Pasolini (Abel Ferrara) \u2013 5.3<\/li>\n
        • The Second Game (Corneliu Porumboiu) – 5.3<\/li>\n
        • The Blue Room (Mathieu Amalric) \u2013 5.3<\/li>\n
        • The Guests (Ken Jacobs) – 5.3<\/li>\n
        • The Kidnapping of Michel Houellebecq (Guillaume Nicloux) \u2013 5.3<\/li>\n
        • Breathe (M\u00e9lanie Laurent) \u2013 5.3<\/li>\n
        • Black Coal, Thin Ice (Diao Yinan) \u2013 5.3<\/li>\n
        • The Interview (Evan Goldberg & Seth Rogen) \u2013 5.3<\/li>\n
        • Dear White People (Justin Simien) \u2013 5.3<\/li>\n
        • Wild Tales (Dami\u00e1n Szifron) \u2013 5.3<\/li>\n
        • Misunderstood (Asia Argento) \u2013 5.3<\/li>\n
        • The Songs of Rice (Uruphong Raksasad) – 5.3<\/li>\n
        • Futuro Beach (Karim A\u00efnouz) \u2013 5.2<\/li>\n
        • The Tale of Princess Kaguya (Isao Takahata) \u2013 5.2<\/li>\n
        • Still Alice (Richard Glatzer & Wash Westmoreland) \u2013 5.2<\/li>\n
        • Here’s to the Future! (Gina Telaroli) \u2013 5.2<\/li>\n
        • 1001 Grams (Bent Hamer) \u2013 5.2<\/li>\n
        • The Salvation (Kristian Levring) \u2013 5.2<\/li>\n
        • Jimmy\u2019s Hall (Ken Loach) \u2013 5.1<\/li>\n
        • The Look of Silence (Joshua Oppenheimer) \u2013 5.1<\/li>\n
        • Nightcrawler (Dan Gilroy) \u2013 5.1<\/li>\n
        • Last Days in Vietnam (Rory Kennedy) \u2013 5.1<\/li>\n
        • Birdman or (The Unexpected Virtue of Ignorance) (Alejandro G. I\u00f1\u00e1rritu) \u2013 5.1<\/li>\n
        • Party Girl (Marie Amachoukeli, Claire Burger, & Samuel Theis) \u2013 5.1<\/li>\n
        • Unfriended (Levan Gabriadze) – 5.0<\/li>\n
        • White Nights on the Pier (Paul Vecchiali) – 5.0<\/li>\n
        • Letters to Max (Eric Baudelaire)\u2028 – 5.0<\/li>\n
        • Tokyo Tribe (Sion Sono)\u2028 – 5.0<\/li>\n
        • Mercuriales (Virgil Vernier) – 5.0<\/li>\n
        • Non-Stop (Jaume Collet-Serra) – 5.0<\/li>\n
        • Dumb and Dumber To (Bobby & Peter Farrelly) – 5.0<\/li>\n
        • Two Shots Fired (Mart\u00edn Rejtman) – 5.0<\/li>\n
        • Guidelines (Jean-Fran\u00e7ois Caissy) – 5.0<\/li>\n
        • Of Men and War (Laurent B\u00e9cue-Renard) – 5.0<\/li>\n
        • The Princess of France (Mat\u00edas Pi\u00f1eiro) \u2013 4.9<\/li>\n
        • Foxcatcher (Bennett Miller) \u2013 4.9<\/li>\n
        • From What is Before (Lav Diaz) \u2013 4.9<\/li>\n
        • \u201971 (Yann Demange) \u2013 4.9<\/li>\n
        • A Hard Day (Kim Seong-hun) \u2013 4.9<\/li>\n
        • Run (Philippe Lac\u00f4te) \u2013 4.9<\/li>\n
        • Mommy (Xavier Dolan) \u2013 4.8<\/li>\n
        • Beautiful Youth (Jaime Rosales) \u2013 4.8<\/li>\n
        • Cathedrals of Culture (Wim Wenders, Michael Glawogger, Michael Madsen, Robert Redford, Margreth Olin, & Karim A\u00efnouz) \u2013 4.8<\/li>\n
        • Iris (Albert Maysles) \u2013 4.8<\/li>\n
        • Love & Mercy (Bill Pohlad) \u2013 4.8<\/li>\n
        • Los Hongos (Oscar Ruiz Navia) \u2013 4.8<\/li>\n
        • Storm Children: Book One (Lav Diaz) \u2013 4.7<\/li>\n
        • The Captive (Atom Egoyan) \u2013 4.7<\/li>\n
        • Flapping in the Middle of Nowhere (Diep Hoang Nguyen) \u2013 4.7<\/li>\n
        • The Theory of Everything (James Marsh) \u2013 4.7<\/li>\n
        • The Immortalists (David Alvarado & Jason Sussberg) – 4.7<\/li>\n
        • Androids Dream (Ion De Sosa) \u2013 4.6<\/li>\n
        • A Girl at My Door (July Jung) \u2013 4.6<\/li>\n
        • Far from Men (David Oelhoffen)\u2028 \u2013 4.6<\/li>\n
        • The Imitation Game (Morten Tyldum) \u2013 4.6<\/li>\n
        • 22 Jump Street (Phil Lord & Christopher Miller) \u2013 4.5<\/li>\n
        • Girlhood (Celine Sciamma) \u2013 4.5<\/li>\n
        • Fort Buchanan (Benjamin Crotty) \u2013 4.5<\/li>\n
        • Selma (Ava DuVernay) \u2013 4.4<\/li>\n
        • In the Basement (Ulrich Seidl) \u2013 4.4<\/li>\n
        • Elephant Song (Charles Binam\u00e9) \u2013 4.4<\/li>\n
        • Snow in Paradise (Andrew Hulme) \u2013 4.4<\/li>\n
        • Darker Than Midnight (Sebastiano Riso) \u2013 4.3<\/li>\n
        • Violet (Bas Devos) \u2013 4.3<\/li>\n
        • Get on Up (Tate Taylor) \u2013 4.3<\/li>\n
        • The Salt of the Earth (Wim Wenders & Juliano Ribeiro Salgado) – 4.3<\/li>\n
        • Time Out of Mind (Oren Moverman) – 4.2<\/li>\n
        • The Search (Michel Hazanavicius) \u2013 4.2<\/li>\n
        • Red Army (Polsky Gabe) \u2013 4.2<\/li>\n
        • When Animals Dream (Jonas Alexander Arnby) \u2013 4.1<\/li>\n
        • The Babadook (Jennifer Kent) \u2013 4.1<\/li>\n
        • Living Stars (Mariano Cohn & Gast\u00f3n Duprat) \u2013 4.1<\/li>\n
        • A Most Wanted Man (Anton Corbijn) \u2013 4.1<\/li>\n
        • Leviathan (Andrei Zvyagintsev) \u2013 4.0<\/li>\n
        • The Corral and the Wind (Miguel Hilari) \u2013 4.0<\/li>\n
        • Concerning Violence (G\u00f6ran Olsson) \u2013 3.9<\/li>\n
        • Lost River (Ryan Gosling) \u2013 3.9<\/li>\n
        • Da Sweet Blood of Jesus (Spike Lee) \u2013 3.8<\/li>\n
        • An Eye for Beauty (Denys Arcand) \u2013 3.8<\/li>\n
        • Still the Water (Naomi Kawase) \u2013 3.6<\/li>\n
        • Hippocrates (Thomas Lilti) \u2013 3.6<\/li>\n
        • The Duke of Burgundy (Peter Strickland) \u2013 3.5<\/li>\n
        • Coming Home (Zhang Yimou) \u2013 3.5<\/li>\n
        • A Girl Walks Home Alone (Ana Lily Amirpour) \u2013 3.4<\/li>\n
        • Sin City: A Dame to Kill For (Robert Rodriguez & Frank Miller) \u2013 3.3<\/li>\n
        • Calvary (John Michael McDonagh) \u2013 3.3<\/li>\n
        • White God (Korn\u00e9l Mundrucz\u00f3) \u2013 3.2<\/li>\n
        • The New Girlfriend (Fran\u00e7ois Ozon) \u2013 3.2<\/li>\n
        • Fires on the Plain (Shinya Tsukamoto) \u2013 3.1<\/li>\n
        • Return to Ithaca (Laurent Cantet) \u2013 3.0<\/li>\n
        • The Girl and the River (Aur\u00e9lia Georges) \u2013 3.0<\/li>\n
        • Le beau danger (Ren\u00e9 Fr\u00f6lke) – 2.9<\/li>\n
        • Grace of Monaco (Olivier Dahan) \u2013 2.9<\/li>\n
        • The Cobbler (Thomas McCarthy) \u2013 2.7<\/li>\n<\/ul>\n","protected":false},"excerpt":{"rendered":"

          *Click on the ‘Lists & Logs’ tab to see lists from previous years. This list will be updated each time I see a film which had its world premiere in 2014 that is better than at least one of the films already on the list. Goodbye to Language (Jean-Luc Godard) Interstellar (Christopher Nolan) Boyhood (Richard […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11167","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11167","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=11167"}],"version-history":[{"count":58,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11167\/revisions"}],"predecessor-version":[{"id":22904,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11167\/revisions\/22904"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=11167"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=11167"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=11167"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}