{"id":11158,"date":"2014-01-01T00:00:00","date_gmt":"2014-01-01T05:00:00","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=11158"},"modified":"2020-07-08T21:05:10","modified_gmt":"2020-07-09T02:05:10","slug":"2014-film-log","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2014\/01\/2014-film-log\/","title":{"rendered":"2014 Film Log"},"content":{"rendered":"

Past Logs<\/span><\/span><\/p>\n

2013 Film Log<\/span><\/a>
\n2012 Film Log<\/span><\/a>
\n2011 Film Log<\/span><\/a>
\n2010 Film Log<\/span><\/a>
\n2009 Film Log<\/span><\/a>
\n2007 Film Log<\/a>
\n<\/span><\/p>\n

 <\/p>\n

*8mm<\/span>\/16mm<\/span>\/35mm<\/span>\/70mm<\/span> denotes that what I saw was a film print.
\n*DP<\/span> denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre where I saw it is run by incompetent penny pinchers [or – more likely now – that’s the only “print” the studio was willing to send out].
\n*3D<\/span> denotes that I saw it in 3D, obvi.
\n*All others were either from DVDs, downloads, or television.
\n*Only films that are at least 40 minutes long (the Academy’s minimum for a feature film) are logged.
\n*A grade of “Inc.” denotes that I don’t think that this screening was an accurate enough presentation of the film for me to make a value judgment, either because their weren’t English subtitles for a foreign language film, or the projector broke\/sound cut out\/the print burned, or an ass in the theatre distracted me with too much talking\/popcorn eating, or, like the incident with 2001: A Space Odyssey at the Coolidge Corner Theatre in Brookline, MA, the reels are shown out of order.
\n*Regarding W\/Os, I almost always finish what I start, and what I don’t, I don’t log.
\n*A ‘+’ at the beginning of a line means that I had seen this film before.<\/p>\n

 <\/p>\n

\"\"<\/p>\n

And that translates to:<\/span><\/strong><\/p>\n

A+\t9.4 - 10.0\t[Top 10 of All Time contender]\nA\t8.6 - 9.3\t[Masterpiece]\nA-\t7.8 - 8.5\t[Great; Near-masterpiece]\nB+\t7.0 - 7.7\t[Near-great; Contender for Top 10 of its year]\nB\t6.2 - 6.9\t[Has a special something]\nB-\t5.4 - 6.1\t[Solid]\nC+\t4.6 - 5.3\t[Decent, but flawed]\nC\t3.8 - 4.5\t[Forgettable; Mediocre]\nC-\t3.0 - 3.7\t[What a failure]\nD+\t2.2 - 2.9\t[What-a-failure with cheese]\nD\t1.4 - 2.1\t[Grating]\nD-\t0.6 - 1.3\t[Offensively horrific; Horrifically offensive]\nF\t0.0 - 0.5\t[Worst of All Time consideration]<\/pre>\n
 <\/p>\n
January<\/span><\/strong><\/p>\n
American Hustle (2013, David O. Russell) DP<\/span> – 4.8<\/p>\n
Enough Said (2013, Nicole Holofcener) – 6.3<\/p>\n
+City Lights (1931, Charles Chaplin) – 6.9 [down from ~8.5]<\/span><\/p>\n
The Conjuring (2013, James Wan) – 4.0<\/p>\n
Ossessione (1943, Luchino Visconti) – 5.1<\/p>\n
+Contempt (1963, Jean-Luc Godard) DP<\/span> – 6.6 [same]<\/span><\/p>\n
Cocksucker Blues (1972, Robert Frank) DP<\/span> – 6.9<\/p>\n
Candyman (1992, Bernard Rose) – 3.4<\/p>\n
+Inside Llewyn Davis (2013, Joel & Ethan Coen) DP<\/span> – 6.5 [same]<\/span><\/p>\n
The Minister (2011, Pierre Sch\u00f6ller) – 4.9<\/p>\n
White Reindeer (2013, Zach Clark) – 4.8<\/p>\n
The Rocket (2013, Kim Mordaunt) – 3.8<\/p>\n
Ain’t Them Bodies Saints (2013, David Lowery) – 4.5<\/p>\n
P\u00e9p\u00e9 le Moko (1937, Julien Duvivier) – 5.4<\/p>\n
Old Dog (2011, Pema Tseden) – 5.4<\/p>\n
About Time (2013, Richard Curtis) – 4.9<\/p>\n
Paradise: Faith (2012, Ulrich Seidl) – 6.0<\/p>\n
Paradise: Hope (2013, Ulrich Seidl) – 5.5<\/p>\n
First Cousin Once Removed (2012, Alan Berliner) – 6.1<\/p>\n
The Dallas Buyers Club (2013, Jean-Marc Vall\u00e9e) – 5.2<\/p>\n
eXistenZ (1999, David Cronenberg) 35mm<\/span> – 6.7<\/p>\n
Scanners (1981, David Cronenberg) 35mm<\/span> – 5.3<\/p>\n
Sheep (2013, Gilles Deroo & Marianne Pistone) – 7.1<\/p>\n
Double Play: James Benning and Richard Linklater (2013, Gabe Klinger) – 6.3<\/p>\n
+Frances Ha (2012, Noah Baumbach) – 7.4 [up from 7.0]<\/span><\/p>\n
The Bandit (1946, Alberto Lattuada) – 4.7<\/p>\n
Frankenstein (1931, James Whale) 16mm<\/span> – 5.8<\/p>\n
The Bride of Frankenstein (1935, James Whale) 16mm<\/span> – 7.0<\/p>\n
+Friday Night (2002, Claire Denis) – 6.4 [same]<\/span><\/p>\n
Le Petit soldat (1963, Jean-Luc Godard) 35mm<\/span> – 5.6<\/p>\n
Business is Business (1971, Paul Verhoeven) 35mm<\/span> – Inc. [awful English dub]<\/span><\/p>\n
+A Woman is a Woman (1961, Jean-Luc Godard) 35mm<\/span> – 5.1 [down from ~7.5]<\/span><\/p>\n
Story of a Love Affair (1950, Michelangelo Antonioni) – 4.3<\/p>\n
+The Counselor [Unrated Extended Cut] (2013, Ridley Scott) – 6.9 [Theatrical Cut: 6.4]<\/span><\/p>\n
Sentimental Education (2013, J\u00falio Bressane) – 6.7<\/p>\n
The Carabineers (1963, Jean-Luc Godard) 35mm<\/span> – 4.7<\/p>\n
Charlie Victor Romeo (2013, Robert Berger, Patrick Daniels, & Karlyn Michelson) – 5.3<\/p>\n
Katie Tippel (1975, Paul Verhoeven) 35mm<\/span> – 4.9<\/p>\n
 <\/p>\n
February<\/span><\/strong><\/p>\n
Band of Outsiders (1964, Jean-Luc Godard) 35mm<\/span> – 5.7<\/p>\n
Body and Soul (1925, Oscar Micheaux) 35mm<\/span> – 5.4<\/p>\n
Funny Ha Ha (2002, Andrew Bujalski) 35mm<\/span> – 6.2<\/p>\n
Mr. Arkadin [Comprehensive Version] (1955, Orson Welles) – 4.5<\/p>\n
Mutual Appreciation (2005, Andrew Bujalski) 35mm<\/span> – 4.8<\/p>\n
+The Counselor [Unrated Extended Cut] (2013, Ridley Scott) – 6.9 [same]<\/span><\/p>\n
Masculin F\u00e9minin (1966, Jean-Luc Godard) 35mm<\/span> – 6.0<\/p>\n
+Berlin: Symphony of a Great City (1927, Walter Ruttmann) – 5.7 [up from 5.2]<\/span><\/p>\n
Made in U.S.A. (1966, Jean-Luc Godard) 35mm<\/span> – 4.9<\/p>\n
+The Talented Mr. Ripley (1999, Anthony Minghella) – 5.9 [~same]<\/span><\/p>\n
Far from Vietnam (1967, Alain Resnais, William Klein, Joris Ivens, Agn\u00e8s Varda, Claude Lelouch, Jean-Luc Godard, & Chris Marker) DP<\/span> – 7.2<\/p>\n
+In the City of Sylvia (2007, Jos\u00e9 Luis Guer\u00edn) – 8.7 [~same]<\/span><\/p>\n
Purple Noon (1960, Ren\u00e9 Cl\u00e9ment) – 6.1<\/p>\n
We Are the Best! (2013, Lukas Moodysson) – 5.8<\/p>\n
La Chinoise (1967, Jean-Luc Godard) 35mm<\/span> – 5.0<\/p>\n
Six in Paris (1965, Jean Douchet, Jean Rouch, Jean-Daniel Pollet, Eric Rohmer, Jean-Luc Godard, & Claude Chabrol) – 5.9<\/p>\n
+M (1931, Fritz Lang) – 7.8 [same]<\/span><\/p>\n
+Birth (2004, Jonathan Glazer) – 7.1 [down from 7.5]<\/span><\/p>\n
Sexy Beast (2000, Jonathan Glazer) – 5.1<\/p>\n
The Grand Budapest Hotel (2014, Wes Anderson) DP<\/span> – 7.3<\/p>\n
Age of Panic (2013, Justine Triet) – 5.5<\/p>\n
The Lady from Shanghai (1947, Orson Welles) DP<\/span> – 6.1<\/p>\n
+Only Lovers Left Alive (2013, Jim Jarmusch) – 7.0 [up from 6.4]<\/span><\/p>\n
The Great Dictator (1940, Charles Chaplin) 35mm<\/span> – 6.2<\/p>\n
The Fourth Man (1983, Paul Verhoeven) 35mm<\/span> – 5.8<\/p>\n
Two Rode Together (1961, John Ford) 35mm<\/span> – 5.9<\/p>\n
45365 (2009, Bill Ross IV & Turner Ross) – 6.5<\/p>\n
Destiny (1921, Fritz Lang) 16mm<\/span> – 5.2<\/p>\n
+Upstream Color (2013, Shane Carruth) – 6.9 [same]<\/span><\/p>\n
The Grim Reaper (1962, Bernardo Bertolucci) – 6.3<\/p>\n
Moonfleet (1955, Fritz Lang) 35mm<\/span> – 5.4<\/p>\n
Journey to the West (2014, Tsai Ming-liang) – 7.2<\/p>\n
+The Bride of Frankenstein (1935, James Whale) 16mm<\/span> – Inc. [awful sound on print; still ~7.0]<\/span><\/p>\n
 <\/p>\n
March<\/span><\/strong><\/p>\n
+A Prophet (2009, Jacques Audiard) – 4.8 [same]<\/span><\/p>\n
The Lego Movie (2014, Phil Lord. & Christopher Miller) 3D<\/span> – 5.4<\/p>\n
+Disorder (2009, Huang Weikai) – 7.1 [up from 6.7]<\/span><\/p>\n
Nymphomaniac: Volume I (2013, Lars von Trier) DP<\/span> – 5.6<\/p>\n
Nymphomaniac: Volume II (2013, Lars von Trier) DP<\/span> – 7.4 [Rating for the combined film]<\/span><\/p>\n
Stemple Pass (2012, James Benning) DP<\/span> – 6.0<\/p>\n
+Make Way for Tomorrow (1937, Leo McCarey) – 7.8 [same]<\/span><\/p>\n
+Bad Education (2004, Pedro Almod\u00f3var) – 5.5 [down from ~7.0]<\/span><\/p>\n
Life of Riley (2014, Alain Resnais) – 6.2<\/p>\n
The Second Game (2014, Corneliu Porumboiu) – 5.3<\/p>\n
A Month in Thailand (2012, Paul Negoescu) – 6.6<\/p>\n
Showgirls (1995, Paul Verhoeven) 35mm<\/span> – 5.9<\/p>\n
+Once Upon a Time in Anatolia (2011, Nuri Bilge Ceylan) – 7.7 [same]<\/span><\/p>\n
The Hawks and the Sparrows (1966, Pier Paolo Pasolini) 35mm<\/span> – 4.2<\/p>\n
+Dogtooth (2009, Yorgos Lanthimos) – 8.2 [same]<\/span><\/p>\n
+Disorder (2009, Huang Weikai) – 7.1 [same]<\/span><\/p>\n
The Decameron (1971, Pier Paolo Pasolini) 35mm<\/span> – 6.1<\/p>\n
The Canterbury Tales (1972, Pier Paolo Pasolini) 35mm<\/span> – 3.3<\/p>\n
Arabian Nights (1974, Pier Paolo Pasolini) 35mm<\/span> – 4.9<\/p>\n
Snowpiercer (2013, Bong Joon-ho) – 6.6<\/p>\n
+Ajami (2009, Scandar Copti & Yaron Shani) – 3.8 [~same]<\/span><\/p>\n
Love Meetings (1964, Pier Paolo Pasolini) 35mm<\/span> – 5.3<\/p>\n
The Overnighters (2014, Jesse Moss) – 5.7<\/p>\n
+Chungking Express (1994, Wong Kar-wai) – 7.0 [~same]<\/span><\/p>\n
+Journey to the West (2014, Tsai Ming-liang) – 7.2 [same]<\/span><\/p>\n
N\u00f4 (1998, Robert Lepage) 35mm<\/span> – 5.5<\/p>\n
 <\/p>\n
April<\/span><\/strong><\/p>\n
Kasbah (2000, Mariano Barroso) – 2.9<\/p>\n
Noah (2014, Darren Aronofsky) DP<\/span> – 6.3<\/p>\n
The Wind (1928, Victor Sj\u00f6str\u00f6m) Toronto Silent<\/strong>, 16mm<\/span> – 5.8<\/p>\n
The Stolen Man (2007, Mat\u00edas Pi\u00f1eiro) DP<\/span> – 5.9<\/p>\n
Porcile (1969, Pier Paolo Pasolini) 35mm<\/span> – 4.6<\/p>\n
Rosalinda (2011, Mat\u00edas Pi\u00f1eiro) DP<\/span> – 6.0<\/p>\n
+Viola (2012, Mat\u00edas Pi\u00f1eiro) DP<\/span> – 7.2 [same]<\/span><\/p>\n
Actress (2014, Robert Greene) – 6.0<\/p>\n
Joy of Man’s Desiring (2014, Denis C\u00f4t\u00e9) – 5.6<\/p>\n
The Vanquishing of the Witch Baba Yaga (2014, Jessica Oreck) – 5.6<\/p>\n
Guidelines (2014, Jean-Fran\u00e7ois Caissy) – 5.0<\/p>\n
The Possibilities Are Endless (2014, James Hall & Edward Lovelace) – 5.9<\/p>\n
The Immortalists (2014, David Alvarado & Jason Sussberg) – 4.7<\/p>\n
+Beetlejuice (1988, Tim Burton) – 6.4 [down from ~7.4]<\/span><\/p>\n
Concerning Violence (2014, G\u00f6ran Olsson) – 3.9<\/p>\n
Sal\u00f2, or the 120 Days of Sodom (1975, Pier Paolo Pasolini) 35mm<\/span> – 5.0<\/p>\n
The Songs of Rice (2014, Uruphong Raksasad) – 5.3<\/p>\n
Sorcerer (1977, William Friedkin) DP<\/span> – 7.6<\/p>\n
A Dirty Story (1977, Jean Eustache) Images<\/span>, 35mm<\/span> – 6.8<\/p>\n
Acadia Acadia?!? (1971, Michel Brault) DP<\/span> – 6.7<\/p>\n
+Julia (2008, Erick Zonca) – 7.3 [down from ~7.5]<\/span><\/p>\n
<\/p>\n
Luc\u00eda (1968, Humberto Sol\u00e1s) 35mm<\/span> – 6.4<\/p>\n
+Dusty Stacks of Mom: The Poster Project (2013, Jodie Mack) \u2013 8.6 [up from 8.3]<\/span><\/p>\n
Miraculous Tales (2013, Daniel Vernon) – 4.9<\/p>\n
Proxy (2013, Zack Parker) – 5.8<\/p>\n
Enemy (2013, Denis Villeneuve) – 4.7<\/p>\n
Portrait of Jason (1967, Shirley Clarke) Hot Docs<\/span>, 35mm<\/span> – 5.5<\/p>\n
Happy Valley (2014, Amir Bar-Lev) Hot Docs<\/span>, DP<\/span> – 5.6<\/p>\n
 <\/p>\n
May<\/span><\/strong><\/p>\n
Art and Craft (2014, Jennifer Grausman & Sam Cullman) Hot Docs<\/span>, DP<\/span> – 5.4<\/p>\n
Ida (2013, Pawel Pawlikowski) – 5.2<\/p>\n
See No Evil (2014, Jos de Putter) – 5.9<\/p>\n
Rich Hill (2014, Andrew Droz Palermo & Tracy Droz Tragos) – 5.8<\/p>\n
The Great Escape (1963, John Sturges) DP<\/span> – 6.2<\/p>\n
Je t’aime je t’aime (1968, Alain Resnais) 35mm<\/span> – 7.5<\/p>\n
+A Month in Thailand (2012, Paul Negoescu) DP<\/span> – 7.2 [up from 6.6]<\/span><\/p>\n
M (1951, Joseph Losey) 35mm<\/span> – 5.1<\/p>\n
Too Much Johnson (1938, Orson Welles) 35mm<\/span> – 6.9<\/p>\n
The Magnificent Ambersons (1942, Orson Welles) 35mm<\/span> – 7.8<\/p>\n
Grace of Monaco (2014, Olivier Dahan) Cannes<\/span>, DP<\/span> – 2.9<\/p>\n
Timbuktu (2014, Abderrahmane Sissako) Cannes<\/span>, DP<\/span> – 6.0<\/p>\n
Mr. Turner (2014, Mike Leigh) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n
Party Girl (2014, Marie Amachoukeli, Claire Burger, & Samuel Theis) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
Darker Than Midnight (2014, Sebastiano Riso) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
Girlhood (2014, Celine Sciamma) Cannes<\/span>, DP<\/span> – 4.5<\/p>\n
The Captive (2014, Atom Egoyan) Cannes<\/span>, DP<\/span> – 4.7<\/p>\n
The Blue Room (2014, Mathieu Amalric) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
Winter Sleep (2014, Nuri Bilge Ceylan) Cannes<\/span>, DP<\/span> – 6.4<\/p>\n
Wild Tales (2014, Dami\u00e1n Szifron) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
Amour fou (2014, Jessica Hausner) Cannes<\/span>, DP<\/span> – 7.1<\/p>\n
Saint Laurent (2014, Bertrand Bonello) Cannes<\/span>, DP<\/span> – 6.3<\/p>\n
National Gallery (2014, Frederick Wiseman) Cannes<\/span>, DP<\/span> – 7.5<\/p>\n
Welcome to New York (2014, Abel Ferrara) Cannes March\u00e9 du Film<\/span>, DP<\/span> – 6.6<\/p>\n
It Follows (2014, David Robert Mitchell) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n
Force Majeure (2014, Ruben \u00d6stlund) Cannes<\/span>, DP<\/span> – 6.0<\/p>\n
Beautiful Youth (2014, Jaime Rosales) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n
Jauja (2014, Lisandro Alonso) Cannes<\/span>, DP<\/span> – 5.6<\/p>\n
Maps to the Stars (2014, David Cronenberg) Cannes<\/span>, DP<\/span> – 4.0<\/p>\n
Eat Your Bones (2014, Jean-Charles Hue) Cannes<\/span>, DP<\/span> – 6.1<\/p>\n
A Girl at My Door (2014, July Jung) Cannes<\/span>, DP<\/span> – 4.6<\/p>\n
The Wonders (2014, Alice Rohrwacher) Cannes<\/span>, DP<\/span> – 6.2<\/p>\n
Bird People (2014, Pascale Ferran) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n
Still the Water (2014, Naomi Kawase) Cannes<\/span>, DP<\/span> – 3.6<\/p>\n
When Animals Dream (2014, Jonas Alexander Arnby) Cannes<\/span>, DP<\/span> – 4.1<\/p>\n
Two Days, One Night (2014, Jean-Pierre & Luc Dardenne) Cannes<\/span>, DP<\/span> – 6.8<\/p>\n
Foxcatcher (2014, Bennett Miller) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
The Kindergarten Teacher (2014, Nadav Lapid) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n
Queen and Country (2014, John Boorman) Cannes<\/span>, DP<\/span> – 5.5<\/p>\n
The Girl and the River (2014, Aur\u00e9lia Georges) Cannes<\/span>, DP<\/span> – 3.0<\/p>\n
Lost River (2014, Ryan Gosling) Cannes<\/span>, DP<\/span> – 3.9<\/p>\n
The Search (2014, Michel Hazanavicius) Cannes<\/span>, DP<\/span> – 4.2<\/p>\n
Ma\u00efdan (2014, Sergei Loznitsa) Cannes<\/span>, DP<\/span> – 5.9<\/p>\n
Goodbye to Language (2014, Jean-Luc Godard) Cannes<\/span>, 3D<\/span> – 9.9<\/p>\n
Mommy (2014, Xavier Dolan) Cannes<\/span>, DP<\/span> – 4.8<\/p>\n
Snow in Paradise (2014, Andrew Hulme) Cannes<\/span>, DP<\/span> – 4.4<\/p>\n
Jimmy’s Hall (2014, Ken Loach) Cannes<\/span>, DP<\/span> – 5.1<\/p>\n
Alleluia (2014, Fabrice Du Welz) Cannes<\/span>, DP<\/span> – 6.9<\/p>\n
+Goodbye to Language (2014, Jean-Luc Godard) Cannes<\/span>, 3D<\/span> – 9.9 [same]<\/span><\/p>\n
Leviathan (2014, Andrei Zvyagintsev) Cannes<\/span>, DP<\/span> – 4.0<\/p>\n
Misunderstood (2014, Asia Argento) Cannes<\/span>, DP<\/span> – 5.3<\/p>\n
Clouds of Sils Maria (2014, Olivier Assayas) Cannes<\/span>, DP<\/span> – 6.4<\/p>\n
The Tribe (2014, Myroslav Slaboshpytskiy) Cannes<\/span>, DP<\/span> – 5.4<\/p>\n
Hippocrates (2014, Thomas Lilti) Cannes<\/span>, DP<\/span> – 3.6<\/p>\n
White God (2014, Korn\u00e9l Mundrucz\u00f3) Cannes<\/span>, DP<\/span> – 3.2<\/p>\n
Li\u2019l Quinquin (2014, Bruno Dumont) Cannes<\/span>, DP<\/span> – 6.5<\/p>\n
Run (2014, Philippe Lac\u00f4te) Cannes<\/span>, DP<\/span> – 4.9<\/p>\n
The Salvation (2014, Kristian Levring) Cannes<\/span>, DP<\/span> – 5.2<\/p>\n
Red Army (2014, Polsky Gabe) Cannes<\/span>, DP<\/span> – 4.2<\/p>\n
The Homesman (2014, Tommy Lee Jones) Cannes<\/span>, DP<\/span> – 5.8<\/p>\n
+Goodbye to Language (2014, Jean-Luc Godard) Cannes<\/span>, 3D<\/span> – 9.9 [same]<\/span><\/p>\n
The Salt of the Earth (2014, Wim Wenders & Juliano Ribeiro Salgado) Cannes<\/span>, DP<\/span> – 4.3<\/p>\n
Coming Home (2014, Zhang Yimou) Cannes<\/span>, DP<\/span> – 3.5<\/p>\n
In the Name of My Daughter (2014, Andr\u00e9 T\u00e9chin\u00e9) Cannes<\/span>, DP<\/span> – 6.2<\/p>\n
+12 Angry Men (1957, Sidney Lumet) – 8.3 [~same]<\/span><\/p>\n
Silvered Water, Syria Self-Portrait (2014, Ossama Mohammed) – 6.1<\/p>\n
The Lord’s Ride (2010, Jean-Charles Hue) – 5.4<\/p>\n
Futuro Beach (2014, Karim A\u00efnouz) Inside Out<\/span>, DP<\/span> – 5.2<\/p>\n
Lucky Them (2013, Megan Griffiths) – 5.7<\/p>\n
 <\/p>\n
June<\/span><\/strong><\/p>\n
+Film Socialisme (2010, Jean-Luc Godard) – 6.3 [down from 7.1]<\/span><\/p>\n
+The Kid with a Bike (2011, Jean-Pierre & Luc Dardenne) – 6.5 [same]<\/span><\/p>\n
Locke (2013, Steven Knight) DP<\/span> – 4.5<\/p>\n
+Sheep (2013, Gilles Deroo & Marianne Pistone) – 7.1 [same]<\/span><\/p>\n
Illumination (1973, Krzysztof Zanussi) DP<\/span> – 5.9<\/p>\n
Camouflage (1977, Krzysztof Zanussi) DP<\/span> – 5.3<\/p>\n
Mercuriales (2014, Virgil Vernier) – 5.0<\/p>\n
L for Leisure (2014, Lev Kalman & Whitney Horn) – 5.5<\/p>\n
+Nashville (1975, Robert Altman) – 9.4 [same]<\/span><\/p>\n
What Now? Remind Me (2013, Joaquim Pinto) – 5.2<\/p>\n
Cremaster 4 (1995, Matthew Barney) 35mm<\/span> – 4.4<\/p>\n
Cremaster 5 (1997, Matthew Barney) 35mm<\/span> – 5.4<\/p>\n
Ashes and Diamonds (1958, Andrzej Wajda) DP<\/span> – 4.1<\/p>\n
Opening Night (1977, John Cassavetes) – 7.0<\/p>\n
The Marquise of O (1976, Eric Rohmer) – 8.1<\/p>\n
Man of Iron (1981, Andrzej Wajda) DP<\/span> – 3.3<\/p>\n
Coherence (2013, James Ward Byrkit) – 6.4<\/p>\n
+The Grand Budapest Hotel (2014, Wes Anderson) – 6.3 [down from 7.3]<\/span><\/p>\n
+Rosetta (1999, Jean-Pierre & Luc Dardenne) – 6.1 [down from ~7.8]<\/span><\/p>\n
Boyhood (2014, Richard Linklater) N<\/span>X<\/span>N<\/span>E<\/span>, DP<\/span> – 7.7<\/p>\n
Non-Stop (2014, Jaume Collet-Serra) – 5.0<\/p>\n
Rendezvous in Paris (1995, Eric Rohmer) – 6.2<\/p>\n
Pauline at the Beach (1983, Eric Rohmer) – 6.8<\/p>\n
The Hourglass Sanatorium (1973, Wojciech Has) DP<\/span> – 3.5<\/p>\n
+The Green Ray (1986, Eric Rohmer) – 7.5 [same]<\/span><\/p>\n
The Last of England (1988, Derek Jarman) 35mm<\/span> – 5.7<\/p>\n
A Summer’s Tale (1996, Eric Rohmer) – 6.4<\/p>\n
From the Notebook of… (2000, Robert Beavers) 16mm<\/span> – 7.3<\/p>\n
The Last Day of Summer (1958, Tadeusz Konwicki) DP<\/span> – 4.9<\/p>\n
+Only Lovers Left Alive (2013, Jim Jarmusch) – 7.0 [same]<\/span><\/p>\n
Exhibition (2013, Joanna Hogg) – 5.3<\/p>\n
i hate myself :) (2013, Joanna Arnow) DP<\/span> – 6.0<\/p>\n
Blue (1993, Derek Jarman) 35mm<\/span> – 5.9<\/p>\n
The Aviator’s Wife (1981, Eric Rohmer) – 6.8<\/p>\n
It Felt Like Love (2013, Eliza Hittman) – 4.8<\/p>\n
The Saragossa Manuscript (1965, Wojciech Has) DP<\/span> – 3.4<\/p>\n
Wittgenstein (1993, Derek Jarman) DP<\/span> – 5.4<\/p>\n
+Syndromes and a Century (2006, Apichatpong Weerasethakul) – 9.6 [same]<\/span><\/p>\n
 <\/p>\n
July<\/span><\/strong><\/p>\n
A Good Marriage (1982, Eric Rohmer) – 5.7<\/p>\n
Four Adventures of Reinette and Mirabelle (1987, Eric Rohmer) – 6.6<\/p>\n
+Pather Panchali (1955, Satyajit Ray) 35mm<\/span> – 5.8 [up from 5.5]<\/span><\/p>\n
Aparajito (1956, Satyajit Ray) 35mm<\/span> – 5.2<\/p>\n
The River (1951, Jean Renoir) 35mm<\/span> – 5.0<\/p>\n
The World of Apu (1959, Satyajit Ray) 35mm<\/span> – 5.9<\/p>\n
Days and Nights in the Forest (1970, Satyajit Ray) 35mm<\/span> – 4.8<\/p>\n
The Tiger of Eschnapur (1959, Fritz Lang) 35mm<\/span> – 5.5<\/p>\n
The Indian Tomb (1959, Fritz Lang) 35mm<\/span> – 5.2<\/p>\n
Life Itself (2014, Steve James) – 6.1<\/p>\n
Gradual Speed (2013, Els Van Riel) Media City<\/span>, 16mm<\/span> – 4.6<\/p>\n
Rivers of Sand (1974, Robert Gardner) 16mm<\/span> – 6.0<\/p>\n
All That Heaven Allows (1955, Douglas Sirk) – 7.3<\/p>\n
Every Night (2001, Eug\u00e8ne Green) – 5.4<\/p>\n
The Living World (2003, Eug\u00e8ne Green) – 6.5<\/p>\n
+Le Pont des Arts (2004, Eug\u00e8ne Green) – 6.6 [down from 7.6]<\/span><\/p>\n
Three Daughters [Two Daughters + Monihara] (1961, Satyajit Ray) 35mm<\/span> – 4.6<\/p>\n
The Portuguese Nun (2009, Eug\u00e8ne Green) – 5.4<\/p>\n
India: Matri Bhumi (1959, Roberto Rossellini) DP<\/span> – 5.2<\/p>\n
+Hard to Be a God (2013, Alexei German) – 6.2 [same]<\/span><\/p>\n
India Song (1975, Marguerite Duras) 35mm<\/span> – 7.1<\/p>\n
La Sapienza (2014, Eug\u00e8ne Green) – 5.6<\/p>\n
You Are Not I (1981, Sara Driver) DP<\/span> – 6.6<\/p>\n
+Clouds of Sils Maria (2014, Olivier Assayas) – 6.2 [down from 6.4]<\/span><\/p>\n
Lucy (2014, Luc Besson) DP<\/span> – 6.8<\/p>\n
+Spring Breakers (2012, Harmony Korine) – 7.5 [up from 6.9]<\/span><\/p>\n
Orlando (1992, Sally Potter) 35mm<\/span> – 5.7<\/p>\n
Thief (1981, Michael Mann) – 5.3<\/p>\n
They Came Together (2014, David Wain) – 4.1<\/p>\n
+The Living World (2003, Eug\u00e8ne Green) – 6.5 [same]<\/span><\/p>\n
 <\/p>\n
August<\/span><\/strong><\/p>\n
Barry Lyndon (1975, Stanley Kubrick) 35mm<\/span> – 6.7<\/p>\n
+Boyhood (2014, Richard Linklater) DP<\/span> – 8.0 [up from 7.7]<\/span><\/p>\n
MASH (1970, Robert Altman) DP<\/span> – 5.8<\/p>\n
+McCabe & Mrs. Miller (1971, Robert Altman) 35mm<\/span> – 5.1 [down from 6.0]<\/span><\/p>\n
That Cold Day in the Park (1969, Robert Altman) 35mm<\/span> – 6.1<\/p>\n
+Le Pont des Arts (2004, Eug\u00e8ne Green) – 6.6 [same]<\/span><\/p>\n
Whiplash (2014, Damien Chazelle) DP<\/span> – 5.5<\/p>\n
The Coward (1965, Satyajit Ray) 35mm<\/span> – 5.9<\/p>\n
The Holy Man (1965, Satyajit Ray) 35mm<\/span> – 4.4<\/p>\n
Year of the Horse (1997, Jim Jarmusch) 35mm<\/span> – 4.7<\/p>\n
Don’t Go Breaking My Heart (2011, Johnnie To) – 5.9<\/p>\n
Yojimbo (1961, Akira Kurosawa) 35mm<\/span> – 5.1<\/p>\n
The Long Goodbye (1973, Robert Altman) 35mm<\/span> – 6.9<\/p>\n
An Eye for Beauty (2014, Denys Arcand) DP<\/span> – 3.8<\/p>\n
+Maps to the Stars (2014, David Cronenberg) DP<\/span> – 6.7 [up from 4.0]<\/span><\/p>\n
Tu dors Nicole (2014, St\u00e9phane Lafleur) DP<\/span> – 6.3<\/p>\n
Thieves Like Us (1974, Robert Altman) 35mm<\/span> – 6.2<\/p>\n
Images (1972, Robert Altman) 35mm<\/span> – 3.7<\/p>\n
California Split (1974, Robert Altman) 35mm<\/span> – 5.8<\/p>\n
Le beau danger (2014, Ren\u00e9 Fr\u00f6lke) – 2.9<\/p>\n
Se\u00f1oritas (2013, Lina Rodriguez) DP<\/span> – 5.5<\/p>\n
Hill of Freedom (2014, Hong Sang-soo) – 6.9<\/p>\n
Come Back to the 5 & Dime Jimmy Dean, Jimmy Dean (1982, Robert Altman) 35mm<\/span> – 4.8<\/p>\n
+Double Play: James Benning and Richard Linklater (2013, Gabe Klinger) DP<\/span> – 6.0 [down from 6.3]<\/span><\/p>\n
+American Dreams: Lost and Found (1984, James Benning) 35mm<\/span> – 6.4 [up from 5.8]<\/span><\/p>\n
The Princess of France (2014, Mat\u00edas Pi\u00f1eiro) – 4.9<\/p>\n
Los Hongos (2014, Oscar Ruiz Navia) – 4.8<\/p>\n
Elephant Song (2014, Charles Binam\u00e9) DP<\/span> – 4.4<\/p>\n
1001 Grams (2014, Bent Hamer) DP<\/span> – 5.2<\/p>\n
+Short Cuts (1993, Robert Altman) 35mm<\/span> – 8.2 [up from ~6.1]<\/span><\/p>\n
Two Shots Fired (2014, Mart\u00edn Rejtman) DP<\/span> – 5.0<\/p>\n
A Hard Day (2014, Kim Seong-hun) DP<\/span> – 4.9<\/p>\n
The Theory of Everything (2014, James Marsh) DP<\/span> – 4.7<\/p>\n
Flapping in the Middle of Nowhere (2014, Diep Hoang Nguyen) DP<\/span> – 4.7<\/p>\n
Not My Type (2014, Lucas Belvaux) DP<\/span> – 7.1<\/p>\n
The Company (2003, Robert Altman) 35mm<\/span> – 6.5<\/p>\n
 <\/p>\n
September<\/span><\/strong><\/p>\n
Henry Fool (1997, Hal Hartley) – 6.6<\/p>\n
The Cobbler (2014, Thomas McCarthy) DP<\/span> – 2.7<\/p>\n
Fay Grim (2006, Hal Hartley) – 5.4<\/p>\n
The Tale of Princess Kaguya (2013, Isao Takahata) TIFF<\/span>, DP<\/span> – 5.2<\/p>\n
Gett, the Trial of Viviane Amsalem (2014, Ronit Elkabetz & Shlomi Elkabetz) TIFF<\/span>, DP<\/span> – 6.0<\/p>\n
\u201971 (2014, Yann Demange) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n
+Alleluia (2014, Fabrice Du Welz) TIFF<\/span>, DP<\/span> – 6.1 [down from 6.9]<\/span><\/p>\n
Far from Men (2014, David Oelhoffen) TIFF<\/span>, DP<\/span> – 4.6<\/p>\n
A Pigeon Sat on a Branch Reflecting on Existence (2014, Roy Andersson) TIFF<\/span>, DP<\/span> – 6.8<\/p>\n
+Goodbye to Language (2014, Jean-Luc Godard) TIFF<\/span>, 3D<\/span> – 9.9 [same]<\/span><\/p>\n
+Amour fou (2014, Jessica Hausner) TIFF<\/span>, DP<\/span> – 7.1 [same]<\/span><\/p>\n
Phoenix (2014, Christian Petzold) TIFF<\/span>, DP<\/span> – 7.6<\/p>\n
Letters to Max (2014, Eric Baudelaire) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n
Episode of the Sea (2014, Lonnie van Brummelen, Siebren de Haan, & the inhabitants of Urk) TIFF<\/span>, DP<\/span> – 5.8<\/p>\n
Pasolini (2014, Abel Ferrara) TIFF<\/span>, DP<\/span> – 5.3<\/p>\n
Tales of the Grim Sleeper (2014, Nick Broomfield) TIFF<\/span>, DP<\/span> – 6.1<\/p>\n
While We\u2019re Young (2014, Noah Baumbach) TIFF<\/span>, DP<\/span> – 5.5<\/p>\n
Eden (2014, Mia Hansen-L\u00f8ve) TIFF<\/span>, DP<\/span> – 6.9<\/p>\n
Heaven Knows What (2014, Joshua & Benny Safdie) TIFF<\/span>, DP<\/span> – 6.6<\/p>\n
Manglehorn (2014, David Gordon Green) TIFF<\/span>, DP<\/span> – 5.7<\/p>\n
The Duke of Burgundy (2014, Peter Strickland) TIFF<\/span>, DP<\/span> – 3.5<\/p>\n
Horse Money (2014, Pedro Costa) TIFF<\/span>, DP<\/span> – 7.7<\/p>\n
Fires on the Plain (2014, Shinya Tsukamoto) TIFF<\/span>, DP<\/span> – 3.1<\/p>\n
Wild (2014, Jean-Marc Vall\u00e9e) TIFF<\/span>, DP<\/span> – 5.4<\/p>\n
The Look of Silence (2014, Joshua Oppenheimer) TIFF<\/span>, DP<\/span> – 5.1<\/p>\n
Time Out of Mind (2014, Oren Moverman) TIFF<\/span>, DP<\/span> – 4.2<\/p>\n
Sand Dollars (2014, Laura Amelia Guzm\u00e1n & Israel C\u00e1rdenas) TIFF<\/span>, DP<\/span> – 5.5<\/p>\n
The Color of Pomegranates (1968, Sergei Parajanov) TIFF<\/span>, DP<\/span> – 3.4<\/p>\n
Return to Ithaca (2014, Laurent Cantet) TIFF<\/span>, DP<\/span> – 3.0<\/p>\n
+La Sapienza (2014, Eug\u00e8ne Green) TIFF<\/span>, DP<\/span> – 6.1 [up from 5.6]<\/span><\/p>\n
Ned Rifle (2014, Hal Hartley) TIFF<\/span> – 5.8<\/p>\n
The Emperor’s Naked Army Marches On (1987, Kazuo Hara) – 5.3<\/p>\n
The New Girlfriend (2014, Fran\u00e7ois Ozon) TIFF<\/span>, DP<\/span> – 3.2<\/p>\n
+Journey to the West (2014, Tsai Ming-liang) TIFF<\/span>, DP<\/span> – 7.9 [up from 7.2]<\/span><\/p>\n
Breathe (2014, M\u00e9lanie Laurent) TIFF<\/span>, DP<\/span> – 5.3<\/p>\n
+Horse Money (2014, Pedro Costa) TIFF<\/span>, DP<\/span> – 7.7 [same]<\/span><\/p>\n
From What is Before (2014, Lav Diaz) TIFF<\/span>, DP<\/span> – 4.9<\/p>\n
+Jauja (2014, Lisandro Alonso) TIFF<\/span>, DP<\/span> – 6.6 [up from 5.6]<\/span><\/p>\n
+Li’l Quinquin (2014, Bruno Dumont) TIFF<\/span>, DP<\/span> – 7.3 [up from 6.5]<\/span><\/p>\n
Tokyo Tribe (2014, Sion Sono) TIFF<\/span>, DP<\/span> – 5.0<\/p>\n
Don\u2019t Go Breaking My Heart 2 (2014, Johnnie To) TIFF<\/span>, DP<\/span> – 5.5<\/p>\n
+Eden (2014, Mia Hansen-L\u00f8ve) TIFF<\/span>, DP<\/span> – 6.6 [down from 6.9]<\/span><\/p>\n
Every Man for Himself (1980, Jean-Luc Godard) 35mm<\/span> – 5.6<\/p>\n
Listen Up Philip (2014, Alex Ross Perry) DP<\/span> – 5.8<\/p>\n
Love is Strange (2014, Ira Sachs) DP<\/span> – 6.2<\/p>\n
Edge of Tomorrow (2014, Doug Liman) – 6.4<\/p>\n
+Stormy Waters (1941, Jean Gr\u00e9millon) – 6.5 [down from 8.1]<\/span><\/p>\n
+The Marquise of O (1976, Eric Rohmer) – 8.1 [same]<\/span><\/p>\n
+Saint Laurent (2014, Bertrand Bonello) NYFF<\/span><\/strong>, DP<\/span> – 6.4 [up from 6.3]<\/span><\/p>\n
 <\/p>\n
October<\/span><\/strong><\/p>\n
The Fugitive Kind (1960, Sidney Lumet) 35mm<\/span> – 5.9<\/p>\n
The Man from Laramie (1955, Anthony Mann) NYFF<\/span><\/strong>, DP<\/span> – 5.5<\/p>\n
The Clock (1945, Vincente Minnelli) 35mm<\/span> – 7.2<\/p>\n
Iris (2014, Albert Maysles) NYFF<\/span><\/strong>, DP<\/span> – 4.8<\/p>\n
People Will Talk (1951, Joseph L. Mankiewicz) NYFF<\/span><\/strong>, 35mm<\/span> – 5.1<\/p>\n
Don\u2019t Grieve (1969, Giorgi Danelia) 35mm<\/span> – 3.6<\/p>\n
Gone Girl (2014, David Fincher) DP<\/span> – 7.0<\/p>\n
Ming of Harlem: Twenty One Storeys in the Air (2014, Phillip Warnell) NYFF<\/span><\/strong>, DP<\/span> – 5.8<\/p>\n
Inherent Vice (2014, Paul Thomas Anderson) NYFF<\/span><\/strong>, DP<\/span> – 6.2<\/p>\n
Sauerbruch Hutton Architects (2013, Harun Farocki) NYFF<\/span><\/strong>, DP<\/span> – 5.5<\/p>\n
El Futuro (2013, Luis Lopez Carrasco) NYFF<\/span><\/strong>, DP<\/span> – 5.0<\/p>\n
A Film Like Any Other (1968, Jean-Luc Godard) 16mm<\/span> – 4.3<\/p>\n
Obvious Child (2014, Gillian Robespierre) – 6.3<\/p>\n
White Bird in a Blizzard (2014, Gregg Araki) – 4.9<\/p>\n
+Modern Times (1936, Charles Chaplin) – 6.5 [same]<\/span><\/p>\n
First Name: Carmen (1983, Jean-Luc Godard) 35mm<\/span> – 6.5<\/p>\n
The Wrong Man (1956, Alfred Hitchcock) 35mm<\/span> – 5.9<\/p>\n
Hail Mary (1985, Jean-Luc Godard) 35mm<\/span> – 6.4<\/p>\n
D\u00e9tective (1985, Jean-Luc Godard) 35mm<\/span> – 5.6<\/p>\n
Angels of Revolution (2014, Aleksei Fedorchenko) – 5.5<\/p>\n
The Lies of the Victors (2014, Christoph Hochh\u00e4usler) – 5.9<\/p>\n
My Twentieth Century (1989, Ildik\u00f3 Enyedi) – 5.1<\/p>\n
Rancho Notorious (1952, Fritz Lang) 35mm<\/span> – 5.7<\/p>\n
Pravda (1970, Dziga Vertov Group) [Jean-Luc Godard, Paul Burron, & Jean-Henri Roger] DP<\/span> – 3.6<\/p>\n
British Sounds (1970, Jean-Luc Godard & Jean-Henri Roger) 16mm<\/span> – 4.9<\/p>\n
+Two Days, One Night (2014, Jean-Pierre & Luc Dardenne) – 6.8 [same]<\/span><\/p>\n
Wind from the East (1970, Dziga Vertov Group) [Jean-Luc Godard, Jean-Pierre Gorin, & G\u00e9rard Martin] 16mm<\/span> – 2.5<\/p>\n
Struggle in Italy (1971, Dziga Vertov Group) [Jean-Luc Godard & Jean-Pierre Gorin] 16mm<\/span> – 4.5<\/p>\n
The Extra Girl (1923, F. Richard Jones) – 5.8<\/p>\n
The Iron Ministry (2014, J.P. Sniadecki) – 5.8<\/p>\n
+Goodbye to Language (2014, Jean-Luc Godard) 3D<\/span> – 9.9 [same]<\/span><\/p>\n
King Lear (1987, Jean-Luc Godard) 35mm<\/span> – 7.3<\/p>\n
One P.M.\/One Pennebaker Movie (1971, Jean-Luc Godard, Richard Leacock, & D.A. Pennebaker) DP<\/span> – 5.6<\/p>\n
Birdman or (The Unexpected Virtue of Ignorance) (2014, Alejandro G. I\u00f1\u00e1rritu) DP<\/span> – 5.1<\/p>\n
+24 City (2008, Jia Zhang-ke) – 5.7 [~same]<\/span><\/p>\n
 <\/p>\n
November<\/span><\/strong><\/p>\n
Blackmail [Silent Version] (1929, Alfred Hitchcock) DP<\/span> – 6.3<\/p>\n
Downhill (1927, Alfred Hitchcock) DP<\/span> – 4.0<\/p>\n
+Welcome to New York (2014, Abel Ferrara) – 7.0 [up from 6.6]<\/span><\/p>\n
Keep Your Right Up (1987, Jean-Luc Godard) 35mm<\/span> – 5.9<\/p>\n
Killer’s Kiss (1955, Stanley Kubrick) 35mm<\/span> – 3.3<\/p>\n
Interstellar (2014, Christopher Nolan) 70mm<\/span> – 5.0<\/p>\n
Madame DuBarry (1919, Ernst Lubitsch) 16mm<\/span> – 4.7<\/p>\n
Rouge (1987, Stanley Kwan) – 4.9<\/p>\n
CITIZENFOUR (2014, Laura Poitras) DP<\/span> – 6.0<\/p>\n
Criss Cross (1949, Robert Siodmak) 35mm<\/span> – 5.3<\/p>\n
Nouvelle vague (1990, Jean-Luc Godard) 35mm<\/span> – 6.1<\/p>\n
The Big Sleep (1946, Howard Hawks) 35mm<\/span> – 7.5<\/p>\n
Tout va bien (1972, Jean-Luc Godard & Jean-Pierre Gorin) 35mm<\/span> – 5.5<\/p>\n
Letter to Jane: An Investigation About a Still (1972, Jean-Luc Godard & Jean-Pierre Gorin) 16mm<\/span> – 4.8<\/p>\n
Paths of Glory (1957, Stanley Kubrick) DP<\/span> – 5.6<\/p>\n
Hit 2 Pass (2014, Kurt Walker) – 5.6<\/p>\n
A Midsummer’s Fantasia (2014, Jang Kun-jae) – 7.2<\/p>\n
+Superstar: The Karen Carpenter Story (1988, Todd Haynes) – 7.8 [same]<\/span><\/p>\n
Germany Year 90 Nine Zero (1991, Jean-Luc Godard) 35mm<\/span> – 4.4<\/p>\n
JLG\/JLG – Self-Portrait in December (1994, Jean-Luc Godard) 35mm<\/span> – 6.4<\/p>\n
The Babadook (2014, Jennifer Kent) – 4.1<\/p>\n
+Wavelength (1967, Michael Snow) 16mm<\/span> – 9.7 [up from 9.3]<\/span><\/p>\n
Oh, Woe Is Me (1993, Jean-Luc Godard) 35mm<\/span> – 6.9<\/p>\n
Num\u00e9ro deux (1975, Jean-Luc Godard) 35mm<\/span> – 5.9<\/p>\n
For Ever Mozart (1996, Jean-Luc Godard) DP<\/span> – 4.7<\/p>\n
Level Five (1997, Chris Marker) – 5.7<\/p>\n
Still Alice (2014, Richard Glatzer & Wash Westmoreland) – 5.2<\/p>\n
Soft and Hard (1985, Jean-Luc Godard & Anne-Marie Mi\u00e9ville) DP<\/span> – 4.6<\/p>\n
The Children Play Russian (1993, Jean-Luc Godard) DP<\/span> – 6.3<\/p>\n
2 x 50 Years of French Cinema (1995, Jean-Luc Godard & Anne-Marie Mi\u00e9ville) DP<\/span> – 6.7<\/p>\n
 <\/p>\n
December<\/span><\/strong><\/p>\n
+In Praise of Love (2001, Jean-Luc Godard) 35mm<\/span> – 5.5 [same]<\/span><\/p>\n
Nightcrawler (2014, Dan Gilroy) – 5.1<\/p>\n
Le rapport Darty (1989, Jean-Luc Godard & Anne-Marie Mi\u00e9ville) DP<\/span> – 5.2<\/p>\n
+Do the Right Thing (1989, Spike Lee) – 8.7 [~same]<\/span><\/p>\n
Ellie Lumme (2014, Ignatiy Vishnevetsky) – 5.9<\/p>\n
+Eyes Wide Shut (1999, Stanley Kubrick) 35mm<\/span> – 7.9 [down from ~8.5]<\/span><\/p>\n
The Old Place (2000, Jean-Luc Godard & Anne-Marie Mi\u00e9ville) DP<\/span> – 6.4<\/p>\n
Always for Pleasure (1978, Les Blank) – 6.7<\/p>\n
Starred Up (2013, David Mackenzie) – 5.8<\/p>\n
+Goodbye to Language [Anaglyph] (2014, Jean-Luc Godard) – 9.9 [same]<\/span><\/p>\n
+The Inner Scar (1972, Philippe Garrel) – 8.0 [same]<\/span><\/p>\n
My Darling Clementine (1946, John Ford) – 7.3<\/p>\n
+3x3D (2013, Jean-Luc Godard, Peter Greenaway, & Edgar P\u00eara) 3D<\/span> – 6.1 [Greenaway: [7]; P\u00eara: [1]; Godard: [9]]<\/span> [down from 7.0]<\/span><\/p>\n
Calvary (2014, John Michael McDonagh) – 3.3<\/p>\n
+Gone Girl (2014, David Fincher) – 7.0 [same]<\/span><\/p>\n
The Interview (2014, Evan Goldberg & Seth Rogen) – 5.3<\/p>\n
+Under the Skin (2013, Jonathan Glazer) – 6.2 [down from 7.3]<\/span><\/p>\n
Living Stars (2014, Mariano Cohn & Gast\u00f3n Duprat) – 4.1<\/p>\n
+The Texas Chain Saw Massacre (1974, Tobe Hooper) – 7.4 [same]<\/span><\/p>\n
22 Jump Street (2014, Phil Lord & Christopher Miller) – 4.5<\/p>\n
A Girl Walks Home Alone at Night (2014, Ana Lily Amirpour) – 3.4<\/p>\n
Happy Christmas (2014, Joe Swanberg) – 6.0<\/p>\n
Dumb and Dumber To (2014, Bobby & Peter Farrelly) – 5.0<\/p>\n
Guardians of the Galaxy (2014, James Gunn) – 5.4<\/p>\n
Bird People (2014, Pascale Ferran) – 6.7 [up from 4.8]<\/span><\/p>\n","protected":false},"excerpt":{"rendered":"
Past Logs 2013 Film Log 2012 Film Log 2011 Film Log 2010 Film Log 2009 Film Log 2007 Film Log   *8mm\/16mm\/35mm\/70mm denotes that what I saw was a film print. *DP denotes that what I saw was a Digital Projection in a theatre, either because the film doesn’t exist on celluloid, or the theatre […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-11158","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11158","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=11158"}],"version-history":[{"count":7,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11158\/revisions"}],"predecessor-version":[{"id":19417,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/11158\/revisions\/19417"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=11158"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=11158"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=11158"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}