{"id":10783,"date":"2014-09-15T09:19:09","date_gmt":"2014-09-15T14:19:09","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=10783"},"modified":"2015-02-23T15:05:25","modified_gmt":"2015-02-23T20:05:25","slug":"tiff14-hierarchy","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2014\/09\/tiff14-hierarchy\/","title":{"rendered":"TIFF14 Hierarchy"},"content":{"rendered":"

Key<\/span>
\n– Saw at TIFF Proper (between Sept. 4-14)<\/span>
\n– Saw at Cannes<\/strong>
\n– Saw at TIFF pre-festival press screening<\/em>
\n– Saw a screener of some kind
\n
\n<\/br><\/p>\n

<\/div>\n

Tier 0<\/span>
\nGoodbye to Language 3D (Jean-Luc Godard)<\/strong><\/span> \u2013 9.9<\/p>\n

Tier 1<\/span>
\nJourney to the West (Tsai Ming-liang)<\/span> \u2013 7.9<\/p>\n

Tier 2<\/span>
\nHorse Money (Pedro Costa)\u2028<\/span> \u2013 7.7
\nPhoenix (Christian Petzold)\u2028<\/span> \u2013 7.6\u2028
\nNational Gallery (Frederick Wiseman)<\/strong> \u2013 7.5
\n\u2028Li\u2019l Quinquin (Bruno Dumont)<\/strong>\u2028<\/span> \u2013 7.3
\nAmour fou (Jessica Hausner)<\/strong><\/span> \u2013 7.1
\nNot My Type (Lucas Belvaux)<\/em> \u2013 7.1<\/p>\n

Tier 3<\/span>
\nHill of Freedom (Hong Sang-soo) \u2013 6.9
\nA Pigeon Sat on a Branch Reflecting on Existence (Roy Andersson)<\/span> \u2013 6.8\u2028
\nTwo Days, One Night (Jean-Pierre & Luc Dardenne)<\/strong> \u2013 6.8
\n\u2028Maps to the Stars (David Cronenberg)<\/em><\/strong> \u2013 6.7
\nJauja (Lisandro Alonso)<\/strong><\/span> \u2013 6.6
\nHeaven Knows What (Joshua & Benny Safdie)<\/span> \u2013 6.6
\nEden (Mia Hansen-L\u00f8ve)<\/span> \u2013 6.6
\nWinter Sleep (Nuri Bilge Ceylan)<\/strong> \u2013 6.4
\nTu dors Nicole (Ste\u0301phane Lafleur)<\/em> \u2013 6.3
\nClouds of Sils Maria (Olivier Assayas)<\/strong> \u2013 6.2<\/p>\n

Tier 4<\/span>
\n\u2028La Sapienza (Eug\u00e8ne Green)<\/span> \u2013 6.1
\nAlleluia (Fabrice Du Welz)<\/strong><\/span> \u2013 6.1
\n\u2028Silvered Water, Syria Self-Portrait (Ossama Mohammed) \u2013 6.1
\nTales of the Grim Sleeper (Nick Broomfield)<\/span> \u2013 6.1
\n\u2028Force Majeure (Ruben \u00d6stlund)<\/strong> \u2013 6.0
\nGett, the Trial of Viviane Amsalem (Ronit & Shlomi Elkabetz)\u2028<\/span> \u2013 6.0
\n\u2028Timbuktu (Abderrahmane Sissako)<\/strong> \u2013 6.0
\n\u2028Maidan (Sergei Loznitsa)<\/strong> \u2013 5.9
\n\u2028It Follows (David Robert Mitchell)<\/strong> \u2013 5.9
\nEpisode of the Sea (Lonnie van Brummelen, Siebren de Haan, & the inhabitants of Urk)\u2028<\/span> \u2013 5.8\u2028
\nNed Rifle (Hal Hartley)\u2028<\/span> \u2013 5.8
\nManglehorn (David Gordon Green)\u2028<\/span> \u2013 5.7\u2028
\nWhile We\u2019re Young (Noah Baumbach)\u2028<\/span> \u2013 5.5
\nSand Dollars (Laura Amelia Guzm\u00e1n & Israel C\u00e1rdenas)\u2028<\/span> \u2013 5.5\u2028
\nMr. Turner (Mike Leigh)<\/strong> \u2013 5.5
\n\u2028Whiplash (Damien Chazelle)<\/em> \u2013 5.5
\nDon\u2019t Go Breaking My Heart 2 (Johnnie To)<\/span> \u2013 5.5\u2028
\nThe Tribe (Myroslav Slaboshpytskiy)<\/strong> \u2013 5.4
\nWild (Jean- Marc Vall\u00e9e)<\/span> \u2013 5.4\u2028<\/p>\n

Tier 5<\/span>
\n\u2028Pasolini (Abel Ferrara)<\/span> \u2013 5.3\u2028
\nWild Tales (Damian Szifron)<\/strong> \u2013 5.3
\nBreathe (M\u00e9lanie Laurent)<\/span> \u2013 5.3\u2028
\nThe Tale of Princess Kaguya (Isao Takahata)<\/span> \u2013 5.2\u2028
\n1001 Grams (Bent Hamer)<\/em> \u2013 5.2
\nThe Look of Silence (Joshua Oppenheimer)<\/span> \u2013 5.1
\nLetters to Max (Eric Baudelaire)\u2028<\/span> \u2013 5.0
\nTokyo Tribe (Sion Sono)\u2028<\/span> \u2013 5.0\u2028
\nTwo Shots Fired (Mart\u00edn Rejtman)<\/em> \u2013 5.0
\nThe Princess of France (Mat\u00edas Pi\u00f1eiro) \u2013 4.9
\nFoxcatcher (Bennett Miller)<\/strong> \u2013 4.9
\nFrom What is Before (Lav Diaz)<\/span> \u2013 4.9\u2028
\n\u201971 (Yann Demange)\u2028<\/span> \u2013 4.9
\nA Hard Day (Kim Seong-hun)<\/em> \u2013 4.9
\nRun (Philippe Lac\u00f4te)<\/strong> \u2013 4.9
\nBird People (Pascale Ferran)<\/strong> \u2013 4.8
\nLos Hongos (Oscar Ruiz Navia) \u2013 4.8
\nMommy (Xavier Dolan)<\/strong> \u2013 4.8
\nFlapping in the Middle of Nowhere (Diep Hoang Nguyen)<\/em> \u2013 4.7
\nThe Theory of Everything (James Marsh)<\/em> \u2013 4.7
\nFar from Men (David Oelhoffen)\u2028<\/span> \u2013 4.6\u2028
\nA Girl at My Door (July Jung)<\/strong> \u2013 4.6<\/p>\n

Tier 6<\/span>
\nGirlhood (Celine Sciamma)<\/strong> \u2013 4.5
\nElephant Song (Charles Binam\u00e9)<\/em> \u2013 4.4
\nTime Out of Mind (Oren Moverman)<\/span> \u2013 4.2
\nRed Army (Gabe Polsk)<\/strong> \u2013 4.2
\nThe Search (Michel Hazanavicius)<\/strong> \u2013 4.2
\nLeviathan (Andrei Zvyagintsev)<\/strong> \u2013 4.0
\nAn Eye for Beauty (Denys Arcand)<\/em> \u2013 3.8<\/p>\n

Tier 7<\/span>
\n\u2028Still the Water (Naomi Kawase)<\/strong> \u2013 3.6
\nThe Duke of Burgundy (Peter Strickland)<\/span> \u2013 3.5
\n\u2028Coming Home (Zhang Yimou)<\/strong> \u2013 3.5
\nThe New Girlfriend (Fran\u00e7ois Ozon)\u2028<\/span> \u2013 3.2
\nFires on the Plain (Shinya Tsukamoto)\u2028<\/span> \u2013 3.1
\nReturn to Ithaca (Laurent Cantet)\u2028<\/span> \u2013 3.0\u2028<\/p>\n

Tier 8<\/span>
\nLe beau danger (Ren\u00e9 Fr\u00f6lke) \u2013 2.9
\nThe Cobbler (Thomas McCarthy)<\/em> \u2013 2.7<\/p>\n","protected":false},"excerpt":{"rendered":"

Key – Saw at TIFF Proper (between Sept. 4-14) – Saw at Cannes – Saw at TIFF pre-festival press screening – Saw a screener of some kind Tier 0 Goodbye to Language 3D (Jean-Luc Godard) \u2013 9.9 Tier 1 Journey to the West (Tsai Ming-liang) \u2013 7.9 Tier 2 Horse Money (Pedro Costa)\u2028 \u2013 7.7 […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10783","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10783","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=10783"}],"version-history":[{"count":3,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10783\/revisions"}],"predecessor-version":[{"id":11447,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10783\/revisions\/11447"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=10783"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=10783"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=10783"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}