{"id":10492,"date":"2014-09-29T15:57:23","date_gmt":"2014-09-29T20:57:23","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=10492"},"modified":"2015-02-21T18:25:58","modified_gmt":"2015-02-21T23:25:58","slug":"projections-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2014\/09\/projections-schedule\/","title":{"rendered":"NYFF \/ Projections \/ NYC Rep schedule"},"content":{"rendered":"

September 30<\/span>\u00a0<\/p>\n

8:30PM + Saint Laurent<\/strong> (Bertrand Bonello, France, 2014, DCP, 150m)<\/p>\n\n

<\/br>
\nOctober 1<\/span>\u00a0<\/p>\n

1PM – The Fugitive Kind<\/strong> (Sidney Lumet, USA, 1960, 35mm, 121m) [Film Forum]
\n6PM – The Man from Laramie<\/strong> (Anthony Mann, USA, 1955, DCP, 104m)
\n9:15PM – The Clock<\/strong> (Vincente Minnelli, USA, 1945, 35mm, 90m) [BAM]<\/p>\n\n

<\/br>
\nOctober 2<\/span>\u00a0<\/p>\n

10AM – Iris<\/strong> (Albert Maysles, USA, 2014, DCP, 83m)
\n1PM – People Will Talk<\/strong> (Joseph L. Mankiewicz, USA, 1951, 35mm, 110m)
\n4PM – Don\u2019t Grieve<\/strong> (Giorgi Danelia, USSR, 1969, 35mm, 90m) [MoMA]
\n10:00PM – Gone Girl<\/strong> (David Fincher, USA, 2014, DCP, 149m)<\/p>\n\n

<\/br>
\nOctober 3<\/span>\u00a0<\/p>\n

3PM – Projections 1<\/strong>
\n  – Old Growth<\/em> (Ryan Marino, USA, 2014, 16mm, 8m)
\n  – Babash<\/em> (Lisa Truttmann & Behrouz Rae, USA\/Austria\/Iran, 2014, DCP, 9m)
\n  – Wayward Fronds<\/em> (Fern Silva, USA, 2014, 16mm, 15m)
\n  – Theoretical Architectures<\/em> (Josh Gibson, USA, 2014, HDCAM, 5m)
\n  + Canopy<\/em> (Ken Jacobs, USA, 2014, DCP, 5m)
\n  – Under the Heat Lamp an Opening<\/em> (Zachary Epcar, USA, 2014, DCP, 10m)
\n  + Against Landscape<\/em> (Joshua Gen Solondz, USA, 2013, HDCAM, 4m)
\n  + Night\u00a0Noon<\/em> (Shambhavi Kaul, Mexico\/USA, 2014, HDCAM, 11m)<\/p>\n

5PM – Projections 2<\/strong>
\n  – Ming of Harlem: Twenty One Storeys in the Air<\/strong> (Phillip Warnell, UK\/Belgium\/USA, 2014, DCP, 71m)<\/p>\n

7:15PM – Projections 3<\/strong>
\n  – Berlin or a Dream with Cream<\/em> (Marcel Broodthaers, Germany, 1974, 35mm, 10m)
\n  – Mr. Teste et La Lune<\/em> (Marcel Broodthaers, Belgium, 1970-1974, 35mm, 4m)
\n  – Things<\/em> (Ben Rivers, UK, 2014, 16mm, 21m)
\n  – Depositions<\/em> (Luke Fowler, UK, 2014, digital projection, 24m)
\n  – a certain worry<\/em> (Jonathan Schwartz, USA, 2014, 16mm, 3m)
\n  + The Dragon is the Frame<\/em> (Mary Helena Clark, USA, 2014, 16mm, 15m)<\/p>\n

9:15PM – Projections 4<\/strong>
\n  – Fe26<\/em> (Kevin Jerome Everson, USA, 2014, HDCAM, 7m)
\n  – Sound That<\/em> (Kevin Jerome Everson, USA, 2014, digital projection, 12m)
\n  – Second Sighted<\/em> (Deborah Stratman, USA, 2014, HDCAM, 5m)
\n  – The Measures<\/em> (Jacqueline\u00a0Goss & Jenny Perlin, USA\/France, 2014, DCP w\/live narration,\u00a046m)
\n<\/p>\n\n

<\/br>
\nOctober 4<\/span>
\n\u00a0
\n10AM – Inherent Vice<\/strong> (Paul Thomas Anderson, USA, 2014, DCP, 148m)<\/p>\n

1PM – Projections 5<\/strong>
\n  – Sauerbruch Hutton Architects<\/strong> (Harun Farocki, Germany, 2013, digital projection, 73m)<\/p>\n

3PM – Projections 6<\/strong>
\n  – Color Neutral<\/em> (Jennifer Reeves, USA, 2014, 16mm, 3m)
\n  – Hat Trick<\/em> (Katherin McInnis, USA, 2014, DCP, 4m)
\n  – Sleeping District<\/em> (Tinne Zenner, Denmark\/Russia, 2014, 16mm, 11m)
\n  – Zinoviev\u2019s Tube: Tape 2 of the Inner Trotsky Child series<\/em> (Jim Finn, USA, 2014, digital projection, 22m)
\n  – Off-White Tulips<\/em> (Aykan Safo\u011flu, Turkey\/Germany, 2013, DCP, 24m)
\n  – End Reel<\/em> (Julie Murray, USA, 2014, DCP, 7m)
\n  – Picture Particles<\/em> (Thorsten Fleisch, Germany, 2014, DCP, 6m)<\/p>\n

5:15PM – Projections 7<\/strong>
\n  + Under the Atmosphere<\/em> (Mike Stoltz, USA, 2014, 16mm, 15m)
\n  – The Figures Carved into the Knife by the Sap of the Banana Trees<\/em> (Joana Pimenta, USA\/Portugal, 2014, DCP, 16m)
\n  – Shwebonta<\/em> (Meredith Lackey, USA, 2014, DCP, 13m)
\n  – Atlantis<\/em> (Ben Russell, Greece\/USA, 2014, DCP, 24m)<\/p>\n

9:45PM – Projections 9<\/strong>
\n  + Sea of Vapors<\/em> (Sylvia Schedelbauer, Germany, 2014, DCP, 15m)
\n  + Red Capriccio<\/em> (Blake Williams, Canada, 2014, HDCAM, 7m)
\n  – Field Notes<\/em> (Vashti Harrison,\u00a0USA, 2014, 16mm, 18m)
\n  – Darkroom<\/em> (Billy Roisz, Austria, 2014, DCP, 13m)
\n  + Detour de Force<\/em> (Rebecca Baron, USA\/Austria, 2014, DCP,\u00a029m)
\n<\/p>\n\n

<\/br>
\nOctober 5<\/span><\/p>\n

1:30PM – Projections 10<\/strong>
\n  – Blue Loop, July<\/em> (Mike Gibisser, USA, 2014, 16mm, 5m)
\n  – The Hummingbird Wars<\/em> (Janie Geiser, USA, 2014, digital projection, 10m)
\n  – Razzle Dazzle<\/em> (Jodie Mack, USA, 2014, 16mm, 5m)
\n  – Blanket Statement #2: It\u2019s All or Nothing<\/em> (Jodie Mack, USA, 2013, 16mm, 4m)
\n  – Light Year<\/em> (Paul Clipson, USA, 2013, 16mm, 10m)
\n  – Sound of a Million Insects, Light of a Thousand Stars<\/em> (Tomonari Nishikawa, Japan, 2014, digital projection, 2m)
\n  + Ginza Strip<\/em> (Richard Tuohy, Australia\/Japan, 2014, 16mm, 9m)
\n  – Friday\u00a0Mosque<\/em> (Azadeh Navai, USA, 2013, 16mm, 8m)
\n  – 2012<\/em> (Takashi Makino, Japan, 2012, HDCAM, 30m)<\/p>\n

4PM – Projections 11<\/strong>
\n  – The Occidental Hotel<\/em> (Lewis Klahr, USA, 2014, HDCAM, 26m)
\n  – El Futuro<\/strong> (Luis Lopez Carrasco, Spain, 2013, DCP, 67m)<\/p>\n

6:30PM – Projections 12<\/strong>
\n  – Broken Tongue<\/em> (M\u00f3nica Savir\u00f3n, USA, 2013, DCP, 3m)
\n  + Film<\/em> (Isma\u00efl Bahri, France\/Tunisia, 2012, digital projection, 10m)
\n  + The Innocents<\/em> (Jean-Paul Kelly, Canada, 2014, HDCAM, 13m)
\n  – Chapters 1, 2 & 3 \u2018from the impossibility of one page being like the other\u2019<\/em> (Oraib Toukan & Ala Younis, Jordan, 2014, DCP, 4m)
\n  – Sugarcoated Arsenic<\/em> (Claudrena Harold & Kevin Jerome Everson, USA, 2013, DCP, 20m)
\n  + Adorno\u2019s Grey<\/em> (Hito Steyerl, Germany, 2012, digital projection, 14m)
\n  – O, Persecuted<\/em> (Basma Alsharif, UK\/Palestine, 2014, digital projection, 14m)<\/p>\n

8:30PM – Projections 13<\/strong>
\n  – How to Make Money Religiously<\/em> (Laure Prouvost, UK, 2014, DCP, 18m)
\n  – Renaissance Center\/GM Tower<\/em> (Nicky Hamlyn, Canada\/UK, 2012, 16mm, 5m)
\n  – Sound of My Soul<\/em> (Wojciech\u00a0B\u0105kowski,\u00a0Poland, 2014, digital projection, 13m)
\n  – Seven Signs that Mean Silence<\/em> (Sara Magenheimer, USA, 2013, digital projection, 11m)
\n  – Horizon<\/em> (Stephanie Barber, USA, 2014, digital projection, 3m)
\n  – SONE S\/S 2014: Chase ATM emitting blue smoke, Bank of America ATM emitting red smoke, TD Bank ATM emitting green smoke \/\/\/ Invisibility-cloaked hand gestures in offshore financial center jungle<\/em> (Andrew Norman Wilson, USA, 2014, digital projection, 11m)
\n  – Lorem ipsum 1<\/em> (Victoria Fu, USA, 2013, DigiBeta, 13m)
\n  – Pan<\/em> (Anton Ginzburg, USA, 2014, 16mm, 6m)<\/p>\n","protected":false},"excerpt":{"rendered":"

September 30\u00a0 8:30PM + Saint Laurent (Bertrand Bonello, France, 2014, DCP, 150m)<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10492","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10492","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=10492"}],"version-history":[{"count":41,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10492\/revisions"}],"predecessor-version":[{"id":11421,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10492\/revisions\/11421"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=10492"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=10492"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=10492"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}