{"id":10470,"date":"2014-08-20T18:16:46","date_gmt":"2014-08-20T23:16:46","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=10470"},"modified":"2015-02-23T15:05:33","modified_gmt":"2015-02-23T20:05:33","slug":"we-live-in-pi-my-tentative-tiff-2014-schedule","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2014\/08\/we-live-in-pi-my-tentative-tiff-2014-schedule\/","title":{"rendered":"We Live in P&#038;I: TIFF 2014 Schedule"},"content":{"rendered":"<p><strong><span style=\"text-decoration: underline;\">September 4<\/span><\/strong><br \/>\n9:45AM &#8211; <strong>The Tale of Princess Kaguya<\/strong> (Isao Takahata) &#8211; <span style=\"color: #ce00c7;\">5.2<\/span><br \/>\n12:00PM &#8211; <strong>Gett, the Trial of Viviane Amsalem<\/strong> (Ronit &#038; Shlomi Elkabetz) &#8211; <span style=\"color: #ce00c7;\">6.0<\/span><br \/>\n2:45PM &#8211; <strong>\u201971<\/strong> (Yann Demange) &#8211; <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\n4:45PM &#8211; <strong>Mirage<\/strong> (Szabolcs Hajdu) &#8211; <strong>W\/O<\/strong><br \/>\n8:45PM &#8211; <strong>+Alleluia<\/strong> (Fabrice Du Welz) &#8211; <span style=\"color: #ce00c7;\">6.1<\/span> [down from 6.9]<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 5<\/span><\/strong><br \/>\n8:30AM &#8211; <strong>Far from Men<\/strong> (David Oelhoffen) &#8211; <span style=\"color: #ce00c7;\">4.6<\/span><br \/>\n12:00PM &#8211; <strong>A Pigeon Sat on a Branch Reflecting on Existence<\/strong> (Roy Andersson) &#8211; <span style=\"color: #ce00c7;\">6.8<\/span><br \/>\n3:15PM &#8211; <strong>+Goodbye to Language 3D<\/strong> (Jean-Luc Godard) &#8211; <span style=\"color: #ce00c7;\">9.9<\/span> [same]<br \/>\n6:30PM &#8211; <strong>Wavelengths 1: Open Forms<\/strong> &#8211; KwieKulik Group, Larose, and Rousseau for the (modest) wins.<br \/>\n9:45PM &#8211; <strong>+Amour fou<\/strong> (Jessica Hausner) &#8211; <span style=\"color: #ce00c7;\">7.1<\/span> [same]<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 6<\/span><\/strong><br \/>\n8:45AM &#8211; <strong>Magical Girl<\/strong> (Carlos Vermut) &#8211; <strong>W\/O<\/strong><br \/>\n12:30PM &#8211; <strong>Phoenix<\/strong> (Christian Petzold) &#8211; <span style=\"color: #ce00c7;\">7.6<\/span><br \/>\n2:30PM &#8211; <strong>OBRA<\/strong> (Gregorio Graziosi) &#8211; <strong>W\/O<\/strong><br \/>\n4:30PM &#8211; <strong>Letters to Max<\/strong> (Eric Baudelaire) &#8211; <span style=\"color: #ce00c7;\">5.0<\/span><br \/>\n7:45PM &#8211; <strong>Wavelengths 2: Something in the Atmosphere<\/strong> &#8211; Too many strong ones to single anything out. Honoured to screen in this program.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 7<\/span><\/strong><br \/>\n11:30AM &#8211; <strong>Episode of the Sea<\/strong> (Lonnie van Brummelen, Siebren de Haan, &#038; the inhabitants of Urk) &#8211; <span style=\"color: #ce00c7;\">5.8<\/span><br \/>\n2:00PM &#8211; <strong>Pasolini<\/strong> (Abel Ferrara) &#8211; <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n4:45PM &#8211; <strong>Tales of the Grim Sleeper<\/strong> (Nick Broomfield) &#8211; <span style=\"color: #ce00c7;\">6.1<\/span><br \/>\n7:15PM &#8211; <strong>Wavelengths 3: Tales Told<\/strong> &#8211; All solid, if not much beyond that.<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 8<\/span><\/strong><br \/>\n8:30AM &#8211; <strong>While We\u2019re Young<\/strong> (Noah Baumbach) &#8211; <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\n6:30PM &#8211; <strong>Eden<\/strong> (Mia Hansen-L\u00f8ve) &#8211; <span style=\"color: #ce00c7;\">6.9<\/span><br \/>\n9:45PM &#8211; <strong>Heaven Knows What<\/strong> (Joshua &#038; Benny Safdie) &#8211; <span style=\"color: #ce00c7;\">6.6<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 9<\/span><\/strong><br \/>\n8:45AM &#8211; <strong>Manglehorn<\/strong> (David Gordon Green) &#8211; <span style=\"color: #ce00c7;\">5.7<\/span><br \/>\n4:45PM &#8211; <strong>The Duke of Burgundy<\/strong> (Peter Strickland) &#8211; <span style=\"color: #ce00c7;\">3.5<\/span><br \/>\n7:00PM &#8211; <strong>Horse Money<\/strong> (Pedro Costa) &#8211; <span style=\"color: #ce00c7;\">7.7<\/span><br \/>\n9:45PM &#8211; <strong>Fires on the Plain<\/strong> (Shinya Tsukamoto) &#8211; <span style=\"color: #ce00c7;\">3.1<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 10<\/span><\/strong><br \/>\n9:30AM &#8211; <strong>Wild<\/strong> (Jean- Marc Vall\u00e9e) &#8211; <span style=\"color: #ce00c7;\">5.4<\/span><br \/>\n2:45PM &#8211; <strong>The Look of Silence<\/strong> (Joshua Oppenheimer) &#8211; <span style=\"color: #ce00c7;\">5.1<\/span><br \/>\n9:00PM &#8211; <strong>Time Out of Mind<\/strong> (Oren Moverman) &#8211; <span style=\"color: #ce00c7;\">4.2<\/span><\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 11<\/span><\/strong><br \/>\n2:15PM &#8211; <strong>Sand Dollars<\/strong> (Laura Amelia Guzm\u00e1n &#038; Israel C\u00e1rdenas) &#8211; <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\n5:00PM &#8211; <strong>The Color of Pomegranates<\/strong> (1968, Sergei Parajanov) &#8211; <span style=\"color: #ce00c7;\">3.4<\/span><br \/>\n6:45PM &#8211; <strong>Return to Ithaca<\/strong> (Laurent Cantet) &#8211; <span style=\"color: #ce00c7;\">3.0<\/span><br \/>\n9:45PM &#8211; <strong>+La Sapienza<\/strong> (Eug\u00e8ne Green) &#8211; <span style=\"color: #ce00c7;\">6.1<\/span> [up from 5.6]<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 12<\/span><\/strong><br \/>\n9:30AM &#8211; <strong>Ned Rifle<\/strong> (Hal Hartley) [SCREENING LIBRARY] &#8211; <span style=\"color: #ce00c7;\">5.8<\/span><br \/>\n4:45PM &#8211; <strong>The New Girlfriend<\/strong> (Fran\u00e7ois Ozon) &#8211; <span style=\"color: #ce00c7;\">3.2<\/span><br \/>\n7:15PM &#8211; <strong>+Journey to the West<\/strong> (Tsai Ming-liang) &#8211; <span style=\"color: #ce00c7;\">7.9<\/span> [up from 7.2]<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 13<\/span><\/strong><br \/>\n9:15AM &#8211; <strong>Breathe<\/strong> (M\u00e9lanie Laurent) &#8211; <span style=\"color: #ce00c7;\">5.3<\/span><br \/>\n11:45AM &#8211; <strong>+Horse Money<\/strong> (Pedro Costa) &#8211; <span style=\"color: #ce00c7;\">7.7<\/span> [same]<br \/>\n2:30PM &#8211; <strong>From What is Before<\/strong> (Lav Diaz) &#8211; <span style=\"color: #ce00c7;\">4.9<\/span><br \/>\n9:30PM &#8211; <strong>+Jauja<\/strong> (Lisandro Alonso) &#8211; <span style=\"color: #ce00c7;\">6.6<\/span> [up from 5.6]<\/p>\n<p><strong><span style=\"text-decoration: underline;\">September 14<\/span><\/strong><br \/>\n9:00AM &#8211; <strong>+Li&#8217;l Quinquin<\/strong> (Bruno Dumont) &#8211; <span style=\"color: #ce00c7;\">7.3<\/span> [up from 6.5]<br \/>\n3:30PM &#8211; <strong>Tokyo Tribe<\/strong> (Sion Sono) &#8211; <span style=\"color: #ce00c7;\">5.0<\/span><br \/>\n6:15PM &#8211; <strong>Don\u2019t Go Breaking My Heart 2<\/strong> (Johnnie To) &#8211; <span style=\"color: #ce00c7;\">5.5<\/span><br \/>\n9:30PM &#8211; <strong>+Eden<\/strong> (Mia Hansen-L\u00f8ve) &#8211; <span style=\"color: #ce00c7;\">6.6<\/span> [down from 6.9]<\/p>\n<div>\n<br \/><\/br>\n<\/div>\n<p><span style=\"text-decoration: underline;\">Films that would be priorities for me if I hadn&#8217;t already seen them:<\/span><br \/>\n<strong>Goodbye to Language 3D<\/strong> (Jean-Luc Godard) &#8211; 9.9<br \/>\n<strong>National Gallery<\/strong> (Frederick Wiseman) &#8211; 7.5<br \/>\n<strong>Journey to the West<\/strong> (Tsai Ming-liang) &#8211; 7.2<br \/>\n<strong>Amour fou<\/strong> (Jessica Hausner) &#8211; 7.1<br \/>\n<strong>Not My Type<\/strong> (Lucas Belvaux) &#8211; 7.1<br \/>\n<strong>Hill of Freedom<\/strong> (Hong Sang-soo) &#8211; 6.9<br \/>\n<strong>Alleluia<\/strong> (Fabrice Du Welz) &#8211; 6.9<br \/>\n<strong>Two Days, One Night<\/strong> (Jean-Pierre &#038; Luc Dardenne) &#8211; 6.8<br \/>\n<strong>\u2028Maps to the Stars<\/strong> (David Cronenberg) &#8211; 6.7<br \/>\n<strong>\u2028Li\u2019l Quinquin<\/strong> (Bruno Dumont) &#8211; 6.5<br \/>\n<strong>Winter Sleep<\/strong> (Nuri Bilge Ceylan) &#8211; 6.4<br \/>\n<strong>Tu dors Nicole<\/strong> (Ste\u0301phane Lafleur) &#8211; 6.3<br \/>\n<strong>Clouds of Sils Maria<\/strong> (Olivier Assayas) &#8211; 6.2<br \/>\n<strong>\u2028Silvered Water, Syria Self-Portrait<\/strong> (Ossama Mohammed) &#8211; 6.1<br \/>\n<strong>\u2028Force Majeure<\/strong> (Ruben \u00d6stlund) &#8211; 6.0<br \/>\n<strong>\u2028Timbuktu<\/strong> (Abderrahmane Sissako) &#8211; 6.0<br \/>\n<strong>\u2028Maidan<\/strong> (Sergei Loznitsa) &#8211; 5.9<br \/>\n<strong>\u2028It Follows<\/strong> (David Robert Mitchell) &#8211; 5.9<br \/>\n<strong>Jauja<\/strong> (Lisandro Alonso) &#8211; 5.6<br \/>\n<strong>\u2028La Sapienza<\/strong> (Eug\u00e8ne Green) &#8211; 5.6<br \/>\n<strong>Mr. Turner<\/strong> (Mike Leigh) &#8211; 5.5<br \/>\n<strong>\u2028Whiplash<\/strong> (Damien Chazelle) &#8211; 5.5<br \/>\n<strong>The Tribe<\/strong> (Myroslav Slaboshpytskiy) &#8211; 5.4<br \/>\n<strong>\u2028Wild Tales<\/strong> (Damian Szifron) &#8211; 5.3<br \/>\n<strong>1001 Grams<\/strong> (Bent Hamer) &#8211; 5.2<br \/>\n<strong>Two Shots Fired<\/strong> (Mart\u00edn Rejtman) &#8211; 5.0<br \/>\n<strong>The Princess of France<\/strong> (Mat\u00edas Pi\u00f1eiro) &#8211; 4.9<br \/>\n<strong>Foxcatcher<\/strong> (Bennett Miller) &#8211; 4.9<br \/>\n<strong>A Hard Day<\/strong> (Kim Seong-hun) &#8211; 4.9<br \/>\n<strong>Run<\/strong> (Philippe Lac\u00f4te) &#8211; 4.9<br \/>\n<strong>Bird People<\/strong> (Pascale Ferran) &#8211; 4.8<br \/>\n<strong>Los Hongos<\/strong> (Oscar Ruiz Navia) &#8211; 4.8<br \/>\n<strong>Mommy<\/strong> (Xavier Dolan) &#8211; 4.8<br \/>\n<strong>Flapping in the Middle of Nowhere<\/strong> (Diep Hoang Nguyen) &#8211; 4.7<br \/>\n<strong>The Theory of Everything<\/strong> (James Marsh) &#8211; 4.7<br \/>\n<strong>A Girl at My Door<\/strong> (July Jung) &#8211; 4.6<br \/>\n<strong>Girlhood<\/strong> (Celine Sciamma) &#8211; 4.5<br \/>\n<strong>Elephant Song<\/strong> (Charles Binam\u00e9) &#8211; 4.4<br \/>\n<strong>Red Army<\/strong> (Gabe Polsk) &#8211; 4.2<br \/>\n<strong>The Search<\/strong> (Michel Hazanavicius) &#8211; 4.2<br \/>\n<strong>Leviathan<\/strong> (Andrei Zvyagintsev) &#8211; 4.0<br \/>\n<strong>An Eye for Beauty<\/strong> (Denys Arcand) &#8211; 3.8<br \/>\n<strong>\u2028Still the Water<\/strong> (Naomi Kawase) &#8211; 3.6<br \/>\n<strong>\u2028Coming Home<\/strong> (Zhang Yimou) &#8211; 3.5<br \/>\n<strong>Le beau danger<\/strong> (Ren\u00e9 Fr\u00f6lke) \u2013 2.9<br \/>\n<strong>The Cobbler<\/strong> (Thomas McCarthy) \u2013 2.7<\/p>\n","protected":false},"excerpt":{"rendered":"<p>September 4 9:45AM &#8211; The Tale of Princess Kaguya (Isao Takahata) &#8211; 5.2 12:00PM &#8211; Gett, the Trial of Viviane Amsalem (Ronit &#038; Shlomi Elkabetz) &#8211; 6.0 2:45PM &#8211; \u201971 (Yann Demange) &#8211; 4.9 4:45PM &#8211; Mirage (Szabolcs Hajdu) &#8211; W\/O 8:45PM &#8211; +Alleluia (Fabrice Du Welz) &#8211; 6.1 [down from 6.9] September 5 8:30AM [&hellip;]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10470","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10470","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=10470"}],"version-history":[{"count":101,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10470\/revisions"}],"predecessor-version":[{"id":11448,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10470\/revisions\/11448"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=10470"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=10470"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=10470"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}