{"id":10129,"date":"2014-07-22T09:00:27","date_gmt":"2014-07-22T14:00:27","guid":{"rendered":"http:\/\/blakewilliams.net\/blog\/?p=10129"},"modified":"2015-02-23T15:05:58","modified_gmt":"2015-02-23T20:05:58","slug":"tiff-2014-line-up","status":"publish","type":"post","link":"http:\/\/blakewilliams.net\/blog\/2014\/07\/tiff-2014-line-up\/","title":{"rendered":"TIFF 2014 Line-Up"},"content":{"rendered":"
Key:<\/span>\r\n16mm<\/strong><\/span>, 35mm<\/strong><\/span>, 70mm<\/strong><\/span> - It'll be screened from a film print. (Probably only applicable to Wavelengths shorts from now on.)\r\nFeatures (40min. and up) are in bold.<\/strong>\r\nShorts are in italics.<\/em>\r\n\u2689 - I have seen this film.\r\n\u2605 - I have seen this film and recommend it (6.0 and higher)\r\n\u2716 - I have seen this film and recommend that you don't (3.9 and lower).\r\n\u2668 - This film can go to hell.\r\n\u25cb - I am seriously considering making an attempt to see this film.\r\n\u0b83 - I made this film.\r\nC<\/strong><\/span> - This film was made by a Canadian. If it's any good, Torontonians ought to be able to catch up with it soon enough.\r\nFS<\/strong><\/span> - This film is available for me to watch on Festival Scope.\r\n\u00ae<\/strong><\/span> - This film has a Canadian distributor.\r\n\u00ae<\/strong><\/span> - This film has a US distributor.\r\n\r\nColour coding:<\/span>\r\nNYFF<\/strong><\/span> - Main Selection only.\r\nSUNDANCE<\/strong><\/span> - Listen Up Cameron.\r\nBERLINALE<\/strong><\/span> - Alfred Bauer or bust.\r\nCANNES<\/strong><\/span> - I've seen maybe two of the Jury Prize winners and I really don't like one of them.\r\nLOCARNO<\/strong><\/span> - 5 hours and 38 minutes.\r\nVENICE<\/strong><\/span> - The Unexpected Virtue of Ignorance.\r\nBIGGIES<\/strong><\/span> - Films by name directors that I'm actively anticipating, perhaps ill-advisedly. Also, films with raves from the other major festivals (Rotterdam, BAFICI, SxSW, Tribeca, etc.).\r\n\r\n(Colors trump each other hierarchically, so e.g. a film that played both Berlin and Cannes will be red, unless e.g. it ends up in the NYFF Main Slate in which case it will become purple.)\r\n<\/pre>\n
\n
\n<\/br>\n<\/div>\n
Special Presentations (71; last year: 81)<\/span>
\nAmerican Heist<\/strong> (Sarik Andreasyan)
\nBefore We Go<\/strong> (Chris Evans)
\nBeyond the Lights<\/strong> (Gina Prince-Bythewood) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nBreakup Buddies<\/strong> (Ning Hao)
\nCake<\/strong> (Daniel Barnz) \u00ae<\/strong><\/span>
\nClouds of Sils Maria<\/strong> (Olivier Assayas)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nThe Cobbler<\/strong> (Thomas McCarthy) \u00ae<\/strong><\/span> \u2716
\nComing Home<\/strong> (Zhang Yimou)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2716
\nThe Dead Lands<\/strong> (Toa Fraser)
\nDearest<\/strong> (Peter Ho-Sun Chan)<\/span>
\nDon\u2019t Go Breaking My Heart 2<\/strong> (Johnnie To)<\/span> \u2689
\nThe Drop<\/strong> (Michael R. Roskam) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nEden<\/strong> (Mia Hansen-L\u00f8ve)<\/span> \u2605
\nThe Elephant Song<\/strong> (Charles Binam\u00e9) C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nAn Eye for Beauty<\/strong> (Denys Arcand) C<\/strong><\/span> \u00ae<\/strong><\/span> \u2716
\nFar From Men<\/strong> (David Oelhoffen)<\/span> \u2689
\nForce Majeure<\/strong> (Ruben \u00d6stlund)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nThe Gate<\/strong> (R\u00e9gis Wargnier)
\nGemma Bovery<\/strong> (Anne Fontaine) \u00ae<\/strong><\/span>
\nGentlemen<\/strong> (Mikael Marcimain)
\nGomorrah<\/strong> (Stefano Sollima) \u00ae<\/strong><\/span>
\nGood Kill<\/strong> (Andrew Niccol)<\/span> \u00ae<\/strong><\/span>
\nThe Good Lie<\/strong> (Philippe Falardeau) C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nHector and the Search for Happiness<\/strong> (Peter Chelsom) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nHuman Highway [Director’s Cut]<\/strong> (Bernard Shakey and Dean Stockwell) \u00ae<\/strong><\/span>
\nThe Humbling<\/strong> (Barry Levinson)<\/span> \u00ae<\/strong><\/span>
\nHungry Hearts<\/strong> (Saverio Costanzo)<\/span>
\nThe Imitation Game<\/strong> (Morten Tyldum) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nKahlil Gibran’s The Prophet<\/strong> (Roger Allers, Ga\u00ebtan Brizzi, Paul Brizzi, Joan C. Gratz,Mohammed Saeed Harib, Tomm Moore, Nina Paley, Bill Plympton, Joann Sfar, & Michal Socha)
\nThe Keeping Room<\/strong> (Daniel Barber)
\nThe Last Five Years<\/strong> (Richard LaGravenese)
\nLearning to Drive<\/strong> (Isabel Coixet)
\nLove & Mercy<\/strong> (Bill Pohlad)
\nMadame Bovary<\/strong> (Sophie Barthes)
\nMaggie<\/strong> (Henry Hobson)
\nManglehorn<\/strong> (David Gordon Green)<\/span> \u2689
\nMary Kom<\/strong> (Omung Kumar)
\nMen, Women and Children<\/strong> (Jason Reitman) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nMiss Julie<\/strong> (Liv Ullmann)
\nMommy<\/strong> (Xavier Dolan)<\/span> C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nMr. Turner<\/strong> (Mike Leigh)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nMy Old Lady<\/strong> (Israel Horovitz) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nNed Rifle<\/strong> (Hal Hartley) \u2689
\nNightcrawler<\/strong> (Dan Gilroy) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\n99 Homes<\/strong> (Ramin Bahrani)<\/span> \u00ae<\/strong><\/span>
\nOctober Gale<\/strong> (Ruba Nadda) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nPasolini<\/strong> (Abel Ferrara)<\/span> \u2689
\nPhoenix<\/strong> (Christian Petzold)<\/span> \u00ae<\/strong><\/span> \u2605
\nPreggoland<\/strong> (Jacob Tierney) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nPride<\/strong> (Matthew Warchus)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Reach<\/strong> (Jean-Baptiste Leonetti) \u00ae<\/strong><\/span>
\nRed Amnesia<\/strong> (Wang Xiaoshuai)<\/span>
\nReturn to Ithaca<\/strong> (Laurent Cantet)<\/span> \u2689
\nRevenge of the Green Dragons<\/strong> ((Andrew Lau & Andrew Loo) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nRoger Waters The Wall<\/strong> (Sean Evans & Roger Waters)
\nRosewater<\/strong> (Jon Stewart) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Search<\/strong> (Michel Hazanavicius)<\/span> \u00ae<\/strong><\/span> \u2689
\nA Second Chance<\/strong> (Susanne Bier)
\nShelter<\/strong> (Paul Bettany)
\nThe Sound and the Fury<\/strong> (James Franco)<\/span>
\nSt. Vincent<\/strong> (Theodore Melfi)
\nStill Alice<\/strong> (Richard Glatzer & Wash Westmoreland)
\nThe Theory of Everything<\/strong> (James Marsh) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nThree Hearts<\/strong> (Beno\u00eet Jacquot)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nTime Out of Mind<\/strong> (Oren Moverman)<\/span> \u2689
\nTop Five<\/strong> (Chris Rock)
\nTwo Days, One Night<\/strong> (Jean-Pierre & Luc Dardenne)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nWelcome to Me<\/strong> (Shira Piven) \u00ae<\/strong><\/span>
\nWhile We’re Young<\/strong> (Noah Baumbach)<\/span> \u2689
\nWhiplash<\/strong> (Damien Chazelle)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nWild Tales<\/strong> (Damian Szifron)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689<\/p>\n
\n
\n<\/br>\n<\/div>\n
Contemporary World Cinema (58; last year: 59)<\/span>
\nAire Libre<\/strong> (Anah\u00ed Berneri)
\nAmour fou<\/strong> (Jessica Hausner)<\/span> \u00ae<\/strong><\/span> \u2605
\nBehavior<\/strong> (Ernesto Daranas)
\nBird People<\/strong> (Pascale Ferran)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nBlack Souls<\/strong> (Francesco Munzi)<\/span>
\nBreathe<\/strong> (M\u00e9lanie Laurent)<\/span> \u00ae<\/strong><\/span> \u2689
\nCharlie\u2019s Country<\/strong> (Rolf de Heer)<\/span>
\nCut Bank<\/strong> (Matt Shakman)
\nCut Snake<\/strong> (Tony Ayres) \u00ae<\/strong><\/span>
\nThe Dark Horse<\/strong> (James Napier Robertson)
\nDon\u2019t Breathe<\/strong> (Nino Kirtadze)
\nThe Farewell Party<\/strong> (Sharon Maymon & Tal Granit)<\/span>
\nFelix and Meira<\/strong> (Maxime Giroux) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nFrailer<\/strong> (Mijke de Jong)
\nGett, The Trial of Viviane Amsalem<\/strong> (Ronit Elkabetz & Shlomi Elkabetz)<\/span> \u00ae<\/strong><\/span> \u2605
\nGirlhood<\/strong> (Celine Sciamma)<\/span> \u00ae<\/strong><\/span> \u2689
\nThe Grump<\/strong> (Dome Karukoski)
\nHeartbeat<\/strong> (Andrea Dorfman) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nHigh Society<\/strong> (Julie Lopes Curval)
\nImpunity<\/strong> (Jyoti Mistry)
\nIn the Crosswind<\/strong> (Martti Helde)
\nItsi Bitsi<\/strong> (Ole Christian Madsen)
\nJustice<\/strong> (Joel Lamangan)
\nKabukicho Love Hotel<\/strong> (Ryuichi Hiroki)
\nKill Me Three Times<\/strong> (Kriv Stenders)
\nLabyrinth of Lies<\/strong> (Giulio Ricciarelli)
\nLeopardi<\/strong> (Mario Martone)<\/span>
\nThe Lesson<\/strong> (Kristina Grozeva & Petar Valchanov)
\nLi’l Quinquin<\/strong> (Bruno Dumont)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nLove in the Time of Civil War<\/strong> (Rodrigue Jean) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nLulu<\/strong> (Luis Ortega)
\nMargarita, with a Straw<\/strong> (Shonali Bose)
\nMeet Me in Montenegro<\/strong> (Alex Holdridge & Linnea Saasen)
\nMen Who Save the World<\/strong> (Liew Seng Tat)<\/span>
\nMirage<\/strong> (Szabolcs Hajdu)
\nModris<\/strong> (Juris Kursietis)
\nNot My Type<\/strong> (Lucas Belvaux)<\/span> \u00ae<\/strong><\/span> \u2605
\nOut of Nature<\/strong> (Ole Gi\u00e6ver)
\nThe Owners<\/strong> (Adilkhan Yerzhanov)<\/span> FS<\/strong><\/span>
\nPartners in Crime<\/strong> (Chang Jung-Chi)
\nThe Reaper<\/strong> (Zvonimir Juri\u0107)
\nRed Rose<\/strong> (Sepideh Farsi)
\nSand Dollars<\/strong> (Laura Amelia Guzm\u00e1n & Israel C\u00e1rdenas) \u2689
\nStill the Water<\/strong> (Naomi Kawase)<\/span> \u2716
\nTales<\/strong> (Rakhshan Bani-E’temad)<\/span>
\nTeen Lust<\/strong> (Blaine Thurier) C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nTigers<\/strong> (Danis Tanovi\u0107)
\nToday<\/strong> (Reza Mirkarimi)
\nTokyo Fianc\u00e9e<\/strong> (Stefan Liberski)
\nTour de Force<\/strong> (Christian Z\u00fcbert)<\/span> FS<\/strong><\/span>
\nTu dors Nicole<\/strong> (St\u00e9phane Lafleur)<\/span> C<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nTwo Shots Fired<\/strong> (Mart\u00edn Rejtman)<\/span> \u2689
\nThe Valley<\/strong> (Ghassan Salhab)
\nVenice<\/strong> (Kiki \u00c1lvarez)
\nVoice Over<\/strong> (Cristi\u00e1n Jim\u00e9nez)
\nWhere I Am King<\/strong> (Carlos Siguion-Reyna)
\nWho Am I \u2013 No System is Safe<\/strong> (Baran bo Odar)
\nXenia<\/strong> (Panos H. Koutras)<\/span> \u00ae<\/strong><\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
Discovery (39; last year: 28)<\/span>
\nAdult Beginners<\/strong> (Ross Katz)
\nAtlantic.<\/strong> (Jan-Willem van Ewijk)
\nBackcountry<\/strong> (Adam MacDonald) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nBang Bang Baby<\/strong> (Jeffrey St. Jules) C<\/strong><\/span>
\nBig Muddy<\/strong> (Jefferson Moneo) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nCorbo<\/strong> (Mathieu Denis) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Crow\u2019s Egg<\/strong> (M. Manikandan)
\nDukhtar<\/strong> (Afia Nathaniel)
\nFlapping in the Middle of Nowhere<\/strong> (Nguyen Hoang Diep)<\/span> \u2689
\nThe Great Man<\/strong> (Sarah Leonor)
\nGuidance<\/strong> (Pat Mills) C<\/strong><\/span>
\nI Am Not Lorena<\/strong> (Isidora Marras)
\nIn Her Place<\/strong> (Albert Shin) C<\/strong><\/span>
\nThe Intruder<\/strong> (Shariff Korver)
\nLa Salada<\/strong> (Juan Mart\u00edn Hsu)
\nLife in a Fishbowl<\/strong> (Baldvin Zophon\u00edasson)
\nThe Little Death<\/strong> (Josh Lawson)
\nLos Hongos<\/strong> (Oscar Ruiz Navia)<\/span> \u2689
\nMagical Girl<\/strong> (Carlos Vermut)
\nMardan<\/strong> (Batin Ghobadi)
\nMay Allah Bless France!<\/strong> (Abd Al Malik)
\nThe Narrow Frame of Midnight<\/strong> (Tala Hadid)
\nOBRA<\/strong> (Gregorio Graziosi)
\nRun<\/strong> (Philippe Lac\u00f4te)<\/span> \u2689
\nSecond Coming<\/strong> (Debbie Tucker Green)
\nSenza nessuna piet\u00e0<\/strong> (Michele Alhaique)<\/span>
\n\u201971<\/strong> (Yann Demange)<\/span> \u2689
\nSongs She Wrote About People She Knows<\/strong> (Kris Elgstrand) C<\/strong><\/span>
\nStories of Our Lives<\/strong> (Anonymous)
\nSway<\/strong> (Rooth Tang)
\nTheeb<\/strong> (Naji Abu Nowar)<\/span>
\nThe Tribe<\/strong> (Miroslav Slaboshpitsky)<\/span> \u00ae<\/strong><\/span> \u2689
\nUNLUCKY PLAZA<\/strong> (Ken Kwek)
\nThe Valley Below<\/strong> (Kyle Thomas) C<\/strong><\/span>
\nThe Vanished Elephant<\/strong> (Javier Fuentes-Le\u00f3n)
\nVilla Touma<\/strong> (Suha Arraf)<\/span>
\nWe Were Wolves<\/strong> (Jordan Canning) C<\/strong><\/span>
\nWet Bum<\/strong> (Lindsay Mackay) C<\/strong><\/span> + Red Alert<\/em> (Barry Avrich)
\nX + Y<\/strong> (Morgan Matthews)<\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Docs (21; last year: 22)<\/span>
\nBeats of the Antonov<\/strong> (Hajooj Kuka)
\nI Am Here<\/strong> (Lixin Fan)
\nIraqi Odyssey<\/strong> (Samir)
\nThe Kingdom of Dreams and Madness<\/strong> (Mami Sunada)
\nMerchants of Doubt<\/strong> (Robert Kenner) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nMonsoon<\/strong> (Sturla Gunnarsson) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nNational Diploma<\/strong> (Dieudo Hamadi)
\nNational Gallery<\/strong> (Frederick Wiseman)<\/span> \u00ae<\/strong><\/span> \u2605
\nNatural Resistance<\/strong> (Jonathan Nossiter)<\/span>
\nThe Price We Pay<\/strong> (Harold Crooks) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nRed Army<\/strong> (Gabe Polsk)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nRoger & Me<\/strong> (1989, Michael Moore)
\nSeymour: An Introduction<\/strong> (Ethan Hawke)
\nSilvered Water, Syria Self-Portrait<\/strong> (Ossama Mohammed)<\/span> \u2605
\nSunshine Superman<\/strong> (Marah Strauch)
\nTales of the Grim Sleeper<\/strong> (Nick Broomfield)<\/span> \u2605
\nThe Look of Silence<\/strong> (Joshua Oppenheimer)<\/span> \u2689
\nThis Is My Land<\/strong> (Tamara Erde)
\nThe Wanted 18<\/strong> (Amer Shomali & Paul Cowan) C<\/strong><\/span>
\nThe Years of Fierro<\/strong> (Santiago Esteinou)
\nThe Yes Men Are Revolting<\/strong> (Laura Nix & The Yes Men)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Gala Presentations (20; last year: 20)<\/span>
\nBlack and White<\/strong> (Mike Binder)
\nBoychoir<\/strong> (Fran\u00e7ois Girard) \u00ae<\/strong><\/span>
\nThe Connection<\/strong> (C\u00e9dric Jimenez) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Equalizer<\/strong> (Antoine Fuqua) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nEscobar: Paradise Lost<\/strong> (Andrea Di Stefano) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Forger<\/strong> (Philip Martin) \u00ae<\/strong><\/span>
\nFoxcatcher<\/strong> (Bennett Miller)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nHaemoo<\/strong> (Shim Sung-bo)
\nInfinitely Polar Bear<\/strong> (Maya Forbes)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Judge<\/strong> (David Dobkin) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nLaggies<\/strong> (Lynn Shelton)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nA Little Chaos<\/strong> (Alan Rickman)
\nMaps to the Stars<\/strong> (David Cronenberg)<\/span> C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nThe New Girlfriend<\/strong> (Fran\u00e7ois Ozon) \u2716
\nPawn Sacrifice<\/strong> (Ed Zwick)
\nThe Riot Club<\/strong> (Lone Scherfig)
\nRuth & Alex<\/strong> (Richard Loncraine)
\nSamba<\/strong> (Olivier Nakache & Eric Toledano) \u00ae<\/strong><\/span>
\nThis is Where I Leave You<\/strong> (Shawn Levy) C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nWild<\/strong> (Jean-Marc Vall\u00e9e) C<\/strong><\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689<\/p>\n
\n
\n<\/br>\n<\/div>\n
Wavelengths (19, including shorts programs; last year: 21)<\/span>
\nEpisode of the Sea<\/strong> (Lonnie van Brummelen, Siebren de Haan, & the inhabitants of Urk)<\/span> \u2689
\nFires on the Plain<\/strong> (Shinya Tsukamoto)<\/span> \u2716
\nFrom What is Before<\/strong> (Lav Diaz)<\/span> \u2689
\nHeaven Knows What<\/strong> (Joshua & Benny Safdie)<\/span> \u2605
\nHorse Money<\/strong> (Pedro Costa)<\/span> \u2605
\nJauja<\/strong> (Lisandro Alonso)<\/span> \u00ae<\/strong><\/span> \u2605
\nLa Sapienza<\/strong> (Eug\u00e8ne Green)<\/span> \u2689
\nLe beau danger<\/strong> (Ren\u00e9 Fr\u00f6lke)<\/span> \u2716
\nLetters to Max<\/strong> (Eric Baudelaire) \u2689
\nMaidan<\/strong> (Sergei Loznitsa)<\/span> \u00ae<\/strong><\/span> \u2689
\nThe Princess of France<\/strong> (Mat\u00edas Pi\u00f1eiro)<\/span> \u00ae<\/strong><\/span> \u2689
\nA Single Word<\/strong> (Mariama Sylla & Khady Sylla)
\nSongs from the North<\/strong> (Soon-mi Yoo)<\/span> FS<\/strong><\/span> \u25cb<\/p>\n
Journey to the West with Spectrum Reverse Spectrum<\/strong>
\n  – Spectrum Reverse Spectrum<\/em> (Margaret Honda) 70mm<\/strong><\/span> \u2605
\n  – Journey to the West<\/strong> (Tsai Ming-liang)<\/span> \u2605<\/p>\n
Pimenta\/ de Oliveira\/ Abrantes<\/strong> \u25cb
\n  – The Figures Carved into the Knife by the Sap of the Banana Trees<\/em> (Joana Pimenta)
\n  – The Old Man of Belem<\/em> (Manoel de Oliveira)<\/span>
\n  – Taprobana<\/em> (Gabriel Abrantes)<\/span><\/p>\n
Wavelengths 1: Open Forms<\/strong>
\n  – brouillard – passage #14<\/em> (Alexandre Larose) 35mm<\/strong><\/span> \u2605
\n  – Against Landscape<\/em> (Josh Gen Solondz) \u2716
\n  – Open Form \u2013 Game on an Actress\u2019s Face<\/em> (KwieKulik Group) \u2605
\n  – The Dragon is the Frame<\/em> (Mary Helena Clark) 16mm<\/strong><\/span> \u2689
\n  – Open Form \u2013 Street and Tribune in Front of PKiN<\/em> (KwieKulik Group) \u2689
\n  – Poetry for Sale<\/em> (Friedl vom Gr\u00f6ller) 16mm<\/strong><\/span> \u2689
\n  – Under a Changing Sky<\/em> (Jean-Claude Rousseau) \u2689
\n  – Panchrome I, II, III<\/em> (T. Marie) \u2689<\/p>\n
Wavelengths 2: Something in the Atmosphere<\/strong>
\n  – The pimp and his trophies<\/em> (Antoinette Zwirchmayr) 35mm<\/strong><\/span> \u2605
\n  – The Innocents<\/em> (Jean-Paul Kelly) \u2605
\n  – Catalogue<\/em> (Dana Berman Duff) \u2689
\n  – Relief<\/em> (Calum Walter) \u2689
\n  – Red Capriccio<\/em> (Blake Williams) \u0b83
\n  – Under the Atmosphere<\/em> (Mike Stoltz) 16mm<\/strong><\/span> \u2605
\n  – Beep<\/em> (Kim Kyung-man) \u2689<\/p>\n
Wavelengths 3: Tales Told<\/strong>
\n  – Twelve Tales Told<\/em> (Johann Lurf) 35mm<\/strong><\/span> \u2689
\n  – San Siro<\/em> (Yuri Ancarani) \u2689
\n  – Intransit<\/em> (Jakrawal Nilthamrong) 35mm<\/strong><\/span> \u2689
\n  – Canopy<\/em> (Ken Jacobs) \u2605
\n  – Detour de Force<\/em> (Rebecca Baron) \u2605<\/p>\n
Wavelengths 4: Night Noon<\/strong>
\n  – Lunar Almanac<\/em> (Malena Szlam) 16mm<\/strong><\/span> \u2605
\n  – Deep Sleep<\/em> (Basma Alsharif) \u2689
\n  – Orizzonti Orizzonti!<\/em> (Anna Marziano) \u2689
\n  – The Policeman\u2019s House<\/em> (Mich\u2019ael Zupraner) \u2689
\n  – Night Noon<\/em> (Shambhavi Kaul) \u2605
\n  – Sea of Vapors<\/em> (Sylvia Schedelbauer) \u2689<\/p>\n
\n
\n<\/br>\n<\/div>\n
Masters (14; last year: 11)<\/span>
\nThe Face of an Angel<\/strong> (Michael Winterbottom)
\nForeign Body<\/strong> (Krzysztof Zanussi)
\nThe Golden Era <\/strong>(Ann Hui)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nGoodbye to Language 3D<\/strong> (Jean-Luc Godard)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nHill of Freedom<\/strong> (Hong Sang-soo)<\/span> \u2605
\nLeviathan<\/strong> (Andrei Zvyagintsev)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\nMurder in Pacot<\/strong> (Raoul Peck)
\n1001 Grams<\/strong> (Bent Hamer) \u2689
\nA Pigeon Sat on a Branch Reflecting on Existence<\/strong> (Roy Andersson)<\/span> \u2605
\nRevivre<\/strong> (Im Kwon-taek)<\/span> \u25cb
\nThe Tale of The Princess<\/strong> Kaguya (Isao Takahata)<\/span> \u2689
\nTimbuktu<\/strong> (Abderrahmane Sissako)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nTrick or Treaty?<\/strong> (Alanis Obomsawin) C<\/strong><\/span> \u00ae<\/strong><\/span>
\nWinter Sleep<\/strong> (Nuri Bilge Ceylan)<\/span> \u2605<\/p>\n
\n
\n<\/br>\n<\/div>\n
Vanguard (12; last year: 16)<\/span>
\nAlleluia<\/strong> (Fabrice Du Welz)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2605
\nThe Duke of Burgundy<\/strong> (Peter Strickland)<\/span> \u00ae<\/strong><\/span> \u2716
\nGoodnight Mommy<\/strong> (Veronika Franz & Severin Fiala)<\/span>
\nHyena<\/strong> (Gerard Johnson)
\nLuna<\/strong> (Dave McKean)
\nOver Your Dead Body<\/strong> (Takashi Miike)
\nShrew\u2019s Nest<\/strong> (Juanfer Andr\u00e9s & Esteban Roel) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nSpring<\/strong> (Justin Benson & Aaron Moorhead)
\nThey Have Escaped<\/strong> (JP Valkeap\u00e4\u00e4)<\/span>
\nThe Voices<\/strong> (Marjane Satrap)<\/span>
\nWaste Land<\/strong> (Pieter Van Hees)
\nThe World of Kanako<\/strong> (Tetsuya Nakashima)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Midnight Madness (10; last year: 10)<\/span>
\nBig Game<\/strong> (Jalmari Heleander)
\nCub<\/strong> (Jonas Govaerts)
\nThe Editor<\/strong> (Matthew Kennedy & Adam Brooks) C<\/strong><\/span>
\nElectric Boogaloo: The Wild, Untold Story of Cannon Films<\/strong> (Mark Hartley) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nThe Guest<\/strong> (Adam Wingard)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nIt Follows<\/strong> (David Robert Mitchell)<\/span> \u00ae<\/strong><\/span> \u00ae<\/strong><\/span> \u2689
\n[REC] 4: Apocalypse<\/strong> (Jaume Balaguer\u00f3) \u00ae<\/strong><\/span> \u00ae<\/strong><\/span>
\nTokyo Tribe<\/strong> (Sion Sono) \u2689
\nTusk<\/strong> (Kevin Smith) \u00ae<\/strong><\/span>
\nWhat We Do in the Shadows<\/strong> (Jemaine Clement & Taika Waititi)<\/span><\/p>\n
\n
\n<\/br>\n<\/div>\n
Mavericks (9; last year: 9)<\/span>
\nDo I Sound Gay?<\/strong> (David Thorpe)
\nThe 50 Year Argument<\/strong> (Martin Scorsese & David Tedeschi)
\nMavericks Conversation With\u2026 Denzel Washington and Antoine Fuqua
\nMavericks Conversation With\u2026 Juliette Binoche
\nMavericks Conversation With\u2026 Reese Witherspoon
\nMavericks Conversation With\u2026 Richard Gere
\nMavericks Conversation With\u2026 Robert Duvall
\nMavericks Conversation With\u2026 Jon Stewart
\nA Midsummer Night\u2019s Dream<\/strong> (Julie Taymor)<\/p>\n
\n
\n<\/br>\n<\/div>\n
City to City: Seoul (8; last year: 10)<\/span>
\nAlive<\/strong> (Park Jung-bum)<\/span> \u25cb
\nA Dream of Iron<\/strong> (Kelvin Kyung Kun Park)<\/span> FS<\/strong><\/span>
\nA Girl at My Door<\/strong> (July Jung)<\/span> \u2689
\nA Hard Day<\/strong> (Kim Seong-hun)<\/span> \u2689
\nCart<\/strong> (Boo Ji-Young)
\nConfession<\/strong> (Lee Do-yun)
\nGyeongju<\/strong> (Zhang Lu)<\/span> FS<\/strong><\/span>
\nScarlet Innocence<\/strong> (Yim Pil-sung)<\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Cinematheque (8; last year: 7)<\/span>
\nThe Color of Pomegranates<\/strong> (Sergei Parajanov) \u2716
\nCrime Wave<\/strong> (1985, John Paizs) C<\/strong><\/span> \u25cb
\nCruel Story of Youth<\/strong> (Nagisa \u00d4shima) \u25cb
\nDragon Inn<\/strong> (King Hu) \u25cb
\nThe Goddess<\/strong> (Wu Yonggang) \u2689
\nIn Comparison<\/strong> (Harun Farocki) \u2605
\nMy Darling Clementine<\/strong> (John Ford) \u25cb
\nSpeaking Parts<\/strong> (1989, Atom Egoyan) C<\/strong><\/span> \u25cb<\/p>\n
\n
\n<\/br>\n<\/div>\n
Future Projections (5; last year: 9)<\/span>
\nAnna and the Tower<\/strong> (Lynne Marsh)
\nBMX Channel<\/strong> + Midnight Traceur<\/strong> (Shaun Gladwell)
\nNature of the Self<\/strong> (Laurent Montaron)
\nProvenance<\/strong> (Amie Siegel) \u25cb
\nSome Graphic Sex, Heavy Drinking, Bloody Violence, and Dirty Language: Seven One-Minute Feature-Like Films About Seoul<\/strong> (Young-Hae Chang Heavy Industries)<\/p>\n
\n
\n<\/br>\n<\/div>\n
TIFF Kids (4; last year: 5)<\/span>
\nLabyrinthus<\/strong> (Douglas Boswell)
\nPaper Planes<\/strong> (Robert Connolly)
\nSecrets of War<\/strong> (Dennis Bots)
\nSong of the Sea<\/strong> (Tomm Moore)<\/p>\n
\n
\n<\/br>\n<\/div>\n
Short Cuts Canada<\/span>
\nGo to the festival website if you want to know what’s playing in this section.<\/p>\n
\n
\n<\/br>\n<\/div>\n
Short Cuts International<\/span>
\nDitto.<\/p>\n","protected":false},"excerpt":{"rendered":"
Key: 16mm, 35mm, 70mm – It’ll be screened from a film print. (Probably only applicable to Wavelengths shorts from now on.) Features (40min. and up) are in bold. Shorts are in italics. \u2689 – I have seen this film. \u2605 – I have seen this film and recommend it (6.0 and higher) \u2716 – I […]<\/p>\n","protected":false},"author":1,"featured_media":0,"comment_status":"closed","ping_status":"closed","sticky":false,"template":"","format":"standard","meta":{"site-sidebar-layout":"default","site-content-layout":"","ast-site-content-layout":"default","site-content-style":"default","site-sidebar-style":"default","ast-global-header-display":"","ast-banner-title-visibility":"","ast-main-header-display":"","ast-hfb-above-header-display":"","ast-hfb-below-header-display":"","ast-hfb-mobile-header-display":"","site-post-title":"","ast-breadcrumbs-content":"","ast-featured-img":"","footer-sml-layout":"","ast-disable-related-posts":"","theme-transparent-header-meta":"","adv-header-id-meta":"","stick-header-meta":"","header-above-stick-meta":"","header-main-stick-meta":"","header-below-stick-meta":"","astra-migrate-meta-layouts":"default","ast-page-background-enabled":"default","ast-page-background-meta":{"desktop":{"background-color":"var(--ast-global-color-4)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"ast-content-background-meta":{"desktop":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"tablet":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""},"mobile":{"background-color":"var(--ast-global-color-5)","background-image":"","background-repeat":"repeat","background-position":"center center","background-size":"auto","background-attachment":"scroll","background-type":"","background-media":"","overlay-type":"","overlay-color":"","overlay-opacity":"","overlay-gradient":""}},"footnotes":""},"categories":[1],"tags":[],"class_list":["post-10129","post","type-post","status-publish","format-standard","hentry","category-uncategorized"],"_links":{"self":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10129","targetHints":{"allow":["GET"]}}],"collection":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts"}],"about":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/comments?post=10129"}],"version-history":[{"count":218,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10129\/revisions"}],"predecessor-version":[{"id":11449,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/posts\/10129\/revisions\/11449"}],"wp:attachment":[{"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/media?parent=10129"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/categories?post=10129"},{"taxonomy":"post_tag","embeddable":true,"href":"http:\/\/blakewilliams.net\/blog\/wp-json\/wp\/v2\/tags?post=10129"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}